KING SPAWN #10 REVIEW

18 Wednesday May 2022

Posted by Paul Bowler in All, Image Comics

Tags

Horror, Image Comics, Javi Fernandez, King Span #10, King Spawn, King Spawn #10 Review, NCB, Sean Lewis, Spawn, TODD McFARLANE

King Spawn #10

Review by Paul Bowler

King Spawn #10 crams in a hell of a lot of plot and exposition into one issue, and the end result is a maelstrom of far-reaching events and revelations with perhaps even wider ramifications yet to come. Sean Lewis and Tod McFarlane weave a mesmerising.tale here, one that finds Terry Fitzgerald seeking out answers to the possibility that Al’s wife, Wanda, has returned form the dead. Knowing that Spawn could be considering the Exodus Foundations offer, Terry breaks into their headquarters in New York to uncover the truth.

To say that King Spawn has rapidly become my favourite book in the expanded Spawn’s Universe is something of an understatement. While the core Spawn title has got slightly bogged down of late, with Gunslinger Spawn and The Scorched both respectively carving out their own niches, King Spawn seems to have become something of a flagship title in driving the overarching narrative. Spawn and Terry are both hell bent on fighting their mutual enemies and getting Wanda back. However, the temptation of the God Throne has made the Dead Zones and Wanda’s fate little more than bargaining chips in a wider game. Begging the question, will Spawn’s self-conflicted acquisition to the his enemies in this issue set in motion the very events he’s fought so hard to prevent?

The stunning black, white and red artwork for this issue by Javi Fernandez is quite literally to die for! Fernandez’s super-sharp renderings of the unfolding drama are stylishly realised. Black and white tones beautifully accentuate every scene while the rich red hues almost bleed into key points of the story when emotions and violence boil over. Terry’s clandestine mission takes the character into dark territory, Spawn’s brooding presence is more often felt than seen initially, but the all-consuming rage we wittiness when Spawn finally inherits the throne is as awe-inspiring as it is terrifying. Javi Fernandez has done a truly phenomenal job with this issue and Spawn fans are sure to be blown away by the striking visuals.

Image Comics King Spawn continues to go from strength to strength. Every issue so far has been clearly been building toward the tumultuous events in King Spawn #10, the scope of storytelling and epic artwork is breathtaking. Lewis and McFarlane are doing fantastic work with the character with this new series. Spawn has gone on a completely new and unexpected direction since King Spawn began, and I can’t wait to see where this wild ride will take Spawn next.

Publisher Image Comics

Script / Plot Sean Lewis / Todd McFarlane (additional dialogue)

Art Javi Fernandez.

Lettering Andworld Design / Cover Javi Fernandez

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Gunslinger Spawn #6 Review

06 Wednesday Apr 2022

Posted by Paul Bowler in All, Image Comics

≈ 6 Comments

Tags

Gunslinger Spawn, Gunslinger Spawn #6, Gunslinger Spawn #6 review, Image Comics, Omega Island, Spawn, Spawn's Universe, The Clown, TODD McFARLANE, Violator

Gunslinger Spawn #6

Review by Paul Bowler

The Gunslinger’s epic battle with the Clown reaches its thrilling conclusion in Gunslinger Spawn #6! Yes, the Clown is back with a vengeance along with the hulking Violator, and a mini army of feral Clown-like drones called Omens. Together they brutally overpowered Gunslinger Spawn with the soul intent of making him their partner in a scheme to force Spawn to reopen the Dead Zones.

Todd McFarlane’s razor sharp script sees the Gunslinger returning to Omega Island with the Clown. Here we are privy to just how the Clown has made the Violator and his minions so complicit to his will, and further revelations await at the ghoulish banquet Clown has set out to seal his unholy partnership with Gunslinger Spawn. The Gunslinger isn’t the most powerful Hellspawn, far from it, but his ingenuity and guile easily allow him to drink the Clown under the table and trick his adversary into revealing how Gunslinger can return to his own time. McFarlane skilfully weaves this boozy shindig into the very narrative of the series itself, entwining it with Gunslinger’s desire to avenge his sisters death, along with his skill with magic, and the ability to control wolves to turn the tables on the Clown.

The art by Brett Booth, with Inks by Sal Regla and Adelso Corona, for Gunslinger Spawn #6 are a feast for the eyes. Every page is packed with detail and visceral power. Clown and Gunslinger’s whiskey fuelled, gastronomic celebration is a whirlwind of dark horror and rowdy bravado. The payoff is equally impressive as Gunslinger springs his trap and the Clown realises just how badly he has underestimated this deceptively underpowered Hellspawn. Ivan Nunes colors provide a subtle side-order of exquisite clarity to the proceedings, as tones and hues meld with the subtle shifts in temperament as the feast spirals into a flesh rending finale for some welcome just deserts.

Gunslinger Spawn is rapidly becoming my favourite book in the new Spawn’s Universe of titles from Image Comics. Top notch writing and art are a mainstay of this book. The character also continues to evolve and grow with every issue. He’s still very much a fish out of water in our time, but his motivations and abilities are really brought to the fore here in Gunslinger Spawn #6, and after his chilling showdown with the Clown in this issue I’m really excited to see where Gunslinger’s adventures will take him next.

Publisher Image Comics

Scrip / Plot Todd McFarlane

Art Brett Booth / Inks Sal Regla & Adelso Corona

Colors Ivan Nunes / Lettering Tom Orzechowski

Cover Brett Booth (inked by Daniel Henriques)

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The Scorched #1 Review

13 Thursday Jan 2022

Posted by Paul Bowler in All, Image Comics

≈ 6 Comments

Tags

Gunslinger, Image Comics, Medevial, Redeemer, Sean Lewis, She-Spawn, Spawn, The Scorched, The Scorched #1, The Scorched #1 review, TODD McFARLANE, Werewolves, Year of Spawn

The Scorched #1

Review by Paul Bowler

The Scorched #1 provides an action-packed debut for Todd McFarlane’s first superhero team book in the Spawn Universe. With the forces of Heaven and Hell about to collide, this ominous threat is too big for any individual hero to deal with, and a new power-packed supergroup assembles to face it. With members including Spawn, Redeemer, Gunslinger, Medieval Spawn and She-Spawn the team must learn to work together as they embark on an urgent mission to track down the deadly Plague Spawn in Russia. Helmed by writer Sean lewis (with additional dialogue provided by Todd McFarlane) and illustrated by Stephen Segovia and Paulo Siqueira, with colors by Ulysses Arreola and Nikos Koutsis, this giant 55 page first issue has three distinct narratives that collectively serve as an introduction, prologue, and epilogue all rolled into one.

Although Spawn appears, he’s very much there just to set the team up in their new HQ and keep an eye on them from afar. Instead it is She-Spawn who leads the team as its unofficial leader. Her teammates also get time plenty of time in the spotlight too, with flashbacks, dialogue, and action sequences showcasing their motives and abilities.

Lewis also co-writes King-Spawn, so its perhaps no surprise that The Scorched has a similar level of gritty realism about it, blending war and horror as the team attack a Russian military installation where they battle armed troops and werewolves. The vastly different personalities of the Hellspawns and the Redeemer make for an interesting team dynamic to say the least. Lewis and McFarlane have also hinted about a shifting roster for this book, so I’m sure more characters form the Spawn Universe will appear over time to join the action.

Segovia does the first half of the book and the Epilogue, with Siqueira handling mid-section in Russia, and their work complements each other very well indeed. Likewise, Arreolia and Koutsis works their magic with the colors, giving each character their own distinct hues. The action is brutal and visceral, almost gratuitously so at times. Highlights included Rosen’s transformation into Medieval Spawn, Gunslinger leaping into action guns blazing, and the Scorched battling hordes of werewolves is simply stunning. Andworld Designs lettering also notably gives each character their own distinct typeset which really helps fuel the team dynamic and bring their personalities to life.

The Scorched #1 rounds off McFarlane’s “Year of Spawn” in fine style. This book may have suffered delays because of the pandemic, but its been well worth the wait. What’s more it skilfully brings together some of Spawn’s most well known characters from three decades worth of comics into one book, and that’s worth the price of admission alone!

Publisher Image Comics

Script /Plot Sean Lewis / Tod McFarlane (Additional dialogue)

Art Stephen Segovia / Paulo Siqueira

Colors Ulises Arreola / Nikos Koutsis

Lettering Andworld Design

Covers & Variants Todd McFarlane / Puppeteer Lee / Brett Booth / Greg Capullo / Don Aguillo / Marc Silvestri / Ryan Stegman

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Gunslinger Spawn #1 Review

02 Tuesday Nov 2021

Posted by Paul Bowler in All, Image Comics

≈ 10 Comments

Tags

Brett Booth, Gunslinger, Gunslinger Spawn, Gunslinger Spawn #1, Gunslinger Spawn #1 Review, Image Comics, Spawn, Spawn Universe, TODD McFARLANE

Gunslinger Spawn #1

Review by Paul Bowler

odd

Gunslinger Spawn #1 marks the launch of Image Comics second new monthly title to spin out of Tod McFarlane’s SPAWN UNIVERSE. Jeremy Winston / Gunslinger Spawn is arguably one of the most popular characters to emerge from the Spawn mythology in recent times. This new ongoing title will chart Gunslinger Spawn’s adventures from his Wild West origins to being uncannily marooned in the 21st Century. But as Gunslinger explores the unfamiliar world of 2021 it isn’t long before this past comes back to haunt him with a vengeance!

Much like Gunslinger Spawn himself Todd McFarlane has brought a veritable arsenal of talent along for the ride to make this 57 page issue, which features one main story and three back-up stories all written by Todd McFarlane, with Ales Kot providing additional plot / script for A Small Gift. Brett Booth handles the art for the main story and Thomas Nachlik, Philip Tan and Kevin Kean are on the backup stories, with inks by Adelso Corona, colors by Andrew Dalhouse, Nikos Koutsis, Marcello Iozzoli, Marcelo Maiolo, and FCO Plascencia, and the entire issue is lettered by Tom Orzechowski.

Picking up after the dramatic events of Spawn’s Universe #1, Gunslinger Spawn #1 sees the Gunslinger hit the road after finding himself inexplicably stranded in the present-day. He soon encounters slacker teen Taylor Bartlett. The ensuing hijinks highlights Gunslinger’s fish-out-of-water predicament, as the hellish high-planes drifter wrestles with concepts like gasoline, Google, and his young companions wry sarcasm. However, when they discover Taylor’s father is conspiring with the forces of Heaven the Gunslinger must charge to the rescue with all guns blazing!

The back-up’s delve into the mystery of Gunslinger Spawn’s past and greatly adds to the narrative of the main story in modern-day times : “The Lynching” has Gunslinger on the trail of an outlaw in the Wild West, “Weapons” reveals an important secret about his trademark revolvers, and “A Small Gift” features an iconic staple of the Westerns genre, a moody showdown in a run-down saloon.

The high anticipation for this comic has made Gunslinger Spawn #1 one of the biggest superhero launches in twenty-five years, and for the most part it manages to live up to all the hype. McFarlane has crafted an issue filled with fan-pleasing moments for the Gunslinger, especially his past, and also cleverly woven the narrative into the present-day to make it a fairly easy jumping on point for new readers. The art is also right on the money, with Brett Booth’s art probably being the biggest draw, and his fantastic artwork is nicely complemented by Nachlik, Tan and Kean on the backup’s.

Gunslinger Spawn originally made his debut as a cameo in Spawn #119 (2002). The characters distinctive aesthetic made him an instant hit and his recent return (which transported Gunslinger from the Wild West into the present), saw him fighting alongside Spawn in Spawn’s Universe #1, and paved the way for the debut of his own ongoing series.

As first issues go Gunslinger Spawn #1 covers all the bases and sets the stage for a great new series. The dynamic between Gunslinger and Taylor is great as well. Out of the three new titles launching this year in Todd McFarlane’s new SPAWN UNIVERSE, Gunslinger Spawn was the one I was looking forward to the most, and I’m excited to see Gunslinger’s adventures — past and present — unfold in this great new series.

Publisher Image Comics

Script / Plot Todd McFarlane

Additional Script / Plot Ales Kot

Art Brett Booth, Thomas Nachlik, Philip Tan and Kevin Kean

Inks Adelso Corona

Colors Andrew Dalhouse, Nikos Koutsis, Marcello Iozzoli, Marcelo Maiolo, and FCO Plascencia Lettere Tom Orzechowski

Cover Artists Todd McFarlane, Brett Booth, Greg Capullo, Jason Shawm Alexander, Robert Kirkman, Tonton Revolver

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King Spawn #1 Review

02 Thursday Sep 2021

Posted by Paul Bowler in All, Image Comics

≈ 8 Comments

Tags

Gunslinger Spawn, Haunt, Image Comics, King Soawn, King's Spawn #1, Nightmare Spawn, TODD McFARLANE

King Spawn #1 Review

Review by Paul Bowler.

King Spawn #1 is a historic comic book event for Todd McFarlane’s Spawn – namely that this hotly anticipated issue marks the launch of the first new ongoing Spawn since the character originally debuted in 1992. Nearly three decades in the making, Image Comics King Spawn #1 continues to expand on events from SPAWN’s UNIVERSE #1 as the forces of Hell, Heaven, and the Heroes all begin to assert their power and influence on Earth.

Sean Lewis and Todd McFarlane have crafted something of a horror noir themed anthology with King Spawn #1, which features a lead story and numerous back-up stories to make this giant sized issue extra special.

The main storyline is a dark, sombre affair, which opens with a shocking attack, and the grim tone and bloodletting hardly lets up from there. Its a story more akin to a supernatural detective thriller really, with Spawn investigating a gruesome trail of murderous carnage, and utilising the resources of his allies to hunt down a mysterious killer via a list that holds the name of every Shadow Player – the Demons and Angels hiding in human skins on Earth – but it seems there even darker forces waiting in the wings. This gripping opening story is beautifully illustrated by Javi Fernandez with colors by FCO Plascencia. From the ominous rainswept graveyard scene to a vengeful Spawn’s grim quest around the city to uncover answers to the heinous series of murders, Fernandez and FCO dynamically render this atmospheric saga in exquisite detail, with striking visuals, dynamic page layouts, and rich colors throughout. The cliffhanger sets up some intriguing possibilities that will no doubt shape and influence the new Spawn Universe in the months ahead.

Haunt, the first back-up story, is drawn by Stephen Segovia. Its a good little story that serves as a reminder of Haunt’s abilities, along with the dynamic with his ghostly brother, and it sets up a mission Haunt must undertake to save himself after he’s fallen in love. Marcio Takara handles the art for Nightmare, a decidedly bloody and gory interlude with Nightmare Spawn, a great looking character with a truly monstrous personality. Then we have The Hero illustrated by Philip Tan, its a nerve jangling tale of terror with a surprise twist in the tale, and it will be interesting to see where this character goes next. Finally we have Gunslinger, drawn by Brett Booth which of course focuses on Gunslinger Spawn. Its a great tale about the fate that befell the Gunslinger, how revenge consumed him, and where that same fate has inexplicably placed him now.

Rounding off this amazing first issue of King Spawn is an interview with Sean Lewis by Todd McFarlane that provides even greater insight into this new era for Spawn. The hype and anticipation around King Spawn has been phenomenal and its sure to be a huge hit. I’m pleased to say that this issue more than lived up to the hype, and its also a fairly good jumping on point for new readers as well. This reviews a tad late as I’ve been off for most of August enjoying a summer break with my family. I’ve been really looking forward to getting King Spawn #1, so I thought it’d be a good issue for me to cover and get back into my reviewing groove again. I even treated myself to a couple of the variants as well, and I’m really excited to see what the Spawn Universe will bring — especially Gunslinger Spawn in October!

Publisher Image Comics

Script / Plot Sean Lewis / Todd McFarlane (additional dialogue) King Spawn

Art Javi Fernandez (King Spawn), Stephen Segovia (Haunt),

Marcio Takara (Nightmare), Philip Tan (The Hero), Brett Booth (Gunslinger).

Inkers Adelso Corona & Danniel Henriques / Colors FCO Plascencia (King Spawn)

Additional Colors Andrew Dalhouse, Marcelo Maiolo,

Peter Steigerwald, Dave McCaig

Lettering Andworld Design (King Spawn), Tom Orzechowski

Cover Artists Todd McFarlane, Puppeteer Lee, David Finch, Sean Gordon Murphy, Brett Booth (inked by McFarlane), Greg Capullo (inked by McFarlane), Donny Cates (inked by McFarlane).

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SPAWN’S UNIVERSE #1 Review

23 Wednesday Jun 2021

Posted by Paul Bowler in All

≈ 19 Comments

Tags

Gunslinger Spawn, Image Comics, Jim Cheunng, Medieval Spawn, Omega Spwan, She-Spawn, Spawn, Spawn's World, Spawn's World #1, Spawn's World #1 review, TODD McFARLANE

Spawn’s Universe #1

Review by Paul Bowler.

A bold new era for Spawn and Image Comics begins with Spawn’s Universe #1, an epic 68 page one-shot written by Todd McFarlane, that sees the official introduction to the hotly anticipated expansion of the Spawn Universe. The world and mythology of Spawn is about to be changed forever. Spawn’s Universe #1 answers age old questions, introduce new heroes, new villains, and paves the way for three brand new ongoing Spawn titles: King Spawn, Gunslinger Spawn, and The Scorched!

From the ominous opening moments through to the action-packed set-pieces, Spawn’s Universe #1 doesn’t hold back, and Todd McFarlane’s tautly plotted script hardly lets up the pace for a moment. Hell’s Throne is empty, and with all the Dead Zone portals in lockdown, Demons and Angels cannot enter or leave the world of man. Those creatures who remain, most of them disguised in human form, are now trapped, and Spawn isn’t pulling any punches in his search for answers from them! With the seismic shock waves spreading around the globe, the narrative becomes interwoven with a thinly veiled social-political commentary as the worlds media debate the crisis, and with Marc’s help Spawn is able to ascertain that Omega Spawn didn’t die after all.

Spawn decides to go on the offensive and strikes back at the demonic factions that have united and now reside on the island where he defeated Omega Spawn. McFarlane uses Spawn’s World #1’s huge scope to send the plot and numerous character into overdrive as Angels and Demons vie for power, new villains Jericho and the Disruptor enter the fray, and Gunslinger Spawn joins forces with Spawn against their mutual enemies!

The three excellent back-up stories by Todd McFarlane in Spawn’s Universe #1 all feed into the narrative of main the storyline. Of them all, Medieval Spawn’s tale is the one that ties-in closest to the central plot of the issue. There is of course plenty of bombastic action as Medieval Spawn confronts a powerful sorcerer, but it’s also a showdown that hints at a far darker connection between past and present than we could’ve possibly imagined. The second story explores the character of She-Spawn and the secret which motivates her to be perhaps the most dedicated Spawn of all. This actually turns out to be the most moving and emotional story of this double-sized issue. Finally we have a brooding interlude with Gunslinger Spawn, a grisly tale which unfolds across four seasons, where the fearsome Gunslinger Spawn must claw his way back from a face-off (quite literally) with his arch enemies. Each of these stories bring something fresh to the table and collectively forge a place of their own in the new Spawn Universe.

McFarlane has assembled some fantastic artistic talent for Spawn Universe #1, with Jim Cheunng (main story), Brett Booth (Gunslinger), Stephen Segovia (Medieval), and Marcio Takara (She-Spawn), with inks by Adelso Corona and Tod McFarlane, and colors by FCO Plascencia, Andrew Dalhouse, and Peter Steigerwald. While I’m not usually a fan of multiple artist on a single issue, artistically their styles differ very slightly, and overall they complement each other really well. The main story is a fantastic showcase for Jim Cheunng, with chilling intrigue brewing from the outset, Spawn at his ruthless best as his quest for information intensifies, and Spawn and Cy-Gor charging into battle on the island are all just a few of the many highlights of the primary story-arc. Stephen Segovia turns in some fittingly titanic battle scenes between Medieval Spawn and a dragon riding sorcerer, while Marcio Takara’s She-Spawn faces an emotive tale of sacrifice and devotion, but its is Brett Booth’s richly atmospheric Gunslinger Spawn that almost totally steals the show out from everyone with a powerful flashback to Gunslinger’s shattering defeat and terrifying rebirth.

Spawn Universe #1 is a momentous historical landmark in the mythology of the Spawn saga. With a plethora of ongoing mysteries, a key piece of Cogliostro’s puzzle falling into place, the fate and roles of friends and foes alike are all caught up the swirling maelstrom of an unholy baptism at sea, and the impact of these events will no doubt reverberate for years to come. With three back-up stories accentuating the action Spawn Universe #1 is both a fan-pleasing extravaganza and the perfect jumping on point for newcomers. The world of Spawn just got a whole lot bigger and it certainly looks like we are in for one Hell of a ride!

Writer Todd McFarlane

Artists Jim Cheunng / Brett Booth / Stephen Segovia / Marcio Takara

Inks Adelso Corona & Tod McFarlane

Colors FCO Plascencia / Andrew Dalhouse / Peter Steigerwald.

Lettering Tom Orzechowski / Andworld Design

Cover Artists J. Scott CaTodmpbell / Brett Booth / Todd McFarlane

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SPAWN #318 Review

27 Thursday May 2021

Posted by Paul Bowler in All, Image Comics

≈ 6 Comments

Tags

Gunslinger Spawn, Image Comics, Medieval Spawn, Omega Spawn, Plague Spawn, She-Spawn, Spawn, Spawn #318, Spawn #318 Review, Spawn's Universe #1, Spawn-Verse, Tod McFarlane

Spawn #318

Review by Paul Bowler

The cusp of a new era beckons with Spawn #318 as Tod McFarlane’s ambitious plan to expand the Spawn universe is set in motion. Everything that McFarlane has established since Spawn #300 has acted as a catalyst of sorts to prepare for this moment, and Spawn #318 diligently prepares the ground work for the debut of the new Spawn Universe with a special one-shot in June before Spawn’s world gets even bigger with the launch of three new monthly titles later in 2021.

Spawn #318 follows on directly from the titanic showdown on the island between Spawn, Medieval Spawn, Plague Spawn, and their dreaded adversary — the hulking Omega Spawn! As the dust settles over that battle Medieval Spawn helps the weakened Spawn return to his hideout so he can recover his strength. While the action is somewhat low-key McFarlane makes up for it with a wealth of strong characterisation as She-Spawn confronts Medieval Spawn, while Spawn tries to assess everything that happened on the island and deduce where all the new Hell Spawn’s originated from. There’s also the burning question of why Medieval Spawn has suddenly allied himself with Spawn after they’d previously been at each others throats to address, and the discovery of Marc’s unsettling blackout while Spawn was busy fighting Omega Spawn on the island adds another compelling mystery into the mix as well.

The art by Carlo Barber brings a stylised revamp to the whole look of Spawn’s world, one that harkens back to the original look of the series, but with a dynamic modern slant. Barber puts the characters front and centre, utilising every nuance of the exposition heavy plot to craft some intense character defining moments, with Jay David Ramos and Andrew Dalhouse colors brining vibrant clarity to each scene, and the result is an issue that’s every bit as engrossing to look at as it is to read.

Although its practically all set-up for what’s to come, Spawn #318’s powerful narrative and compelling story makes it must for fans and a relatively good jumping on point for new readers as well. Its 28 years since Spawn was unleashed on world by Tod McFarlane during that first year of Image Comics formation. The character has been an unparalleled success and is still going strong. So much so that McFarlane’s vision is now finally branching out with the launch of a new shared Spawn universe, kicking off in June with the hotly anticipated one-shot Spawn’s Universe #1, followed by three new ongoing titles, with King Spawn (starting in August) that will be a companion book to the original Spawn series, then in October we have Gunslinger Spawn #1, and finally a super-hero team book The Scorched in December. 2021 is certainly proving to be a big year for Spawn and Image Comics with the debut of the Spawn-Verse, there’s so much to look forward to, and I’m really excited to see how it all develops — especially Gunslinger Spawn with its tales of both a modern day and western era Gunslinger character!

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Publisher Image Comics

Writer Tod McFarlane

Art Carlo Barber / Colors Jay David Ramos & Andrew Dalhouse

Lettering Tom Orzechowski

Cover Artists Tod McFarlane, Bjorn Barends, Tonton Revolver

Reyn #10 Review

14 Thursday Jan 2016

Posted by Paul Bowler in All, Image Comics

≈ 4 Comments

Tags

Aurora mistress of Light, comics, Image Comics, Kel Symons, Nate Stockman, Pat Brosseau, Paul Little, Reyn, Reyn #10, Reyn #10 review, Reyn Vol 1 Warden of Fate, Reyn Vol 2, Seph, The Followers of Teck, The Land of Fate, The Venn

Reyn #10

Review by Paul Bowler

The sublime blend of sci-fi action and magical fantasy adventure continues in Reyn #10, where following a furious battle against his enemies, Reyn has now been fatally wounded after his mission to rescue Seph from the Venn stronghold. Seph brings the last Warden of Fate to his spirit guide Aurora mistress of light – the invisible entity that normally only Reyn can see and hear – who begins to tell Seph of Reyn’s origins…

Reyn #10 delves into the mysteries and secrets of Reyn’s past, as the Image Comics sci-fi fantasy series, written by Kel Symons (The Mercenary Sea), with art by Nate Stockman, colors by Paul Little, and lettering and Design by Pat Brosseau, explores the uncanny mythical and technological legacy of his creation and role in the Land of Fate!

Writer Kel Symons has crafted an intricately detailed world with this series. After the shock revelations that the Land of Fate was really an artificial environment on one of three huge space arks used to evacuate the world before a catastrophe overtook the sun, along with how the Venn’s involvement caused the Great Cataclysm and influenced events on board, Reyn risked life and limb – quite literally – to rescue Seph from the Venn stronghold in the Rift, but the price was catastrophically high for Reyn! Now, as Seph struggles to cope with the full extent of Reyn’s injuries, Aurora finally reveals the shocking truth of who Reyn really is.

This final issue follows Seph’s arduous journey to help her fallen comrade. It’s a voyage that takes her across the Land of Fate, with only Aurora to guide her, and once their final destination is reached he pieces of the puzzle slowly begin to fall into place. Kel Symons brings all the threads of this magical fable together with assured skill, mixing high drama, adventure, and humour as the history of the Land of Fate gradually unfolds. Aurora’s character has been one of the most delightfully quirky highlights of this series, for the most part Reyn has been the only one who could speak to her, but now that Aurora and Seph must work together to save Reyn, this issue finally reveals just how crucial Aurora’s role has been to ensuring the legacy of The Wardens of Fate continues. Seph’s relationship with Reyn is also a key factor to some pretty major events here as well, especially when she is faced with a heartrending choice that will ultimately decide Reyn’s fate.

Reyn #10 is without doubt the pinnacle of Nate Stockman’s excellent work on this Image Comics series. Stockman’s incredible visuals have made every issue of Symons’ sci-fi / fantasy saga a joy to read, now the culmination of that epic adventure plays out in Reyn #10 as the storylines converge with Reyn’s, Seph’s, and Aurora’s destinies in the most sublime way imaginable. Nate Stockman brilliantly conveys Seph’s lonely journey across the Land of Fate, past events and the arrival of the Venn are relayed in vivid detail, and Reyn’s true beginnings gradually become clear in via striking blend of fantasy, monsters, and advanced technology. Paul Little’s colors are as lavish and vibrant as ever, and the lettering and Design by Pat Brosseau is exquisite.

Everything is resolved in a way that is both completely indicative and as bold as we’ve come to expect from this outstanding sci-fi / fantasy series. Kel Symons concludes the story arc with a wondrous, perfectly staged coda, and Nate Stockman rounds everything off with a beautiful final page is simply breathtaking.

Reyn was one of the most enjoyable new titles I had the pleasure of reviewing in 2015. Yes, I’m a bit late with this review of the final issue, but now that the trade collections of Reyn Vol 1: Warden of Fate and Reyn Vol 2 are both available, I though it would be a good time remind you all just how great this series was. Reyn was envisioned as a 10 issue storyline, but who knows, if the trades do well, maybe we will see more adventures featuring Reyn and Seph in the Land of Fate one day? Either way, the story ends on a high note, Kel Symons, Nate Stockman, Paul Little, and Pat Brosseau did some amazing work on this series, and I’d certainly recommend checking out the Reyn trade collections if you can – you won’t regret it.

Publisher: Image / Writer: Kel Symons / Art: Nate Stockman

Colors: Paul Little / Lettering and Design: Pat Brosseau

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The Walking Dead #150 Review

13 Wednesday Jan 2016

Posted by Paul Bowler in All, The Walking Dead

≈ 2 Comments

Tags

Carl Grime, Charlie Adlard, Dwight, Image Comics, Lucile, Michonne, Negan, Rick Grimes, Robert Kirkman, Stefano Gaudiano, The Saviors, The Walking Dead, The Walking Dead #150, The Whisperers, TWD, Walkers, Zombies

The Walking Dead #150

Review by Paul Bowler

Everything comes to a head in Image Comics The Walking Dead #150 as Rick Grimes faces his toughest challenge so far. With the people of Alexandria demanding action against the Whisperers, Rick’s leadership and vision for the communities is under threat. Seeking advice from the captive Negan, he refuses to lie to his people like the former Saviors leader suggests, instead Rick decides to train his people like an army to fight the Whisperers, just as Dwight chooses to leave the Sanctuary, taking the infamous baseball bat “Lucile” with him. Now in The Walking Dead #150 Rick will have to fight tooth and nail to hold onto his leadership, whilst finding the resolve to stay true to everything he has strived to hard to build, and rally his people to unite against the Whisperers.

The Walking Dead #150 is one hell of an issue. Sure, this arc has been something of a slow burner at times. But following the Whisperers horrific act of terror against them, which lead to Rick clashing with Maggie after she admitted having Gregory executed for trying to murder her, and saw Andrea take Carl and Lydia, the daughter of the Whisperers leader, Alpha, to the Hilltop for their own protection as unrest grew in Alexandria. Rick’s ensuing consultation with Negan was an unexpected, yet insightful move on Rick’s part. However, the former Saviors leaders advice didn’t get him released from captivity like he expected, but it did give Rick the impetus he needed to tell Eugene about his plan to form a military, which will focus the community, thereby quelling the unrest, and give Rick and his friends time to figure out the best way to strike back against the Whisperers.

It’s clear now how Robert Kirkman has been building the series towards this pivotal moment. He’s saved the payoff for this epic 150^th issue, there’s some big game changing events in this issue, and its certainly been well worth the wait. Right from the start we are privy to an apparent departure, which I’m pleased to say isn’t actually quite as final as we might’ve expected, before events shift back to Alexandria, where Rick must tackle a brutal challenge to his authority from an unexpected quarter. Its a shocking, brutal, and really gives us something to sink out teeth into.

This issue of The Walking Dead is edge of the seat stuff at times, with Rick battling back from the edge of oblivion, before taking decisive action that he hopes will finally bring his community together as a cohesive fighting force. Its not all doom and gloom though, there’s time for a passionate interlude for Carl and Lydia over at the Hilltop, and Dwight’s initial departure is also tinged with a ray of hope, and companionship too.

Everything culminates with Rick’s address to his community at Alexandria. Robert Kirkman pulls out all the stops here, in what is possibly one of the series’ finest moments ever, as Rick Grimes speaks to his people and implores them not to jeopardise everything they’ve built together by going off half-cocked for revenge against the Whisperers – despite how the Walker-Skin wearing Whisperers mercilessly killed some of their people and stuck their now zombiefied heads (including Ezekiel’s) on spikes as a warning to stay out of their territory.

Rick is terrified of things going back to the way they were before… when everything started way back during the aftermath of the outbreak, before Rick and his group arrived, before the these communities found each other and finally coexisted in peace. Rick, his friends, everyone in these communities, they’ve all lost so much already. If anything, its not only Rick’s words here that resolutely defines him as their leader, its an act of selfless mercy that sets him apart from everyone else in the room, and its that moment that makes this issue so outstanding.

The Walking Dead #150 is a superb showcase for Charlie Adlard’s incredible artwork. Each scene powerfully relays the actions and emotions of the characters and situations perfectly. Intricate, flowing page layouts set the brisk pace and tone of this issue, Adlard often takes us right up close to the action as well, most notably when Rick is fighting for survival. There are some impressively detailed full page scenes as well, each depicting single key story beats that strikingly punctuate the action throughout the issue. The inks by Stefano Gaudiano brings out the vivid clarity and detail of Adlard’s pencils, every scene stands out from the page, and the grey tones by Cliff Rathburn and lettering by Rus Wooton complete the striking visuals for this extra special issue.

The Walking Dead #150 is a celebration of the amazing talent that have worked so hard on this Image Comics series of the last twelve years. Its evolved into something really special, been ground breaking in every sense of the word. This 150^th issues features a cover by Charlie Adlard and Dave Stewart, there are also some amazing variants as well, including one by Tony Moore, whose variant cover mirrors that distinctive original issue #1 cover, and there are also variants by Jason Lator, Ryan Ottley, Charlie Adlard, and a blank sketch variant.

The Walking Dead #150 is a landmark issue in very sense of the word; in fact, it is everything we hoped it would be, and then some. The action doesn’t let up for a moment, its brutally violent, with characterization to die for, and by that two-page closing moment you will be left in no doubt whatsoever who is in charge… One thing’s for sure, the scene is set for some big events to come, here’s to the next exciting chapter of The Walking Dead!

Publisher: Image / Writer: Robert Kirkman / Art: Charlie Adlard

Inks: Stefano Gaudiano / Grey tones: Cliff Rathburn / Letters: Rus Wooton

Cover A Charlie Adlard and Dave Stewart / Cover B Blank Sketch

Cover C Jason Latour / Cover D Tony Moore / Cover E Ryan Ottley

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Reyn #9 Review

22 Thursday Oct 2015

Posted by Paul Bowler in All, Image Comics

≈ 6 Comments

Tags

comics, Followers of Teck, Image Comics, Kel Symons, Nate Stockman, Pat Brosseau, Paul Little, Reyn, Seph, The Land of Fate, The Venn

Reyn #9

Review by Paul Bowler

The swords, sci-fi, and fantasy adventures continue in Reyn #9, as the last Warden of Fate, Reyn, embarks on a mission to rescue Seph from the clutches of the evil Venn – but at what cost? When the Followers of Teck broke into the Venn stronghold in the Rift, they discovered the truth about the Land of Fate. With Seph captured, her father dead, Reyn and the Followers of Teck barely escaped with the lives. After helping sabotage a Venn energy cell, Reyn seemingly turned against his friends. Ignoring the advice of his spirit guide Aurora mistress of Light – the unseen entity who only Reyn can see and hear – Reyn set out with the igniter component, determined to get Seph back, but as the past begins to unfold a terrible secret emerges…

Reyn #9 continues to build on the startling revelations about the Land of Fate, as this Image Comics sci-fi fantasy series, written by Kel Symons (The Mercenary Sea), with art by Nate Stockman, colors by Paul Little, and lettering and Design by Pat Brosseau, finds Reyn betraying his allies and going it alone to rescue Seph – but to save her he will have to trade the vital component the Venn need to complete their plan.

Discovering that the Land of Fate was in reality is a habitat on board one of three giant space arks used to evacuate the world before a great catastrophe consumed the sun in Reyn #6, effectively turned this series and its premise on its head, and forced all the characters to revaluate everything they once knew as reality. Kel Symons has crafted a magnificent storyline and Reyn #9 is arguably his finest issue yet, as events take another dramatic and highly unexpected turn after Seph finds herself a prisoner in the Venn Stronghold. When she is brought before the Venn leader, we finally begin to learn more about this strange amphibian-looking warrior race, and how their presence has influenced the development of the Land of Fate.

Nate Stockman’s art for Reyn #9 is a tour-de-force of epic visuals which beautifully brings Symons’ innovative sci-fi / fantasy saga to life, as the Venn’s story unfolds; and the great cataclysm of events that follow their arrival lifts the series to even greater heights as the pieces of the past gradually begin to fall into place. The colors by Paul Little are rich and vibrant, cold metallic hues in the Venn stronghold contrasting strongly with the vivid tones used in the flashbacks, and the lettering and Design by Pat Brosseau is as excellent as ever.

A thunderous stamped, together with a tense stand-off between Reyn and the Venn, steers this issue towards a brutal and violent climax. Indeed, while not quiet the betrayal we believed, Reyn’s plan is still fraught with danger. Reyn is determined to get Seph back, and in the bloody carnage which follows the Venn face the full fury of the Warden of Fate, not everyone will make it out unscathed, and a shocking truth will be revealed…

The main thing I like about this Image Comics series is how Kel Symons always keeps us on our toes. Just when you think you know what to expect, even with all the revelations about the Venn and their role in events, Reyn #9 delivers what is perhaps the series’ biggest surprise so far, and it’s one that’s sure to be a major turning point for the series. Reyn #9 is another fantastic issue, with Kel Symons exciting storyline, and the fantastic artwork by Nate Stockman, this Image Comics series continues to go from strength to strength, and after reading this action-packed issue I simply cannot wait to see what happens next. Brilliant!

Publisher: Image

Writer: Kel Symons

Art: Nate Stockman

Colors: Paul Little

Lettering and Design: Pat Brosseau

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