Old Man Logan #26 Review

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Alpha Flight, Days of Anger Part 2, Ed Brisson, Frank Martin, Logan, Marvel, Marvel Comics, Mike Deodato, Old Man Logan, Old Man Logan #26, Old Man Logan #26 review, Old Man Logan Days of Anger, The Hulk Gang, The Maestro, X-Men

Old Man Logan #26

Review by Paul Bowler

The Maestro returns as Logan’s dark future begins catching up with him! Resolved to stop history repeating itself, Logan takes to the road in Old Man Logan #26 as he sets out to hunt down the Hulk gang – the Banner offspring he believed killed back in the Wastelands. He’s going to need help from an old friend to track them though, but the Maestro’s actions creates an opportunity that could soon mean Logan’s downfall…

The outstanding new Days of Anger arc by writer Ed Brisson, artist Mike Deodato JR, and colorist Frank Martin, continues in Marvel’s Old Man Logan #26 as the Maestro’s schemes advance to the next level. Having taken a motorcycle trip to Canada to have some time away from the X-Men, Logan was left reeling when he was ambushed at a diner by the Hulk gang. Old Man Logan #26: Days of Anger Part 2 sees Logan embark on his quest to prevent the Hulk gang from harming this world, a stance writer Ed Brisson powerfully reinforces with this issues glimpse into Logan’s time in the Wastelands, before returning to the present as we catch up with the Maestro making his presence felt at a remote compound in Yukon territory, Canada.

Of course, at the moment Logan believes that its only the Hulk Gang he‘s after, he doesn’t know that the Maestro is also here in the present as well, and it’s this dramatic edge to proceedings which Ed Brisson skilfully builds on as fate inexorably sets Logan and the Maestro on a collision course that’s knee deep in treachery, blood, and violence.

From the sombre opening Mike Deodato’s artwork perfectly encapsulates the dark, gritty tone of this issue. Whilst the Hulk gangs attack on the compound is an unflinchingly brutal spectacle of raw power, Logan’s tracking skills also come to the fore in some especially atmospheric scenes as he uncovers some unsettling clues at an old Department H bunker. Deodato’s use of open integrated panel layouts is not quite as pronounced as usual, but it makes the build up to the Maestro’s scheme to kill two birds with one stone feel all the more effective as a result. Frank Martin’s colours are also superb throughout, the apocalyptically tinted hues of the farm scenes in the Wasteland contrast beautifully with icy greys and sweeping shadows that dominate the scenes at the compound and the bunker, and the Maestro and the Hulk gang look more menacing than ever before.

This issue of Old Man Logan strikes just the right balance between action and brooding plot developments. The characters motivations also become a real focal point, especially when it comes to Logan’s determination to stop the Hulk gang and the Maestro’s ruthlessness to achieve his goal to strike first against humanity. After a brief interlude to contact an old friend from Alpha Flight, Logan is soon back on the road once again as the issue races towards its thrilling cliff-hanger amidst an explosive barrage of bullets and betrayal!

Along with its intricately structure storyline by Ed Brisson and terrific artwork by Mike Deodato JR, Old Man Logan #26 takes this new arc into increasingly dark territory as the Maestro’s grand designs become apparent. Old Man Logan is without doubt one of Marvel’s best books right now, the creative team is firing on all cylinders, and the startling developments in Old Man Logan #26 make it a gripping read from cover to cover.

Publisher Marvel Comics

Writer: Ed Brisson / Art Mike: Deodato JR / Colorist: Frank Martin

Letterer: VC’s Cory Petit  / Cover: Mike Deodato JR & Frank Martin

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Old Man Logan #25 Review

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Days of Anger Part 1, Ed Brisson, Frank Martin, Logan, Marvel, Marvel Comics, Mike Deodato, Old Man Logan, Old Man Logan #25, Old Man Logan Days of Anger, Olf Man Logan #25 review, The Hulk Gang, The Maestro, X-Men

Old Man Logan #25

Review by Paul Bowler

A powerful threat from the past returns in Old Man Logan #25, but seeing how Logan’s past is in fact a brutal dystopian future, that’s bound to spell big trouble and pain for him in the present. Yes, The Maestro is back, having plotted his ultimate revenge, and now its up to Old Man Logan to track him down and stop him!

The brand new arc by the standout writer Ed Brisson and acclaimed fan-favourite artist Mike Deodato JR, and colorist Frank Martin, begins in Marvel’s Old Man Logan #25 with Days of Anger: Part One. Right from its sombre scene setting opening in the Yukon Territory, Canada, Ed Brisson quickly brings us up to speed with Logan’s present day situation as Logan reflects on back at the mansion with the X-Men. Having survived a future existing in the Wastelands, where he lost everything, including his family, Old Man Logan awoke in the present day and resolved to prevent that terrible future reality from ever happening. Now he is gradually finding his place in the world, but in Old Man Logan #25 whilst seeking to escape the confines of the city for a while he visit’s a diner in British Columbia, where something doesn’t smell quite right, and old scores wait to be settled…

Brisson gets this issue and the new arc off to a cracking start. Its moody, atmospheric, and sets the tone perfectly. Old Man Logan #25 hits all the right beats; it’s also an issue that caters for the long-term fans just as much as it does newcomers. You don’t really need to have ever read the title before either, or even any of the other X-Men books for that matter, to quickly get swept along by Brisson’s engaging storytelling style.

Old Man Logan #25 is a gritty, bloody, awe-inspiring visual spectacle too. The art by Mike: Deodato is stunning. Deodato’s trademark multiple open-structured panel layouts make individual scenes feel more like a dozen or so moments crammed into one, with each deconstructed page as rich with detail and keenly tuned as all of Logan’s senses combined. The face-off with The Hulk gang is ruthlessly savage, Deodato doesn’t pull any punches either, depicting every bone jarring, scalding intense, and gut wrenching moment with visceral ease, and this in turn strikes a powerful contrast with the almost restrained menace employed to build towards the Maestro’s appearance. Colorist Frank Martin diligent uses of rich colors and dusky shades also sublimely complements every aspect of Deodato’s art whilst seamlessly reflecting the beats of Brisson’s script.

Its fair to say that even though Deodato and Martin’s awesome cover makes it clear the Maestro has returned, the way the Maestro’s initial appearance in the issue is handled really well, especially as it provides a new slant to the issues initial scenes. However, it is the moment where Logan’s memories of the past close in and our grizzled hero has an epiphany of sorts, which really strikes a powerful emotional cord and ominously sets up the next chapter of Days of Anger.

With its terrifically paced story by Ed Brisson and impressive artwork by Mike Deodato JR, Old Man Logan #25 gets this thrilling new arc off to a great start. This is Old Man Logan at his very best, Marvel have a top notch creative team doing outstanding work on this book, and I can guarantee that Old Man Logan #25 is one issue you wont want to miss bub!

Publisher Marvel Comics

Writer: Ed Brisson /Art Mike: Deodato JR / Colorist: Frank Martin

Letterer: VC’s Cory Petit / Cover: Mike Deodato JR & Frank Martin

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Thanos #6 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Phoenix Egg, Phoenix Force, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #6, Thanos #6 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #6

Review by Paul Bowler

A reunion is on the cards in Thanos #6 as the Mad Titan faces his greatest battle of all in this stellar Marvel Comic series from Jeff Lemire, Mike Deodato, and Frank Martin. Thanos is dying! Defeated as he searched for a cure by the Shi’ar Imperial Guard, he was imprisoned. Now, as Thanos seeks to escape from his interstellar jail, Thane’s secret pact with the mistress Death to kill his father finally nears fruition, and soon two of the most powerful entities in the Marvel Universe face-off as the galaxy trembles before their might!

Yes, the cosmic you-know-what hit’s the proverbial fan in Thanos #6 after that certain “something” Thane’s audacious heist with Starfox, Nebula, and Tryco Slatterus set out to steal from Terrax the Terrible actually turned out to be a Phoenix Egg, and writer Jeff Lemire quickly addresses the grievances that Thane’s allies have about being so grossly misled into doing his dirty work for him. The Phoenix Energy will enable Thane to reclaim everything that he’s lost since his powers were taken from him, but his associates aren’t going to stand idly by and just let him take it either! Meanwhile, Thanos faces an army of jailers, but even with his powers faltering the Mad Titan’s resolve is undiminished, and he confronts his fate as a warrior, a conqueror of worlds, and a God who has even make reality itself cower before his power.

The distinct air of all-pervading doom that closes in around Thanos in this issue is brilliantly offset by his determination to be free of those who have so blatantly disrespected him. Jeff Lemire has skilfully crafted the events around the Mad Titan’s rapidly declining health to a point where you feel like you are right there with Thanos, as every step, every bone-crunching blow, begins to feel weaker and more laboured that the last. Likewise, Thane’s betrayal of his allies is master class in characterization, snappy dialogue crackles with tension, hitting all the emotional beats, before the realization of the ultimate sacrifice that has been made finally becomes frighteningly apparent.

When it comes the depiction of Thanos’ plight in this issue, artist Mike Deodato’s rendition of Thanos’ pure rage and undiluted contempt for the wave after wave of opposition he’s forced to bulldoze his way through to obtain freedom, is stunningly realized with an opaque series of panel layouts that dynamical relay the bone-crunching action. I especially like how Deodato angles the entire page during two key instances to accentuate the drama, giving added credence to Thanos’ waning power and the shock turn of events over on Terrax’s starship. There are some stunning emotional scenes from Dedato as well, the fury of Tryco Slatterus, self styled Champion of the Universe, feels at being betrayed is so palpable in one scene it almost eclipses Thanos‘, and Thane’s anguish at betraying Tryco is so clearly evident its almost heartbreaking. Color artist Frank Martin uses a palette of rich vivid tones to accentuate every scene, even the panel layouts are heightened as they intercut between sold backdrops of burnt orange and stark white hues that uncannily seem to give an almost cinematic quality to the visuals they frame as each scene moves seamlessly into the next.

But it is in the showdown between father and son where Jeff Lemier’s powerful storyline comes full circle. Mistress Death’s machinations have brought everything and everyone in this saga to this point, there is no turning back now, and Mike Dedato and Frank Martin pull out all the stops to ensue that the final scenes in this issue are every bit as breathtaking and jaw-dropping as the journey that has brought Thanos to this fateful moment.

Thanos #6 brings the first chapter in this epic storyline to a shocking close. The fantastic creative team of Jeff Lemir, Mike Deodato, and Frank Martin have done amazing things with this new Marvel Comics series already. The scope and scale has been unparalleled, its been unflinchingly brutal at times, and I’ve been gripped by every twist and turn in the plot since the first issue. Now they’ve set Thanos on a path unlike any he’s walked before and I can’t wait to see what happens next in the aftermath of this issues cataclysmic standoff.

Publisher: Marvel Comics

Writer: Jeff Lemire/ Artist: Mike Deodato / Colorist: Frank Martin /

Letterer: VC’s Clayton Cowles  / Cover: Mike Dedato and Frank Martin

Variant Cover: Jamal Campbell

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Thanos #5 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #5, Thanos #5 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #5

Review by Paul Bowler

Thanos #5 finds the Mad Titan incarcerated in a top secret prison in deep space after his ignominious defeat at the hands of the Shi’ar Imperial Guard; something that would never have been possible but for the startling fact that Thanos is dying! Thanos’ ailing condition and his desperate attempts to find a cure might ultimately prove to be his undoing, but the Shi’ar Empire are not the only ones seeking to destroy him… Thanos’ own son, Thane has forged an alliance with Starfox, Nebula, and Tryco Slatterus to kill Thanos, but non save Thane are aware of the real power behind his dark scheme – the mistress Death herself!

He may be down, but Thanos is certainly not out, and this latest issue of Marvel Comics superb ongoing Thanos series from writer Jeff Lemire, artist Mike Deodato, and color artist Frank Martin illustrates just how abominable and devious the Marvel Universes big bad can be – especially when the stakes are this high.

The space station where Thanos is being held utilizes the highest security and fail-safe measures imaginable, its capable of restraining cosmic-level menaces, and the initial stages of Thanos’ imprisonment have even been overseen personally by the Shi’ar Imperial Guard itself. The ruthless Warden Daak has the utmost confidence in his facility, but despite his weakened state Thanos’ predicament has made him more dangerous than ever, and writer Jeff Lemire quickly builds the nerve-jangling tension as the Mad Titan’s confinement brings dire consequences for those foolish enough to imagine that such a feat could ever be possible.

As Thanos languishes in his interstellar gulag, Thane’s plot to destroy his father takes a new turn when he, along with his uncle Eros, the former Avenger known as Starfox, with the mercenary Nebula, and Tryco The Champion of the Universe set out to steal something from Terrax the Terrible that they need to further their nefarious cause. Of course, Thane’s new allies know nothing of his secret pact with Death, let alone the full extent of the web of deceit he has woven around them to entice their help in acquiring his goal.

Mike Deodato’s artwork stunningly realizes the deep space prison facility where Thanos is being held. This huge impregnable fortress is an imposing sight, suspended in the depths of space, and the detail Deodato lavishes on the oppressively gloomy interiors equally matches the awe-inspiring spectacle of the exterior. Likewise, the scenes on Terrax’s space craft are equally as impressive. The distinctive bold overlaying panel structure Deodato employs perfectly conveys each and every beat of Lemire’s fast-paced script, with some brilliantly crafted character moments, and Thanos’ inevitable breakout being the undoubted highlight of the issue. The colors by Frank Martin accentuate the deep shadows of Thanos’ detention with a vivid contrast of orange and red hues, whilst the dusky metal shades withing Terrax’s ship are offset beautifully by the stealthily progress of Thane’s colourful associates towards the vault deep inside the hulking vessel.

This issue of Thanos has a quirky interstellar a heist movie vibe to it. There is some great banter between Thane’s team as well: with Starfox’s gift for the gab getting their foot in the door, Tryco’s wry observations of Eros’ conversational skills are priceless, whilst Thane continues to play his cards close to his chest, and my favourite bit of the whole escapade comes when Nebular acrobatically steals Tryco’s thunder before he can even finish his sentence! While Thanos himself doesn’t feature quite as much as I would’ve liked, the antics on Terrax’s ship more than makes up for it, and everything builds towards a cliff-hanger so jaw-dropping it will totally blow you away.

Thrilling, brutal, and epic in scale, Thanos #5 elevates this new Marvel comic book series to a whole new level. Jeff Lemir, Mike Deodato, and Frank Martin continue to bring remarkable new aspects and compelling insights into the Mad Titan’s shady world, with Thanos #5 potentially setting up one of the biggest smack downs Thanosthusiasts have ever seen!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato / Colorist: Frank Martin

Letterer: VC’s Clayton Cowles / Cover: Mike Dedato and Frank Martin

Variant Cover: Rob Guillroy

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Thanos #4 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #4, Thanos #4 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #4

Review by Paul Bowler

Thanos #4 delves ever further into the mad Titan’s dark world in Marvel’s new ongoing series from Jeff Lemire, Mike Deodato, and Frank Martin. Thanos’ quest to find a cure for the mysterious aliment that is killing him led to a titanic face-off with Shi’ar Imperial Guard, but shockingly it was a battle that Thanos ultimately lost! Now even Thanos’ own son, Thane, conspires to destroy him. But as we will soon discover, this isn’t the first time that Thane has schemed to seize power from Thanos and claim his birthright…

When it comes to big-bad super-villains, there are few in the Marvel Universe that can match Thanos for his sheer raw power, ambition, and unflinching evil. This new series from writer Jeff Lemire, artist Mike Deodato, and color artist Frank Martin continues to raise the bar with each issue, the sheer scope and scale of the storylines and art constantly impresses, and Thanos #4 is arguably one of their best issue so far.

Following Thanos‘ defeat at the hands of the Imperial Guard on Gilgrath, the spotlight now falls on Thane, and writer Jeff Lemire skilfully uses this issue to explore the series of events that led to Thane’s current scheme to rid himself of Thanos once and for all. Unfolding across a series of intermittently spaced flashbacks Thanos #4 gives us a tantalizing insight into Thane’s previous bid to take control of The Black Quadrant with Ebony Maw, but Corvus Glaive is not to be underestimated, and Thane’s subsequent fall from grace and incarceration proves crushing both mentally and physically for the son of Thanos. The unlikely alliance between Thane and Tryco, The Champion of the Universe, is also explored by Lemire, and it is these scenes that ultimately drive the narrative whilst sublimely filling in their back story and motivations as time progresses.

The panel layouts are beautifully structured by artist Mike Deodato to great effect. The synchronicity that Dedato manages to strike with Jeff Lemire’s character driven script is astonishing, judicious use of compact panel layouts effortlessly draw you into the story, and even the big two-page action scenes have a distinct pace all their own that so indicative of Dedato’s work. There are some truly spectacular scenes too, with Black Order brothers battling, The Coven are also hauntingly realized as they attack Thane, later Tryco the Champion’s wry humour lightens the tone somewhat, but it is Thane’s experiences in solitary confinement that delivers the issues most powerful and disturbing moments. Frank Martin’s colors provide a glorious swath of rich crimson hues for combat, while a blend of cool shades masked in ominous shadows make Thane’s imprisonment feel every bit as cold and dark as Thanos’ heart itself.

With a deal forged in darkness, Thanos #4 seamlessly bookends with the present as Thane’s plan to kill Thanos with the help of his uncle, Eros (the Avenger formerly known as Starfox), the mercenary Nebula, and Tryco The Champion of the Universe, unites their collective fates in the most surprising way imaginable!

Thanos #4 gives us a fascinating, chilling, and increasingly insightful glimpse into the dark machinations that have shapes event in this new Marvel comic book series. Jeff Lemir, Mike Deodato, and Frank Martin have truly excelled themselves again, as Thanos #4, with its engaging multifaceted storyline and fantastic artwork, reaffirms exactly why this series is such a compelling and gratifying sojourn to the darker side of the Marvel Universe.

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin / Variant Cover: Joe Jusko

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Thanos #3 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #3, Thanos #3 Review, Titan, VC’s Clayton Cowles

Thanos #3

Review by Paul Bowler

Thanos #3 finds the mad Titan squaring off against the Shi’ar Imperial Guard, but they aren’t the only ones out for Thanos’ blood! Thanos may have reclaimed leadership of the Black Quadrant, but the unthinkable has happened; Thanos is dying! Having slaughtered his father, Mentor, for failing to find a cure for his God Cancer, Marvel’s big bad must now face the entire Imperial Guard. Meanwhile, Thanos’ son, Thane, has recruited his uncle, Eros (the former Avenger known as Starfox), along with the mercenary Nebula who once claimed to be the granddaughter of Thanos, and Tryco, The Champion of the Universe, to kill Thanos!

Thanos is without doubt the most powerful, ruthless, and fearsome God-like villain to have ever stalked the Marvel Universe. This new Marvel Comics ongoing series from Jeff Lemire, Mike Deodato, and Frank Martin has proved to be revelation, epic in scope, with striking visuals to match, and its brought us a brilliantly dark and insightful glimpse into the mad Titian’s world as his quest to find a cure escalates and his enemies conspire to destroy him.

Having cut a savage path across the galaxies centres of healing in his pursuit of a remedy for his condition, the World Killer must now go toe-to-toe with the Imperial Guard! There’s nothing like a good smack-down between super-powered beings, especially when it’s on such a titanic scale as this, and writer Jeff Lemire goes for all-out blockbuster action as Thanos confronts insurmountable odds on Gilgrath on the fringes of the Shi’ar Empire. Lemire skilfully interspaces the bone-crushing action sequences with a fascinating trio of recollections about Thanos from interviewees that each have their own unique connection to Thanos, these dark vinaigrettes make the issue a compelling read, and the differing viewpoints offer a chilling and disturbing insight into Thanos’ past and his evil deeds in a way that is quite unlike anything we’ve experienced before.

The frenetically paced action is realized to perfection by artist Mike Deodato, with big, bold panel layouts relaying the battle between Thanos and the Imperial Guard in singular detail, there are times you’d swear you can feel every punch and bolt of energy as they simultaneously pound and crackle from the page, while closer knit layouts bring added gravatis to the memories and spectacles of the narrated trilogy of flashbacks. A rich, vivid palette of tones and shades are employed by colorist Frank Martin to great effect, providing an impressive contrast between past and present, and even the darker hues seem to take on a bold vibrancy all their own in the heat of Thanos’ fight with the Imperial Guard, and the stunning cover by Mike Deodato and Frank Martin is another eye-catching snapshot of the epic conflict that unfolds inside this issue.

The issue builds towards an exciting, earth-shattering showdown, as the big guns in this saga go head-to-head for what is possibly the most momentous development in this series so far! Thanos #3 is another excellent issue in this new Marvel comic book series, Jeff Lemir, Mike Deodato, and Frank Martin have taken the scope of the storytelling and the impressive artwork to a whole new level of excellence for this issue!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin

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Daredevil #14 Review

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Blindspot, Charles Soule, comics, Daredevil, Daredevil #14, Daredevil #14 review, Daredevil Dark Art, Inhumans, Marvel, Marvel Comics, Matt Milla, Matt Murdock, Muse, Ron Garney, The Dark Art, The Dark Art Part 5

Daredevil #14

Review by Paul Bowler

The Dark Art concludes in Daredevil #14 as the Man Without Fear resolves to track down the murderous instillation artist Muse, who has left a gruesome trail of “artwork” across Hell‘s Kitchen. Now, Muse has captured Daredevil’s new protégé, Samuel Chung, A.K.A Blindspot. Matt Murdock’s skill and powers will be tested to the limit, but will it be enough to save his young friend from becoming Muse’s next work of art..?

The fifth and concluding part of The Dark Art from the outstanding creative team of writer Charles Soule, artist Ron Garney, and color artist Matt Milla, delivers a tense and unsettling finale to this exceptional story arc that doesn’t flinch from depicting the drama and graphic horror of Blindspot’s plight. Daredevil’s aguish is almost palpable from the outset as he meets the Inhuman Detective Frank McGee – who wants to arrest Muse for his crimes – at the scene where Blindspot went missing after rescuing Muse’s hostages from the sewers.

Its what transpires in Muse’s lair where Charles Soule really begins to ramp up the nerve jangling intensity as we, like Blindspot, gradually take in the sights of this dingy studio where Muse hones his craft with macabre inspirations. The uncertainly of what Muse has planned for Blindspot makes these scenes almost unbearable to witness. You know with twisting certainly in your gut that something terrible and horrifying is on the cards, but nothing can prepare you for the shock of that moment of inspiration Muse gets and the subsequent price that Blindspot invariably ends up paying for being so selfless and heroic in his mentor’s eyes.

The fabulous art by Ron Garney perfectly encapsulates the grim and brooding atmosphere that hangs over this issue. Together with Matt Milla’s exquisite and intense use of color, Ron Garney’s depiction of DD’s radar sense as Murdock pushes his uncanny hyper-senses beyond anything we’ve seen before, is truly remarkable. Muse’s lair, come Garret, is both a horrific slaughter house of raw materials and a showcase for his deranged labours. One moment you’ll be wondering what’s hanging on that lamp in the background… the next page you’ll be wishing you hadn’t asked! Some pieces even have ties to previous storylines, and there’s a startling revelation about the “Sanguinity” piece itself from The Dark Art during the final showdown between Daredevil and Muse in which the unseen becomes visible – and in more ways than one.

Daredevil #14 and The Dark Art arc as a whole is, to my mind, comic book storytelling at its finest. It’s a storyline that, while still very much part of the big events unfolding in the Marvel Universe at the moment, has nevertheless remained very much focused at grass roots level. Charles Soule has tapped into powerful themes and dark veins of horror with this arc as Muse’s and Daredevil’s worlds collided with fateful consequences for Blindspot. The characterization in this new Daredevil series has been exemplary from the start, and with this arc the bond between Daredevil and Blindspot as teacher and pupil has been key to its success, and subsequently makes the outcome here all the more tragic. Muse has been a terrific foil for Daredevil, we finally see Muse’s face in this issue but that doesn’t demystify the character, and I certainly hope we see a rematch between them one day.

Publisher: Marvel Comics

Writer: Charles Soule / Art Ron Garney / Colors: Matt Milla

Letters: VC’s Clayton Cowles  / Cover Ron Garney & Matt Milla

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Thanos #1 Review

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Avengers Infinity War, Civil War II, comics, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Thanos, Thanos #1, Thanos #1 review, Titan, VC’s Clayton Cowles

Thanos #1

Review by Paul Bowler

Thanos #1 marks the return of the most evil, villainous being to have ever stalked the Marvel Universe! Yes, the mad Titan, Thanos is back, and in this new ongoing Marvel Comics series from Jeff Lemire, Mike Deodato, and Frank Martin, Thanos is hell bent on seeking revenge on anyone who stands in his way. Get ready to walk in the shadows as Thanos embarks on a deadly journey, where a reckoning with his own family soon awaits him…

Thanos is a godlike being of almost unimaginable power and he has returned to wreak his own unique brand of devastating wrath against those foolish enough to oppose him. Thanos is arguably the biggest, big bad the Marvel Universe have ever known. He’s left an untold level of destruction and chaos in his wake during his many attempts to conquer the universe, more often than not solely to impress the cosmic embodiment of death herself. Even Thanos’ homeworld, the moon Titan, is now in ruins, and following his most recent battle with the Earth’s mightiest heroes during Civil War II, where, despite their advanced foreknowledge of his scheme provided by the new precognitive Inhuman Ulysses, his enemies still paid a heavy price.

Everybody loves a good villain, and there’s something instantly compelling about them, and its great to see Thanos being explored in a new way in this series. Thanos #1 quickly establishes the new order former stooge Coryus Glaive has forged for himself since Thanos became more concerned with other matters, and under Glaive’s reign, the Black Order has prospered as order superseded chaos. Now the deposed tyrant Thanos has returned, and writer Jeff Lemire instantly presents us with a Thanos who is every bit as powerful and as ruthless as ever, but there is also a sense that something far more ominous is driving the mad Titan’s bid to reclaim his seat of power.

The characterization is absolutely spot on, but as well as capturing the pure malevolence and evil of Thanos, Jeff Lemire also quickly builds the mystery and intrigue in this issue as the self styled Champion of the Universe, Tryco Slatterus, goes in search of Starfox, with an important message and new mission that will in turn herald the ultimate challenge. The dialogue positively sparkles with dark wit at times as the plot begins to take shape under Lemire’s assured guidance, as Thanos returns to power, and these characters who have been circling each other for so long gradually embark on the dark paths that will inevitably bring them into conflict.

Right from its majestic opening in the Black Quadrant, through to Thanos’ titanic show of force to reclaim his throne, and the sweeping scale of the story as it unfolds, artist Mike Deodato ensures Thanos #1 is a blockbusting spectacle in every respect. Concisely structured pages deftly balance the action and character moments, glorious full page layouts dazzle as interlocking panels splice story and characterization seamlessly as one, and Deodato‘s rendering of the characters, especially Thanos, and the numerous locals are stunning. The palette of rich tones and shades from colorist Frank Martin complements Deodato’s art perfectly; sombre hues and deep shadows dominate the relentless advance of Thanos, while cool blue, green, and violet tones reflect the seedy nature of the space station Starfox is frequenting when Tryco Slatterus tracks him down.

Following some poignant reflection on a distant ruined world, the issue is rounded off with an epic secret that is so shocking it could quite possibly become the greatest betrayal of all… Thanos #1 is everything that fans of Marvel’s ultimate evil nemesis to creation itself, Thanos, could’ve wished for, and then some! I swear you can almost feel every thunderous step as Thanos inexorably stomps, blasts, and smashes his way back to reclaiming his throne, and Thanos even offers a deliciously wicked act of mercy too for good measure.

It’s clear from this first issue that we are in for one hell of a journey for Thanos and his extended family. Thanos #1 is a welcome darker themed offering from Marvel, with its great story by Jeff Lemire, superb art by Mike Deodato and colors by Frank Martin, and letters by VC’s Clayton Cowles, this is one Marvel Now title that you won’t want to miss!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin

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Invincible Iron Man #1 Review

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Brian Michael Bendis, Invincible Iron Man #1, Invincible Iron Man #1 Marvel Now, Invincible Iron Man #1 Review, Iron Man, Ironheart, Marvel Comics, Marvel Now, Riri Williams, Stefano Caselli, Tony Stark

Invincible Iron Man #1

Review by Paul Bowler

An exciting new era begins in Marvel Now’s Invincible Iron Man #1 as Riri Williams steps up to become the worlds newest armored superhero! Kitted out in her homemade Iron Man armor, former M.I.T student Riri is ready to rise to the challenges of the Marvel Universe, but the young genius has some pretty big armored boots to fill – especially now that a certain billionaire mega-genius isn’t exactly around much these days…

Yes, there’s a new armored hero on the block in Invincible Iron Man #1, and her name is Riri Williams! Marvel Now continues apace in the wake of Marvel’s Civil War II as Brian Michael Bendis, Stefano Caselli, and Marte Gracia bring us the adventures of Riri Williams, Marvel’s new hero from Chicago, Ironheart!

Having a new character stepping into the role once held by a long-standing character is nothing new in comics. Invincible Iron Man #1 marks the beginning of a new era with Riri Williams taking centre stage after writer Brian Michael Bendis had already firmly established her character in the previous volume of Invincible Iron Man. It is this cleverly constructed groundwork that has made Riri‘s, as well as Victor‘s, gradual integration into Tony Stark’s life, seem all the more believable, and not just another change for change’s sake scenario as the Iron-Mantles are effectively passed to Riri Williams and Doctor Doom respectively.

From the opening video-blogger style credit page opening, Brian Michael Bendis gives us an insightful and moving glimpse into the life and times of Riri Williams. The battle with the rogue monster-spawning mutant Animax fills the prerequisite action quota for Invincible Iron Man #1, with our rookie super genius Iron-heroine quickly realizing the limitations of her cobbled together armor, sans a properly efficient AI, but it is the fascinating glimpse into Riri’s formative years that really forms the backbone of the issue.

Bendis skilfully intercuts the present-day events with some especially moving flashbacks to drive the narrative, highlighting some of the stark parallels and difficulties associated with being a super genius, while the more powerful themes and their heartbreaking aftermath resonates strongly on every level. Even though we’ve known Riri Williams for a while now, this issue really expands our knowledge of the character in ways that few could’ve predicted, and it makes Riri’s debut here feel all the more impressive as she sets out to make her presence felt in the Marvel Universe!

Stefano Caselli’s artwork conveys the finer nuances of Bendis’ script beautifully. Page layouts are keenly structured to match the emotional beats of the story and the characters are all defined in the highest detail. The scene between the young Riri and her new friend Natalie are wonderfully staged. There’s tragedy and heartbreak for Riri too, and Caselli’s art makes you feel like you are there with Riri every step of the way as her life unfolds before you. The fight with Animax is also good, but it is what transpires directly afterwards that probably resonates the most – with its gun crushing finality grittily polarizing the impact of the flashbacks in our minds eye. Color artist Marte Gracia employs bright, vibrant palette of colors throughout, nicely complementing Stefano Caselli’s artwork with a blend of rich shades and tones to bring added highlights to virtually every scene.

The issue rounds off with a great scene between Riri and her mother that effectively brings Riri’s story full circle. As for Tony Stark..? Well, he might not be around anymore, but you know Tony, he has a knack of thinking of contingencies for everything!

I must admit, as much as I love the character of Riri Williams, I was a little sceptical about her taking over as the lead character in Invincible Iron Man. I’m pleased to say that Brian Michael Bendis has won me over once again with his superb storytelling and characterization skills. One thing that shines through is the sheer hope and optimism Riri Williams brings to the title, which considering the events in those flashbacks, shows just what strong and delightfully positive character traits Riri Williams will bring to the Marvel Universe.

Invincible Iron Man #1 revamps the status quo and provides a confident start to Riri’s brand new adventures. Even though I’m sure Tony Stark will return as Iron Man eventually, we can rest assured that the legacy of Iron Man is in safe hands, so here’s hoping that Riri Williams will be around for a long time to come.

Publisher: Marvel

Writer: Brian Michael Bendis / Art: Stefano Caselli

Color Artist Marte Gracia / VC’s Clayton Cowles Letterer

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Invincible Iron Man #14 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #14, Invincible Iron Man #14 review, Iron Man, Ironheart, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #14

Review by Paul Bowler

Change is in the air in Invincible Iron Man #14 as the dust settles over the recent events of Civil War II, now a young woman, M.I.T student, Riri Williams, must prepare to take over as Iron Man! First though, Tony Stark will have to deal with his own inner turmoil in the wake of Civil War II, before Riri redefines the series as a new direction for Iron Man begins, and it’s going to be unlike anything we’ve seen before…

With the fallout of Rhodey’s death in Civil War II, his failure to make amends with Amara for faking his own death, the destruction of Stark Tower, and with Victor Von Doom doing his level best to become part of Tony Stark’s life over the course of this series, Invincible Iron Man #14 is the culmination of a remarkably intense and trying period in Tony Stark’s life as the Invincible armored Avenger – Iron Man. Though the success of Tony’s wish to find out what Victor Von Doom really wants from him remains somewhat undetermined, Brian Michael Bendis does a terrific job rounding off a number of key plot elements with this issue, deftly juggling the cataclysmic skirmishes of Civil War II whilst simultaneously paving the way for a new era to bring this volume of Invincible Iron Man to a close with a fittingly dramatic and exciting finale.

Indeed, there’s a lot of ground to cover, and some of Invincible Iron Man #14’s most poignant scenes come as Tony and Mary Jane discuss the future in the light of recent events. Tony’s clash with Carol Danvers over the Inhumans and the precognitive Inhuman called Ulysses in Civil War II – by using him to predict and counteract future dangers before they occur – has caused bitter divisions throughout the Marvel Universe. Tony now clearly feels that his demons in a bottle have found some new triggers, and with the future calling – quite literally – he needs to seek out an open meeting to work things out – a fact which is made all the more ironic as Stark is now effectively Carol Danvers sponsor.

It is at this very same open meeting that Tony finds himself faced with some especially pertinent contemporary themes. Bendis skilfully weaves these powerful issues into the narrative of Tony’s current situation, uncannily resonating with and eclipsing his experiences on every level, and in many instances making Civil War II pale into insignificance by comparison.

Ironically Tony’s wish to avoid Carol Danvers proves to be the catalyst that ultimately forces them to confront their different viewpoint head on. These scenes form the basis of this remarkable character driven issue as Tony and Carol address what it is they are really fighting for, what they believe in, Rhodey’s death, and of course Banner’s shocking demise. Some uncomfortable home truths are finally aired; where neither party likes or is really surprised by what they hear, and it’s clear that neither of them is going to back down.

Mike Deodato produces an outstanding issue with artwork that will effortlessly immerse you in the heart of the drama. From the opening collage of media reports overlaying the sombre setting of Stark’s lab, Deodato forges an intense, emotionally charged atmosphere as events unfold across compact and impressively detailed page-layouts. It’s this precise, almost casual simplicity, which makes the issue works so well and gets right in your face – so to speak. The expressions of all the characters are beautifully rendered and you will be hanging on their every word. Color artist Frank Martin’s subtle use of tone and shade also works in perfect harmony with Deodato’s art; matching every emotional beat of Bendis’ script to absolute perfection.

Tony’s final scenes in this issue is the sum total of what this arc has been building towards since the beginning, its marvellous how so much is said by saying so little, and the surprise visitor in the coda heralds a game changing development… I’ve thoroughly enjoyed this volume of Invincible Iron Man. In some ways it’s shame it has to and end as Brian Michael Bendis and Mike Deodato have been such a great team. From the War Machines arc, to the Road to Civil War II, and these recent Civil War II tie-in’s, Bendis and Deodato have done exceptional work with this series and Tony’s character, and their run ends by setting up a very exciting future.

Invincible Iron Man #14 is a brilliant, emotional, and powerfully themed issue. It may mark the end of this run of Invincible Iron Man, with Civil War II and Tony‘s whereabouts still to be resolved, but with Brian Michael Bendis and Stefano Caselli charting Riri Williams adventures as Ironheart in Invincible Iron Man #1, and Bendis reuniting with Alex Maleeve to bring us Doom’s story over in Infamous Iron Man #1, the saga of Iron Man is about to enter a bold new era and I‘m extremely excited for what the future will bring.

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

 Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production

Cover Artists Dale Keown & Jason Keith

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