The new Spider-Man No Way Home trailer has finally arrived and it brings a multi-verse of villains along with it! The action-packed trailer delves even deeper into Spider-Man’s latest struggle as the multiverse begins to fracture and allow several classic Spidey villains from the multiverse to come pouring out through the cracks. Staring Tom Holland as Peter Parker/Spider-Man and Benedict Cumberbatch as Doctor Strange, this trailer suggests that Peter’s interruptions while the Sorcerer Supreme was conducting his memory-wiping spell led to the multiverse cracking open, and they seam to be at loggerheads as they try to deal with the ramifications of what they’ve unleashed.
Of course we already knew Alfred Molina’s Doc Ock would return, and it would seem he has the most prominent role to play in the new Spider-Man: No Way Home trailer. There’s also brief appearances from Electro (Jamie Foxx), Sandman, Lizard, and the Green Goblin!
Rumours abound about at who else might appear in Spider-Man No Way Home but this trailer doesn’t give anything more away on that front. Spider-Man No Way Home looks set to be an epic MCU movie event, and is certainly one of the most hotly anticipated films of the year. Spider-Man: No Way Home will be swinging into cinemas on December 15 in the UK and December 17 in the US!
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Gunslinger Spawn #1 marks the launch of Image Comics second new monthly title to spin out of Tod McFarlane’s SPAWN UNIVERSE. Jeremy Winston / Gunslinger Spawn is arguably one of the most popular characters to emerge from the Spawn mythology in recent times. This new ongoing title will chart Gunslinger Spawn’s adventures from his Wild West origins to being uncannily marooned in the 21st Century. But as Gunslinger explores the unfamiliar world of 2021 it isn’t long before this past comes back to haunt him with a vengeance!
Much like Gunslinger Spawn himself Todd McFarlane has brought a veritable arsenal of talent along for the ride to make this 57 page issue, which features one main story and three back-up stories all written by Todd McFarlane, with Ales Kot providing additional plot / script for A Small Gift. Brett Booth handles the art for the main story and Thomas Nachlik, Philip Tan and Kevin Kean are on the backup stories, with inks by Adelso Corona, colors by Andrew Dalhouse, Nikos Koutsis, Marcello Iozzoli, Marcelo Maiolo, and FCO Plascencia, and the entire issue is lettered by Tom Orzechowski.
Picking up after the dramatic events of Spawn’s Universe #1, Gunslinger Spawn #1 sees the Gunslinger hit the road after finding himself inexplicably stranded in the present-day. He soon encounters slacker teen Taylor Bartlett. The ensuing hijinks highlights Gunslinger’s fish-out-of-water predicament, as the hellish high-planes drifter wrestles with concepts like gasoline, Google, and his young companions wry sarcasm. However, when they discover Taylor’s father is conspiring with the forces of Heaven the Gunslinger must charge to the rescue with all guns blazing!
The back-up’s delve into the mystery of Gunslinger Spawn’s past and greatly adds to the narrative of the main story in modern-day times : “The Lynching” has Gunslinger on the trail of an outlaw in the Wild West, “Weapons” reveals an important secret about his trademark revolvers, and “A Small Gift” features an iconic staple of the Westerns genre, a moody showdown in a run-down saloon.
The high anticipation for this comic has made Gunslinger Spawn #1 one of the biggest superhero launches in twenty-five years, and for the most part it manages to live up to all the hype. McFarlane has crafted an issue filled with fan-pleasing moments for the Gunslinger, especially his past, and also cleverly woven the narrative into the present-day to make it a fairly easy jumping on point for new readers. The art is also right on the money, with Brett Booth’s art probably being the biggest draw, and his fantastic artwork is nicely complemented by Nachlik, Tan and Kean on the backup’s.
Gunslinger Spawn originally made his debut as a cameo in Spawn #119 (2002). The characters distinctive aesthetic made him an instant hit and his recent return (which transported Gunslinger from the Wild West into the present), saw him fighting alongside Spawn in Spawn’s Universe #1, and paved the way for the debut of his own ongoing series.
As first issues go Gunslinger Spawn #1 covers all the bases and sets the stage for a great new series. The dynamic between Gunslinger and Taylor is great as well. Out of the three new titles launching this year in Todd McFarlane’s new SPAWN UNIVERSE, Gunslinger Spawn was the one I was looking forward to the most, and I’m excited to see Gunslinger’s adventures — past and present — unfold in this great new series.
Publisher Image Comics
Script / Plot Todd McFarlane
Additional Script / Plot Ales Kot
Art Brett Booth, Thomas Nachlik, Philip Tan and Kevin Kean
Inks Adelso Corona
Colors Andrew Dalhouse, Nikos Koutsis, Marcello Iozzoli, Marcelo Maiolo, and FCO Plascencia Lettere Tom Orzechowski
Cover Artists Todd McFarlane, Brett Booth, Greg Capullo, Jason Shawm Alexander, Robert Kirkman, Tonton Revolver
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Denis Villeneuve’s ambitious adaptation of Frank Herbert’s classic sci-fi novel, Dune, is finally here. Dune: Part One, follows the mythical emotional coming of age journey of Paul Atreides (Timothee Chalamet), a gifted young man born to face a destiny beyond anything he could’ve imagined on one of the most dangerous planets in the universe. When treachery strikes, Paul faces a battle for survival on the harsh desert world of Arrakis as the fate of the future, his family and his people hangs in the balance.
Right from the first scene of Dune: Part One it becomes clear that French-Canadian director of Blade Runner 2049 Denis Villeneuve has taken the rich narrative of Frank Herbert’s epic 1965 sci-fi novel – which many have long considered unfilmable – and masterfully captured the essence of Herbert’s work in a way that beautifully presents the intricate universe of Dune with its fascinating ensemble of characters, political power-struggles, intrigue and mysticism. The film is the first in a two part adaptation of Frank Herbert’s Dune, with a screenplay by Jon Spaihts, Villeneuve and Eric Roth that effectively covers the first half of the first book.
Unlike David Lynch’s Dune, which was a disastrous and unfathomable flop that bombed at the box office 1984, David Villeneuve’s Dune manages to avoid the narrative pitfalls and correct many of that earlier film’s worst mistakes. The plot of Dune: Part One is far more cohesive as a result.
Villeneuve wisely gives the characters and sweeping subtexts of Herbert’s novel room to breath, the special effects are breathtaking and the score by Hans Zimmer is magnificent. Fans of the book are sure to love every moment of Villeneuve’s thoughtful and respectful adaptation. Newbies might find the pace of the first hour a bit slow, but the sheer scope and scale of the film, along with its incredible visuals, effortless draws you in as Paul Atreides embarks on epic journey of discovery.
Once again, Dune: Part One sees the action unfold on the planet Arrakis, a commodity-rich world, where gargantuan sandworms lurk beneath the desert plains and the blue-eyed Fremen are locked in guerrilla warfare with their colonial oppressors from the ruthless House Harkonnen. Now the emperor has decreed that Barron Haekonnen (Stellan Skarsagard) must relinquish his governance over Arrakis to make way for the House of Atreides to take over, and ensure the further procurement of Melange, or spice as it is know, the priceless substance that can extend human vitality and is essential to maintain interstellar travel. The Atreides leader, Duke Leto (Oscar Isaac), seeks to make a treaty with the Fremen, but before his radical plans can be implemented, the bloated Baron Harkonnen and his hulking nephew Glossu Rabban (Dave Bautista) launch a devastating attack to seize back control of Arrakis.
Caught in the crossfire of the Harkonnen’s coup is Leto’s young son and heir, Paul (the perfectly cast Timothee Chalamet), and his mystical mother Lady Jessica (Rebecca Ferguson), who is also an acolyte of the Bene Gesserit sisterhood, and both mother and son possess enhanced Jedi-like physical and mental abilities. They manage to escape the carnage and with some help from Paul’s sword-master mentor and friend, Duncan Idaho (Jason Momoa) along the way, Paul and his mother make the dangerous journey across sandworm territory to reach the Fremen, where Paul finally encounters the mysterious girl from his dreams, Chani (Zendaya). A ritual duel and haunting revelations await as Paul becomes further entwined with the Fremens’ messianic prophecies.
David Villeneuve’s Dune is mesmerising blend of intergalactic political intrigue, mystery, sci-fi monster action and adventure. Every moment of the 155-minute run time is well spent on melding characterisation and plot with accomplished ease, and although the ending is a bit abrupt it sets the stage nicely for the next chapter of Paul Atreides’ mission. Of course on the films release it wasn’t certain whether we’d actually get a part two and find out if Paul really is “The One”. Fortunately the film performed well at the box office (making $40 million during its opening weekend), and on 26th October 2021 Legendary, Warner Bros and director Denis Villeneuve confirmed that Dune: Part Two has now been officially green lit with a release date of October 20th 2023. Villeneuve’s inspired directorial vision and the films dazzling cinematography has brought Frank Herbert’s Dune to life on the big screen in the most spellbinding way imaginable. An awe-inspiring movie in its own right, Dune: Part One is everything fans could’ve hoped for, and more!
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
No Time to Die, Daniel Craig’s final outing as the worlds most famous super-spy is finally with us at last, and it looks set to be 007’s most blockbusting adventure yet! As well as being the milestone 25th film in the Bond franchise, which began with Dr No in 1962, No Time To Die is also purportedly one of the most expensive Bond movie every made.
Picking after the events of Spectre (2015), where Blofield (Christopher Waltz) was captured and Bond had wandered off into the sunset with love-interest Dr Madeleine Swann, played by French star Lea Seydoux, No Time to Die finds that Bond and Madeleine have started a new life together in Italy. Although Bond’s left his spy days with MI6 behind him, Madeleine is still harbouring secrets of her own, and Bond’s own troubled past eventually makes them go their separate ways.
Five years on and Bond is in Jamaica, retired and drowning his sorrows, that is until his old CIA contact Felix Leiter (Jeffery Wright) seeks his help. Christopher Waltz’s sinister Blofield may be behind bars, but he’s not without influence, and his nefarious henchmen on the outside are still eager to do his bidding – namely Primo (Dali Benssalah).
There’s also a new nemesis in the form of Safin, brilliantly played by Rami Malek, a deadly psychopath with his own agenda who also shares a past with Bond’s lover Madeleine. Bond reunites with M, played by Ralph Fiennes, along with old colleagues Ben Wishaw’s trusty quartermaster Q, Naomie Harris as Moneypenny, and some new faces including the fearless and funny Cuban CIA agent Paloma, played by Ana de Armas, and Lashana Lynch as new double-oh-agent Nomi who stepped up to the plate when Bond was out of the frame. With new working practices at MI6 to contend with, Bond must learn to adapt as he struggles with his role in the ever changing asymmetric world of modern warfare and high-tech espionage, whilst dealing with the return of Madeleine, and finding a way to stop his enemies from unleashing a deadly bioweapon on the world.
The multi-layered storyline brings this era of Bond full circle in a plethora of action, gadgets, intrigue and glamour. Daniel Craig gives one of his most powerful performances yet as 007 runs a gauntlet of brutal action, frenetic chases and emotional turmoil that will no doubt galvanise his legacy as one of the best Bond’s of all. He’s ably supported by a superb cast, who each get their moment in the spotlight, and Director Cary Joji Fukunaga stylishly orchestrates the international scope of the globe-trotting narrative, rich characterisation and the big action set-pieces with consummate ease. Add to that the rousing score by Hans Zimmer and a terrific theme tune written by Grammy winner Billie Eillsh and you have a movie that is sure to be everything that fans could’ve hoped for in Daniel Craig’s swansong as Bond.
No Tine to Die features some stunning locales, including those filmed in the hillside city of Matera in Italy, the Caribbean where Bond tries to escape his life at MI6, and an exciting chase in Norway. Filming also took place on the Faroe Islands, along with scenes short in the UK at the 19th century Ardverikie Estate and Cairngorms in Scotland, and London. There’s the usual quota of stunts, fights and shoot-outs to leave you shaken and stirred, including a fantastic sequence with the iconic Austin Martin where Bond and Madeleine are attacked and pursued by their enemies, there’s a dramatic chase across a frozen lake as well, and even a record breaking explosion for one particular stunt.
The pandemic might have seen the film pushed back three times from its original 2020 release date, but its been well worth the wait. At just over two hours and 43 minutes long, its a film with a lot of ground to cover as it races into its thrilling final act, but the story never drags, and the exciting break-neck action ensures No Time to Die brings Daniel Craig’s era as Bond to a close in fine style.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
IDW’s Godzilla: World of Monsters features some of the King of the Monsters greatest sagas in one massive 335 page volume that collects the three Godzilla graphic novels: Gangsters & Goliaths by John Layman and Alberto Ponticelli, Cataclysm by Cullen Bunn and Dave Wachter and Oblivion by Joshua Fialkov and Brian Churilla.
This trade collection begins with Godzilla: Gangsters and Goliaths by superstar creators John Layman (Chew) and Alberto Ponticelli (Unknown Soldier). This outstanding tale is perhaps as bizarre as it is ingeniously inventive, when Godzilla ends up classing head on with the Tokyo criminal Yakuza underworld after Detective Makoto Sato embarks on the quest to take down a notorious crime syndicate. Sato’s mission unfortunately earns him a tropical getaway to Monster Island. Here he must fight for survival against gangsters and goliaths – whilst ensiling the help of some very unusual friends along the way. Gangsters & Goliaths is a quirky and exciting spin on the usual Godzilla tropes, with a great story by John Layman, and stylish art from Alberto Ponticelli.
Next up we have Godzilla: Cataclysm by Cullen Bunn (The Sixth Gun) and Dave Wachter (The Guns of Shadow Valley). Bunn’s ominous Godzilla story takes place many years after a terrifying monster apocalypse that virtually wiped out all of mankind. Now that disaster is only a nightmarish memory for Hiroshi, the elder of one of the few surviving human tribes. But the apocalypse isn’t over yet, far from it, and Hiroshi’s memories of the past may end up being the only hope of saving the future of mankind. This grim tale makes for compelling reading, and the impressive artwork by Dave Wachter depicts the apocalyptic world and monster in action in vivid detail.
Godzilla: Oblivion, written by Joshua Fialkov Doctor Who, I Vampire), with art by Brian Churilla (Big Trouble in Little China), rounds off this Godzilla collection with an adventure set on an Earth where there are no monsters, until a scientist builds a machine that creates a portal to another dimension leading to an Earth-like world where monster rule and Godzilla is the mightiest of them all. When a team embarks on a voyage to explore this alternate reality, they discover what happened to that world, and their frantic return to their own Earth risks brining something very nasty back with them. Oblivion has a unique Sci-Fi unique twist in the story, although the art is a bit variable at times, and lacking in finer detail. Minor quibbles aside, Oblivion remains a fun and action packed Godzilla adventure.
Godzilla: World of Monsters showcases some of the best collections from IDW Publishing’s extensive Godzilla comics. This trade paper back features Godzilla at his best, reigning supreme no matter what world or timeline we find him in, and this excellent trilogy of epic tales has something for every Godzilla fan to enjoy.
Publisher IDW Publishing
Writers John Layman, Cullen Bunn, Joshua Fialkow
Artists Alberto Ponticelli, Dave Wachter, Brian Churilla.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
The first trailer for THE MATRIX 4: RESURRECTIONS has been released. Keanu Reeves and Carry Ann Moss will be reprising their roles as Neo and Trinity, even though both characters died during the last Matrix movie. It would seem, the plot will centre on Neo once more, except he has returned to his regular life as Thomas Anderson and doesn’t remember the events of the previous movies. The cast also includes Priyanka Chopra, Neil Patrick Harris, Jonathan Groff, Christina Ricci, and more in new, undisclosed roles.
I loved the original film, but wasn’t that keen on its sequels.. Fingers crossed Matrix 4: Resurrections will be a return to form. The highly anticipated film will arrive in theaters & on HBO Max on December 22nd. .
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Shang-Chi and the Legend of the Ten Rings is a spectacular new Asian led chapter in the next phase of Marvel’s highly anticipated wave of post Endgame movies, and also a much needed breath of fresh air for the Marvel Cinematic Universe. Staring actor and stuntman Simu Liu as Shang-Chi, who post blip is using the alias of Shaun while working as a hotel valet in San Francisco, together with his best friend Katy (Awkwafina). When they are suddenly attacked by the deadly Razor Fist (Florian Munteanu) and his henchmen, Shang-Chi has no choice but to reveal his true identity and return home to face the demons of his past, including his father, Wenwu (Tony Leung), who just happens to be the centuries old super-villain leader of the Ten Rings organisation!
Director Destin Daniel Cretton stylishly blends the superhero fantasy and martial arts action. The frenetic fight sequences are beautifully choreographed, with Simu Liu performing many of his own stunts, and as origin stories go Shang-Chi and the Legend of the Ten Rings is a great addition to the MCU line-up. The saga of the Ten Rings, the mystical weapons that grant their owner great power and immortality, is intricately woven into the narrative, and Shang-Chi’s fears his that estranged sister Xu Xialing (Meng’er Zhang) will also be targeted sees him race to Macau with Katy to find Xialing.
The plot hardly pauses for a moment from the outset. Highlights included a Jacky Chan like sequence on a skyscraper swathed in bamboo scaffolding, there’s a cage fight between Wong (Benedict Wong) and the Abomination (voice by Tim Roth), a daring Speed-style chase unfolds through the streets of San Francisco, and a bombastic finale of epic proportions round off Shang-Chi’s MCU debut in fine style.
Simu Liu effortlessly makes the role Shang-Chi his own, while Awkwafina’s scene stealing turn as Chi’s comic sidekick ensures there’s plenty of fun moments interspaced between the frenetic action. There’s some father son angst that gives the plot added depth, sacrifices are also made, and everything builds to a fittingly spectacular – if somewhat CGI heavy – climatic mystical showdown. The supporting cast is excellent as well, although I felt the addition of Sir Ben Kingsley’s character Trevor Slattery (the faux Mandarin from Iron Man 3) was a little bit superfluous.
As Marvel Studios first film with an Asian director and a predominately Asian cast, Shan-Chi and the Legend of the Ten Rings is a fine exploration and representation of Asian culture, and a visually impressive and exciting MCU film on every level. There are plenty of Easter eggs and MCU references to past movies and future Phase Four projects to enjoy as well. This film may not be as game changing as Black Panther, but it was way more fun than Black Widow! Shang-Chi and the Legend of the Ten Ring is a good all-round action-adventure film in its own right, the dazzling martial arts fight sequences will blow yu away, and the post credit scenes (featuring some fan pleasing cameos) bring the character of Shang-Chi even further into the wider mythology of the Marvel Cinematic Universe.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
King Spawn #1 is a historic comic book event for Todd McFarlane’s Spawn – namely that this hotly anticipated issue marks the launch of the first new ongoing Spawn since the character originally debuted in 1992. Nearly three decades in the making, Image Comics King Spawn #1 continues to expand on events from SPAWN’s UNIVERSE #1 as the forces of Hell, Heaven, and the Heroes all begin to assert their power and influence on Earth.
Sean Lewis and Todd McFarlane have crafted something of a horror noir themed anthology with King Spawn #1, which features a lead story and numerous back-up stories to make this giant sized issue extra special.
The main storyline is a dark, sombre affair, which opens with a shocking attack, and the grim tone and bloodletting hardly lets up from there. Its a story more akin to a supernatural detective thriller really, with Spawn investigating a gruesome trail of murderous carnage, and utilising the resources of his allies to hunt down a mysterious killer via a list that holds the name of every Shadow Player – the Demons and Angels hiding in human skins on Earth – but it seems there even darker forces waiting in the wings. This gripping opening story is beautifully illustrated by Javi Fernandez with colors by FCO Plascencia. From the ominous rainswept graveyard scene to a vengeful Spawn’s grim quest around the city to uncover answers to the heinous series of murders, Fernandez and FCO dynamically render this atmospheric saga in exquisite detail, with striking visuals, dynamic page layouts, and rich colors throughout. The cliffhanger sets up some intriguing possibilities that will no doubt shape and influence the new Spawn Universe in the months ahead.
Haunt, the first back-up story, is drawn by Stephen Segovia. Its a good little story that serves as a reminder of Haunt’s abilities, along with the dynamic with his ghostly brother, and it sets up a mission Haunt must undertake to save himself after he’s fallen in love. Marcio Takara handles the art for Nightmare, a decidedly bloody and gory interlude with Nightmare Spawn, a great looking character with a truly monstrous personality. Then we have The Hero illustrated by Philip Tan, its a nerve jangling tale of terror with a surprise twist in the tale, and it will be interesting to see where this character goes next. Finally we have Gunslinger, drawn by Brett Booth which of course focuses on Gunslinger Spawn. Its a great tale about the fate that befell the Gunslinger, how revenge consumed him, and where that same fate has inexplicably placed him now.
Rounding off this amazing first issue of King Spawn is an interview with Sean Lewis by Todd McFarlane that provides even greater insight into this new era for Spawn. The hype and anticipation around King Spawn has been phenomenal and its sure to be a huge hit. I’m pleased to say that this issue more than lived up to the hype, and its also a fairly good jumping on point for new readers as well. This reviews a tad late as I’ve been off for most of August enjoying a summer break with my family. I’ve been really looking forward to getting King Spawn #1, so I thought it’d be a good issue for me to cover and get back into my reviewing groove again. I even treated myself to a couple of the variants as well, and I’m really excited to see what the Spawn Universe will bring — especially Gunslinger Spawn in October!
Publisher Image Comics
Script / Plot Sean Lewis / Todd McFarlane (additional dialogue) King Spawn
Art Javi Fernandez (King Spawn), Stephen Segovia (Haunt),
Marcio Takara (Nightmare), Philip Tan (The Hero), Brett Booth (Gunslinger).
Additional Colors Andrew Dalhouse, Marcelo Maiolo,
Peter Steigerwald, Dave McCaig
Lettering Andworld Design (King Spawn), Tom Orzechowski
Cover Artists Todd McFarlane, Puppeteer Lee, David Finch, Sean Gordon Murphy, Brett Booth (inked by McFarlane), Greg Capullo (inked by McFarlane), Donny Cates (inked by McFarlane).
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
So only a day after footage apparently leaked onto the internet, Sony have released the first teaser trailer for Spider-Man No Way Home. For the first time in the cinematic history of Spider-Man, our friendly neighbourhood hero is unmasked and no longer able to separate his normal life from the high-stakes of being a Super Hero. When he asks for help from Doctor Strange the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man!
The trailer looks really exciting and really looking forward to Spider-Man No Way Home – fingers crossed it lives up to all the hype!
The film stars Tom Holland, Zendaya, Benedict Cumberbatch, Jon Favreau, Jacob Batalon with Marisa Tomei, and is directed by Jon Watts. Spider-Man No Way Home looks set to be the MCU event of 2021 and will be realised exclusively at cinemas December 17th!.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Moon Knight returns to protect those who travel at night with the launch of Moon Knight #1, Marvel’s brand new ongoing series from writer Jed MacKay (Black Cat) and artist Alessandro Cappuccio (Mighty Morphin Power Rangers). As the first Khonshu Moon Knight has a sworn duty to uphold, this time with a slightly revised mission, and even some creatures of the night will earn protection in the Moon Knight’s dominion.
Marc Spector’s night time crusade continues apace as people seek out help for the horrors lurking in the twilight hours of their neighbourhoods from the mysterious Mr Knight at his Midnight Mission HQ. The Moon Knight prowls the rooftops and alleyways marked with his crescent moon symbol, dealing out violence and retribution to anyone, or anything, foolish enough to harm those under his protection.
Moon Knight #1 hits the ground running and doesn’t let up for a moment as writer Jed MacKay deftly establishers a fresh take on Marvel’s most uncompromisingly complex hero. The focus on Marc Spector’s dissociative identity disorder and the numerous guises he uses to carry out his righteous mission are refreshingly underplayed, instead MacKay skilfully utilises the fascinating therapy sessions between Moon Knight and his therapist to meld exposition and narrative into a cohesive whole. Along with his therapist, Marc also shares a close bond with Reese who helps run the Midnight Mission, there are villains like 8-Ball and Vermin to contend with as well, and a strange new Doctor running the free clinic. Events also see Moon Knight inadvertently end up saving creatures of the night in this issue as well. This is the key factor that ends up putting Moon Knight at odds with other followers of Khonshu who hold an even darker interpretation of their god – Khonshu.
The dark, noirish look of Moon Knight #1 is beautiful rendered by artist Alessandro Cappuccio, every scene is rich with atmosphere and dynamic page layouts, and color artist Rachelle Rosenberg uses a subtle mix of moody tones and swarthy shadows to heighten the books visuals even further. Action sequences are bold and in-your-face, with Moon Knight crashing through car windscreens, going toe-to-toe with adversaries in dark streets and corridors, and gliding down over the city to champion those in need. It is the conversations between Moon Knight and his therapist that really steal the show, however. There’s a distinct ‘Hannibal’ like vibe to these sequences, they draw you deeper into the story, and form many of the most compelling moments in the issue.
While all the familiar tropes we’ve come to expect from the character are apparent in Moon Knight #1, Jed MacKay does put a very clever spin on everything, and we can only hope what follows lives up to the potential set up in this first issue. There’s a lot here for longterm Moon Knight fans to enjoy, and the brief flashback to the characters origin ensures newcomers are also catered for as well. Marvel has also churned out a plethora of variant covers for Moon Knight #1 so I’m sure fans and variant cover collectors alike will be over the moon about that. A Hunter’s Moon is rising in this new Moon Knight comic book series and I’m excited to see where MacKay takes the story and the character of Marc Spector next. With all the hype around Moon Knight and the new TV series starring Oscar Isaac coming to Disney Plus in 2021, this new Moon Knight comic series is sure get spark a lot of interest in the character, and this issue certainly gets everything off to a great start.
Publisher Marvel Comics
Writer Jed MacKay / Artist Alessandro Cappuccio
Color Artist Rachelle Rosenberg / Letterer VC’s Cory Petit
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
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