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Doctor Who Legend of the Sea Devils Review

17 Sunday Apr 2022

Posted by Paul Bowler in All, Doctor Who

≈ 22 Comments

Tags

13th Doctor, Chris Chibnall, Dan Bishop, Doctor Who, Jodie Whittaker, Legend of the Sea Devils, Legend of the Sea Devils review, Mandip Gill, Sea Devils, TARDIS

Doctor Who Legend of the Sea Devils

Review by Paul Bowler.

Gets set for a swashbuckling adventure with Legend of the Sea Devils, written by show-runner Chris Chibnall and playwright Ella Road, and directed by newcomer Haolu Wang. The Sea Devils make their long awaited return in the modern era just in time for the penultimate story of the 13th Doctor’s era.This blockbusting Doctor Who Easter Special is an action packed adventure set on the high-seas in 19th century China. Its also something of a celebrity historical  as the 13th Doctor (Jodie Whittaker) and her travelling companions Yaz (Mandip Gill) and Dan (John Bishop) encounter a historically real-life character – the fearsome Pirate Queen Madam Ching (Crystal Yu)! However, the TARDIS teams visit to the 19th century quickly goes awry when a small costal village comes under threat from the Pirate Queen and the deep-sea menace of the Sea Devils she’s inadvertently  unleashed on the world.

From the moment we learn the TARDIS has been sent off course to China there is an almost palpable sense of excitement in the air. Jodie Whittaker is quite simply marvellous in her role here as the 13th Doctor in this episode, and her bright and breezy incarnation sails through the dramatic beats of the story with ease as she confronts her old foes – the Sea Devils. I really like the dynamic between this TARDIS team, Mandip Gill really comes into her own in this story too, and John Bishop is a pure delight as Dan. The growing closeness between the Doctor and Yaz which became apparent in Eve of the Daleks (2022) is another narrative thread that has been carried over into Legend of the Sea Devils as well. This episode sees some major costume changes for the Time Lord and her companions, the Doctor’s costume get a slight revamp with a striking oriental style top, Yaz has a beautiful double wrap-around skirt and best of all Dan gets to dress up as a pirate!

Along with the regular cast the episode also features Crystal Yu as the legendary Pirate Queen Madame Ching. Yu gives a great performance as the tough-as-nails Pirate Queen, who is searching for a lost treasure. Madame Ching’s quest soon finds her encountering the Doctor and crossing swords with the Sea Devils alongside the Time Lord as the amphibians return from the ocean depths. The cast also includes Arthur Lee as Ji-Hun and Marlow Chan-Reeves as Ying Ki who each play key roles in the swash buckling shenanigans of Legend of the Sea Devils.

It has been 50 years since the Doctor first encountered the aquatic Sea Devils. Chris Chibnall and co-writer Ella Road have crafted a really fun and exciting return for them here. Many fans, myself included, have long hoped these classic monsters who first appeared in 1972’s The Sea Devils, the 3rd Doctor story written by Malcolm Hulke, would return at some point, and I’m happy to say they’ve certainly done them justice with Legend of the Sea Devils. These new look Sea Devils may have swapped their string vests for the garb of buccaneer Pirates, but they’ve still retained their iconic look and distinctive whispery voices.

The Sea Devils chief Marsissus is played by Craige Els (Karvanista in Doctor Who Flux), he’s brilliant as Marsissus, especially during his confrontations with the Doctor, and the seafaring Pirate action when the Sea Devils strike provide many spectacular sights to behold as this story unfolds!

Legend of the Sea Devils not only provides a fantastic showcase for the 13th Doctor and her friends, it’s also a triumph for the production team who have clearly gone all out to make this episode really special. The fact Legend of the Sea Devils was also filmed under COVID restrictions makes what’s been achieved all the more impressive. Everything from the fishing village to the massive galleon ship sets, exquisite costume designs, period detail, along with the terrific new Pirate Sea Devils, stunning visual effects and Haolu Wang’s stylish direction all combine to make Legend of the Sea Devils a throughly enjoyable and thrilling adventure.

This Easter Special works incredible well as a standalone adventure, with giant sea monsters, pirate ships, the oceans, sword-fights and an ancient coastal village! Its nice to see the main cast in one last regular adventure before the inevitable tumultuous machinations of a regeneration story, before Jodie Whittaker bows out with end of the 13th Doctor’s era in the Doctor Who BBC centenary Special that will air in the autumn of 2022.

Check out the first look at Doctor Who’s feature-length Centenary special!

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who Eve of the Daleks Review

01 Saturday Jan 2022

Posted by Paul Bowler in All, Doctor Who

≈ 10 Comments

Tags

13th Doctor, Chris Chibnall, Daleks, Doctor Who, Doctor Who Flux, Eve of the Daleks, Eve of the Daleks Review, Jodie Whittaker, Legend of the Sea Devils, New Year's Day, Sea Devils, TARDIS

Doctor Who Eve of the Daleks New Year’s Day Special

Review by Paul Bowler

Having survived the Flux the Thirteenth Doctor (Jodie Whittaker) and companions Yaz (Mandip Gill) and Dan (John Bishop) are back to face the Time Lords dreaded nemesis, the Daleks in this festively themed New Year’s Day special! The Daleks return with a bang in Eve of the Daleks as the Doctor and her friends find themselves caught in a time loop with the Daleks hot on their heels!

The feature length special, written by showrunner Chris Chibnall is set on New Year’s Eve and guest stars Aisling Bea (from Channel 4’s This Way Up) who plays ELF storage facility manager Sarah, Adjani Salmon (of BBC2’s Enterprise) as Nick, the lovestruck customer who visits every New Year’s Eve, and Father Ted’s Pauline McLynn as Mary. Their lives turned upside down when they get caught up in an adventure with the Doctor, Yaz, Dan and the Daleks. The episode  cleverly utilises its core cast and single set  to great effect as it blends its rom-com elements with time loops, themes of loneliness, unrequited love, and of course lots of Dalek action!

Eve of the Daleks is essentially Doctor Who doing Groundhog Day with a Sci-Fi twist after the Doctor’s attempts to reset the TARDIS backfires, and the complex fun filled plot positively rattles along at a cracking pace from the outset. Jodie Whittaker excels as the 13th Doctor once again, the rest of the cast are also on fine form, and the action sequences are pretty spectacular as well. Director Annetta Laufer manages to strike just the right balance between the interconnecting plot threads, quirky humour and frenetic high-drama to keep everything on track.

This time though the Daleks are not just trying to end the universe. Instead this special squad of executioner Daleks have set their sights on the Doctor herself and are hellbent on getting some payback! 

Eve of the Daleks is fun run-around that milks its complex timey wimey laden premise for all its worth. The slapstick humour and goofy romantic sub-plot gets a tad overcooked in places, but the non-stop-action and great dynamic between the 13th Doctor and her companions more than makes up for any shortcomings. This is the first of three specials that will round off the 13th Doctor’s era in 2022 before the Time Lords imminent regeneration in the autumn. Eve of the Daleks provides a great showcase for the return for the Daleks as they battle the Doctor, while also providing an engaging coda for the events of Doctor Who Flux, and setting the stage for things to come. To top it all a surprise next time trailer heralds the return of the classic Doctor Who monsters the Sea Devils this spring in Legend of the Sea Devils!

Happy New Year Everyone!

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who Revolution of the Daleks Review

01 Friday Jan 2021

Posted by Paul Bowler in All, Doctor Who

≈ 8 Comments

Tags

13th Doctor, Black Dalek, Captain Jack, Chris Chibnall, Daleks, Doctor Who, Doctor Who New Years Day special;, Doctor Who Series 12, Doctor Who Series 13, Jodie Whitaker, John Barrowman, John Bishop, New Daleks, Revolution of the Daleks, Series 12, Series 13, TARDIS, The Timeless Children, Thirteenth Doctor, Torchwood

Doctor Who Revolution of the Daleks

Review by Paul Bowler.

The Doctor and her friends face the return of the Daleks in the 2021 New Year’s Day special Revolution of the Daleks, written by Doctor Who show runner Chris Chibnall and directed by Lee Haven Jones whose Doctor Who credits also include Series 12’s Spyfall Part Two and Orphan 55. Locked up in a high-security alien prison, the 13th Doctor is isolated with no hope of escape. Back on Earth her companions Yaz, Ryan, and Graham are doing their best to continue their lives without her. Its not easy though, especially when they uncover a dark plot involving a Dalek!

When we last saw Jodi Whittaker’s 13th incarnation of the Time Lord in the Series 12 finale, The Timeless Children (2020), she’d been locked up in a space prison by the Judoon following the epic battle with the Master (Sacha Dhawan) and the Lone Cyberman’s (Patrick O’Kane) army of Cybermen in the ruins of Gallifrey. Although Revolution of the Daleks was filmed long before lockdown, we can perhaps sympathise with the Doctor’s plight and her sense of isolation in this friends without idea what’s happening back on Earth.

Meanwhile Graham (Bradley Walsh), Yaz (Mandip Gill) and Ryan (Tosin Cole) have had to adjust to life back in Sheffield while the Doctor is in space jail, and this episode highlights just how resourceful they can be in her absence.

Yaz is still determined to find out what happened to the Doctor, but the gang soon find themselves busy investigating a sinister scheme that’s been brewing with the Daleks. Trouble is, how can they possibly fight a Dalek without the Doctor’s help? Fortunately Captain Jack, played by the brilliant John Barrowman MBE, also makes a return for this New Year’s Day spectacular as the Doctor’s friends prepare to face their greatest challenge of all time!

As well as the welcome return of John Barrowman as Captain Jack, Revolution of the Daleks features a wealth of guest stars including Sex and the City’s Chris Noth who returns as scheming business man Jack Robertson from Series 10’s Arachnids in the UK (2018), making their Doctor Who debut are star of the stage and screen Dame Harriet Walter as a corrupt government minister, and TV star Nathan Stewart-Jarrett (The Trial of Christine Keeler) who plays the young scientist Leo Rugazzi.

Chris Chibnall’s pacy script for Revolution of the Daleks is packed drama, emotion, and bold action-set-pieces. We really become invested in the Doctor’s plight as she struggles with her incarceration, Jodie Whittaker gives a superb performance, and it turns out the Time Lords been in prison for a very long time indeed! Mandip Gill is also great as Yaz, who refused to give up on the Doctor in the last ten months since they returned to Earth in a spare TARDIS, and has almost becomes obsessed with finding her. She also keeps the gang together and takes the lead in their investigation into the Daleks. Fortunately, with with some help from an old friend, the Doctor manages to break out of jail and return to Earth. However, the reunion with he friends isn’t all plain sailing, and the Time Lord is still struggling to come to terms with the fact that everything she once knew about herself has now changed forever.

As you’d expect John Barrowman is quite simply “Fabulous!” as Captain Jack. His guest appearance in Fugitive of the Judoon was one of the biggest highlights of Series 12, and while the Jack who returns in Revolution of the Daleks is slightly older and wiser he’s still every bit as fun and flirty as ever! There’s a lovely scene in particular where Jack talks with Yaz about how she feels about the Doctor, and of course Jack knows all too well the thrill of travelling with the Time Lord in the TARDIS and also how it can feel when the Doctor leaves you.

Revolution of the Daleks not only picks up after the events of The Timeless Children but its also a sequel to 2019s New Year’s Day special Resolution, we get to find out what happened after the Dalek attacked GCHQ, and director Lee Haven Jones deftly balances all the drama, character arcs and Dalek action in fine style. 

This new year themed special of course features the return of the Doctor’s deadliest enemies, the Daleks! Last time we saw a Dalek was in 2019s New Year’s Day special Resolution, which saw the 13th Doctor confronted with a lone Reconnoissance Scout Dalek. Now boasting an updated casing reminiscent of that same steampunk Dalek design, this new glossy black Dalek design makes its debut here in Revolution of the Daleks when a fiendish scheme is unleashed to manufacture “defence drones”, but when the Recon Daleks mutant remains finds a fresh human host and begins cloning itself a new Dalek menace soon threatens the entire world. Even with Captain Jack on their side the Doctor’s friends find themselves  thrown in at the deep end, battling against impossible odds as a mass inter-Dalek conflict unfolds around them, and they must hold off the Daleks at all costs until the Doctor can find a way to defeat both of the waring Dalek factions.

Of course the Doctor eventually uses some clever slight of hand to save Earth in the nick of time help her friends fend off the Daleks, but this New Year’s reunion with her “Fam” will sadly be short lived, as this episode also marks the final appearance for Bradley Walsh and Tosin Cole as Graham and Ryan in the show. Their departure is an especially moving moment, and I doubt there’ll be a dry eye in the house as it unfolds.

Packed with thrills, spills, Easter eggs galore and a few surprises too, Revolution of the Daleks is a landmark event for the 13th Doctor’s era. It’s great to see Doctor and her friends go up against the Time Lords deadliest enemies, the Daleks, before the status quo introduced in The Woman Who Fell To Earth (2018) is changed forever. A spectacular sequence featuring the Daleks that was filmed on the Clifton Suspension Bridge is another big highlight of this New Year’s Day special, we also get to see Whittaker’s Doctor meet Captain Jack at last, there are fond farewells for the TARDIS team, and new adventures ahead for the Doctor and Yaz. Revolution of the Daleks is an emotional, action packed treat. It ties up many of Series 12’s loose ends, whilst also providing a moving coda for Ryan and Graham that beautifully bookends their travels with the 13th Doctor, and nicely paves the way for the next chapter of the 13th Doctor’s adventures. Series 13 will also see the Doctor and Yaz welcome a new travelling companion to the TARDIS when actor and comedian John Bishop joins the cast as ‘Dan’, and the new series will appear on BBC One later in 2021!

Images Belong BBC

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who: Revolution of the Daleks Trailer

29 Sunday Nov 2020

Posted by Paul Bowler in All, Doctor Who, Trailers & Posters

≈ 5 Comments

Tags

13th Doctor, Captain Jack, Chris Chibnall, Daleks, Doctor Who, Jodie Whittaker, John Barroman, Revolution of the Daleks, Thirteenth Doctor

Doctor Who: Revolution of the Daleks Trailer

The new trailer for Revolution of the Daleks is here at last! The Thirteenth Doctor and the fam are back to kick-off 2021 with a special action-packed episode on New Year’s Day – Revolution of the Daleks! 

When we last saw the Thirteenth Doctor at the end of series 12 she was trapped in a high-security alien prison. Now in this upcoming festive special episode, Yaz, Ryan and Graham are  on Earth and continuing their lives without her. But a threat involving a Dalek is brewing. Can the Doctor escape her prison and how will her friends fight a Dalek without the Doctor’s help? Fortunately Captain Jack’s back, but even with his help the Doctor and her friends are about to face their greatest challenge of all time…

Staring Jodie Whittaker (The Doctor), Bradley Walsh (Graham), Mandip Gill (Yaz) and Tosin Cole (Ryan), with a guest cast featuring John Barrowman MBE as Captain Jack, along with Chris Noth as Jack Robertson, stage and screen star Dame Harriet Walter also makes her Doctor Who debut with TV star Nathan Stewart-Jarrett (The Trial of Christine Keeler).

Revolution of the Daleks will air on New Year’s Day 2021, the special episode is a standalone episode and direct sequel to Resolution, and marks the debut of a special new Dalek design. 

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who The Timeless Children Review

02 Monday Mar 2020

Posted by Paul Bowler in All, Doctor Who

≈ 10 Comments

Tags

13th Doctor, Chris Chibnall, Cyber Masters, Cyber Warriors, Cyberium, Cybermen, Doctor Who, Doctor Who Series 12, Doctor Who Series 12 finale, Doctor Who The Timeless Children, Doctor Who The Timeless Children Review, Gallifrey, Jodie Whittaker, Judoon, Revolution of the Daleks, TARDIS, The Lone Cyberman, The Master, The Timeless Child, Time Lords

Doctor Who The Timeless Children

Review by Paul Bowler.

The Cyber-Army is on the march in the emotional and epic Doctor Who series finale, The Timeless Children. With the last few survivors of the human race being mercilessly hunted down by the Cybermen, Graham, Yaz and Ryan must fight to survive the horror and carnage unfolding around them. Some civilisations will fall, while other with rise, new and reborn! Secrets, lies and unexpected truths will be revealed as battles rage. Even the Master has returned to wreak chaos! The Doctor is trapped, alone, and in the aftermath of the trials still to come nothing will ever be quite the same again for the Time Lord and her companions…

The Timeless Children, written by Doctor Who show runner Chris Chibnall and directed by James Magnus Stone, provides a stellar conclusion to this two-part series finale as events in Series 12 are brought full circle.

Following an upbeat, if somewhat underwhelming first series in 2018, Jodie Whittaker’s era of Doctor Who has really come into its own during Series 12, brining a wealth of exciting adventures and unexpected plot twists – with the brilliant reveal of Sacha Dhawan as the Master, a surprise return for fan-favourite Captain Jack Harkness (John Barroman), the resurgence of the Cybermen, and even a new incarnation of the Doctor played by Jo Martin. Some episodes have still been a bit preachy on occasion, but overall Series 12 has seen a big improvement in the quality of the stories and characterisation – with emphasis on a more mysterious, darker tone.

Ascension of the Cybermen saw the Cybermen back in force and hell bent on wiping out the last remnants of humanity. Now in the Timeless Children the Doctor (Jodie Whittaker) must confront the Master (Sacha Dhawan) in the ruins of Gallifrey, while Ryan (Tosin Coyle) and Ethan (Steve Toussaint) form a strategy with Ko Shamus (Ian McElhinney) to fight the Cyber-Death-Squads sent to hunt them down on the planet where the threshold of the boundary leading to Gallifrey resides, as Yaz (Mandip Gill), Graham (Bradley Walsh), Ravio (Julie Graham) and the surviving human refugees face the Lone Cyberman’s, Ashad (Patrick O’Kane), newly awakened army of unstoppable Cyber Warriors back on board the Cyber-War Carrier.

The Timeless Children is an epic and emotional 65 minute finale that draws together several key narrative threads, most notably the mystery of the Timeless Child – first mentioned way back in The Ghost Monument (2018) – which is finally revealed, the significance of the flashbacks to 20th century Ireland involving the seemingly immortal Brendan (Evan McCabe) also gradually becomes clear, and even Jo Martin’s role as the hitherto previously unknown version of the Doctor provides yet more mystery waiting in the wings to be revealed over the course of this episode.

One of the biggest highlights in The Timeless Children through is the powerful confrontations between the Doctor and her arch nemesis, The Master. Jodie Whittaker and Sacha Dhawan are magnificent in these scenes, especially once the Master sets about challenging the Doctor while she’s simultaneously trapped inside a paralysing field in the Citadel of Gallifrey and the Matrix, where the shocking reality that everything the Doctor has ever believe in gets torn down before her eyes and exposed as a lie – and the shocking truth the Doctor is forced to acknowledge will shake the legacy of Time Lords to the core! It seems the Master is also set on forming an alliance – albeit an uneasy one – with the Lone Cyberman as well, inviting them to land on Gallifrey, leading to some fantastic moments featuring this seasons two most maniacal villains.

So, who, or what exactly is the Timeless Child? Well, as the Master gleefully reveals long ago, a scientist and explorer called Tecteun (Seylon Baxter) from Gallifrey’s indigenous race, the Shobrgans, found a child from beyond a gateway to another universe on a distant planet. She brought this child to Gallifrey, where in a fatal accident the child miraculously regenerated. Tecteun dedicated herself to studying the child to discover its secret of seemingly unlimited regeneration, until it could be bestowed in a limited capacity of twelve regenerations to the elite of the society that became the Time Lords who would also go on to discover the secret of time travel – the foundling child ultimately becoming the founder of Gallifreyian civilisation itself.

Yes, the Doctor is indeed the Timeless Child! Incarnations before the 1st Doctor (William Hartnell) or any of the Time Lords later incarnations, including the unknown Doctor’s briefly glimpsed in The Brain of Morbius (1976), are, it seems, most definitely a thing now! Needless to say, this is something of a continuity busting revelation. It recons virtually everything that has ever been established throughout the long history of Doctor Who and turns it on its head. There’s also insight into the origins of the Time Lords non intervention policy in The Timeless Children, but intriguingly some details are missing from the Matrix. Even the Master hasn’t been able to reconstruct them, only lost memories remain, some link to events in 20th century Ireland, while others seem to proffer a clue, possibly from a parent, and the burning question concerning how many lives the Doctor has actually lived has now become an insurmountable fact that’s potentially ad infinitum in scale to a degree that’s almost mind blowing to contemplate.

We have seen the Doctor’s companions struggling at times to balance their lives on Earth and their adventures with the Doctor over the course this series. Now in The Timeless Children the full impact of these events on their personal lives and their friendships with each other are brought into even sharper focus. Ryan must find his own path after he is separated from the Doctor on the planet, ever resourceful, he ends up fighting the Cybermen alongside Ethan and Ko Shamus, while Yaz and Graham have a moving heart to heart, and together with the human refugees they adopt an ingenuous disguise to escape the Cybermen on the Cyber War Carrier.

Tosin Coyle, Mandip Gill and Bradley Walsh all give emotionally charged performances in their roles as the Time Lords companions, events challenge the Doctor’s friends and reinforce their faith in the Doctor like never before, and Yaz leads the way as they cross the boundary with Ko Shamus and the refugees to reach Gallifrey and rescue the Doctor.

The Cybermen begin their reign of terror in earnest in this episode. With the Lone Cybermen unleashing his new look legions of Cyber-Warriors to wreak havoc, prospects certainly looks bleak for the Doctor, her friends and the human refugees. The Cyber-Warriors are a ruthless, unstoppable war machine, and are a worthy addition to the pantheon of the Cyber-Race. Their leader, the deranged Lone Cyberman, Ashad, is as malevolent as ever. Welder of the Cyberium, possessing the entire knowledge of the Cyber-Race, and the feared Death Particle capable of destroying all organic life on a world, Ashad’s character plays a pivotal role in the action. He is unwavering in his quest, and we also gain more insight into this ghoulish creature’s motivations. He’s especially menacing in the scenes where he searches for Graham and Yaz on the Cyber-War Carrier – leading to some genuinely nerve jangling moments – although his ultimate goal to purge the entire Cyber-Race of all organic components does seems like a rather narrow-minded quest for perfection to me…

However, the Lone Cyberman’s alliance with the Master is short lived as the renegade Time Lord uses his favourite weapon – the tissue compression eliminator – to turn the tables on Ashad and seize the power of the Cyberium for himself. The Master hasn’t just destroyed the Time Lords, he kept the bodies as well, and now with the power of the Cyberium and the technology of the Cyber-Race at his command the Master creates a new race of Cybermen, the Cyber-Masters, invincible new Cybermen that also have the ability to regenerate!

To say that Chris Chibnall’s ambitious script has a heavy amount of plot and exposition to convey during this episode is something of an understatement, however, Chibnall just about manages to keep everything on track, and the resolution is handled satisfyingly enough. It was intriguing to see the Doctor having another meeting with Jo Martin’s incarnation of the Doctor, this time inside the Matrix. The role of Joe Martin’s Doctor still remains somewhat vague, but she’s instrumental in helping the Doctor escape the Matrix and embrace the new status-quo established by the revelations about her origins. The scene where the 13th Doctor gathers her memories is a cinematic masterpiece in itself, featuring a glorious montage from every aspect of the series’ history, and with the inclusion of the ‘Morbius Doctors’ Chris Chibnall effectively blows the bloody doors off decades of hotly debated continuity as well!

The final showdown between the Doctor, the Master and the Cyber-Masters positively crackles with tension and suspense, before Ko Shamus (the man responsible for sending the Cyberium back through time where it became entangled in the events of The Haunting of Villa Diodati) intervenes when the Doctor cannot bring herself to sink to the Master‘s level, and unleashes the Death Particle to defeat the Master and the Cybermen. Its in the aftermath where the plot contrivances get a bit tangled and strain credibility to the limit, as Chibnal throws in a TARDIS here and there to get the Doctor’s companions and the human refugees safely returned to present day Earth, while the Doctor takes a similar journey to reunite with her own TARDIS, where she suddenly gets arrested by the Judoon and sentenced to life imprisonment somewhere in deep space!

The Timeless Children is a superb showcase for the regular cast, with Jodie Whittaker giving a magnificent performance as the Doctor, the action sequences with the Cybermen are superb, and everything is all impressively directed by James Magnus Stone. It was thrilling to see the Cybermen invade Gallifrey and become the Cyber-Masters in this episode, and Sacha Dhawan totally knocked it out the park with another scenery chewing turn as the Master. This episode certainly gives us lots to process. The Timeless Children was an exciting finale for sure, game changing even, and that cliffhanger ending is sure to keep us all guessing until Doctor Who returns for the upcoming festive season in the episode entitled: “Revolution of the Daleks”. But, are the major retcons of the Doctor’s origins and the legacy of the Time Lords a stroke of genius, or a step too far by show runner Chris Chibnall?

Well, I for one don’t think it really changes all that much to be honest. I’m sure many will disagree with me. I’m no big fan of Chibnall as show runner, Series 11 wasn’t that good at all, but I do feel he’s learned from that and gone some way to restructuring the show significantly for the better in Series 12. Jodie Whittaker and the regular cast have all been great this season too. As for the potentially limitless number of incarnations the Doctor now apparently has available given the revelations of The Timeless Children… well, so what eh? As far as I see it makes very little or no difference, whether we acknowledge it or not, everything we knew is still there, and these developments just bring a new perspective to what we already have. Doctor Who has always been about change, and it always will. If the changes made during this episode doesn’t bring some much needed mystery back into modern Doctor Who and a wealth of exciting possibilities to explore then I don’t know what will, do you? I like “new Who”, I have since it returned in 2005, but for me “Classic Doctor Who” will always be my favourite version of the show. The Timeless Children won’t change anything for me one way or the other in that respect, although I’m sure some will hail this tampering with the history of Doctor Who as the beginning of the end and that Chris Chibnall has killed Doctor Who.

Well, time will tell won’t it? Viewing figures for Series 12 haven‘t exactly been out of this world, so maybe somewhere the tea really is getting cold again? Who knows? Personally I’ve quite enjoyed Series 12, and thought Ascension of the Cybermen and the Timeless Children brought this season of Doctor Who to a really exciting close. I must admit I did have some trepidation towards Series 12, as after Series 11 it did feel like modern Who had runs its course to me, but I was pleasantly surprised at how well this new series actually turned out to be. Just think, for the first time in ages we don’t quite know who the Doctor is anymore, there’s scope for a wealth of new adventures on an unimaginable scale still waiting to be discovered. I don’t know about you, but that sounds like a pretty exciting place for Doctor Who to be in to me…

Images Belong BBC.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who Ascension of the Cybermen Review

24 Monday Feb 2020

Posted by Paul Bowler in All, Doctor Who

≈ 10 Comments

Tags

13th Doctor, Ascension of the Cybermen, Chris Chibnall, Cybermen, Doctor Who, Doctor WHo Ascension of the Cybermen, Doctor Who Ascension of the Cybermen Review, Doctor Who Series 12, Gallifrey, Jodie Whittaker, TARDIS, The Lone Cyberman, The Master

Ascension of the Cybermen

Review by Paul Bowler

In the distant future the Doctor and her companions face a brutal conflict in Ascension of the Cybermen. A war between humanity and the Cybermen has raged across the farthest reaches of space, and now the Doctor must do whatever it takes to save the last remnants of the human race from the relentless onslaught of the Cybermen!

Written by Doctor Who show runner Chris Chibnall and directed by James Magnus Stone, Ascension of the Cybermen gets the first half of Series 12’s eagerly anticipated two-part finale off to a great start. Seeing how the 13th Doctor’s already defeated a Dalek in the 2019 New Year’s Day Special Resolution, it was inevitable the Cybermen would be next on the list of classic Doctor Who monsters for her to confront next.

The Doctor (Jodie Whittaker) has already faced the Lone Cyberman, Ashad (Patrick O’Kane), in The Haunting of Villa Diodati, where she made a fateful choice, and now together with her companions Ryan (Tosin Coyle), Yaz (Mandip Gill) and Graham (Bradley Walsh) she must fight the Cybermen in force, who return with their previous Nightmare in Silver redesign now sleekly updated (including new handles!), and seemingly more ruthless than ever!

Having given the Lone Cyberman the Cyberium (The embodiment of the Cyber-Races knowledge and history) the Doctor and her friends have travelled far into the future in Ascension of the Cybermen, to a ravaged planet during the immediate aftermath of the Cyber-Wars. The Cybermen have wiped out the majority of the human race, but the Cyber-Race has also been decimated. Now the last refugees of humanity are on the run from the last of the deadly Cybermen, it has brought them all to this dark corner of the universe, and the final battle in which the Doctor must prevent the Lone Cyberman from rebuilding the Cyber-Army!

Opening with the ominous aftermath of the Cyber-War in space (featuring a stunning transition through the eye of destroyed Cyberman into the title sequence), the Doctor and her companions soon end up facing some pretty extreme situations in Ascension of the Cybermen. Fortunately they find some help in the form of Ravio, played by Shetland star Julie Graham, as one of the desperate human refugees still battling for survival against the Cybermen on this planet – one of the last settlements of humanity in the universe. Despite brining countermeasures specifically attuned to some of the Cybermen‘s previously known weakness, the Doctor’s initial plans to help the human refugees fails when two Cyber Shuttles arrive, brining the Lone Cyberman and his Cyber-Guards to the planet – along with some especially lethal Cyber-Drones as well! The TARDIS team get separated during the attack, with Graham and Yaz fleeing with the surviving humans in their Grav-Raft vessel while the Doctor, Ryan and Ethan (Steve Toussaint) escape in one of the Cyber-Shuttles.

Intriguingly it transpires that Ravio and her fellow refugees are in search of something called Ko Sharmus, the fabled boundary to the gateway which they believe will allow them to escape to the other side of the galaxy. Chris Chibnal’s scrip is packed with action and suspense as the Doctor and her companions work alongside the refugees as they split into two teams, with each encountering vastly different outcomes during their quest to reach Ko Sharmus.

Another major subplot of the episode revolves around the mysterious flashbacks to 20th century Ireland involving Brendan (Evan McCabe), the child abandoned at birth whose life unfolds over the course of Ascension of the Cybermen as he’s adopted by a young couple and grows up and becomes a Police Officer. He even gets killed in the line of duty at one point but miraculously seems unable to die – in a way that seems strikingly similar to Captain Jack Harkness! There is also an especially disturbing sequence involving Brendan near the end of the episode, where he is confronted by sinister versions of his father and mentor, although quite how this man’s life relates to humanities struggle against the Cybermen in the future remains a mystery for now. He presents a wealth of possibilities and no doubt Brendan’s story will be resolved in the second half of this series finale.

The Cybermen in Ascension of the Cybermen are relentless, unstoppable and brutal in the extreme in pursuit of their goal. Humanity is desperately clinging on, Cybermen lurk at every turn, and they never, ever seem to give up. The Cybermen have always been my favourite Doctor Who monster. I’ve sometimes felt they’ve been given a bit of a raw deal in the modern series, so it’s great to see them back to their menacing best in Ascension of the Cybermen.

Patrick O’Kane is also back as the Lone Cyberman, Ashad, he’s every bit as frightening as he was before, and perhaps even more so this time around now that the stakes have become so high. The Lone Cyberman makes for an imposing figure as he strides though a flaming battle scene, his chilling presence is almost palpable as he corners Ethan in an abandoned building, and he seems to delight in his power almost malevolently. In fact he seems quite emotional at times for a Cyberman. It is in his unsettling holographic communiqué with the Doctor on the Cyber-Shuttle where the Lone Cyberman seems almost frighteningly unhinged, believing himself to have been chosen to revive the Cyber-Race and instigate the death of everything!

Impeccably directed by James Magnus Stone, Ascension of the Cybermen gradually draws the numerous strands of the plot together in the most exciting and ingenious way imaginable. Graham, Yaz, and the human refugees find a huge Cyber War Carrier drifting in deep space. This eerie scene is littered with countless bodies of dead Cybermen floating in the void. The human refugees believe they’ve found a ship to help them reach Ko Sharmus, instead they discover this vast carrier holds a sleeping army of Cybermen, and when the Lone Cyberman arrives he quickly sets about reviving them.

These new look Cybermen Warriors have been subtly redesigned enough to make them seem fresh and revitalised for their return. Featuring sleeker armour, a chrome-like finish, spikes, and a head reminiscent of the Invasion style Cybermen from 1968 to complete their new image. The new Cybermen look amazing, an unrelentingly powerful force to be reckoned with, and I got a distinct Earthshock vibe watching the Cyber-Army marching though the cavernous interior of the War Carrier. I was quite shocked how the Lone Cyberman seemed to terrify the new Cybermen as they were revived – scary to think there’s a being frightening enough to actually make a Cyberman scream!

Meanwhile, the Doctor, Ryan and Ethan are astounded when their journey reveals that Ko Sharmus isn’t a location, it’s actually a person! On this strange world they’ve discovered the man called Ko Shamus (Ian McElhinney) explains that he remained behind to help other surviving humans escape the Cybermen. He also leads the Doctor to the boundary, where the gateway-like portal opens to reveal the ruins of Gallifrey beyond, and the Master (Sacha Dhawan) suddenly steps though the portal to confront her! With Graham and Yaz facing an army of Cybermen in space and the Master gloating to the Doctor that everything is about to change forever, Ascension of the Cybermen delivers one of the best cliff-hangers of this entire series.

It seems this time the Doctor may well have put her companions in terrible danger – more than perhaps even she can handle! The Lone Cyberman has achieved his goal with the revival of the Cyber-Army, the revelations about Ko Sharmus were certainly unexpected, and the surprise return of the Master rounded the episode off perfectly.

Featuring terrific performance all round, Ascension of the Cybermen is a superb return to form for the series. It had the Doctor and her friends on the run from numerous threats, the danger from the Cybermen has never been greater, and the episode builds to a game-changing cliff-hanger that has the Doctor, Graham, Ryan and Yaz in a situation that looks seemingly impossible for the TARDIS team to ever reunite or escape from.

As you probably all know I’m a big fan of the Cybermen, so I’ve been really looking forward to their return in these episodes, and I’ve been very impressed with the results. I thoroughly enjoyed Ascension of the Cybermen, it was a thrilling, action packed episode, and I can’t wait to see how everything’s resolved in the final episode of Series 12: The Timeless Children.

Images Belong BBC.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who The Haunting of Villa Diodati Review

17 Monday Feb 2020

Posted by Paul Bowler in All, Doctor Who

≈ 7 Comments

Tags

13th Doctor, Chris Chibnall, Cyberman, Doctor Who, Doctor Who The Haunting of Villa Diodati, Doctor Who The Haunting of Villa Diodati Review, Frankenstien, Jodie Whittaker, Mary Shelly, Series 12, TARDIS, The Haunting of Villa Diodati, The TARDIS

Doctor Who The Haunting of Villa Diodati

Review by Paul Bowler.

Spine-chilling danger and a moment in literary history entwine in The Haunting of Villa Diodati as the Doctor and her companions travel to Lake Geneva in the summer of 1816, where a group of renowned luminaries have gathered in the Villa Diodati to tell ghost stories. The Doctor soon discovers that some monsters are real. For this is the night that will inspire Mary Shelly to write Frankenstein, just as a horrific threat is about to arrive, and the Doctor will face the most difficult decision of all – but will it be the right one?

Written by Maxine Alderton and directed by Emma Sullivan, The Haunting of Villa Diodati continues Doctor Who’s twelfth series’ predilection for darker themed stories and encounters with key historical figures on auspicious dates in history.

Based around that fateful evening where Frankenstein was inspired – when Lord Byron challenged Mary Shelly to write a ghost story – and her subsequent desire to create a fable that would curdle the blood, the setting and events of The Haunting of Villa Diodati provides a superb backdrop for this Doctor Who episode.

Jodie Whittaker’s 13th incarnation of the Time Lord and her companions Ryan (Tosin Coyle), Yaz (Mandip Gill) and Graham (Bradley Walsh) take the TARDIS to Lake Geneva because the Doctor wants to go somewhere fun, so after instructing her companions not to mention Frankenstein, and with the intention of soaking up the literary atmosphere they are shocked to find there’s actually sinister elements at work on this dark, stormy night.

The ensemble guest cast for The Haunting of Villa Diodati includes Lewis Rainer as Percy Bysshe Shelly, Maxim Braldry is Polidori (who wrote the first Vampire story), Lilly Miller plays Frankenstein author Mary Wollstonecraft Godwin (Shelly), along with Nadia Parkers as Mary’s step-sister Claire Clairmont, and Jacob Collins-Levy as Lord Byron.

The Doctor soon senses the house is unrelentingly evil. Percy Bysshe Shelly is also conspicuous by his absence, while ghostly, creeping things lurk in the shadows, and there is also a distinct lack of writing going on as well considering the zenith of creative minds currently assembled within the gloomy walls of Villa Diodati.

Maxine Alderton’s story wonderfully encapsulates this iconic moment in history with the Sci-Fi themes of Doctor Who, and the result is a thrillingly atmospheric tale. Fear not, the Doctor doesn’t just travel back in time and give Mary Shelly the idea for writing Frankenstein. Maxine Alderton has crafted something far more ingenious, melding subtle nuances, exquisite details, all stitched together with intricate characterisation and chilling moment of horror. The Haunting of Villa Diodati is stylishly directed by Emma Sullivan, dynamic camera angles, swarthy shadows and flickering candlelight all complement the gorgeous period setting – with the lavish costumes designed by Ray Holman completing the look of this episode perfectly. It’s also nice to see the Doctor and her companions turned out in period attire for this adventure as well.

With the skeletal remains of a 15th century soldier getting animated and Mary’s warning of Percy Bysshe Shelly’s ominous vision of a burning figure at the lake, it soon becomes apparent there is something very wrong with the house. The Haunting of Villa Diodati is like a very old-school, creepy kind of Doctor Who episode. Following the moody scene setting opening quarter things go a bit Scooby-Doo for a while as the Doctor and her friends begin to investigate their way around Villa Diodati’s inexplicable shifting rooms and corridors. Fortunately the initial spell of goofy high jinks quickly pass, giving way to nightmarish perils, as the perception filter trapping everyone in the house lifts and the real menace is unveiled – the Lone Cyberman!

Yes, Captain Jack’s dire warning about the Lone Cyberman finally cones to pass in The Haunting of Villa Diodati! The Lone Cyberman is a terrifying sight. A lumbering, grotesque parody of a Cyberman, it has travelled through time in search of the Cyberium – the entire history and knowledge of the Cyber-Race – which has found a human host on Earth – Percy Bysshe Shelly! The Lone Cyberman looks amazing on screen, it’s like a macabre junkyard demon, and its voice is genuinely chilling. Jodie Whittaker’s Doctor is faced with her most challenging dilemma yet, will she heed Captain Jack’s warning about not giving the Lone Cyberman what it want’s, or will she be willing to sacrifice Percy Bysshe Shelly instead to stop the Cybermen once and for all?

The 13th Doctor gets some fantastic confrontational scenes with the Lone Cyberman. Initially she faces him alone in an electrifying face-off, but it is once the action shifts to the cellar that Jodie Whittaker’s incarnation of the Time Lord really steps up to the plate. Faced with an impossible choice she must challenge not only the Cyberman but also the convictions of her TARDIS team as well.

Lilly Miller is also fabulous as Mary Wollstonecraft Godwin (Shelly) in the final showdown with her modern Prometheus the Lone Cyberman, or Ashad (Patrick O’Kane), as she he begins to remember the man he was, giving the Doctor the chance to unexpectedly turn the tables by allowing the Lone Cyberman to have the Cyberium and save Percy Bysshe Shelly as well – but at what cost?

The Haunting of Villa Diodati was a brilliant episode, full of thrills, scares, and Cyber-chills! I loved the dark gothic look of the episode and how the mystery of the Lone Cyberman was revealed. The Cyberium was another interesting concept, this quicksilver-like liquid embodiment of the Cyber-Race offers a wealth of new possibilities, and it will be fascinating to see how the Cybermen will continue to evolve now the Doctor has surrendered it to the Lone Cyberman. It was also fun how, in a story full of things that went bump in the night, that Graham was the only one who apparently saw a ghost!

Now the Doctor and her companions must fix the calamity the Time Lord has potentially instigated. They must travel to the future, find the Lone Cyberman, and stop him rebuilding the Cyber-Army! The Haunting of Villa Diodati is easily the best episode in Series 12 so far. The stage is now set for the thrilling two-part series finale, I can’t wait for the Cybermen to return in force, and to see how everything will be resolved in Ascension of the Cybermen and The Timeless Children.

Images Belong BBC

Follow @paul_bowler

About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who Can You Hear Me? Review

10 Monday Feb 2020

Posted by Paul Bowler in All, Doctor Who

≈ 10 Comments

Tags

13th Doctor, Chris Chibnall, Doctor Who, Doctor Who Can You Hear Me, Doctor Who Can You Hear Me Review, Doctor Who Series 12, Jodie Whittaker, TARDIS, The TARDIS

Doctor Who Can You Hear Me?

Review by Paul Bowler

There are no bogie men, but that’s not exactly true in Can You Hear Me? Returning to Earth for a break from their adventures in time and space, the Doctor and her friends are soon forced to confront their darkest fears. With a call for help from space, horrific monsters in 1380 Aleppo, and something terrifying infecting peoples nightmares in Sheffield, the Doctor must investigate the cause of this haunting mystery from beyond the stars…

From the creepy opening scenes at a hospital in 1380’s Aleppo, it is clear we are in for a nerve jangling episode. Can You Hear Me?, written by Charlene James and Chris Chibnall, and directed by Emma Sullivan, is the seventh episode of Doctor Who series 12, and it sees the TARDIS team touching base with their lives back on Earth. Yaz (Mandip Gill) visits her family; Ryan (Tosin Coyle) and Graham (Bradley Walsh) catch up with their friends. However, events soon take a darker turn when all three of them are struck by frightening visions, and a strange voice calls out for help from the depths of space. As well as heralding an ominous new threat for the Doctor and her friends, these disturbing signs also highlight some deeply personal issues for Ryan, Graham and Yaz to contend with as they endure unsettlingly scary nightmares.

The chilling premise of Can You Hear Me? provides a chance to really showcase the Doctor’s companions when they return to Sheffield and the Time Lord sets off to investigate events unfolding in 14th century Syria. Mandip Gill, Tosin Coyle and Bradley Walsh all deliver terrific performances. Charlene James and Chris Chibnall’s finely crafted script skilfully utilises the regular cast, which enables us to gain a far greater insight into where these characters are in their lives right now, and how it all relates to the journeys with the Doctor.

Events conspire to take them on some very individual journeys as well during this episode. Graham and Yaz each have their own distinct, and extremely personal nightmares to contend with, Yaz in particular gets some great character development, while Ryan’s issues about not always being their for his friends raises some really challenging quandaries for him to deal with as well. Can You Hear Me? also sees the return of Ryan’s best friend, Theo, played by Buom Tihngang (who we were introduced to briefly in Spyfall Part 1), and Ryan soon discovers that travelling with the Doctor often take a toll on the friendships you leave behind.

This episode guest stars Aruhan Galieva as Tahira, Clare-Hope Ashitey (the lead in the Netflix drama Seven Seconds) who also appears as Rakaya, and Nasreen Hussain as Anita Patel. Each of these characters have pivotal roles to play in Can You Hear Me? and drive the episodes narrative in many surprising and unexpected ways. Once the Doctor has saved Tahira from a monster in Aleppo that not even the Sonic Screwdriver and the TARDIS can identify, its time for the Time Lord to catch up with her friends, and of all their disturbing experiences its Graham’s psychic incursion that enables the TARDIS telepathic circuits to bring them to the cause of the nightmares – a monitoring platform in deep space overseeing a Geo Orb where the woman from Graham’s vision is imprisoned and suspended between two colliding planets in the distant future.

Can You Hear Me? features a sinister new villain called Zellin, played by Game of Thrones, His Dark Materials’ and Torchwood: Children of Earth actor Ian Gelder. He also proved the voice of the Remnants in 2018’s The Ghost Monument, where we first heard about the “Timeless Child”, a phrase that has become even more significant now in Series 12. Zellin is the creepy immortal entity that has set his sights on stalking the Doctor and her friends through time and space on their return to Sheffield. Zellin is one of the most nightmarish beings the Doctor and her friends have ever faced, with deadly fingers that detach and lock into peoples ears to feed off their nightmares, and his brooding presence permeates every aspect of this eerily atmospheric episode.

Jodie Whittaker is also on fine form. She seems totally settled and far more assured in the role of the Doctor now. Series 12 has seen Whittaker markedly refining the characterisation of her incarnation of the Time Lord. Being simultaneously fun, quirky, and resolute in the face of danger, Jodie Whittaker performance is endearingly Doctorish throughout. The Doctor’s scenes in particular with Tahira and her confrontations with Zellin are just some of the many highlights in this episode that enable Jodie Whittaker to really shine as the Doctor.

There are a number of callbacks to previous episodes as the TARDIS team experience their nightmares, especially for Graham when Grace (Sharon D Clarke) shows up with grim news, and Ryan sees the monstrous Dregs from Orphan 55. Zellin seems to have been watching the Doctor for quite some time as well, he mentions the Guardians, the Eternals, and the Toymaker, other god-like beings the Doctor has encountered in the past, and there’s also another mention of the Timeless Child thrown in for good measure to keep us intrigued as well.

Having tricked the Doctor into solving the quantum fluctuation lock Zellin is now able to free the woman from the Geo Orb, who is actually Zellin’s companion, and together they return to Earth to feast on the nightmares of the human race. I really like how Zellin’s and Rakaya’s story is also explained with a neat animated sequence, it signifies just how ancient these beings are, and was an interesting visual way to relay this back-story. Fortunately the Doctor is able to use Zellin’s own abilities against him to trap Zellin and his female companion – along with some especially monstrous company – and effectively puts the god-like beings back in their box for all eternity.

Can You Hear Me? is a cracking good episode, and much like Tahira’s Chagaska it quickly wraps its claws around your imagination. Emma Sullivan’s assured direction skilfully builds the tension as Zellin menaces everyone across both time zones, leading to some really creepy and scary moments. The Doctor and her companions are really put through something of an emotional wringer over the course of this episode, and there are some especially moving closing scenes as Graham confides in the Doctor about concerns over his health while Ryan and Yaz reflect on how their time on board the TARDIS has changed them – perhaps forever.

Although the threat posed by Zellin was resolved a little conveniently and quickly this was still an exciting episode. Can You Hear Me? was great, imaginative, and full of strong character moments. There’s always a risk when you pass the midway point in a series that the initial momentum can falter, resulting in filler stories to keep things going until the finale, so I love it when a really good episode of Doctor Who creeps up on you unexpectedly like this. The episode dealt with some powerful issues and also made the bond between the TADIS team feel stronger than ever, especially now they’ve faced their greatest fears together. The episode closes with the Doctor thanking about Frankenstein, which certainly sounds good to me, and their next destination looks set to continue the darker tone that Series 12 seems to be taking as we progress towards the epic season finale!

Images Belong BBC.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who Praxeus Review

03 Monday Feb 2020

Posted by Paul Bowler in All, Doctor Who

≈ 8 Comments

Tags

13th Doctor, Autons, Chris Chibnall, Doctor Who, Doctor Who Praxeus, Doctor Who Praxeus Review, Jodie Whittaker, Series 12, TARDIS

Doctor Who Praxeus

Review by Paul Bowler.

The momentum of Doctor Who Series 12 continues to build in Praxeus, where the Doctor and her companions have split up to investigate a series of mysteries across multiple continents on planet Earth. The Doctor must find the cause behind these strange occurrences and their connection to a new alien menace. What they uncover will place all of humanity in danger. And even the Doctor might not be able to save everyone this time!

Given how Series 12 has already shown the devastation of Gallifrey, along with intriguing mysteries like the Timeless Child and the Lone Cyberman simmering ominously in the background, coupled with the return of the Master (Sacha Dhawan), Captain Jack Harkness (John Barroman), and even the debut of a new female incarnation of the Doctor (J Martin), you’d be forgiven for thinking what Praxeus, co-written by Pete McTighe (Kerblam!) and show runner Chris Chibnall, and directed by Jamie Magnus Stone could possibly throw at the Doctor and her companions next? Praxeus certainly veers off on a significantly different tangent than might have been expected, and the result is an energetic episode bursting with intriguing ideas and scientific concepts.

As we rejoin the Doctor (Jodie Whittaker), Ryan (Tosin Coyle), Yaz (Mandip Gill) and Graham (Bradley Walsh) in Praxeus the gang have already split up and are conducting their own investigations around the globe in response to the alerts the TARDIS received at then end of Fugitive of the Judoon. But what is it that connects a missing astronaut, birds that are behaving strangely in Peru, and a US naval officer washed-up on a beach in Madagascar? Jodie Whittaker’s performance as the Doctor continues to impress in Praxeus as she tackles what could prove to be this series’ most challenging mystery so far. Whittaker’s Doctor runs a gauntlet of emotions as she contends with several seemingly unrelated incidents, including a missing submarine in the Indian Ocean, alien technology giving off strange energy readings in Hong Kong, and identical deaths on two separate continents.

The Doctor’s companions are also put through their paces in this episode as their investigations take them around the world. Tosin Coyle and Mandip Gill have some great scenes as Ryan and Yaz embark on their missions, Bradley Walsh also continues to excel as Graham, and overall everyone gets a good share of the action.

Praxeus also guest stars Joana Borja and Gabriella Tolo as young bloggers Gabriela and Jamila, along with Warren Brown as Ex Police Officer Jake Willis, Matthew McNutly as Jake’s husband and the missing astronaut Adam, Molly Harris as Suki Cheng and Thapelo Maropefela as Amaru. They all inadvertently get caught up in the Time Lord’s chaotic adventure and it’s not long before the Doctor and her companions find themselves in a frantic race against time to save the human race from a deadly alien infection spread by rampaging flocks of birds around the world.

For an episode so jam-packed with characters and a world-wide menace to solve, co-writers Pete McTighe and show Chris Chibnall skilfully make use of the ensemble cast, and skilfully keep the plot on track as the mystery concerning the pathogen unfolds. I really liked the scenes where Ryan and Gabriella team-up to investigate a rather creepy looking hospital as well; Yaz’s character also gets a more significant role in Praxeus, and proves increasingly resourceful as she works with Gabriella in Hong Kong to find the true location of the alien threat.

Ex Police Officer Jake Willis and his Astronaut husband Adam also have key roles in the story, their relationship drives a good portion of the narrative, and Warren Brown and Matthew McNutly’s performances help give added emotional depth to an episode that could have otherwise risked been just a manic run-around. The scene between Jake and Graham was another highlight of the episode, with Graham proving as insightful as ever as he offers Jake some sound advice to gain a fresh perspective on life and get his failing marriage back on track.

There is something very wrong with the birds in Praxeus. It turns out the plastic they have eaten have been contaminated by a deadly alien pathogen that seems to feed on micro plastics – one that has now mutated the birds from the inside and driven them to attack. Praxeus feels a bit like a Sci-Fi version of The Birds at times, with its swirling flocks of marauding birds circling ominously overhead, or chasing the Doctor and her friends across a beach to the TARDIS, and the effects for these scenes are chillingly realised on screen.

Praxeus is Peter McTighe’s second episode for Doctor Who, his first being Series 11’s Kerblam! Together with co-writer Chris Chibnall, McTighe manages to balance the numerous plot strands of Praxeus, and the result is a fast paced and exciting globe-trotting adventure. Much of Praxeus was filmed along with the first episode, Spyfall, in South Africa, and it really gives the episode a great sense of scale. Director Jamie Magnus Stone delivers a roller coaster ride of an episode here, complete with stunning scenery, great special effects, and some especially disturbing moments as well.

With Yaz’s and Gabriella’s discovery of an alien construct and the missing submarine deep beneath a Gyre of plastic refuse in the middle of the Indian Ocean, the Doctor and the others travel in the TARDIS to the underwater construct having just found a solution for the infection – thanks to Adam volunteering to be a test subject for the cure. With the scientist Suki Cheng now revealed as a humanoid alien who deliberately plotted to infect Earth with the Praxeus infection to find a cure for her own species, the Doctor must act quickly to save the world, cure the infection, get everyone to safety and carry out a last ditch rescue attempt!

Although there is a stark ecological message at the core of Praxeus, quite literally in fact, at least this time it wasn’t tagged on like it was in Orphan 55, and it was actually integral to the overall plot of Praxeus. I really liked the strong concepts and ideas that formed the basis of the story and how well all the characters worked together. At one point the Doctor name-checks the Autons as having a possible connection to the plastic pathogen, only to dismiss them out of hand as this strategy doesn’t fit with their usual M.O – obviously recalling the classic Doctor Who monsters shaped like shop window dummies faced by Christopher Eccelston’s Doctor in Rose (2005) and perhaps even more significantly during the 3rd Doctor’s (Jon Pertwee) era where they demonstrated the ability to manipulate other forms of plastic, such as dolls, suffocating plastic daffodils, and a lethal inflatable chair.

There were a few interesting questions posed during Praxeus that remain unanswered. Take the strangely garbed aliens that attacked Graham, Yaz and Jake in Hong Kong. Later the Doctor says she scanned the building and didn’t detect any life signals, so how come the TARDIS registered active alien tech in Hong Kong but not the life forms, and why could the aliens hide their life signs but not the unusual energy patterns from their technology? At one point in Praxeus the Doctor frantically contemplates the mystery of the pathogen in the lab, only to refer to her thoughts in the plural, which concerns her companions. So is this just the Doctor rambling as she thinks, or does the Doctor have two brains? Now that would certainly be another new take on Doctor Who cannon! During the attack on the lab, Amaru was seemingly killed by the birds, yet it is unclear if he was an alien like Suki Cheng, and his apparent death doesn’t seem to register at all with anyone.

With only two episodes to go now until the two-part season finale, Praxeus had a tough act to follow after the dramatic revelations in Fugitive of the Judoon, but Praxeus managed to surpass and exceed all expectations. With its great cast and excitingly paced script providing so many excellent character driven moments, the credible environmental threat presented during this episode seemed all the more potent as a result, and the outcome saw Praxeus evolve into one of Series 12’s most intriguing and exciting adventure to date.

Images Belong BBC

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Doctor Who Fugitive of the Judoon Review

27 Monday Jan 2020

Posted by Paul Bowler in All, Doctor Who

≈ 20 Comments

Tags

13th Doctor, Captain Jack, Chris Chibnall, Doctor Who, Doctor Who Fugitive of the Judoon, Doctor Who Fugitive of the Judoon review, Fugitive of the Judoon Review, Jo Martin, Jo Martin as the Doctor, Jodie Whittaker, John Barrowman, Judoon, Series 12, TARDIS

Doctor Who Fugitive of the Judoon

Review by Paul Bowler.

The Judoon are back! Stomping their way into Series 12 of Doctor and present-day Gloucester, in Fugitive of the Judoon. This time the Judoon are hunting someone on the run. So the Doctor and her friends arrive amidst the chaos caused by the intergalactic police forces presence on Earth, and must act quickly to bring the situation under control. But who is the mysterious fugitive and why are the Judoon so intent on finding them?

Fugitive of the Judoon marks the welcome return of the Judoon, first introduced to Doctor Who back in 2007’s Smith and Jones, and seen most recently in 2015’s Face The Raven. Written by Vinay Patel (Demons of the Punjab, 2018), her second story for Doctor Who makes excellent use of the Judoon‘s return to the series, its filled with fun moments, whilst also brining some new aspects to the creatures and their motives. With location filming in Gloucester, Fugitive of the Judoon is probably the most contemporary story so far in Series 12, and director Nida Manzoor strikes just the right balances between the episodes lighter tone, humour and action.

Indeed, the Judoon make a surprisingly effective challenge for Jodie Whittaker’s 13th incarnation of the Time Lord, Whittaker’s Doctor shines with strength and warmth throughout this episode as she tackles the aliens rampage, and there’s also some great confrontations with Judoon Captain Pol-Kon-Don (Paul Kasey) – voiced by Nick Briggs.

The Doctor and companions Ryan (Tosin Coyle), Yaz (Mandip Gill) and Graham (Bradley Walsh) continue to show what a great and resourceful TARDIS team they make in Fugitive of the Judoon. Prior to the TARDIS intercepting the Judoon’s warning signal, the Doctor’s “fam” notice how preoccupied she’s become, and when they confront her the Time Lord confesses that she’s been trying to locate the Master. The Doctor believes he may have escaped the Kasaavin’s dimension because of the personal nature of the message he left – although she still doesn’t tell her companions that her homeworld of Gallifrey has been destroyed. Fugitive of the Judoon also leads to a surprising blast from the past for the Doctor’s new companions when first Graham, followed later by Ryan and Yaz, are unexpectedly teleported to a spaceship piloted none other than Captain Jack Harkness!

Yes that’s right Captain Jack, played by the brilliant John Barrowman, returns to Doctor Who after nearly a decade in Fugitive of the Judoon having commandeered a space vessel complete with a Quantum Scoop, and an important message for the Doctor. Seeing John Barrowman return as Captain Jack was a great surprise and made for some of the episodes standout moments, especially when Jack thinks that Graham is the Doctor! But with naoprobes set to bring Captain Jack’s mission to an impromptu end, he quickly informs the Doctor’s companions they must warn the Time Lord to beware of the lone Cyberman. It seems an Alliance of some kind has virtually annihilated the Cybermen, using something they sent back through time and space to destroy them, all save for one!

The guest cast features Jo Martin as Ruth Clayton, a Gloucester tour guide, and Neil Stuke as Lee, Ruth’s husband, an interesting everyday couple living seemingly ordinary lives in the cathedral city of Gloucester. The Juddon are not here for a tour of the local attractions though. At first everything points towards Lee being the alien fugitive the Judoon are after, and it seems they will stop at nothing to apprehend him. However, when the mysterious alien woman who hired the Judoon, Gat (Ritu Arya), intervenes and Lee is killed it becomes clear that Ruth is the one the trigger the happy rhino-faced space police are actually looking for.

Although the Judoon have featured a few times in Doctor Who, Fugitive of the Judoon is the first time they’ve really played a major role in a story for a while, and Vinay Patel‘s wittily crafted script brilliantly showcases these gruff alien space police as their mission causes them to lock horns with the Doctor. The scene when the Judoon corner the Doctor and Ruth in the cathedral is another highlight. Their scans see through the tour guides biological cloaking field, fortunately Ruth is beginning to remember her true identity at this point, and spectacularly turns the tables on the Judoon.

From here Fugitive of the Judoon plunges down the rabbet hole and the pace hardly lets up for a moment. A journey to a lighthouse and a blank grave, where a buried TARDIS with a rather classic looking interior is discovered, which all leads to a tense showdown on the Judoon spaceship, and the shocking revelation that not only is Gat a Gallifreyan, but that Ruth was actually a Time Lord in hiding is and really another incarnation of the Doctor! To say that Doctor Who continuity just got turned inside out during this moment is something of an understatement here, there were countless time twistingly referential nuances woven into the story, and I’m still not sure how I feel about all these jaw-dropping surprises. It was fun, if a little bewildering, to have so many unexpected surprises in Fugitive of the Judoon. No doubt Chris Chibnall will probably deliver some Moffat style temporal twist that will ensure that everything in Fugitive of the Judoon eventually makes sense, but until then there are lots of questions that will remain unanswered – for now at least.

I thought Jo Martin was great casting as Ruth /The Doctor though. Her dual roles in this story were cleverly scripted, and her performance as another incarnation of the Doctor alongside Jodie Whittaker’s startled 13th Doctor was riveting! Quite how Jo Martin’s incarnation of the Doctor fits into the series’ extensive web of continuity remains to be seen. Fugitive of the Judoon seems to hint that she’s an earlier version of the Doctor, possibly earlier than any we’ve seen before! I still think this is unlikely. Could this second female Doctor in fact really be the first female Doctor, and how could the 13th Doctor have forgotten about her? Could it be that Ruth is a secretly unacknowledged version of the Doctor like John Hurt’s War Doctor from the 50th Anniversary story The Day of the Doctor (2013), or is she bizarrely linked somehow to the unknown Doctor’s we briefly glimpsed in The Brain of Morbius (1976)? We never actually saw the 2nd Doctor, Patrick Troughton, regenerate on screen in The War Games (1969) either, so maybe Ruth existed before we saw Jon Pertwee’s 3rd Doctor begin his exile on Earth in Spearhead From Space (1970)? My money is on Ruth being from some other dimension, especially with the return of the Master, Jack and now Ruth’s debut as a hitherto unknown version of the Doctor, it really does seems that time is indeed swirling and closing in around the 13th Doctor and her friends. Blimey, I could speculate about this all day, and don’t even get me started about the unexpected return of Captain Jack Harkness – heaven only knows where he fits into all this!?

With the Judoon menace eventually sent packing, the Doctor is reunited with her companions and I really liked how everyone compared notes back on board the TARDIS. The Doctor is still reeling just as much as Ryan, Yaz, and Graham are about Ruth’s real identity, but the bond between this TARDIS team feels stronger than ever now as they set off to investigate multiple alerts detected across three continents on Earth.

I was expecting Fugitive of the Judoon to be a fun and frivolous story, nothing more. Instead this marvellous adventure by Vinay Patel and director Nida Manzoor turned out to be a riotous mid-season roller coaster ride that had me hanging on every word. Fugitive of the Judoon has given Series 12 of Doctor Who a thrilling boost with its game changing shocks, surprises and Judoon near the Moon.

It was wonderful to see John Barrowman as Captain Jack again as well. My only gripe was that he didn’t actually meet the 13th Doctor, so fingers crossed he will be back at some point in Series 12 to team-up with Jodie Whittaker’s incarnation of the Time Lord.

As you all probably know, I’m a big fan of the Cybermen, they are my favourite Doctor Who monster. So you can imagine the references in Fugitive of the Judoon to the fate of the Cybermen and Jack’s dire warning about the universe being in peril, insisting that that the Doctor mustn’t give the lone Cyberman what it wants, has me considerably intrigued – even more so than all the shenanigans involving Ruth’s incarnation of the Doctor and her place in the grand scheme of things. Fugitive of the Judoon was a fun, mind-bending episode for sure, Series 12 really seems to be hitting its stride now, and I can’t wait to see what dangers await the Doctor and her companions when they eventually face the lone Cyberman!

Images Belong BBC

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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