Detective Comics #940 Review

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Batman, Batwoman, Brad Anderson, Cassandra Cain, Clayface, comics, DC Comics, DC Rebirth, Detective Comics #940, Detective Comics #940 review, Eber Ferreira, Eddy Barrows, Gotham, Gotham City, Jacob Kane, James Tynion IV, Orphan, Rafael Albuquerque, Raul Fernandez, Red Robin, Rise of the Batmen, Spoiler, The Colony

Detective Comics #940

Review by Paul Bowler

Batwoman confronts her father and Red Robin battles against impossible odds as the epic showdown with the Colony reaches its thrilling climax in Detective Comics #940, and it’s an issue destined to rock The Dark Knight’s world to the core. Batman, Batwoman and their new team of young heroes will soon face the chilling reality that, no matter the outcome, this battle to save Gotham may have already been lost…

For me, Detective Comics, with Batman and Batwoman fronting the team consisting of Spoiler, Red Robin, Orphan (Cassandra Cain), and super-villain seeking redemption Clayface, has been the highlight of DC Comics Rebirth and the new Bat-Books in general. From the moment it was announced, this titles concept and team structure, along with the inclusion of Clayface, captivated my imagination, and I love the dynamic that’s evolved between this fledgling superhero team as its evolved and learned to work together under Batwoman’s stewardship.

James Tynion IV ensures that Rise of the Batmen: Part 7 delivers a powerful finale for this first arc. I really like how Tynion has developed the bond between Bruce and Kate over the course of this storyline. Now they are forced to face the most challenging and difficult of circumstances, with Batwoman finally confronting her father’s treachery, as leader of the Colony and the one responsible for unleashing this army of Batmen and drone on Gotham, while Batman faces a desperate race against time to reach Tim at the old Wayne Tower.

Eddy Barrows gorgeous artwork for this issue of Detective Comics elevates the drama and tension to the max, with dynamic, almost cinematic page layouts. The scenes on and around the Colony Airship are spectacular, Barrows dazzles us with smashing action-packed moments of high drama as Batwoman’s fury spills over, but it is the moments where – having made himself the sole target of the drones – Red Robin makes his stand against this ultimate no-win-scenario that will truly have you on the edge of your seat. Eber Ferreira’s inks complement Barrows’ art brilliantly, enhancing the finer details and nuances of every scene, and the colors by Adriano Lucas meld with sublime grace to reflect the action and emotional beats of the story perfectly.

Detective Comics #940 is good, frustratingly good in fact, because to say more would completely spoil it. Suffice to say, James Tynion IV that pulled out all the stops for this one, its a master class in storytelling, plotting, and characterization. This issue has some of most powerful and emotional scenes that we’ve seen for a long time in a Batman comic. Barrows, Ferreira, and Lucas have also made this one of their most visually impressive issues so far. The emotional fallout from the cataclysmic events in Detective Comics #940 are conveyed in the most heartrending way, its moving stuff, and, needless to say, the ending will completely blow you away.

Rise of the Batmen has been a terrific start to Tynion’s run on Detective Comics. If this arc is anything to go by, I‘m sure Detective Comics will have become a must read Bat-Title for many fans, and now with the Night of the Monster Men crossover event about to begin, I can’t wait to see what Tynion and the whole creative team on Detective Comics have in store for us next!

Publisher: DC Comics / James Tynion IV

Art: Eddy Barrows / Inks: Eber Ferreira / Colors: Adriano Lucas

Letters: Marilyn Patrizio

Cover by: Barrows, Ferreira & Lucas

Variant Cover: Rafael Albuquerque

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Detective Comics #936 Review

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Alvaro Martinez, Batman, Batwoman, Brad Anderson, Cassandra Cain, Clayface, comics, DC Comics, DC Rebirth, Detective Comics #936, Detective Comics #936 Review, Gotham, Gotham City, James Tynion IV, Orphan, Rafael Albuquerque, Raul Fernandez, Red Robin, Rise of the Batmen, Spoiler, The Colony

Detective Comics #936

Review by Paul Bowler

A new threat is rising in Gotham City. Batman and Batwoman have assembled a new generation of heroes against this secret army of the Colony and their extreme tactics. Now, in Detective Comics #936, Batman is missing, and the time has come for Batwoman to take charge. But will she able to make Spoiler, Red Robin, Orphan (Cassandra Cain), and erratic super-villain seeking redemption Clayface work together as a team?

Rise of the Batmen Part 3: Army of Shadows, continues the brand new story-arc by James Tynion IV, where Batman and Batwoman have begun training a new strike force of young heroes to face the soldiers of the Colony that have modelled themselves on the Dark Knight and begun scouring the city, ruthlessly dealing with anything perceived as potential a threat – including it now seems, even Batman himself!

Tynion deftly builds on the series’ new direction and concept with Detective Comics #936, as Kate Kane confronts her doubts about training Batman’s team over a drink with former love interest Renee Montoya (she was also the Question), who makes a long awaited return here after being absent from the DC Universe – for the most part – since the New 52 reboot. It is a powerful, moving, and insightful scene for both characters. However, Montoya can easily see though Kate’s tough façade, and her parting words of advice are tinged with bittersweet sincerity for them both. From there an emergency call brings Batwoman to the teams new Belfry HQ, where Red Robin presents Kate with the news that Batman has been ambushed by the Colony, and that its now up to her to must decide what they do next.

This issue rattles along at a cracking pace. Batwoman quickly ascertains the Colony forces have military form, but it is Red Robin who really helps Kate to address her issues concerning Batman and her ability as a leader. It’s a great scene for both characters, and it offers a fascinating insight into how they both perceive Batman and feel they’ve earned his trust. The time has come for Batwoman and Red Robin to summon Spoiler, Orphan, and Clayface to the Belfry and to bring them up to speed with their mission, together with some expert advice from Kate’s father, to prepare them for what they must face with Batman now MIA.

Detective Comics #936 is a mighty fine looking issue, with pencils by Alvaro Martinez and inks by Raul Fernandez, every scene flows seamlessly into the next, and the staggering level of detail on every page skilfully accentuates the many subtleties and nuances of Tynion’s excellent scrip. From Kate’s musings on her past reflected in a her own beer glass during a quiet drink in a bar with Renee Montoya, to the dual functionality and visual spectacle of the Belfry’s huge window, this issue also delivers its fair share of big-action set–pieces as well. The colors by Brad Anderson are another major highlight of this issue of Detective Comics, with glorious tones and rich shades enhancing ever scene, especially those set in the Belfry.

James Tynion IV has done a fantastic job with this issue; it’s packed from cover to cover with action, suspense, and great characterization. Everything builds to a thrilling cliff-hanger in Detective Comics #936, a hidden agenda is revealed, the Belfry comes under attack, Clayface’s unpredictable abilities prove crucial, and Batwoman finally learns that she has what it takes to be the leader that Batman trusted her to be.

Of all the new comics that I’ve been reading recently, Detective Comics has easily been the standout new Bat-title from DC’s Rebirth event for me. Everything from the writing, the art, and its exciting cast of characters just seemed to click together right from the start. This creative team have really raised the bar with Detective Comics, its fresh, different, and TEC #936 is another excellent issue in this new story-arc.

Publisher: DC Comics / Writer: James Tynion IV / Pencils: Alvaro Martinez

Inks: Raul Fernandez / Colors: Brad Anderson / Letters: Marilyn Patrizio

Cover by: Martinez, Fernandez & Morely

Variant Cover: Rafael Albuquerque

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Detective Comics #934 Review

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Adriano Lucas, Azrael, Batman, Batwoman, Cassandra Cain, Clayface, comics, DC Comics, DC Rebirth, Detective Comics #934, Detective Comics #934 Review, Eber Ferreira, Eddy Barrows, Gotham, Gotham City, James Tynion IV, Orphan, Red Robin, Rise of the Batmen, Rise of the Batmen Part 1, Spoiler

Detective Comics #934

Review by Paul Bowler

The Batman family must confront a new menace in Detective Comics #934, when an unknown enemy that looks suspiciously like Batman begins stalking Gotham City and using ruthless tactics against perceived threats. Batman and Batwoman unite to train the next generation of young heroes in Gotham: Spoiler, Red Robin, Orphan (Cassandra Cain), and the reformed super-villain Clayface, to battle crime and protect their city. ..

As well as returning to its original numbering, Detective Comics now embraces an entirely new concept, and gets a new creative team with the advent of DC Rebirth, as writer James Tynion IV, artist Eddy Barrows, inker Eber Ferreira, and colorist Adriano Lucas usher in a new era for DC’s flagship comic series. Detective Comics #934 also marks the return of Batwoman to play a major role in the DC Universe, now working alongside Batman, together they will form a new team of superheroes with, Spoiler, Red Robin, Orphan, and Clayface, to confront the challenge of this mysterious new Darker Knight prowling Gotham like a vengeful predator, but can they work as a team, and is Clayface really ready to change his villainous ways?

You know, as excited as I am by Batman, Nightwing, and All Star Batman, of all the new Bat-Titles coming our way during DC’s Rebirth, its Detective Comics that I’ve really been looking forward to the most. I often feel that Detective Comics got a bit overlooked at times during The New 52, but I’m sure all that will change; especially now on the strength of this first issue by James Tynion IV and the exciting new premise it establishes.

The initial scenes of Rise of the Batmen Part 1 flashbacks to events as Gotham’s deadly new cape and cowl attacks Azrael, it’s a brutal fight, but with Batman’s arrival on the scene this strange doppelganger impersonating Batman soon beats a hasty retreat to the shadows. The new status quo and cast of characters is quickly set out as the issue unfolds, as Kate’s father’s sentiments are echoed later in Batman’s request for her to help him find out why Azrael was attacked and who is controlling the drones that have been spying on Gotham’s vigilantes. It’s really interesting to see Bruce and Kate working together so closely again, the unusual dynamic between them really plays to Tynion’s strengths as a writer, and I’m looking forward to seeing how Batman and Batwoman will work together. Given how tense and distant their relationship has sometimes been, this issue heralds a major turnaround on that front, it’s a terrific scene, and pivotal to forging their bond of trust and respect as equal partner in recruiting and running their boot camp for their new trainees.

James Tynion IV also does a great job at handling this ensemble cast of characters, a fact that really shines through as we see Batman and Batwoman assessing and visiting Spoiler, Red Robin, Cassandra Cain, and Clayface individually over the course of the issue, and brining them together as a team to survive this new threat. Even though each student has their own unique attributes, strengths, and skills, Batwoman makes it clear from the outset their training is going to be tough; and she certainly isn’t going to go easy on them!

Then of course we have, in my opinion, the masterstroke move by Tynion and co, of having Clayface becoming part of the team! The scene were Batman and Batwoman recruit Basil Karlo proves to be a really powerful and emotional scene for the character, I found it genuinely moving, and the dynamic between Batman and Batwoman here is pitched perfectly. Ok, hands up, I admit I’m more than a little biased here, because Clayface is my all-time-favourite villain from Batman’s rogues galley, and I’m thrilled to see the character become such an integral part of this series, but is he really ready for redemption? Only time will tell…

Detective Comics #934 features some gorgeous artwork by Eddy Barrows and inks by Eber Ferreira. The page layouts are bold and dramatic, Barrow’s art is finely detailed and conveys the often kinetic action with an almost fluidic sense of pace and movement, all the characters are impressively realized, and Ferreira’s inks really brining out the finer nuances of Barrow’s work to such a degree that each scene literally bursts from the page with the sheer immersing power of characterization and spectacle in this issue. Likewise, colorist Adriano Lucas builds the tension and drama with a subtle blend of rich hues and bold tones, while the clever use of light and shadow accentuates the mood of countless scenes to make this issue an outstanding synergy of storytelling and art. This issue has so many highlights: Batman standing framed in light in St Michael’s Cathedral before the fallen Azrael, Batwoman swinging across the Gotham skyline, the recruiting of the individual team members, and the stunning welcome to boot camp at the Bat-Signal that emulates this issues stunning cover by Barrows, Ferreira, Lucas is a sublime move that neatly bookends the issue in fine style.

James Tynion IV has done a terrific job with Detective Comics #934, the new premise and mission scenario is set out for Batman, Batwoman, and their new team in a way that gradually builds the mystery and suspense, before the issue closes with a startling glimpse at the true scale of the menace they will all soon have to face. James Tynion gives all of the characters a moment to shine, while Eddy Barrows, Eber Ferreira, and Adriano Lucas ensure the issue is busting from cover to cover with impressive visual, along with concise letting from Marilyn Patrizio, collectively gets this new creative teams run on Detective Comics off to a great start!

Publisher: DC Comics / James Tynion IV / Art: Eddy Barrows

Inks: Eber Ferreira / Colors: Adriano Lucas / Letters: Marilyn Patrizio

Cover by: Barrows, Ferreira & Lucas / Variant Cover: Rafael Albuquerque

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Batman #49 Review

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Alfred Pennyworth, Batman, Batman #49 review, Bruce Wayne, comics, James Tynion IV, Jim Gordon, Mr Bloom, Nathan Fairbairn, Scott Snyder, Superheavy, Superheavy pat 9, The Bat-Cave, The New 52, Yanick Paquette

Batman #49

Review by Paul Bowler

With the chaos unleashed by Mr Bloom engulfing Gotham, the time has finally come for Bruce Wayne to reclaim his past in Batman #49, as he descends into the Bat-Cave to face his destiny. But can Bruce truly find it in himself to sacrifice his new life free of the shadow of the bat that easily? Can he embrace the legacy of the Bat again, to confront the past and become one with all the horror, madness, and violence that consumed him before as Gotham’s Dark Knight Protector. Now, in this special issue the fates of Bruce Wayne and Batman converge once more, and the Dark Knight’s world will never be the same again…

Last issue saw Gotham’s new Batman, Jim Gordon, captured by the gargantuan Mr Bloom, while the new super-villains super-powered-seed army emerged to wreak havoc. Meanwhile, Bruce Wayne, having begun to recover the memories of his former life as Batman, suddenly encountered the Joker, whose memories of his past life as the Clown Prince of Crime have also seemingly been wiped away like Bruce’s were after their violent showdown in Endgame. Now in Batman #49, part nine of the Superheavy arc reaches a major turning point, as writer Scott Snyder and co-writer James Tynion IV, together with artist Yanick Paquette, and colorist Nathan Fairbairn, bring us Bruce’s darkest, most challenging ordeal so far as he prepares to risk everything to become the Dark Knight once more…

It has all been building towards this moment, now its here at last! Alfred is now all that stands in the way of Bruce Wayne rediscovering the full knowledge of who he really is in Batman #49, as Scott Snyder and co-write James Tynion IV steer Bruce on a journey that will encompasses a myriad of infinite possibilities which will test his resolve, willpower, and perhaps even his sanity, as an inexorable date with destiny looms.

The copious multi-layered aspects of Bruce’s life that Snyder and Tynion IV have spliced into the ongoing narrative of the Supeheavy arc in this issue are mind bogglingly sublime. At times it almost feels as if we’ve sidestepped into the Martrix, with all the fragments all jostling for our attention, before two clear junctures in Bruce’s life slowly begin to run parallel to one another… Alfred is now all that stands in the way of Bruce Wayne rediscovering the knowledge of who he really is in Batman #49, unfolding at Wayne Tower and Wayne Manor as time itself simultaneously becomes a portal to save the future and the last barrier to lock away the past. Its heartrending stuff, the scenes between Bruce and Alfred are truly moving, but with the machinery that will restore Bruce’s mind in such a dire state of disrepair, the key to Bruce’s resurrection rests with what is perhaps the most unexpected – yet ironically obvious – act of trust and foresight of all.

With Greg Capullo busy getting ahead with Batman #50, Yanick Paquette (Wolverine, Batman, Swamp Thing, Wonder Woman) and colorist Nathan Fairbairn (Batman INC, Multiversity, Wonder Woman: The Trial of Diana Prince) take over the artistic duties for Batman #49, and what an awesome looking issue it is! I really like how Yanick Paquette alternates the more futuristic scenes with those in the present day, with the multiple projections of Bruce’s lineage often coalescing like temporal thought bubbles, and the uncanny symmetry between the dual entrances into the cave are both magnificently epic and ominously foreboding.

Yanick Paquette brings this gloriously mined seam of craziness that Scott Snyder’s and James Tynion IV have created to life with such vivid detail, the sheer power of the emotional scenes will take your breath away, while the stunning rendering of Bruce’s struggle across fracturing realities unfolds over numerous two-page spreads that will simply blow you away with the sheer scope and scale of it all. Batman #49 also features some of the very best Nathan Fairbairn colors you can possibly imagine, Nathan Fairbairn makes every scene come alive in exquisite detail, utilizing a rich pallet of colors that complement the story perfectly.

The final moments are heartbreaking in the extreme. Although we all knew this moment was coming, now that we are finally here, the reality of Bruce’s struggle, along with the sacrifice he’s prepared to make, are really hammered home. This is no mere sci-fi cliché resolution either. Scott Snyder has kept us guessing every step of the way with the Superhavy arc, we’ve had a glimpse of the man Bruce might’ve been if he’d never set foot in crime alley as a child, but now the time has come to pull the trigger on that new found life and happiness, and the way in which this point is finally reached is guaranteed to break everyone’s heart.

Batman #49 is a superb issue from Scott Snyder and James Tynion VI. It’s one that mixes truths and consequences, where raw emotion and devotion cascade towards the memorial waterfall of a time immemorial, until we reach the threshold of the one line that even the Batman cannot cross… The haunting cover by Yanick Paquette and Nathan Fairbairn is like a Bat version of The Scream with a side order of Nosferatu to send a chill down your spine, lets hope they do a poster or print of this stunning cover one day, its brilliant, and there’s also a terrific Neal Adams variant cover to look out for as well. Batman #49 is a fantastic instalment of the Superhavy arc; everything is now set up for the momentous 50^th issue. Hell yeah, its time to go to work!

Publisher: DC Comics / Writer: Scott Snyder & James Tynion IV

Artist: Yanick Paquette / Colors: Nathan Fairbairn / Letterer: Steve Wands

Cover: Yanick Paquette & Nathan Fairbairn / Variant Cover: Neal Adams

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Batman and Robin Eternal #1 Review

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Batman, Batman and Robin Eternal #1, Batman and Robin Eternal #1 review, Bluebird, Bruce Wayne, Cassandra Cain, DC Comics, Dick Grayson, Gotham City, James Tynion IV, Jason Todd, Mother, Red Hood, Red Robin, Robin, Scarecrow, Scott Snyder, The Orphan, Tim Drake, Tony S. Daniel

Batman and Robin Eternal #1

Review by Paul Bowler

DC Comics new weekly comic series Batman and Robin Eternal #1 is finally here! This sequel to the hugely successful weekly series Batman Eternal will focus on Robin and the many characters that have been involved in the Dark Knights legacy as Robins, and will form a major Bat-Family story event to celebrate Robin’s 75^th Anniversary!

Years ago, Batman and Robin tackled one of the most unsettling cases of their careers, when they brought down a secret organization run by a ruthless human trafficker – a mysterious woman known as Mother. Although Dick Grayson never fully appreciated the true scale of the case back then, those dark secrets from the past are returning to haunt him and everyone who ever worked alongside Batman. Now Bruce Wayne is no longer Batman, Dick Grayson and his allies must deal with the menace without him. But who can really be trusted, is someone amongst them not quite who they seem, and who is the silent – yet extremely deadly – young woman swathed in black who has recently arrived in Gotham City in search of Batman?

Batman and Robin Eternal will feature a wealth of characters, villains, international intrigue, plot twists, and a few new additions to the saga of Batman and Robin along the way over the next six months in this new weekly blockbusting DC Comics series from lead writer James Tynion IV, together with Batman writer Scott Snyder, and co-writers Tim Seeley, Steve Orlando, Genevieve Valentine, Ed Brisson, and Jackson Lanzing and Collin Kelly, with lead artist Tony S. Daniel fronting an art team which includes Paul Pelletier, Scott Eaton, and Francis Manapul.

Being the 75^th anniversary of Robin the boy wonder, and of course the character of Dick Grayson, the original Robin, this 26 issue weekly series gets off to a exciting start with Batman and Robin Eternal #1, featuring story by James Tynion V & Scott Snyder, script by James Tynion V, with art from Tony Daniel’s, together with inks by Sandu Florea, colors by Tomeu Morey, and letters by Tom Napolitano, we plunge right into the heart of the action as three time lines converge as one. Years ago in Cairo, Egypt, a hooded figure guns down a young boys parents, while Batman and Robin patrol the Gotham skyline in the then, and in present-day Gotham Spryal agent Dick Grayson’s return to the city (see Grayson #12) finds him engaged in a motorbike chase with drugged-up weapons designer. Grayson gets some backup from Red Hood and Red Robin, and soon the action-packed chase is over and the trio quickly capture the high-tech weapons dealer.

I really like the strong dynamic between Dick Grayson, Jason Todd, and Tim Drake. They make a great team, there’s some fun banter between them as well, and working in a Gotham where Bruce is no longer Batman has clearly strengthened the bond between them. While Dick sets off to deal with some official super-spy business, Red Hood’s opinion of Gotham’s new Dark Knight is brought into sharper focus when Bluebird has a run in with the new Batman, and it seems Harper’s no pushover when it come to dealing with Bat-Bots!

Even though the weekly series takes place in the present-day setting of Gotham, where Bruce Wayne is no long Batman and Jim Gordon has taken over as the new robo-suited Dark Knight, Bruce still have a key role to play. The story revolves around a mystery from the past from back when Dick Grayson was Robin, and Bruce Wayne was the Batman, and involves Mother during Robin’s first globe trotting adventure. Flashbacks to these past events featuring Batman / Bruce Wayne and Robin / Dick Grayson are fleeting in this first issue, but when Grayson’s mission at the reopening of a Gotham University in the present reminds him of his first encounter with Scarecrow when he was Robin, it sets in motion a deadly chain of events that could unleash danger and betrayal on all sides as an unknown figure from the past returns.

It’s also good to see Tony Daniel returning to Gotham City. Tony Daniel’s spent over five years writing drawing Batman comic books and more than three years writing them, so it’s fantastic to see Tony Daniel’s art in Batman and Robin Eternal. Since moving on from Detective Comics in 2012 the writer / artist has worked on a number of projects, including writing and drawing the recent run of Deathstroke. As we might’ve expected, Batman and Robin Eternal provides a welcome reunion for Daniel’s with these iconic characters, and his brilliant artwork on this first issue quickly sets the tone and style of this weekly series. The inks by Sandu Florea are also excellent, highlighting every aspect of Daniel’s art, and the rich colors by Tomeu Morey make this issue look absolutely stunning. Needless to say, the cover for Batman and Robin Eternal #1 by Tony Daniel, Sandu Florea, and Tomeu Morey, is superb, and probably one of the most impressive covers for a new series that I’ve seen in a long time! (There is also a great variant cover by Mikel Janin.)

It’s no secret that the all new, silent and deadly version, of Cassandra Cain makes her welcome debut to the New 52 in Batman and Robin Eternal, and it’s clear her role will be a key factor that drives the narrative of this weekly series. Let’s just say that her appearance during this issue comes at a most unexpected moment, actually it completely wrong-foots you, and it’s a brilliantly handled scene that illustrates her fighting skills perfectly. I’ve always liked Cassandra Cain, she’s a terrific character, and I’m looking forward to discovering more about her role in the events of Batman and Robin Eternal in the weeks ahead.

There are also some good scenes featuring Harper and her brother, Cullen, their bond is as strong as ever, however, it seems Steph isn’t too happy about being left on the sidelines again while Bluebird hit’s the streets. Harper Row is another worthy addition to the Bat-Family, she’s evolved into such a pivotal character since her introduction, and I’m sure Batman and Robin Eternal will give the character a chance really to shine.

Dark secrets wait in the shadows, there’s a message from the past for Dick Grayson, and who is the mysterious Orphan? James Tynion V and Scott Snyder have worked their magic on Batman and Robin Eternal #1, Tynion’s engaging multi-layered script sets a high benchmark for the series, as the story weaves seamlessly between timelines, and the art by Tony Daniel’s is stunning! Batman and Robin Eternal #1 delivers a cracking start to the series, packed from cover to cover with full-throttle action, great characterization, and one of the most jaw-dropping final pages ever its clear we are going to be in for one hell of a ride!

Publisher: DC Comics

Story by James Tynion V & Scott Snyder

Script by James Tynion V

Art: Tony Daniel

Inks: Sandu Florea

Colors: Tomeu Morey

Letters: Tom Napolitano

Cover: Tony Daniel, Sandu Florea, and Tomeu Morey / variant cover: Mikel Janin

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Batman Eternal #52 Review

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Batman, Batman Eternal, Batman Eternal #52, comics, DC Comics, James Tynion IV, Kyle Higgins, Ray Fawkes, Scott Snyder, The Court of Owls, The New 52, Tim Seeley

Batman Eternal #52

Review by Paul Bowler

Gotham City is a raging inferno of chaos. Batman confronted the supposed mastermind at Beacon Tower, the Cluemaster. With the Dark Knight exhausted and beaten, Cluemaster was about to shoot Batman when the true mastermind emerged from the shadows… Lincoln March, the villain behind the Court of Owls storyline, the man who claimed he was Bruce’s brother, Thomas Wayne Jr! Dressed in his Court of Owls armour, March slit Cluemaster’s throat. Now, while Batman’s allies and the GCPD fight to save the city, the Dark Knight must confront his nemesis as the final battle between these erstwhile brothers begins…

The lives of Batman, his allies, his enemies, and even the city of Gotham itself, have become the focus of this landmark DC Comics weekly series as the Dark Knight’s world has been explored like never before over the course of this year-long event. The Bat-Epic concludes here in Batman Eternal #52, with a story from writers Scott Snyder and James Tynion IV, script also by Tynion, along with consulting writers Ray Fawkes, Kyle Higgins and Tim Seeley, in this special extra sized issue as Batman Eternal reaches its thrilling climax.

Batman Eternal #52 gives us only moments to recover from last issue shocking cliff-hanger, with an ominous flashback to The Night of the Owls and a fortuitous meeting at Harbor House, before the action-packed showdown between Batman and Lincoln March takes centre stage. While it may have been Cluemaster’s plan, it was actually Lincoln March that funded the entire operation with the resources he plundered from The Court of Owls. Now as the confrontation between March and Batman atop Beacon Tower takes to the air, this violent reunion between these supposed Wayne brothers soon comes crashing down to earth, and the location for their final battle proves a fittingly apt battleground for “Eternal” to play out on.

The pace of this issue doesn’t let up for a moment. As the fate of Gotham City hangs in the balance, it’s up to Batman’s allies to do whatever they can to help the civilians escape from the carnage that has griped the city. With Penny One and Penny Two coordinating their efforts, Batwing, Red Robin, Bluebird, and Red Hood all have their work cut out for them, and even Batgirl must race to make a last minute rescue when she least expects it.

Batman Eternal #52 features a wealth of stunning artwork for this final issue provided by: Eduardo Pansica & Julio Ferreira, Robson Rocha & Guillermo Ortego, David Lafuente, Tim Seeley, and Ray Fakes (Artists), along with Allen Passalaoua, Gabe Eltaeb, John Kalisz, John Rauch (Colors), Steve Wands (Letters), with a stunning cover by Jae Lee & June Chung, and variant cover by Andy Kubert & Brad Anderson. The different artistic styles form a perfect cohesion between the striking visual and intricate plotting required for this final issue of Batman Eternal, as the year-long storyline draws to a close. The collective work produced here is staggering, every scene builds towards the glorious moment where Jim Gordon address the city, whereby a clever twist inspired from events in Zero Year is utilized to create an urban victory for Gotham City as dozens of Bat-Signals light up the sky. It’s a rousing scene, and one of Batman Eternals finest moments ever!

With new allies joining the fray to help the Bat-Family, Commissioner Bard and the GCPD also receive some unexpected help, Spoiler faces her most life changing decision of all, and Batman’s fight with Lincoln March reaches a crucial juncture. Ever since Lincoln March’s fate and supposedly true identity as Thomas Wayne Jr was left unresolved in Batman #11, the characters return has been long expected, and the flashback to his encounter with Cluemaster brings further insight into the role he played in orchestrating the events in Batman Eternal.

The fight between Batman and Lincoln is a savage, brutal, no-holds-barred struggle, but even though Batman’s rag-tad suit is hardly a match for Lincoln’s armour, Bruce fights on, even when it seems everything is lost. It proves how indomitable the legacy of the Dark Knight really is, despite everything Bruce has had taken away from him: be it the gadgets, the money, whether being driven to the brink of physical and mental exhaustion, or even having the cape and cowl ripped away, Bruce Wayne is still the Batman, with or without all the trappings, and his personal resolve, strength, faith in his allies, and his dedication to city he is sworn to protect remains as unbreakable as the night that fateful gunshot rang out in crime alley.

So much has happened over the last year: Commissioner Gordon was framed and sentenced to life in Blackgate for unwittingly causing the subway train accident that killed over one hundred Gotham citizens, Selina Kyle went from cat burglar to Gotham’s new Kingpin of crime, Wayne Manor was transformed into a new Arkham Asylum after the latter was destroyed following an explosive supernatural event, a nano-virus wreaked havoc in the Narrows of Gotham, and the Dark Knight and his allies were tested to the limit as they battled the villains of Batman’s rogues gallery in their quest to discover the mastermind behind it all. Sure, there were a few issues where the focus of the plot meandered a little, some characters story arcs were better developed than others, but overall I think Batman Eternal provided a really gripping and exciting storyline, one that has – for the most part at least – delivered the goods week after week.

The resolution to the fight between Batman and Lincoln March is another of Batman Eternals standout moments. While perhaps not exactly the battle royal we might’ve been hoping for, that magnificent two-page spread during the major turning point of the fight is an absolute killer moment, and the scene which follows afterwards between Jim Gordon and Batman sums everything up perfectly. From here Batman Eternal gradually winds down though a series of codas that neatly ties up some loose ends and sets up some potential storylines for the future. The times they are a changing in Gotham: especially for Jason Bard and Vicky Vale, Batman and Catwoman, Penguin, Batwing, Barbara, Jason Todd, and Harper and her new flatmate, but my favourite closing scene was a particularly fun moment between Stephanie Brown and Red Robin.

As for Lincoln March..? Well, let’s just say the past has a very nasty way of catching up with him. Ironic really, considering how Lincoln thought the Cluemaster was nothing more than a second-rate nobody, that it is Lincoln March who eventually suffers the indignity and horror of becoming the greatest nobody of all…

Batman Eternal has been a milestone comic book event, the scope of this weekly series has been immense, and the all star creative team of writers Scott Snyder, James Tynion IV, Ray Fawkes, Jason Fabok, John Layman, and Tim Seeley, together with a host of superb artists including – Jason Fabok, Dustin Nguyen, Andrea Mutti, and more – have brought readers an intricately plotted and visually impressive series that has successfully managed to keep us guessing about the true identity of the villain behind everything right up until the penultimate issue

With everything in Batman Eternal taking place before the current events unfolding in Batman Endgame, the fallout from this year-long series is sure to influence the shape of things to come. We still have Batman #40 and the face-off between the Batman and the Joker on the cards for the finale of Endgame, then we’ve got the intriguing prospect of an “All New Batman” debuting in Batman #41, and if all that wasn’t enough for us to look forward to Batman Eternal Season 2 is also on the way. This second Batman Eternal storyline will be focused more on Robin and the characters that have been involved in the Dark Knights legacy as Robins, and it will be a major story event that will celebrate Robin’s 75th Anniversary!

The last page of Batman Eternal is magnificent point to close on. Over the last year we’ve seen how the Dark Knights world has gradually been torn down around him. Now, as Batman and Jim Gordon look out across the Gotham skyline it becomes apparent just how far reaching the events of Batman Eternal have been for everyone involved. Its been a tough year for Batman and Gordon, nevertheless they stand ready, prepared to face whatever the future might hold, and carry on the good fight for Gotham one more time.

Batman Eternal #52 rounds off this year-long event in fine style, it provides an exciting finale to DC Comics weekly Batman series, and sets the scene for the next era of the Dark Knight legacy to begin in earnest.

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Batman Eternal #51 Review

Tags

Alvaro Martinze, Batman, Batman Eternal, Batman Eternal #51, Cluemaster, comics, DC Comcis, James Tynion IV, June Chung, Kyle Higgins, Raul Fernandez, Ray Fawkes, Scott Snyder, Tim Seeley

Batman Eternal #51

Review by Paul Bowler

Gotham City is burning. The crisis is spiralling out of control, villains are running wild, even the Dark Knights allies are struggling to cope. As the GCPD plan their next move, Catwoman reinforces her authority as Gotham’s Kingpin of crime. Batman raced to the Beacon Tower to confront the mastermind behind it all – the Cluemaster! Now, beaten and tied to the shattered Bat-Signal, it would seem that Batman has been completely outwitted and utterly defeated by Cluemaster. But is Cluemaster really the master criminal, or is there another waiting to be revealed..?

Cluemaster has emerged from the shadows as the major antagonist of Batman Eternal! Now the fallout from last issues cliff-hanger unfolds in Batman Eternal #51, in this story from writers Scott Snyder and James Tynion IV, featuring a great script also by James Tynion IV, and consulting writers Ray Fawkes, Kyle Higgins and Tim Seeley, as the year long weekly Batman series’ penultimate issue delvers its most shocking twist of all!

Bound to the Bat-Signal, Batman must endure yet more hardship as his identity is callously stripped away, it echoes the opening moments from Batman Eternal #1, and Cluemaster is certainly not messing about either. While he basks in the glory of his apparent victory, we learn how Cluemaster set about brining his grand scheme together. Its ingenious to say the least, it seem the misdirection it caused worked both ways, and its staggering to think what this second-rate Riddler-knock off has managed to achieve.

Meanwhile, the Bat-Family do what they can to help the citizens of Gotham, but they cannot be everywhere at once. As Catwoman cracks the whip to keep the crime families in line, over at the GCPD, the situation looks grim, and its up to Jim Gordon to inspire Commissioner Bard to step up to the plate and be the commissioner the city needs. The brief interlude featuring Bluebird and Spoiler is a great moment for both characters, Harper’s exchange with Stephanie is rooted in the very essence of everything Batman stands for, and it’s a great defining moment for Bluebird – and its one that makes me like the character more than ever.

The art by Alvaro Martinze is stunning, every scene from Tynion’s exciting script is stylishly rendered, and the action flows seamlessly along at a cracking pace. The opening scenes are ablaze with high-drama, with the cape and cowl fluttering down into the flaming streets, before events shift between Catwoman’s nightclub, the GCPD, and finally Harper’s confrontation with Spoiler. Alvaro Martinze’s superbly conveys the flashbacks detailing Cluemaster’s scheme with his cohorts, and the ferocity of Bruce’s battle with Cluemaster is also really intense and brutal. Raul Fernandez’s inks enhance every detail, and the colors by June Chung are really bold and striking.

Of course the Bat is never defeated is he? As we might have expected Batman manages to get free and give Cluemaster a good kicking, but in his weakened state even the Dark Knight struggles, his punches lack power, and the moment Cluemaster has been waiting for is finally here. So, is the Cluemaster really the big-bad of Batman Eternal, or has this been just another red herring to keep us all guessing? Well, although he may have brought Batman to the brink of his greatest defeat, let’s just say that Cluemaster soon finds out just how cutthroat and unpredictable things can get when you attempt to step up into the big league of the major villains!

The year-long Bat-Epic is almost over! Batman Eternal #51 is terrific issue, by the final, shocking page, this issue will have sunk its claws in deep, and you will be left reeling by another shocking surprise cliff-hanger!

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Batman Eternal #50 Review

Tags

Alvaro Martinze, Bane, Batman, Batman Eternal, Batman Eternal #50, DC Comics, James Tynion IV, June Chung, Kyle Higgins, Ray Fawkes, Reul Fernandez, Scott Snyder, The New 52, Tim Seeley

Batman Eternal #50

Review by Paul Bowler

Gotham is in turmoil, the Penguin has instigated a riot in Blackgate, and villains are running amok in the city. Hush escaped and corrupted the Bat-Tec but Alfred managed to defeat him. Batman and his allies must coordinate their efforts to save Gotham City as Commissioner Bard leads a team from GCPD to rescue Gordon from Blackgate. Now, as the city burns, the Dark Knight must prepare to confront the mastermind behind it all…

Its non-stop action all the way in Batman Eternal #50, in this story from writers Scott Snyder and James Tynion IV, with script also by James Tynion IV, and consulting writers Ray Fawkes, Kyle Higgins and Tim Seeley, as this year long Bat-Epic nears its conclusion.

As the dust settle over last issues Robo-Suit-Bane Vs. Batman-In-A-Jet Fighter cliff-hanger, Batman gets a quick update of the situation in Gotham via Penny One in the Bat-Cave and Penny Two in Robin’s Nest, before setting out to end the chaos and deal with the Rogue’s Galley of villains currently giving the Bat-Family a run for their money after Hush disable their Bat-Tec. Batman isn’t messing about either, he goes up against the Scarecrow, Mr Freeze, and Clayface, using highly effective and even brutal methods to bring them down.

Commissioner Bard shouldn’t have worried so much about Gordon either. Jim’s more than capable of looking after himself, after all he’s weathered far worse things than this riot in Blackgate in his time, and it seems his marine training and the well heeded advice of an old friend has served him very well indeed here.

This is one hell of a fast-paced issue. Alvaro Martinze’s art really conveys the intense pace as events unfold in quick succession: we’ve the aftermath of Batman’s confrontation with Bane, the riot in Blackgate, showdowns with the Dark Knights deadliest foes, and Martinez also get to pack in some pretty spectacular scenes of carnage as well – especial when another villain with a penchant for fire takes to the skies as Gotham burns! Raul Fernandez’s inks also highlight the finer details in every scene, and the colors by June Chung are rich and vibrant throughout.

The refitted Wayne-Tec drones Penny One and Penny Two use to bring Batman a citywide update of the situation may have allowed the Dark Knight to help his allies, but the identity of who is actually behind everything that’s happened in Gotham remains a frustratingly elusive quandary for Batman. Its not often we see the Dark Knight like this, exhausted, worn down, and angry as hell, he becomes as ruthlessly efficient at dealing with his enemies in this issue as he does at barking out orders to the rest of the Bat-Family. There are some lighter moments though. Red Hood’s quip after Bane is defeated is fun, as is Red Robin’s comment about being offline, and Batgirl gets to show off because she didn’t need any help to defeat her opponent.

Batman Eternal #50 delivers this weekly series’ most shocking surprise of all during its closing moments. It is here, as the final pieces of the puzzle begin to fall into place, that Batman races to Beacon Tower for a confrontation with the hidden nemesis that has been responsible for all the events in Batman Eternal. The fact this moments takes place in front of the shattered Bat-Signal makes it all the more powerful and symbolic. This is an absolutely cracking issue of Batman Eternal. The clues have indeed been there right from the beginning and with only two issues remaining everything is now in place for a stunning finale to this weekly series!

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Batman #39 Review

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Batman, Batman #39, Batman #39 review, comics, Court of Owls, Danny Miki, DC Comics, Endgame, Endgame Part 5, FCO Plascencia, Greg Capullo, James Tynion IV, Scott Snyder, The Joker, The New 52

Batman #39

Review by Paul Bowler

The end seems nigh in Batman #39, Gotham is burning, and soon the Joker virus will kill everyone. Regenerative factors in the Joker’s blood have made him even deadlier, now seemingly immortal; he’s become a ghoulish enigma whose image has appeared at every major tragedy throughout Gotham’s history. In this darkest hour Batman has even sought help from the Court of Owls to end the Joker’s campaign of terror. When violence and horror strikes at the very heart of Batman’s world, the Dark Knight and his allies must unite with old enemies to save Gotham, but it would seem that the Joker has saved his best trick for last…

The Clown Prince of Crime’s terrifying return to Gotham continues in Batman #39 as Scott Snyder and Greg Capullo ominously flip the Bat-Signal upside down for one their most apocalyptic and brutal issue so far. Endgame: Part 5 begins with a secret pact, a funeral atmosphere, and the most striking portent of doom the Dark Knight has ever seen. From here we rejoin last issue momentous cliff-hanger, as Batman confronts the Court of Owls in the underworld beneath Gotham, but his attempt to discover where the Joker obtained the chemical Dionesium – which is also in the electrum Court of Owls use to bring the Tallons back – is hindered by their lofty indifference and warped perspective of Gotham from their underground domain.

The return of the Court of Owls in this penultimate chapter of Endgame serves to reinforce the epic nature of this storyline. Endgame will surely stand as the pinnacle of everything Scott Snyder and Greg Capullo have established so far during their run, its ingenious how they’ve brought the various elements from their previous story arcs together, the addition of the Court of Owls now brings everything full circle to stand alongside Death of the Family and Zero Year as events build inexorably towards Endgame’s final act.

Although the mystery of the Joker’s immortality remains an elusive conundrum, Batman’s confrontation with one of the first Tallons, Uriah Boone, does at least scratch one very intriguing question across the wall of history for us to dwell over. However, it is the Joker’s actions in Batman #39 that soon overshadow and questions about his immortality, when the Clown Prince of Crime savagely attacks someone close to Batman. It’s a scene that is sure to become one of Endgame’s defining moments. One that brutally cleaves through the unthinkable, scraping on bone and sinew, before leaving us cradling our shock in disbelief.

From that hauntingly evil cover onwards, Greg Capullo’s art wrings every nuance of darkness and horror from Snyder’s scrip, triples it, and then brings it all to life to on the page with such intensity its literally breathtaking. The scenes with the Court of Owls are stunning, their realm seems even more menacing than before, and the fight with the Tallon is another great moment. Capullo’s Joker is absolutely magnificent! Evil to the extreme, and shockingly violent, the Joker’s entrance alone – as he glances back at us over his shoulder with that bloodied grin and manic twinkle in his eye – is a macabre delight that sends chills down the spine. Gotham itself has never looked so bleak and dangerous; Danny Miki’s excellent inks and FCO Plascencia’s rich colors excel throughout: the Court of Owls lair is an ominous well of undulating light and shadow, while the gaudy mania of Joker’s parade is reminiscent of a similar scene from Tim Burton’s Batman (1989).

In this months backup story, The Last Smile, written by James Tynion IV, with pencils by Dustin Nguyen, inks by Derek Fridolfs, colors by Dave Mccaig, and letters by Steve Wands, finds the escaped Arkham inmates given the task of telling their stories about the Joker to Doctor Zaheer embarking on the last stage of their journey. It is here, as they make their way into the dark depths beneath Gotham City, that Dr Mahreen Zaheer finally learns the truth about the Joker. Now she must choose which of the stories she believes is real, confronting a horror that will take her to the brink as truth and lies entwine to have the last laugh. The backups James Tynion IV has written for Endgame have all been exceptionally good, brining adding depth to the main storyline, and Tynion ensures that this final, twisted chapter is the most chilling of all.

Scott Snyder expertly shuffles events in Batman #39 as though they were a time-shifting deck of cards, effortless splicing the flashbacks set only a few hours in the past with the carnage unfolding in the present. As the pieces gradually begin slot into place we are presented with a unique perspective of these events, sometimes even witnessing things happening in the wrong order, as this ultimate no-win scenario brings the entire Bat-Family and the major players from Batman’s rogues gallery together to save Gotham from the Joker.

So, is the Joker really eternal? The evidences would seem irrefutable, yet gut instinct says otherwise. The virus in his blood has also given Joker the ability to heal, making him seemingly unstoppable, but it is the prospect of the Joker’s immortality that remains one of Endgame’s biggest talking points. In fact the more you think about it the more impossible it seems. I for one, have absolutely no idea or complex theory to offer, I’m stumped (An unfortunate choice of words perhaps?), and I think that’s what I like most of all about this story arc because Snyder and Capullo have kept us guessing every step of the way. Whatever the outcome might be, I’m sure that Scott Snyder will undoubtedly have something fiendishly clever and unexpected lined up for us in Batman #40 that will bring Endgame to a thrilling conclusion.

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Batman #38 Review

Tags

Batman, Batman #38, comics, Crazy Quilt, Danny Miki, DC Comics, Endgame, FCO Plascencia, Greg Capullo, James Tynion IV, Jim Gordon, Sam Kieth, Scott Snyder, The Joker

Batman #38

Review by Paul Bowler

The outbreak caused by the Joker’s new toxin has plunged Gotham into chaos as the infected rampage through the city. Batman investigated Gotham Presbyterian Hospital where he discovered Patient Zero was in fact Joe Chill – the man who murdered his parents. Holed up in his apartment, Jim Gordon had to confront the Joker alone. Gordon shot the Joker, apparently killing him, but the Clown Prince of Crime didn’t die… Batman escaped with Duke from the hospital, now the Dark Knight must reach Jim’s apartment, but more horrors await them, and soon the race is on to find the scientist responsible for engineering the Joker’s toxin.

The Joker’s dramatic return continues in Batman #38 with Endgame Part Four, as Scott Snyder’s and Greg Capullo’s nail biting new storyline delves further into the mystery surrounding the Joker’s miraculous new ability to heal, amongst other things… Indeed, the horrifying impact of last issues unnerving torrent of cliff-hangers seems to have set up a chain reaction, one that looks set to reverberate though every aspect of Batman’s mythology in this issue with a story that is quite unlike anything we’ve experienced before.

From the first page, as Batman uses his glider to carry him and Duke towards Gordon’s apartment in Foundry Square, Snyder once again draws us into the rich history of Gotham City. It’s fascinating to learn more about the place where Jim Gordon lives, as well as role Foundry Square has played in Gotham’s history, a point which is exemplified even further as we begin to understand why Jim Gordon chose to live here.

Gordon’s injury is shocking enough, but the sight of Jim suddenly brandishing the same weapon the Joker used on him against Batman is a moment of sublime terror that Snyder executes with razor sharp precision. From here the issue proceeds at a break-neck-pace, with Gordon secured and Penny Two entrusted with getting young Duke to safety, Batman gets Dick Grayson to analyse the regenerative factor in the Joker’s blood as he battles his way across Gotham in order to find the scientist responsible for creating the new virus – Paul Dekker.

I really enjoyed these exchanges over the com-link between Batman and Dick Grayson over the course of this issue. With the tension heightening by the moment as Batman does his best to evade the hordes of infected civilians, the banter between Batman and Dick Grayson over the com-link is excellent, and the action is punctuated by some startling revelations. The defining moment comes as Bruce tells Dick what the Joker really “knows”. In essence we’ve been here before, In Death of the Family, with the Dark Knight locked in a deadly game of cat and mouse over whether or not the Joker actually knows who Batman really is. Even though the situation is even more dire here now in Endgame, when it seems like everything is lost, with no way out of this one, there is still the uncanny feeling that even a Batman without a plan will still find a trump card to play against the Joker.

Batman’s quest to locate Paul Dekker finds the Dark Knight confronted by none other than Crazy Quilt! This one time associate of Dr Karl Helfern also provides a brilliant link to Dr Death’s role in Zero Year, and in making the surprise addition of Paul Dekker as Crazy Quilt, Scott Snyder has single-handedly woven another classic villain into the ongoing narrative in a way that few, if any of us, could’ve ever really expected. The virus Dekker synthesized for the Joker actually turns out to be a story about something far, far older, and more dangerous than Batman ever imagined. The regenerative qualities the Joker has gained from this virus are astonishing, but with the Joker’s image now seemingly linked to the major tragedies in Gotham’s history, the implications of this discovery now makes his apparent immortality seem even more horrifying in the extreme.

The intensity and detail of Greg Capullo’s art is as captivating as ever. A brooding atmosphere of terror and suspense seems to permeate through every page of this issue as we follow Batman’s journey across the city, from that maniacal glint in Gordon’s eyes as he raises the axe, to the giggling crowds of infected civilians that follow Batman wherever he goes, and the gloomy menace of Dekker’s lab, Capullo keeps the action flowing smoothly as the horror and tension builds. Danny Miki’s inks enhance the air of dread further still, and FCO Plascencia’s gorgeous colors bring a magnificent clarity to virtually every scene. Along with its dark, horrific tone, Batman #38 is also big on spectacle, with Batman taking on a tank being just one highlight, and of course that incredible, jaw-dropping, final page that delivers Endgame’s most shocking plot twist so far.

This issues backup story from James Tynion IV, with Sam Kieth’s stylish art, colors by Ronda Pattison, and letters provided by Travis Lanham, follows the escaped Arkham inmates, crazed disciples of the Joker, who have been given the task of telling their stories to Doctor Zaheer. This time it is Cassidy’s turn, with a chilling tale that gouges right into “Heart” of Gotham’s secret history. Doctor Zaheer’s plight is made all the more terrifying as her ordeal drags her further into the inmates mad, twisted world, while somewhere down in the darkness beneath Gotham, the truth is waiting for her… This dark tale of terror by Tynion is one of the most unsettling so far in this series of backup stories to accompany Endgame, Sam Kieth’s art encapsulates the horrific nature of this macabre story perfectly, and the lingering sense of the unknown that it generates deftly ties into the events unfolding in Endgame’s main story arc in a way that is both haunting and eerily disconcerting.

Scott Snyder and Greg Capullo are certainly keeping us all on our toes with Endgame. Even with everything that Batman discovers this issue, Snyder still manages to keep us guessing concerning the mystery surrounding the Joker’s apparent immortality. At one point Dekker even seems to acknowledge what we are all thinking, and he’s right, this doesn’t even feel like a Batman story anymore, it’s become something much bolder and braver. The ambiguity of the Joker being immortal challenges Batman like never before. Endgame has already delivered countless surprises, with elements from The Court of Owls, Death of the Family, and Zero Year gradually slotting into place, Endgame becomes more enthralling with every issue. As for the Joker, we only really get one glimpse of him this issue, its also one you won’t forget in a hurry, and it leaves you with a horrible feeling about where he’s probably going and what’s going to happen when he arrives…

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