X-Men #8 Review

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Cyclops, Dawm of X, House of X, Imperial Guard, Jonathan Hickman, Krakoa, Marvel Comics, Mutants, Power of X, Shi'ar, Starjammers, The Brood, The New Mutants, X-Men, X-Men #8, X-Men #8 review

X-Men #8

Review by Paul Bowler

A deadly threat crashes to Earth in X-Men #8, brining peril to the Mutant nation of Krakoa from the farthest reaches of Shi’ar space. The New Mutants have returned from their intergalactic adventures, unwittingly brining trouble home with them, sparking conflict involving the Brood, the Shi’ar Empire, the Starjammers, and the Imperial Guard!

From the dawn of a new day on the island of Krakoa, to the chilling scenes on the fringe of Shi’ar space, and Cyclops and Havoc finding their brother Vulcan has been partying a little too hard at their lunar homestead writer Jonathan Hickman implements a slight gear shift in the overall narrative of this new X-Men series to propel the New Mutants and the X-Men into a cosmic spanning saga. With the defence of Krakoa at stake as the Brood attack, searching for the King Egg the New Mutants brought back to Earth, the Summers brothers hatch a plan to use the said egg to lead the oncoming Brood horde away into space via a Shi’ar stargate.

The action is frenetic and well rendered by Mahmud Asrar, especially the opening moments where the parasitic Brood are depicted swarming in space, initial scenes with Cyclops and Magik coordinating the defence of Krakoa are also excitingly dynamic, and colorist Leinil Francis employs a rich palette of tones and hues that nicely accentuates the action.

Considering how dramatically the Dawn of X relaunch of the X-Men range has evolved in recent issues, with the new Mutant nation of Krakoa developing its own rituals and customs, resurrection protocols, the brutality of the Crucible, and the X-Men’s plan to prevent the creation of the super Mutant killing robot, Nimrod, on the Orchis space station orbiting the sun, along with Professor X’s rather unsettling demeanour (especially the coercive manipulation of Mystique in their attempt to achieve this goal), X-Men #8 feels like a distraction – albeit an exciting one – from the core narrative Jonathan Hickman has built since the game changing events of House of X and Power of X.

For me Jonathan Hickman’s flagship X-Men book remains the pinnacle in terms of quality and good storytelling. Hickman may be acting as a kind of show runner for the entire range of X-Men comics now, but few of the other X-titles that Marvel has been churning out have really grabbed me, save for X-Force and Wolverine by Benjamin Percy. So, if you only have time for one X-Book, I’d make it Hickman’s X-Men, it was bit of a slow burn at first, but has proved well worth sticking with. The X-Men don’t necessarily feel like heroes anymore either, they are now one united Mutant nation on the living island of Krakoa, and the X-Men are certainly making the rest of the world sit up and take notice in a way that’s never happened before in the history of the X-Men. Sure, I miss the days where the X-Men felt more like a crazy mutant soap opera, but I really like how Hickman is doing something so fresh, different and innovative with X-Men right now.

In closing, X-Men #8 juggles a number of plot lines, with the Cyclops, Havok and Vulcan jetting off into space, the Starjamers runing into trouble with a Kree Accuser, and Gladiator and the Imperial Guard finding a new target to hunt. Jonathan Hickman continues to deliver engaging storylines and strong characterisation on every level, the Broods return and epic scale of the issue is impressively realised by Mahmud Asrar’s artwork, and the overall tone of the issue energetically paced. X-Men #8 might leave us chomping at the bit as wider issues are put to one side momentarily, but this unexpected jaunt into space makes for an action-packed diversion nevertheless, and the return of the Brood always provides a challenging threat for the X-Men to contend with.

Publisher: Marvel Comics

Writer: Jonathan Hickman / Artist Mahmud Asrar

Colorist: Leinil Francis Yu / Letterer: VC’s Clayton Cowles

Cover Artists: Leinil Francis Yu and Sunny Gho

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

X-MEN: APOCALYPSE Final Trailer Released!

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All New X-Men, Angel, Apocalypse, Brian Singer, Cyclops, James McAvoy, Jean Grey, Jennifer Lawrence, Magneto, Michael Fassbender, Mystique, New X-Men Apocalypse Final Trailer, New X-Men Apocalypse Trailer, Nightcrawler, Oscar Isaac, Professor X, Psylocke, Storm, Wolverine, X-Men Apocalypse, X-Men Apocalypse Official Trailer

New X-MEN: APOCALYPSE Final Trailer Released!

Check out the final trailer for Brian Singer’s X-Men: Apocalypse, even more action in this one, and a there’s even special surprise appearance at the end! It looks brilliant, can’t wait for this movie!

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New X-MEN: APOCALYPSE Trailer!

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Angel, Apocalypse, Brian Singer, Cyclops, James McAvoy, Jean Grey, Jennifer Lawrence, Magneto, Michael Fassbender, Mystique, New X-Men Apocalypse Trailer, Nightcrawler, Oscar Isaac, Professor X, Psylocke, Storm, X-Men Apocalypse, X-Men Apocalypse Official Trailer

New X-MEN: APOCALYPSE Trailer!

Check out the brand new official trailer for Brian Singer’s X-Men: Apocalypse, it looks awesome, really looking forward to this movie!

Fox’s official synopsis: Following the critically acclaimed global smash hit X-Men: Days of Future Past, director Bryan Singer returns with X-MEN: APOCALYPSE. Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel’s X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto (Michael Fassbender), to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven (Jennifer Lawrence) with the help of Professor X (James McAvoy) must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction.

X-Men: Apocalypse is set for release on May 27, 2016

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All New XMen #29 Review

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All New X-Men, All New X-Men #29 review, Angel, Brian Michael Bendis, Cyclops, Future Brotherhood of Evil Mutants, Iceman, Jean Grey, Marte Gracia, Marvel Comcis, Original X-Men, Stuart Immonen, X-Men

All New X-Men #29

Review by Paul Bowler

The Future Brotherhood of Evil Mutants is back, led by the progeny of Charles Xavier and Mystique. The original X-Men, together with new teammate X-23, and their leader, Professor Kitty Pryde, had just returned to Cyclops’ New Xavier School on Earth following their adventure in space with the Guardians of the Galaxy and the Starjammers to rescue Jean Grey from the Shi’ar – afterwards the young Cyclops then decided to leave the X-Men and remain with his father, Corsair. The Brotherhood infiltrated the school and took over the Stepford Sisters Hive Mind to attack the X-Men and the mindscape of Jean Grey. Now, as Jean’s psychic battle with the son of Xavier intensifies, X-23 gets her chance to strike back…

All New X-Men #29 is an astonishingly brilliant issue from Brian Michael Bendis. The return of the Future Brotherhood has made for a really exciting storyline, every element of the time travelling plot that Bendis has weaved into the narrative achieves an uncanny synergy with the sheer audacity of the multiple paradoxes and quandaries it generates. Heaven only knows what all this is doing to the time stream, it certainly makes a great story though, and the way Bendis manages to bring it all together this issue is amazing.

I really liked how Jean manages to turn the tables on the son of Xavier in this issue. Everything spins out from last issues cliff-hanger, when Jean began to fight back with her new psychic power levels, and gave X-23 her chance to ambush Xavier. X-23’s savage attack on the son of Xavier is enough to break his influences over the X-Men and the Future Brotherhood of Evil Mutants, except for his brother Raze, who quickly rushes in to fight X-23. The stunning art of Stuart Immonen, together with inker Wade Von Grawbadger, and with colorists Marte Gracia and Jason Keith on this issue, make the big action set piece that follows, with its elaborate two-page spreads and big sash pages, about as breathtaking and exciting as anything we’ve ever seen in this title.

There is also a great dynamic forming between the original X-Men and the present day X-Men now, with the adult Cyclops and Emma Frost keeping Jean focused during her mindscape battle with Xavier’s son, while Kitty Pryde and Magik lead the rest of the X-Men into battle. I also thought the fight between X-23 and Raze was really good, it was savage and brutal, and they both seem fairly evenly matched.

We also learn more about the Future Brotherhood, including the full extent of Xavier’s control over them, and there is a rather unsettling discovery about Xorn as well. The psychic confrontation on the mindscape between Xavier and Jean cleverly uses bold colors to define the combatant’s abilities, with icy blue tones highlighting the attacks by Xavier’s son, while Jean’s new power set manifests within vivid hues of pink and violet.

There are some really good scenes for the adult Cyclops and Emma Frost over the course of this issue, especially for Cyclops, as he points out to the value of the lessons the All New X-Men have learned on this day. Brian Michael Bendis manages once more to skilfully address the issue of Original X-Men’s inability to return to their own time, balancing it perfectly with the way the Future Brotherhood has been manipulated by Xavier’s son, effectively forming a time warping coda with the future events witnessed last issue as the Brotherhood plotted the X-Men’s downfall.

All New X-Men #29 is a highly enjoyable and action packed issue. With all its time twisting surprises this issue will be one to read a few times to pick up all the nuances that Bendis has included, and I expect, like me, you’ll probably agree with Iceman when he says that time travel gives him a headache if you think about it too much! Finally, last word goes to that stunning cover by Immonen, Grawbadger, and Gracia, featuring Angel riding a motorbike. Well, it certainly provides a great conclusion to this story with the Future Brotherhood, and if next issues teaser image is anything to go by, it seems that romance could soon be in the air.

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All New XMen #28 Review

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All New X-Men, All New X-Men #28, Brian Michael Bendis, Cyclops, Future Brotherhood of Evil Mutants, Jean Grey, Marte Gracia, Marvel, Original X-Men, Stuart Immonen, Wade Von Grawbadger, X-Men

All New X-Men #28

Review by Paul Bowler

Unable to return to their own time, the original X-Men now reside at Cyclops’ new Xavier School, along with new teammate X-23, and their leader, Professor Kitty Pryde. After the All New X-Men teamed up with the Guardians of the Galaxy and the Starjammers to save Jean Grey from the Shi’ar throne world, the teenage Cyclops was reunited with his father, Corsair, and decided to leave the X-Men and join the Starjammers. Now, with the X-Men back on Earth, the Brotherhood of Evil Mutants from the future has travelled back in time to the present day. Infiltrating the school, the Brotherhood attacked, X-23 was stabbed, now they control the Stepford Sisters Hive Mind, and they quickly used this advantage to strike at the mindscape of the young Jean Grey…

All New X-Men #28 is another great issue by Brian Michael Bendis, Stuart Immonen, and Wade Von Grawbadger, as numerous plot threads from the current storyline begin to converge, we also gain a new perspective on last years Battle of the Atom crossover event. It’s fascinating to witness how the Evil Brotherhood was formed in the future, while their attack on the Original X-Men unfolds simultaneously in the present day. The way that Bendis manages to balance each branch of this issues time warping narrative is simply superb, there is a hell of a lot of plot crammed into this issue, and the sheer pace and spectacle of it all is breathtaking. All New X-Men #28 ingeniously serves as a prequel of sorts to Battle of the Atom, I really liked the scenes featuring Xavier’s son (the leader of the future Brotherhood) and Raze, where we saw the terrible state that Beast was in when they discovered him and brought him into the fold.

As the X-Men struggle against the future Brotherhoods attack in the present, the plot continues to build on the implications of Jean’s new power set that was revealed in The Trial of Jean Grey, when the X-Men joined forces with the Guardians of the Galaxy and the Starjammers to rescue Jean from the Shi’ar Empire after she was put on trial for the crimes of her older, Phoenix-Possessed, self. Having realized that he should have dealt with Jean first last time, and how dangerous she can be, the young Xavier and his future Brotherhood hijacked the Stepford Sisters Hive Mind to strike at Jean’s mindscape and attack the X-Men. The smooth transition between the psychic plane and the physical reality heightens the tension further, as the issue build towards an exciting, and very surprising conclusion.

Stuart Immonen’s art on All New X-Men #28 is as stunning as ever. Together with Wade Von Grawbadger’s inks and the excellent work of colorist Marte Gracia, this issue looks incredible. There are so many stand out scenes in this issue: from the intricate detail of the scrawled equations on the walls of the future Beast’s lab, through to the spectacular double-page spread featuring a tremendous battle between the Brotherhood of Evil Mutants and the future X-Men, and watching Jean’s torment in the haunting bleakness of the Hive Mind, the way in which Immonen seamlessly envelopes us within the entwined narratives of present and future events is truly astonishing.

All New X-Men #28 moves along at a cracking pace, and rapidly builds towards its thrilling final moments as the adult Cyclops and Emma Frost attempt to get the young Jean away from the Brotherhood, when a surprise attack catches everyone off guard. That fact that all the characters are so wrapped up in what’s happening, that none of them actually see what’s coming, is also testament to how well Bendis handles these characters, its thrilling stuff, and Immonen’s art on that final page captures the intensity of that moment perfectly.

I was surprised to see the new Brotherhood of Evil Mutants return so soon after Battle of the Atom, but I’m really glad that Bendis has brought them back. They are such a fascinating group of characters, we get to learn a lot more about them, and the reasoning behind their return to the past is really clever. All New X-Men #28 is a thoroughly enjoyable issue, it’s packed with action, and the gripping time-twisting storyline is elevated to a whole new level as we discover more about the future Brotherhood and their plans.

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X-Men Battle of the Atom #2 Review

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Battle of the Atom, Battle of the Atom #2, Brian Michael Bendis, Brian Wood, Cyclops, Esad Ribic, Future X-Men, Giuseppe Camuncoli, Jason Aaron, Kitty Pryde, Marvel Comics, Original X-Men, Stuart Immonen, Uncanny X-Men, Wolverine, X-Men

Battle of the Atom #2

Review by Paul Bowler

The Brotherhood from the future arrived in the present-day and convinced everyone they were the X-Men of the future. They conspired to get the modern-day X-Men to force the original X-Men to return to the past. Although the young X-Men disagreed, Wolverine and most of the X-Men at the Jean Grey School agreed. However, the scheme was foiled when the real future X-Men appeared, and the Brotherhood’s attempt to use the Time Cube to send the original X-Men home hit a snag, when they found it was impossible to send them back. Now the X-Men of the past, present, and future stand united against the Brotherhood, but when a fleet of S.H.I.E.L.D Helicarriers suddenly arrive Xorn and Xavier take control of their weapon systems and launches their missiles at the X-Men…

Faced with an onslaught of missiles launched by the S.H.I.E.L.D helleicarriers, all of the X-Men teams’ work together to fend off the attack, using every ounce of their combined powers to fight back as the Brotherhood version of the Beast urges them to all to join forces with them. But when he is suddenly cut down by blaster fire from some new arrivals – a group of Sentinels that have secretly been constructed by S.H.I.E.L.D – all hell breaks loose and the present day X-Men and future X-Men find themselves fighting a battle on two fronts. The battle is furious, casualties are high, and as the Brotherhood face defeat Jean “Xorn” Grey confronts Cyclops and Wolverine, blaming the Schism they caused that divided the X-Men for subverting the natural order of time, before fighting the original X-Men until her powers finally overload and she explodes!

By the time Mira Hill arrives at the battlefield the Brotherhood has escaped and the X-Men have teleported back to the Jean Grey School. As they mourn their dead the X-Men must also form a response to S.H.I.E.L.D deploying Sentinels against them. Despite everything that has happened, Wolverine and Cyclops are still unable to settle their differences, and their teams remain divided as the future X-Men prepare to return to their own time – though not everyone is going back to the future as Kymera opts to stay and hunt down the Brotherhood.

Heartfelt goodbyes are said before the future X-Men uses the Time Cube to leave, with the future Iceman imparting some words of wisdom to his present day self as they depart. Afterwards the X-Men gather outside the School where Kitty Pryde announces that she is leaving. Kitty explains she can no longer trust them after the way they acted during Battle of the Atom, saying they let her and the original X-Men down when they needed them most. The original X-Men have also decided to leave with Kitty, not wishing to stay where they are not really wanted. Wolverine and  the X-Men are shocked when Cyclops and Magik teleport in to collect Professor Kitty and her students as they set off to join the Uncanny X-Men at the new Xavier School…

Battle of the Atom #2 brings this 50^th anniversary crossover event for the X-Men to a close, with Jason Aaron tasked with wrapping everything up, with Brian Michael Bendis writing one of the issues four epilogues. After last issues terrific cliff-hanger Battle of the Atom #2 picks up the pace with a huge battle as the various teams of X-Men square off against the Brotherhood. The arrival of S.H.I.E.L.D’s secret supply of Sentinels is not an altogether unexpected twist; however, this is sure to have a significant impact on human-mutant relations in the future.

The climatic battle includes some brilliant action sequences, there are casualties, and I especially liked the part where the original X-Men took on Xorn. There was also a great showdown between Xorn and Phoenix Quentin Quire, where Jean taunts him about how the Phoenix force still whispers her name. While the battle does reach an explosive end, it all seems a little abrupt; giving way to a series of epilogues that shifts the emphasis towards setting up a plethora of future storylines – especially with the Brotherhood still at large.

This somewhat uneven approach to Battle of the Atom #2 is also reflected in the artwork as well, as the main storyline has art by Esad Ribic and Giuseppe Camuncoli, with Andrew Currie and Tom Palmer on finishes. The four epilogues bring more by Camuncoli and Currie, along with Kris Anka, Chris Bachalo, and Stuart Immonen. Sadly the end result is not all that good; it all feels a little cobbled together, and not a patch on previous instalments.

While Kitty’s decision to leave, followed by the original X-Men, in the final Epilogue by Brian Michael Bendis and Stuart Immonen was a big surprise, I was a little uncomfortable about how smug Cyclops seemed when he arrived with Magik to collect them – it seemed a little out of character. Epilogue two by Brian Wood, on the other hand, contains one of my favourite scenes of this entire crossover, as the adult Shogo prepares to say goodbye to Jubilee. It’s a brilliant moment for the characters, and I thought it was the real highlight of the issue.

On the whole I have thoroughly enjoyed Battle of the Atom. I like how the story developed through each of the X-Titles involved in the crossover, there were some issues with constant recaps, but for the most part the story held together quiet well. Its just a shame that more time and care wasn’t put into making Battle of the Atom #2 more of an epic finale, rather than the last minute dash to the finish line that it turned out to be.

Wolverine & The XMen #37 Review

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Battle of the Atom Part #9, Cyclops, Giuseppe Camuncoli, Jason Arron, Jean Grey, Original X-Men, SHIELD, The Brotherhood, Uncanny X-Men, Wolverine, Wolverine and the X-Men #37, X-Men, X-Men from the future, Xorn

Wolverine and the X-Men #37

Review by Paul Bowler

A team of X-Men from the future arrive in the present day, demanding the original X-Men be sent back to he past. Wolverine and most of the X-Men agreed, but the young Jean and Scott went on the run, but eventually gave themselves up. The present day X-Men discover their visitors are really the future Brotherhood of Evil Mutants. With the school in lockdown the Brotherhood must face the combined might of the Uncanny X-Men and the real future X-Men. However, as the battle rages  they prepare to forcibly send the young X-Men home, only to find that strange universal forces now prevent the teen mutants from going back.

Jean “Xorn” Grey and Cyclops get up close and personal on the psychic plane, giving the Brotherhood the chance to escape in the Blackbird with the original X-Men. Wolverine is healed by Wiccan after being gutted by Raze, the son he will apparently have with Mystique, and meets up with the Uncanny X-Men and future X-Men in the lab.

Meanwhile, the Brotherhood decide to switch to plan B after the Time Cube was unable to send the original X-Men back. Now that Deadpool is dead, and Xavier crippled and confined to a floating wheelchair, it seems that desperate measures are called for to complete their mission. Power dampeners prevent the captive teen X-Men from using their powers. Scott asks Jean what she learned during her battle with Xorn, she reveals they must return home to save the future, and she is able to pick up enough of the Brotherhood’s thoughts to know they are being taken to Cape Citadel – the place where the original X-Men first fought against Magneto.

After news of a homeland security alert at Cape Citadel reaches the Jean Grey school, Wolverine and Cyclops set aside their differences and agree to work together to rescue the original X-Men. Colossus and Magik teleport everyone to Cape Citadel, where the present day X-Men and future X-Men attack the Brotherhood. Phoenix Quentin Quire frees the young X-Men from their power dampeners, and they team up with Cyclops to attack Xorn. With the Brotherhood almost defeated a fleet of SHIELD helicarriers commanded by Mira Hill arrives, demanding that everyone surrender, but Xorn is not prepared to give up just yet…

Jason Arron makes this penultimate chapter of Battle of the Atom the most action packed yet, as Wolverine and the X-Men #37 brings all of the X-Teams, past, present, and future, together for a titanic showdown with the Brotherhood. I really like how the characters interact this issue, Jason Aaron includes some great character moments: with Cyclops and Wolverine begrudgingly setting aside their differences, we learn more about the Brotherhood’s plans, discover the truth about the Ice-Hulk, and Phoenix Quentin Quire meets his younger self. This issue is a lot of fun too, with Wolverine getting all the best lines, and we learn a lot more about the future X-Men as well.

Although we are no closer to really understanding the bizarre paradox that seems to prevent the original X-Men from returning to the past, right now it is what young Jean’s battle with Xorn revealed that is perhaps more intriguing, especially when she reveals that if they stay one of them could be responsible for something terrible. However, this issues cliff-hanger could offer some clue, as Xorn resolves to show everyone what the future holds for the X-Men.

Wolverine and the X-Men #37 features some great artwork by Giuseppe Camuncoli and finisher Andrew Currie, and vivid colors by Matt Milla. I really like the early scenes, where the X-Men are planning their next course of action, the detail given to the characters and their conversations is exceptional, which is also reflected in the later scenes in the Blackbird as the Brotherhood discuss Plan B and the original X-Men try to figure a way out of their predicament. In fact, by the time the X-Men and Brotherhood face each other at Cape Citadel,  nearly every character in this issue has had a share of the limelight. There’s also a spectacular double page spread near the end of the issue, where all the X-Men are fighting the Brotherhood, its absolutely brilliant, and that nail-biting final page will leave everyone diving for cover!

Battle of the Atom is now hurtling towards a thrilling finale. Wolverine and the X-Men #37 continues the high standard set by previous instalments, Jason Arron delivers some excellent characterization, and  Giuseppe and Camuncoli’s work really draws you into the action as the story races towards the final moments.

Uncanny XMen #13 Review

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Battle of the Atom, Battle of the Atom Part #8, Brian Michael Bendis, Chris Bachalo, Cyclops, Marte Gracia, Marvel Comcis, Original X-Men, The Uncanny X-Men, Uncanny X-Men #13, Wolverine, X-Men from the future

Uncanny X-Men #13

Review by Paul Bowler

 

After a team of X-Men from the future arrived, demanding that the Original X-Men  return to the past, the young Jean and Scott went on the run. The present and future X-Men tracked them down, and eventually they agreed to return. Magik took young Iceman and Beast to the future to investigate and discovered the future X-Men were actually the evil Brotherhood from the future. Back at the Jean Grey school the Brotherhood attacked the X-Men, leaving Wolverine, who has just lost his healing factor, mortally wounded and bleeding out. Emerging from the wreckage of the school, Jubilee was surprised to discover that Sentinel X is the adult Shogo from the future. Now its falls to Cyclops and the Uncanny X-Men, together with the real X-Men of the future who have travelled back with Magik, Iceman, and Beast to help the X-Men fight the Brotherhood and save the original X-Men.

Uncanny X-Men #13 sees Brian Michael Bendis bringing the various teams of X-Men, past, present, and future together against the future Brotherhood, as part eight of Battle of the Atom turns the Jean Grey School of Higher Learning into a battleground. The Uncanny X-Men and future X-Men are forced to dive for cover when a piece of the north tower is lobbed at them, enabling the Brotherhood’s shape-shifter Raze (who mortally wounded Wolverine in their surprise attack) to capture young Iceman and Beast.

Xavier’s grandson orders the future Iceman to attack the X-Men again, Phoenix Quentin Quire steps in to deflect the debris thrown by the hulking Ice creature, leaving the X-Men free to reach the school. Magik and Colossus get inside first and have to fight their way past Molly and Deadpool. The Uncanny X-Men and future X-Men run into trouble outside the school, when Xavier commands Krakoa to swallow them whole, leaving the rest of the Brotherhood free to activate the Time Cube and send the original X-Men home.

Chris Bachalo’s art for Uncanny X-Men #13 really captures the heightening sense of urgency as this time warping conflict escalates, with the fate of the original X-Men hanging in the balance, Bachalo delivers some terrific action set-pieces. His work is nicely complemented with inks by Time Townsend, Al Vey, Mark Irwin, Jamie Mendoza and Victor Olazaba, as well as the superb colors provided by Marte Gracia. This issue is full of spectacular, bone crunching showdowns, with Colossus and Magik in particular pulling no punches as they race to help the original X-Men.

Magik teleports into the lab to stop them, but she is held back by the future Jean Grey who tries to get Illyana to kill herself with her own soul sword. Colossus deals with Xavier as the X-Men break free of Krakoa, and the Brotherhood’s attempt to send the original X-Men back to their own time encounters an unexpected technical glitch – something which inexplicably transgresses all the normal laws of space and time itself…

If your thought things have been complicated so far, you haven’t seen anything yet, as Brian Michael Bendis crams so much into part eight of Battle of the Atom, that its no wonder the Brotherhood’s plans hits a surprising snag. For those of us who have long wondered what effect the original X-Men’s presence in the present day might have on the time continuum, let along the paradox’s it could potentially cause, well Uncanny X-Men #13 goes some way to finally addressing those issues.

We are also teased a few interesting points about Illyana’s involvement in events, after all, we know that she has already travelled into the future before in Battle of the Atom #1, and has long had her suspicions about these future X-Men. Her suspicions proved correct, as on her next trip into the future with Iceman and Beast, she learned from the “real” future X-Men that these mutants were actually the futures evil Brotherhood.  In Uncanny X-Men #13 Molly hints about what was unleashed hen she sees Magik, and later mentions the Stark Tower / Baxter Building Wars as she battles Colossus. The adult Jean also has a few choice “spoilers” for Magik as she fends off Illyna’s attack in the lab. Whatever it all means, it seems possible that Illyna’s role in Battle of the Atom could now be more crucial than we first realised.

Uncanny X-Men #13 is an absolutely cracking instalment of Battle of the Atom. It may have taken a bit of a protracted route to get to this point, but we are now beginning to see the various plot threads coming together at last. Things are really building up to a titanic showdown, which together with this issues time twisting surprise, will leave you eager to find out how the X-Men and the Brotherhood will deal with this unexpected turn of events.

All New X-Men #17 Review

Tags

All New X-Men, All New X-Men #17, Battle of the Atom, Battle of the Atom part 6, Beast, Brian Michael Bendis, Colossus, Cyclops, Iceman, Jean Grey, Magik, Marvel Comics, Stuart Immonen, Uncanny X-Men

All New X-Men #17

Review by Paul Bowler

 

A team of X-Men from the future have arrived in the present, claming the original X-Men must return to their own time, or the world will be doomed. Not wanting to go back, the young Jean Grey and Cyclops go on the run. They make their way to Utopia and seek help from the adult Cyclops and the Uncanny X-Men, but the modern-day and future X-Men track them down. However, Magik is suspicious and takes young Beast and Iceman with her to the future, where they discover it is actually a pleasant world and meet a completely different team of X-Men…

The opening moments of All New X-Men #17 offers a tantalising glimpse of future events for the X-men, where one of the most joyous moments imaginable for mutantkind goes tragically, and horribly wrong. Brian Michael Bendis superbly scripted storyline for Battle of the Atom continues to impress, and Stuart Immonen’s art gives these momentous events a cinematic quality that further enhances the scope and scale of these early scenes.

Its clear now that the future X-Men who travelled back in time to get the original X-Men to return home are not quite who they said they were. As we rejoin Magik, Hank, and Bobby, who have arrived in the future only to find themselves standing in front of a pristine looking Jean Grey School guarded by Sentinels and another team of X-Men.

So now we have not three, but four teams of X-Men to contend with, and it would seem that the future is not as horrific as the present-day X-Men have been led to believe. These X-Men are apparently the real deal, and claim they have nothing to do with the other X-Men who returned to the past. We get some great interactions between the present X-Men and the new future X-Men, as Illyana is reunited with Colossus, and a hilarious moment where young Iceman meets a wizard Iceman and asks him about the Ice-Hulk running around in the present with the “Evil X-Men”. Bobby’s reaction to everything is always great fun, especially here, and the expression on his face is priceless.

The future X-Men are reluctant to discuss future events when Illyana presses them for more information, and say that Magik, Beast, and Iceman should return to their own time immediately without any knowledge of what is to come.

We are now just over the halfway mark for the crossover event, this sixth instalment of Battle of the Atom is full of inventive twists, and it leaves you wondering exactly what Brian Michael Bendis is going to do next. The time travel element of this storyline makes it a compelling and exciting read, especially after this issues ends with the Uncanny X-Men returning to their secret school only to find they have some unexpected guests.

All New X-Men #17 effectively sets the scene for bringing the various teams from each time period together, presumably leading to a humongous clash between X-Men past, preset, and future as Battle of the Atom builds towards its final chapters.

Wolverine & The XMen #36 Review

Tags

Battle of the Atom, Battle of the Atom Part #5, Cyclops, Giuseppe Camuncoli, Jason Aaron, Jean Grey, Marvel Comics, Oringial X-Men, Wolverine, Wolverine and the X-Men, Wolverine and the X-Men #36, Xorn

Wolverine and the X-Men #36

Review by Paul Bowler

Dr Henry McCoy brought the original X-Men to the present to try and reunite mutantkind. When young Scott Summers was almost killed, temporarily erasing his older self from reality, the X-Men argued whether or not they should send the young mutants home. Matters were complicated further by the arrival of a team of X-Men form the future, who insist the original X-Men must return to their own time. Jean Grey refuses and goes on the run with Scott; they evade the pursuing X-Men and seek help from the adult Cyclops and his Uncanny X-Men. Cyclops agrees to help but Emma Frost has contacted the X-Men who quickly arrive on Utopia. Confronted by the future version of Jean Grey, who wears a Xorn mask to control her abilities, the X-Men of the present and the future stand ready to fight to protect the past and save the future.

With Xorn, the young Jean Grey, Emma Frost and the Cuckoos standing motionless as they battle psychically, the adult Scott Summers and his younger self begin to realise that Xorn is actually an older version of the young Jean Grey – the one who never returned to her own time and consequently grew up in the future.

Faced with the X-Men from the future, Wolverine, and the present day-day X-Men, the Uncanny X-Men watch on as Logan offers the “slim and slimmer” incarnations of Cyclops a chance to be reasonable and stand down. Wolverine is quick to criticise the adult Cyclops for brining his young team into the field of battle, however Cyclops is having none of it, stating that he believes the responsibility for their conflict rests entirely with Logan and Hank McCoy.

The teenage Cyclops brings their argument to a head by attacking Wolverine. After ordering Magneto to gets their students to safety, Cyclops remains to help young Scott fight the present-day X-Men and their future counterparts. Meanwhile, Emma’s psychic battle with Xorn begins to falter as first the Cuckoos, and then Emma herself, succumbs to Xorn’s telepathic assault, leaving Jean alone against her future self. As Jean gets an unexpected glimpse into Xorn’s mind, back at the school the young Beast and Iceman travel into the future with Magik to try and discover what the X-Men from the future have been hiding from them…

Wolverine and the X-Men #36 sees tensions between X-Men strained to breaking point as Battle of the Atom explodes into all-out-action. Jason Aaron keeps the action moving at a break-neck pace as standoff between Cyclops and Wolverine inevitably leads to conflict, with the future X-Men also becoming more aggressive, Storm tries to calm the situation and Beast admits he regrets bringing the original X-Men to the present. We also get a great scene where Kitty and Rachel discuss the situation with Kitty’s future self, with Rachel noting that she is no longer the leader she once knew.

With some great art by Giuseppe Camuncoli and finisher Andrew Currie, along with colorists Matt Milla and Edgar Delgado, Wolverine and the X-Men #36 has some excellent fight scenes, with everyone getting a good slice of the action. However, it is the psychic combat with Xorn that is the real highlight this issue, and I really like the way Camuncoli portrays the raw power of this psychic battleground. We also get to see the toll this fight takes on the combatant’s physical bodies, as blood pours from their noses, and in Xorn’s case, from the corner of one eye of her mask as she fights Jean on the psychic plane. This issue features another eye-catching cover by Arthur Adams, with the X-Men attacking en masse as Cyclops and his younger self, together with Rachel and Kitty, stand their ground to protect Jean.

Jason Aaron maintains the tone and style already established for this crossover event by Brian Michael Bendis, while adding just the right amount of humour to Wolverine and the X-Men #36 as each twist and turn of the plot unfolds. It’s good to see some of the other X-Men from the future taking a more active role in proceedings, with Deadpool giving a heartfelt – if not entirely honest – speech and the hulking Iceman going on the rampage.

Wolverine and the X-Men #36 introduces some significant plot developments, decisions are made that will no doubt have a big impact as Battle of the Atom progresses, and the startling ending will leave you  eager to find out what happens next.