THE AMAZING SPIDER-MAN #22 REVIEW

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Amazing Spider-Man #22, Amazing Spider-Man #22 review, Benjamin Rabin, John Romita JR, Marvel, Marvel Comics, MJ, Peter Parker, Spider-Man, The Amazing Spider-Man, What did Peter do?, Zeb Wells

The Amazing Spider-Man #22 Review

Review by Paul Bowler

Writer Zeb Wells continues to lift the veil on the mysterious crisis and consequence that kicked-off this new run of Amazing Spider-Man with such a compelling quandary – what exactly did Peter do that turned his fellow superheroes against him and sent MJ into the arms of another man? Well, following last issues cataclysmic return of Benjamin Rabin, The Amazing Spider-Man #22  has a lot of ground to cover as Peter and MJ find themselves teleported into an apocalyptic version of New York City and pursued by the Mayan god of mischief and death, Wayep. Essentially the issue is a flashback to events of a year ago, events which would in turn prove the catalyst for the new status-quo Zeb Wells set out for Peter and MJ at the start his Spider-Man run. What we get this issue isn’t necessarily all the answers we’d hoped for as Peter and MJ receive some unexpected help to find shelter, take stock, and form a Spider-Verse-hopping way out of their predicament.

However, newer readers may still be scratching their heads over exactly who Benjamin Rabin is and what he could possibly have to do with everything that’s been going on with Peter and MJ. Well, Rabin was last seen nearly a decade ago in Amazing Spider-Man #557, where Spider-Man thwarted his plan to become the Emissary of the Mayan god Wayep. 

The crazed mathematician then spent years plotting his revenge, which in turn culminated in the devastating series of events we now see unfolding in the flashbacks of this story-arc. Phew! Once you get your head around it the narrative kind of makes sense, but it still feels pretty surprising why Wells has chosen to place such an obscure foe at the centre of whatever Peter did. Zeb Wells writing is pacy and exciting as Spider-Man valiantly goes toe-to-toe with a raging Wayep, the dialogue also feels more on point this issue than of late, but as we’re still only halfway through this massive storyline we clearly still have a long way to go before all the pieces of the puzzle can fall into place.

Now, the quality of John Romita JR.’s artwork has varied somewhat over the course of this run, although he does seem to be back on form again with this current story-arc. The action is pretty fast and furious and JRJR’s pencils strike a seamless balance between the frenetic pace and dramatic action. Likewise, Scott Hanna’s bold inks and colourist Marcio Menzy’s vivid pallet of color nicely complements JRJR’s work, and it seems that the magic themed narrative and alternative dimensional setting has enabled the art team to draw on far more creative vigour than we’ve seen of late.

You know, when this series isn’t getting bogged down in yet another Marvel Comics event, crossover, tie-in, or whatever Amazing Spider-Man can really grab your attention and run with it. As creative teams go, Zeb Wells and John Romita JR. do seem to work well together. Recent issue of ASM have seen Peter claiming he now thinks of MJ as more like a sister to him and he’s also seems to have rekindled his romance with the Black Cat, both are moves that have divided fans and critics alike. Even though I’m not fully on board with the direction the book is taking with the characters, there’s clearly a lot more behind the events that has alienated Spider-Man from his friends and is keeping Peter and MJ apart – especially where magic is concerned. So far there is a sense that we are only just scratching the surface of it all. I’m still willing to give Wells and JRRJ the benefit of the doubt for now and I think Amazing Spider-Man #22 is certainly a step in the right direction. 

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About The Autho

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

SPIDER-MAN – MAN WOLF AT MIDNIGHT EPIC COLLECTION REVIEW

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Epic Collection, Green Goblin, Man Wolf, Marvel Comics, Peter Parker, Spider Mobile, Spider-Man, Spider-Man Man - Man Wolf at Midnight Epic Collection, Spider-Man Man - Man Wolf at Midnight Epic Collection Review, The Amazing Spider-Man, The Punisher

Spider-Man Man – Man Wolf at Midnight Epic Collection

Review by Paul Bowler

Man Wolf at Midnight is Marvel’s latest addition to their Spider-Man Epic Collection range. Weighting in at a whopping 416 pages of Bronze Age goodness, it heralds a stark era of change for our friendly neighbourhood Spider-Man in the aftermath of what was arguably one of the darkest periods of Peter Parker’s life – the death of Gwen Stacy. There’s also a wealth of iconic events and introductions too as this collection revisits the origins of The Punisher, Man-Wolf, and the Spider-Mobile! This extensive collection features stories from The Amazing Spider-Man #124-142, and Giant Sized Super Heroes, all written by Gerry Conway, and with artwork by Gil Kane, Ross Andru, Paul Reinman, John Romita, Sr., Tony Morello, Jim Mooney, Frank Giacoia, Dave Hunt, and Mike Esposito.

Gwen Stacey’s death hangs heavily over the opening issues, with Peter an emotional wrecks as he struggles to come to terms with his girlfriends demise. Peter’s peers and supporting cast also feature prominently throughout this Epic Collection as they rally round their friend during this difficult time. This inevitably leads to some emotionally fraught moments as Peter begins to crack under the strain of his grief and his wall-crawling adventures as Spider-Man. 

Over the course of this volume Peter finally moves into his own apartment, his relationship with Mary Jane also begins to take shape, all while juggling his studies and work at the Bugle with the ever increasing demands of being Spider-Man. 

Indeed, this Epic Collection is a treasure trove of first appearances and iconic moments for Spider-Man amongst all this personal turmoil, most notably the first appearance of The Punisher, as well as Col. John Jamerson as Man-Wolf, the deadly Tarantula, and the debut of the Spider-Mobile; the super-charged beach buggy Spidey builds with the help of Johnny Storm. On top of all that we have the shocking reveal of Harry Osborne as the new Green Goblin, Aunt May’s not-quite wedding to Doctor Octopus, and the Jackal hatching nefarious schemes in the background. A wealth of other villains from Spider-Man’s colourful rogues gallery feature as well including: The Vulture, Kangaroo, Mindworm, Mysterio, The Grizzly, Hammerhead, Molten Man and Morbuis.

While this Epic Collection might not exactly be up there with the classic runs of Spider-Man comics, there is still loads to enjoy here, and I’m sure plenty of nostalgia for many too as they revisit this formative era of Spider-Man.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

PREDATOR #1 (2022) REVIEW

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Day of the Hunter, Ed Brisson, Kev Walker, Marvel Comics, NCBD, Predator, Predator #1, Predator #1 review, Predator comics, Predators, Prey

Predator #1 (2022)

Review by Paul Bowler.

The hunter becomes the hunted in Marvel’s long delayed Predator #1, written by Ed Brisson (Iron Fist, Ghost Rider), and with art by Kev Walker (Dr Strange, Doctor Aphra). Considering the immense legacy of the 1987 classic Predator film directed by John McTienan and the numerous Dark Horse Comics mini-series’ fans have enjoyed over the last thirty years, Disney’s absorption of the licensing agreement has now seen this long-delayed new Predator comics series finally become a reality. Writer Ed Brisson’s Predator #1 certainly has a tough act to follow with this new six-part story: Day of the Hunter. Right from the outset we are reintroduced to these extraterrestrial hunters and the sheer power of their advanced weaponry. However, what initially appears to be a smackdown between two raging Predators on a strange alien world is resolved through a surprise twist of fate that has seen the most formidable hunters in the galaxy becoming the prey. Set in the far future, the narrative is interspaced with flashbacks detailing how a young girl, Theta, witnessed the slaughter of her family during a survey mission on a newly discovered world. She grew up and vowed to hunt down the Predators, using their own armour, weapons and tactics against them… determined to hunt down the Predator that killed her mother in cold blood. 

Now Theta stalks the galaxy in her parents same research vessel, with only its AI for company, and a thirst for revenge against the Predator that changed her life forever. When the native lifeforms  on a planet she’s liberated from a Predator turn against her fearing she is actually one of the hunters themselves, Theta is forced to beat a hasty retreat back to her ship and escape into space.

Fortunately Theta salvaged information from the Predator’s vessel that yields some fresh leads on her target, but her ship is in a dire state, systems are breaking down and food supplies are running short. She has no option but to head for Port Medway, but being an outlaw from the authorities in what is technically a stolen ship now presents Theta with a whole new stack of problems to contend with.

Kev Walker’s art may be a tad conventional, but Walker brings a dynamic sense of motion and energy to the action sequences. The page layouts are straightforward and unfussy, which actually works well to highlight the narrative breaks as we follow Theta hunting in the present and confronting her Predator nemesis in the flashbacks. Colorist Frank D’Armata melds vidid tones and hues to accentuate every scene, and VC’s Clayton Cowles ever dependable lettering makes the exposition heavy sections less of a plod and more engrossing to read. After the initial battle between the Predator and Theta, the alien hunters presence is used sparingly. Its a good move as it helps build the suspense through means of the flashbacks, with the Predator using its high-tech camouflage to enable it to pick off the survey team one-by-one, before we finally get to see one up close and personal in all its glory. 

The issue builds to a nerve jangling climax as Theta’s mission forces her to face her greatest fear, in both the past and the present. Its a heartrending moment, and one that will no doubt set the tone of this series moving forward. After such a long delay I wasn’t honestly expecting much from this new Marvel Comics  Predator series, but I was pleasantly surprised at how good it actually turned out to be. Predator #1 gets off to a cracking good start, Ed Brisson and Kev Walker have ultimately proved to be an inspired creative team for this book, and there’s plenty that fans and newcomers alike will find to enjoy here in their bold new take on the Predator franchise. 

Publisher Marvel Comics

Writer Ed Brisson / Artist Kev Walker

Colorist Frank D’Armata / Letterer VC’s Clayton Cowles

Main Cover Leinnil Francis Yu & Sunny Gho

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

New Amazing Spider-Man #1 (2022) Review

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60th Anniversary, Amazing Spider-Man #1, Amazing Spider-Man #1 (2022) Review, Amazing Spider-Man #1 review, Human Torch, John Romita Jr., Marvel, Marvel Comics, MJ, Peter Parker, Scott Hanna, Spider-Man, Zeb Wells

Amazing Spider-Man #1

Review by Paul Bowler

So, what exactly did Spider-Man do web heads? That’s the burning question behind Marvel’s April 27 relaunch of Amazing Spider-Man #1 (2022), as Peter Parker’s life spirals out of control in the run up to Spider-Man 60th Anniversary celebrations. Probably the biggest draw for this latest reboot is acclaimed Spider-Man artist John Romita Jr’s return to Marvel after a long stint at DC, and that this run also sees the return of JR.JR.’s longterm inking collaborator Scott Hanna as well. 

Amazing Spider-Man #1 also sees fan favourite writer Zeb Wells – who spearheaded the ASM Beyond storyline — taking up the reins for his first solo run on a Spider-Man title. The issues starts with a bang, or at least the aftermath of some game-changing event for the wall crawler, before fast forwarding six months to where we discover Peter is well and truly down on the old Parker luck again, and this time it looks like there might be no way back for him. He’s at odds with the Avengers and the FF, dodging debt collectors for medical bills, there are rifts with his friends, MJ doesn’t want anything to do with him, and even Aunt May has cut him loose. Throw in the imminent threat of a gang war between Tombstone and the Rose, with Doctor Octopus scheming in the background along with a new mystery villain, and it quickly become apparent why Peter isn’t exactly behaving like a friendly neighbourhood Spider-Man these days.

Art wise John Romita Jr. brings his A-game to the table, with his distinctive angular line art totally firing on all cylinders here to give the book a highly stylised look and feel. JR.JR’s art style is one that people either love-or hate, but I feel it totally suits the somewhat downbeat air of mystery and suspense that Zeb Wells is clearly striving to hook us with and get everyone on board for this new era. John Romita Jr’s work is perfectly complemented by Scott Hanna’s intricate inking style, and together they nail some great character moments and hit all the right emotional beats, especially the scene where the Human Torch drops in to see how Peter’s doing, and the big action-set piece where Spider-Man takes on the Gamma-irradiated gangster Digger is another highlight. The vibrant colors by Marcio Menyz also really stand-out, and ASM lettering aficionado Joe Caramagna does a fantastic job with making this issues dialogue heavy sequences flow smoothly.

Fanfare and hype aside Amazing Spider-Man #1 certainly provides a good set-up for something that has a lot of potential — especially if that jaw-dropping reveal at the end of the issue is anything to go by! Did we really need another relaunch and volume of Spider-Man? Well, probably not, but then that’s modern comics these days. I did enjoy the story and the art in Amazing Spider-Man #1 a lot more that I was expecting to be honest. I will certainly stick with it for a few issue and see where it goes from here. My only real concerns are the big plans Marvel have coming up for Spider-Man, the X-Men, Avengers and Eternals that will apparently begin to unfold in their Judgement Day Free Comic Book Day special, especially what’s apparently in store for MJ and Peter – which I find particularly unsettling.  Until then I’ll be looking forward to seeing how this new Amazing Spider-Man volume shapes up in the months ahead, this book has a great creative team, here’s hoping they can deliver on the promising start they’ve made here with this first issue.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Publisher Marvel Comics / Writer Zeb Wells

Artist John Romita JR. / Inker Scott Hanna

Colorist Marcio Menyz / Letterer VC’s Joe Caramagna

Cover Artists JR.JR, Scott Hanna & Marcio Menyz 

Moon Knight #1 Review

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Alessandro Cappuccio, Jed MacKay, Moon Knight, Moon Knight #1, Moon Knight #1 Review, Moon Knight 2021, Moon Knight TV series, NCBD, Rachelle Rosenberg

Moon Knight #1

Review by Paul Bowler.

Moon Knight returns to protect those who travel at night with the launch of Moon Knight #1, Marvel’s brand new ongoing series from writer Jed MacKay (Black Cat) and artist Alessandro Cappuccio (Mighty Morphin Power Rangers). As the first Khonshu Moon Knight has a sworn duty to uphold, this time with a slightly revised mission, and even some creatures of the night will earn protection in the Moon Knight’s dominion.

Marc Spector’s night time crusade continues apace as people seek out help for the horrors lurking in the twilight hours of their neighbourhoods from the mysterious Mr Knight at his Midnight Mission HQ. The Moon Knight prowls the rooftops and alleyways marked with his crescent moon symbol, dealing out violence and retribution to anyone, or anything, foolish enough to harm those under his protection. 

Moon Knight #1 hits the ground running and doesn’t let up for a moment as writer Jed MacKay deftly establishers a fresh take on Marvel’s most uncompromisingly complex hero. The focus on Marc Spector’s dissociative identity disorder and the numerous guises he uses to carry out his righteous mission are refreshingly underplayed, instead MacKay skilfully utilises the fascinating therapy sessions between Moon Knight and his therapist to meld exposition and narrative into a cohesive whole. Along with his therapist, Marc also shares a close bond with Reese who helps run the Midnight Mission, there are villains like 8-Ball and Vermin to contend with as well, and a strange new Doctor running the free clinic. Events also see Moon Knight inadvertently end up saving creatures of the night in this issue as well. This is the key factor that ends up putting Moon Knight at odds with other followers of Khonshu who hold an even darker interpretation of their god – Khonshu. 

The dark, noirish look of Moon Knight #1 is beautiful rendered by artist Alessandro Cappuccio, every scene is rich with atmosphere and dynamic page layouts, and color artist Rachelle Rosenberg uses a subtle mix of moody tones and swarthy shadows to heighten the books visuals even further. Action sequences are bold and in-your-face, with Moon Knight crashing through car windscreens, going toe-to-toe with adversaries in dark streets and corridors, and gliding down over the city to champion those in need. It is the conversations between Moon Knight and his therapist that really steal the show, however. There’s a distinct ‘Hannibal’ like vibe to these sequences, they draw you deeper into the story, and form many of the most compelling moments in the issue.

While all the familiar tropes we’ve come to expect from the character are apparent in Moon Knight #1, Jed MacKay does put a very clever spin on everything, and we can only hope what follows lives up to the potential set up in this first issue. There’s a lot here for longterm Moon Knight fans to enjoy, and the brief flashback to the characters origin ensures newcomers are also catered for as well. Marvel has also churned out a plethora of variant covers for Moon Knight #1 so I’m sure fans and variant cover collectors alike will be over the moon about that. A Hunter’s Moon is rising in this new Moon Knight comic book series and I’m excited to see where MacKay takes the story and the character of Marc Spector next. With all the hype around Moon Knight and the new TV series starring Oscar Isaac coming to Disney Plus in 2021, this new Moon Knight comic series is sure get spark a lot of interest in the character, and this issue certainly gets everything off to a great start.

Publisher Marvel Comics

Writer Jed MacKay / Artist Alessandro Cappuccio

Color Artist Rachelle Rosenberg / Letterer VC’s Cory Petit

Cover Artists Steve McNiven & Frank D’Armata

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

New Marvel Studios’ Shang-Chi and the Legend of the Ten Rings – Official Trailer!

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Abomination, Marvel, Marvel Studios, Shang Chi, Shang-Chi and the Legend of the Ten Rings, Shang-Chi and the Legend of the Ten Rings new trailer, Shang-Chi and the Legend of the Ten Rings tailer

Check out the brand new trailer for Marvel Studios’ “Shang-Chi and the Legend of the Ten Rings”! Shang-Chi must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization. Directed by Destin Daniel Cretton and written by Daniel Callaham, Shang-Chi and the Legend of the Ten Rings stars Simu Liu as Shang-Chi, Tony Leung as Wenwu/The Mandarin, Awkwafina as Katy, Michelle Yeoh as Jiang Nan, Meng’er Zhang as Xialing, Ronny Chieng as Jon Jon, Fala Chen as Jiang Li and Florian Munteanu as Razor Fist. The film arrives in theaters Sept. 3..

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Amazing Spider-Man #64 Review

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Amazing Spider-Man #64, Amazing Spider-Man #64 Review, Boomerang, Kindred, King's Ransom, Kingpin, Marvel Comics, Nick Spencer, Peter Parker, Sinister War, Spider-Man, The Amazing Spider-Man #64 Review

The Amazing Spider-Man #64 Review

Review by Paul Bowler

The Amazing Spider-Man #64 finds Tombstone and Robbie Robertson at loggerheads yet again and Spider-Man’s life is getting trashed in the crossfire as a result! Mind you with Pete and his roommate Fred Myers (AKA. Reformed super villain  Boomerang), teaming up with Spidey to keep the pieces of the all-powerful Lifeline tablet out of the Kingpin’s clutches, and Peter’s other roommate Randy Robertson dating Tombstone’s daughter, Janice Lincoln (the Beetle), its little wonder Spider-Man’s life is a tad chaotic right now!

Nick Spencer continues to steer the series back towards a more scattershot, back-to-basics and fun approach to Spider-Man’s world that was so indicative of the early stages of his run. The first half of “King’s Ransom Part Two” is a frenetically paced blend of recap and cliff-hanger fallout after Madame Masque and Crime Master ambushed Randy and Janice back at Pete’s apartment — which was interrupted when Peter and Fred suddenly returned home. The ensuing fight details how Spider-Man managed to enter the fray — with Peter cleverly managing to protect his secret identity — while safely sidelining Fred but also failing to prevent Randy and Janice being kidnapped. 

Amazing Spider-Man #64 features slick artwork from Federico Vicentini, with Alex Sinclair on colors and lettering by Joe Caramagna. The pace of the action hardly lets up for a moment. Every page is dynamically structured, vibrantly illustrated and accentuated with a striking  pallet of color. Spidey’s battle with Madame Masque and Crime Master in the apartment offers further insight into the abilities of Spider-Man’s new high-tech suit (courtesy of JJJ’s Threats & Menaces podcast). The suit enhances Spider-Man’s strength, agility, web shooters, and also enables TNM’s subscribers to livestream Spidey’s adventures — at his discretion of course — and this quirky modern twist on Peter’s old job selling photos of Spidey to the Bugle has boosted Spider-Man popularity in NYC (much to the Kingpin’s annoyance) and sent JJJ’s channel subscribers though the roof!  I quite like the new costume, although I’m not overly fond of the Social Media slant to it all that much. Mark Bagley’s cover impressively showcases the current story line, however, it features Spidey in his classic suit, which seems a bit strange given all the time Marvel spent building hype about the new suit — guess this cover was commissioned before the new suit was revealed or decide on? 

The one thing I’ve really like about Spencer’s time on Spider-Man is the humour peppered throughout the dialogue and the fun dynamic between all the characters and situations they stumble into. This issue is no exception to that rule. The bromance between Peter and Fred has  also been a real highlight, and there are some especially moving moments this issue as Fred decides to take matters into his own hands against the Kingpin’s plans. Given all the years of bad blood between them, having Robbie and Tombstone set aide their differences — for now anyway — also leads to some fun hijinks as they try to track down Randy and Janice – as for the happy couple, well, as you’d expect there’re still bickering like crazy and testing their captors patience to the limit!

If all that wasn’t enough we also have the Kingpin’s scheme to assemble villains to send against Boomerang and Spider-Man, along with sinister machinations involving Kindred and Baron Mordo behind the scenes, and an ominous hint towards the Sinister War that’s coming in July thrown into the mix as well. While this issues not the best jumping on point, it does bring a lot of longstanding plot threads together, and sets up some intriguing possibilities. If you’ve stuck with Spencer’s run this long you’ll find plenty to enjoy here, while newcomers will find Amazing Spider-Man #64 crams in a hell of a lot but still manages to be a fun and enjoyable — if somewhat overwhelming — read nevertheless.

Publisher Marvel Comics

Writer Nick Spencer / Artist Federico Vicentini

Colorist Alex Sinclair / Lettere VC’s Joe Caramanga

Cover Mark Bagley, John Dell, and Edgar Delgado

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Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

X-Men #18 Review

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Age of X, Darwin, House of X, Johnathan Hickman, Karkoa, Mahmud Asrar, Marvel, Marvel Comics, NCBD, Power of X, Sunny Gho, Synch, The Children of the Vauly, The Vauly, Wolverine, X-Men #18, X-Men #18 Review, X-Men The Vault

X-Men #18

Review by Paul Bowler.

The secrets of the mysterious Vault are finally explored in X-Men #18 from writer Johnathan Hickman, artist Mahmud Asrar and colorist Sunny Gho. It has been a long time since this team of specialist agents were sent by the Quiet Council of the Mutant nation of Krakoa to investigate the Vault – a place where time moves differently and a chronal lock makes it impossible for anyone to rescue them. 

Along with the central premise of establishing the new Mutant Island nation of Krakoa, Johnathan Hickman’s relaunch of the X-Men, which began with House of X and Power of X, also revealed that Professor X’s long-time friend, Moria MacTaggert was really a Mutant with a Groundhog Day style power that allowed her to relive multiple irritations of her timeline. Having spent many lifetimes trying to advance the X-Men’s cause and rebooting the timeline each time to learn from their setbacks, House of X and Power of X saw Moria discover that the ultimate threat and suppression of Mutantkind rested with an artificial intelligence that would be created in the distant future – Nimrod. 

So when a Child of the Vault managed to escape from the Vault – a technological marvel that uses time dilation and advanced technology to alter humans — the X-Men sent the Mutants Darwin, Wolverine (Laura Kinney) and Synch to South America to enter the Vault and assess the potential threat, along with the capabilities of the children, and uncover any inherent weaknesses in the children’s powers or the Vaults remarkable technological infrastructure. The only trouble is the team never returned. They’ve been gone for months, but as time moves differently inside the Vault, Darwin, Wolverine and Synch have now actually been inside the Vault for centuries!

The ongoing narrative of Hickman’s new X-Men run has sometimes felt less of the compelling blend of fresh ideas and innovative character arcs that spun our of House of X and Power of X, and more like a case of two-steps forwards and two-steps back as branches of the storyline unconsciously folded back over itself or became diluted with meandering events like X of Swords. Hickman is keeping a lot of plate spinning — some more successfully than others — but so far its been enough to keep everyone guessing and excited about where all of this is essentially  going for the X-Men.

Darwin, Wolverine and Synch entered the Vault way back in X-Men #5, now with X-Men #18 Hickman is finally addressing this tantalising plot thread, and he certainly doesn’t disappoint with the often bizarre and mind-boggling revelations that are divulged thick-and fast throughout this issue with almost serendipitous glee. Having this issue narrated via Synch’s recollections of events is also a clever move by Hickman which organically drives the plot from key selective viewpoints, with the inner machinations of the Vault and the motivations of the Children of the Vault converging on parallel lines with the X-Men’s incursion, and the series’ now iconic bullet-point style info-graphics filling in the blanks — especially the insightful information concerning the evolution of Synch’s powers post resurrection and what this could mean for mutant kind going forward.

This team was selected for their unique survival abilities: Darwin can adapt to any life-threatening situation, Wolverine has her healing-factor, and Synch can duplicate their powers. They were ideally suited to this mission, especially as there was no way back if things went wrong (which of course they did), and X-Men #18 details what happened in the initial moments of the relative 537 years that the team have effectively been missing. The Children of the Vault are purportedly the true heirs of the world, meant to be vastly superior to humans and Mutants, so how they react to the “wild gods of the outside world” proves decidedly disturbing, and the technological wonders of the  Vault are an uncanny challenge in itself for the X-Men’s team to experience — let alone  fully comprehend. 

Artist Mahmud Asrar and colorist Sunny Gho give substance and clarity to the finer vagaries of Hickman’s storyline, with hauntingly futuristic landscapes, advanced machinery and technological interfaces, and the almost palpable mix of awe and trepidation the team experience permeates every page. Asrar does a fantastic job of rendering these powerful emotional moments as the mysteries of the Vault begin to unfold, with intricate, sweeping page-layouts seamlessly condensing the narrative, there’s an action-packed encounter between the X-Men and the Children of the Vault that is also impressively realised, while Sunny Gho’s subtle use of delicate tones and shade brings an almost spiritual quality to the teams journey into the unknown and the ensuing centuries of discovery that await.

It has felt like a hell of long wait for Marvel’s flagship X-Men title to finally get back to addressing the mystery of the Vault and the fate of Darwin, Wolverine and Synch after they failed to return. In that respect X-Men #18 certainly gets the ball rolling again, even though it frustratingly poses just as many questions as it answers. However, if you’ve stuck with Hickman’s new X-Men this far your patience is rewarded as X-Men #18 finally gives us a clear sense of progression, and in that respect above all it delivers in spades. 

Publisher Marvel Comics

Writer Johnathan Hickman / Artist Mahmud Asrar 

Colorist Sunny Gho / Letterer VC’s Clayton Cowles 

Design Tom Miller / Cover Leinil Francis Yu & Sunny Gho

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Immortal Hulk Flatline Review

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Bruce Banner, Declan Shalvey, Gamma, Hulk, Immortal Hulk, Immortal Hulk Flatline, Marvel, Marvel Comics, NCBD, The Immortal Hulk

Immortal Hulk Flatline 

Review by Paul Bowler

Expanding on the dark saga of The Immortal Hulk, Marvel’s one-shot Immortal Hulk Flatline, written and drawn by Declan Shalvey, delivers a tale that smashes into the heart of all things Gamma! At the dawn of ever day, Bruce Banner awakens in a new place. Perhaps the Hulk is trying to tell him something? Banner has grown tired of his green-skinned alter ego, but when a new gamma-powered villain suddenly arrives in a New Mexico town he has no choice but to confront his anger, and the terrifying results are far from anything Bruce Banner could ever have predicted…

Few comics have enjoyed or can compare to the success and critical acclaim that The Immortal Hulk has enjoyed in recent years. Al Ewing and Joe Bennet – along with a number of guest artists — have redefined the character and by taking him back to his horror roots. However, Marvel were somewhat caught off guard by the unprecedented success of The Immortal Hulk, so with the series’ end  already set and established to happen with its fiftieth issue, their response was the commission of a series of one-shots by esteemed writers and artists to bring us further standalone stories from this hugely popular era of the Hulk. 

One the most eagerly anticipated of these one-shots has been Immortal Hulk Flatline by the acclaimed Irish creator Declan Shalvey who is doing both the writing and the art for this one-shots intriguing storyline. Known for his pin-sharp, striking visual style, and fine writing skills, Shalvey brings all his skill to bare on crafting something uniquely special for the Immortal Hulk Flatline. While Ewing’s and Bennet’s main series rumbles towards its conclusion, Declan Shalvey steers the narrative back to reexamining the dark schism that fuels the conflict between Banner and Immortal Hulk, with the green behemoth deposing Banner at different locales around the country, seemingly intent on drawing his attention to something that Banner is still desperately struggling to define. 

Of course that’s only part of the mystery at the heart of Immortal Hulk Flatline. The other is Banner’s chance meeting with his old friend and college lecturer on Gamma radiation, Professor Noonan. This haunting encounter leads into the discovery of a new gamma-powered adversary that Banner and the Immortal Hulk inadvertently come into conflict with. Shalvey brings some new and unexpected insights to the core themes of Al Ewing’s ground-breaking run on The Immortal Hulk, casting new light on the chilling dynamic of the series’ initial premise, and the existential common goal that ultimately drives Banner’s pantheon of alters. 

Handling the role of writer, artist and colorist like this is quite a responsibility and Declan Shalvey does so with considerable style and verve. The artwork is indeed a veritable tour de force by Shalvey, his Immortal Hulk is a distilled version of Joe Bennet’s horror themed grotesque, and more of a chiselled, brutish thug, but his Immortal Hulk persona is still every bit a darkly menacing powerhouse to be reckoned with. The new Gamma irradiated villain that Hulk battles in this one-shot possesses telekinetic-like Gammer abilities, which are used to devastating effect as their savage no-holds-barred conflict crashes from page to page across a plethora of dynamic and stylish page layouts. Petit’s lettering is bang on point as well for what is actually quite a dialogue intense issue. Shalvey also employs a masterful use of color, using muted tones to highlight the drudgery of the dead-end jobs Banner takes on to blend into the background, while vibrant colors accentuate the explosive battles, and somber hues Convey the shared reckoning of the emotive climax. 

Declan Shalvey has achieved an astonishing feat with this one-shot special. The fact Shalvey’s brought so many quintessential elements of the series together is remarkable in itself;  that he’s also made them resonate so well in such a glorious fusion of story and art makes The Immortal Hulk Flatline one-shot one of the early high-points of 2021 and a fine addition to the enduring legacy of the Immortal Hulk.

Publisher Marvel Comics

Writer & Artist Declan Shalvey

Letterer VC’s Cory Petit

Cover Declan Shalvey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Star Wars: Darth Vader #10 Review

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Darth Vader, Darth Vader #10 review, Darth Vader 10, Greg Pak, Into the Fire, Marvel Comics, Mustafa, Ochi, Raffaele Ienco, Star Wars, Star Wars Darth Vader 10

Darth Vader #10

Review by Paul Bowler.

Having endured the Emperor’s wrath and survived the test of the Eye of Webbish, the Dark Lord of the Sith’s ordeal continues in Star Wars: Darth Vader #10 with a terrifying confrontation with the Red Horror in the depths of space! As Imperial forces close in, the greatest predator in the galaxy is now the only thing standing in the way of Vader’s quest to uncover the Emperor’s greatest secrets!

The action and drama are almost palpable in Marvel Comics Star Wars: Darth Vader #10 (2020-), as writer Greg Pak steers the Dark Lord’s journey into the realms of action-packed star-fighter combat and dark psychedelic horror. Vader has already survived his brutal punishment for defying the Emperor, then being stranded on Mustafar where he rebuilt his cybernetic shattered body, before fighting the assassin Ochi, waves of droid mercenaries, and tackling the bizarre trial within the Eye of Webbish Bog. Now, having taken his old star-fighter and Ochi along for the ride, Vader set course for the planet Exegol – where the Emperor’s darkest and most insidious secrets are waiting to be discovered. 

Trouble is the only route to Exegol is through the Red Nebula, forcing Vader to navigate his way past a trio of Imperial Star Destroyers commandeered by administrator Umbaran and the monstrous Summa-Verminoth that lurks within the nebular. Pak’s scripting and characterisation is bang on point, with the Imperial’s cold and calculating facade wavering in the face of Vader’s relentless determination, while Ochi’s snarky quips punctuate the tension with plenty of wry humour as Vader and his unwitting prisoner continue to make a surprisingly efficient — if rather fraught — double-act.

The art by Raffaele Ienco is gloriously detailed and almost  feels cinematic in its rendering of the huge scope and scale of events in this issue. Vader’s iconic look is now very different with his limbs and cybernetics rebuilt from the junk found on Mustufar – giving the Dark Lord a more gritty appearance. The space combat with the TIE fighters is also impressive and puts you right in the heart of the action. However, it is the Lovecraftian appearance of the grotesque leviathan Summa-Verminoth itself, whose attacks are both physical and psychological, and  Vader’s dream-like journey through classic scenes of the Star Wars saga past, present, and possible future where Vader confronts his worst nightmare that are truly mind-blowing. Ienco’s artwork is also beautifully enriched by colourist Neeraj Menon’s exquisite use of tone and shade throughout, and the cover by Arron Kuder and Richard Isanove presents a hauntingly bleak snapshot into this most mesmerising aspect of Vader’s journey so far during this Into The Fire story-arc.

One of the caveats the Emperor decreed at the start Vader’s fall from grace, was that Vader was prohibited from using the Force to help him during these trials, and that doing so would mean his death. It is this pivotal limiting factor for the Dark Lord of the Sith that now crucially plays a key factor in the climatic scenes of Darth Vader #10, where immovable force finally quite literally meets immovable object as the quasi-nihilistic rhetoric of the Dark Side ultimately tips the scales for the victor.

Into The Fire Part V: The Red Horror reaches a major turning point in this compelling storyline, and the creative team on this book continue to impress on every level. Star Wars: Darth Vader #10 transcends the conventional perceptions of Darth Vader’s legacy with a skilful reframing of reality,  one that juxtaposes  Vader’s destiny with that of his son, and brings the Emperor’s darkest secrets within striking distance at last!

Publisher Marvel Comics

Writer Greg Pak / Artist Raffaele Ienco

Colorist Neeraj Menon / Letterer VC’s Joe Caramagna

Cover Arron Kuder & Richard Isanove

Follow @paul_bowler

About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook