Swamp Thing #5 Review

Tags

Alec Holland, Chris Sotomayor, comics, DC Comics, Deadman, Horror, Kelly Jones, Len Wein, Matt Cable, Michelle Madsen, Nanda Parbat, Phantom Stranger, Swamp Thing, Swamp Thing #5, Swamp Thing #5 review, The Hand of Fatima, The New 52, the Parliament of the Trees, The Spectre

Swamp Thing #5

Review by Paul Bowler

Tricked into giving up the power of the Swamp Thing by his friend turned foe, Matt Cable, Alec Holland must now embark on a perilous journey to Nanda Parbat to undo the horror unleashed after reclaiming his humanity. Now that Matt Cable is the Swamp Thing, the emerald apocalypse will soon be unleashed. Alec Holland must undo this dark magic, and a surprise appearance from Deadman might help him do just that…

Swamp Thing #5 continues the all new 6 part mini-series written by co-creator and legendary writer Len Wein and featuring the stunning artwork of Kelly Jones, Swamp Thing has been a gloriously dark and mesmerising horror adventure. The sinister brooding tone of the early issues has now become a frenetic supernatural race against time, with the power mad Matt Cable now transformed by The Hand of Fatima into Swamp Thing, and sending the tendrils of his influence out across the world from his throne of thorns in Houma, Louisiana. Having consigned the former Swamp Thing Alec Holland to his doom in the very depths of the earth itself, it seems that nothing can now prevent this dark Swamp Thing’s heinous scheme to rule the world.

Len Wein weaves an intricate series of spellbinding developments into this fantastic issue. The full scope the new Swamp Thing’s warped designs are truly chilling, Len Wein elevates this new slant on the body-swap scenario to a whole new level with this issue, and sprinkles it with magic and powerful supernatural cameos with every twist and turn of the plot. This is brilliant stuff, Alec Holland’s mission is set out before him in a way that ultimately leads to a potential solution to prevent the apocalypse, and we get a plethora of horror tropes, all skilfully intermingled within the wider context of the DC Universe itself, supernatural shanghais punctuate the narrative, there’s a welcome guest appearance from Deadman, together with one or two other acquaintances of Swamp Thing along the way too, and there’s even a fun Scooby-Doo reference as well.

I’m a huge fan of Kelly Jones’ artwork, and this issue looks every bit as incredible as the previous issues in this mini-series. The evil Matt Cable / Swamp Thing looks suitably hideous and menacing, and the way his powers reach out across the globe are well realized. It is Alec Holland’s quest where Kelly Jones really excels in this issue: from the audience with the Parliament of the Trees, to the uncanny transportation from cornfield to the mountainous frozen heights of Nanda Parbat, every scene flows seamless into the next, and we are treated to a wonderful interlude with Deadman as well that turns out to be just one of the many highlights in this issue. Colorist Michelle Madsen’s distinctive blend of tone and shades are absolutely captivating, the dark gothic atmosphere of this mini-series has been beautifully heightened by Madsen’s colors, Deadman in particular looks awesome, and the scenes in the Himalayas are vivid and gloriously realized.

Swamp Thing #5 delivers one further surprise before the closing moments, with a detour to a very familiar city… I’ve thoroughly enjoyed this mini-series, Len Wein, Kelly Jones, and Michelle Madsen are a dream team for this book as far as I’m concerned, every issue has been a ghoulish delight, oozing atmosphere, horror, and the macabre with sumptuous ease, and the covers by Kelly Jones and Chris Sotomayor have been stunning. With its brilliant story by Len Wein and incredible art by Kelly Jones Swamp Thing #5 now sets everything up for a thrilling showdown as the fate of the world hangs in the balance.

Publisher: DC Comics / Writer: Len Wein / Artist: Kelly Jones

Colorist: Michelle Madsen / Letterer: Rob Leigh

Cover: Kelly Jones & Chris Sotomayor

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Batman #51 Review

Tags

Alfred Pennyworth, Batman, Batman #51, Batman #51 review, Batmobile, comics, Danny Miki, DC Comics, DC Rebirth, FCO Plascencia, GCPD, Gotham, Gotham City, Gotham Is, Greg Capullo, Jim Gordon, Scott Snyder, The Bat-Cave, The Court of Owls, The Joker, The New 52

Batman #51

Review by Paul Bowler

In the wake of recent events Batman #51 sees the Dark Knight facing a new challenge. Batman has battled so often to protect Gotham from his deadly rogues gallery of villains over the years, from everyone to the Joker, the Court of Owls, and now Mr Bloom, so how will Batman deal with a quiet night in Gotham City..?

Scott Snyder has written for three different characters who have worn the mantel of the Bat, including Dick Grayson during his initial stint on Detective Comics, to Bruce Wayne on Batman, and Jim Gordon in the recent Superheavy arc. Now as Scott Snyder’s incredible run on Batman with artist Greg Capullo concludes in Batman #51, we can reflect on how their collaboration on this title has transformed it into a modern classic, and their tenure in Gotham is sure to down in history as including some of the finest Batman stories ever told.

Now that Mr Bloom is presumably pushing up daises somewhere, Batman #51 presents the Dark Knight with an unusual challenge – a seemingly uneventful evening in Gotham City! Scott Snyder’s final story in this run is a clear love letter to both the character of Batman and the fans themselves as past and present become one. Centred around the powerful resonance of a small life-styles piece in the Gotham Gazette, Gotham Is delves into the world of Batman and the Gothamites he has vowed to protect in a way quite unlike anything we’ve ever seen before. From the wonderful opening scenes in the Bat-Cave featuring Bruce and Alfred, which Snyder makes both emotionally moving and brilliant fun; wounds old and new are simultaneously healed via a patchwork quilt of new developments, before Batman races away into the night on a clear road to Gotham in spectacular fashion!

Of course, we all know there’s no such thing as a quite night in Gotham City, or is there? A sudden power outage soon brings with it some more pressing concerns and a new threat to the city. Scott Snyder’s dazzling writing style and excellent characterization makes Gotham Is an absolute joy to read, we are treated to a wonderful scene with Jim and Batman next to the Bat-Signal, there’s an intriguing mystery right at the heart of the story for Batman to solve, and plenty of our old Arkham favourites are on the loose as well!

Needless to say, Greg Capullo’s artwork for this issue of Batman is as stunning as ever. From those stylish and fun moments in the Bat-Cave, to the dramatic face-off in Arkham, Capullo channels the narrative of Gotham Is across a wondrous montage of interconnected scenes that beautifully addresses elements from previous arcs, and sets everything up for a glorious final page that will simply take your breath away. Danny Miki’s inks brilliantly highlight every nuance of Capullo’s work, but it is in those shadow swathed scenes during the blackout, on the rooftop of GCPD, then deep below ground, and high over a silhouetted Gotham skyline where Danny Miki really excels. FCO Plascencia’s colors infuse this issue with an uncanny blend of vibrant and muted tones throughout, with flashes of bright purple enhancing the inside the new cape while the vivid yellow of the new Bat-Insignia on Batman’s chest that skilfully blends the old with the news almost leaps off the page at you, and that stunning final scene… Quite frankly, this issue looks incredible!

Featuring a stunning regular cover by Greg Capullo, Danny Miki, and FCO (Which, incidentally, I think would make an brilliant poster, please make this happen guys!), as well as a terrific variant cover by John Romita Jr. , Batman #51 concludes in the most fan pleasing way imaginable, as Scott Snyder rounds off the narrative of his previous story-arcs in fine style, and effectively brings his tenure with Greg Capullo on Batman full circle in the most heartfelt, exciting, and moving way imaginable. It’s a thoughtful, funny, intense, dialogue-heavy issue, and to say more would spoil it, but suffice to say I enjoyed every single moment of it – even though my enjoyment was tinged with a little sadness that Batman #51 is Snyder’s and Capullo’s final issue.

DC’s Rebirth event has initiated a major wave of change throughout the DCU that is going to herald some big developments in the Bat-Universe. Even though Scott Snyder is indeed moving on from DC’s flagship Batman title, he isn’t leaving the Dark Knight behind completely; in fact, Snyder will now be fronting the brand new monthly series All Star Batman that will also feature art from some of the finest talents in the industry: including John Romita, Jr, Jock, Sean Murphy, and many more. With its epic storyline All Star Batman allows Snyder to use some of the villains that he never got to focus on that much before, such as Two-Face, Mr Freeze, and Catwoman, together with a rotating roster of superstar artist, and back-up stories featuring Duke Thomas. Meanwhile, Greg Capullo will be busy over the next six months working on an uber secret project with Mark Millar, and that’s certainly something that we will all be looking forward to as well. Scott Snyder has also confirmed that he will be working with Greg Capullo again on a new project for DC Comics in 2017 at some point, and I’m sure we will all be excited to see what that will be.

So, as we say farewell to Scott Snyder and Greg Capullo with Batman #51 and their brilliant run on Batman with Danny Miki and FCO Plascencia, there’s still Batman #52 written by James Tvnion IV to look forward to before this current volume of Batman ends and everything changes in the Rebirth event. With Tom King taking over on Batman, while James Tynion IV helms Detective Comics, with Tim Seeley on Nightwing, and with Scott Snyder writing All Star Batman, these are certainly exciting times for Batman fans!

I’ve had the pleasure of reviewing nearly every issue of Snyder’s and Capullo’s run on Batman. Their take on Batman got me back into reading comics regularly again with Batman #1 (2011). Actually, I was still recovering from badly injuring my left hand at the time – a glass broke while emptying the dishwasher and sliced right though my middle finger, palm, and thumb – but their amazing storylines helped inspire me though that particularly dark time, and now I’m writing and reviewing comic books and stuff here on my blog, and on other sites now as well. So, thank you Scott Snyder and Greg Capullo for your legendary run on Batman, because thanks to you guys, for me, and I’m sure for many others besides, Gotham Is: “Batman, fan, forever.”

Publisher DC Comics / Writer: Scott Snyder / Art: Greg Capullo

Inks: Danny Miki / Colors: FCO Plascencia / Letters: Steve Wands

Cover: Capullo / Miki / FCO / Variant Cover: John Romita, Jr.

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Batman #50 Review

Tags

Bat Bot, Batman, Batman #50, Batman #50 Review, Bruce Wayne, comics, Danny Miki, DC Comics, FCO Plascencia, Gotham City, Greg Capullo, Jim Gordon, Mr Bloom, Nathan Fairbairn, Scott Snyder, Superheavy Part 10, The New 52, Yanick Paquette

Batman #50

Review by Paul Bowler

The Dark Knight returns to Gotham City in the extra sized Batman #50 for the thrilling conclusion of Snyder and Capullo’s epic Superheavy story-arc! Bruce Wayne has regained his memories and reclaimed the mantel of the Bat to join Jim Gordon in the battle against Mr Bloom and save the city they have sworn to protect.

Batman #50 sees the return of Bruce Wayne to the cape and cowl as Mr Bloom and his super-powered-seed army lays siege to all of Gotham. With the city reeling from Mr Bloom’s onslaught, Batman, Jim Gordon, and Powers Internationals army of GCPD Bat-Bots unite against Gotham’s towering new super villain, and the fate of the city will be decided as Batman’s showdown with Mr Bloom reaches its thrilling conclusion!

Scott Snyder’s and Greg Capullo’s Superheavy arc saw Jim Gordon step up as Gotham’s new Bat-Bot suited Dark Knight following Batman’s apparent demise in Endgame while Bruce Wayne – now without his memories of being Batman – forged a new life with his old flame Julie Madison. Jim became the Batman the city needed at this dark time, but Bruce’s past wouldn’t rest easily, the Joker also survived Endgame, albeit radically changed by the experience, and now Mr Bloom’s rise to power has forced Bruce to sacrifice his newfound life to become the Batman again. Superheavy Part 10 stands as the total culmination of everything Snyder and Capullo have achieved with this story-arc, and it is only now that we can begin to fully appreciate the immense scope and scale of this game-changing storyline as it races towards its city shaking finale!

The beard may be no more, but Bruce Wayne is well and truly back in Batman #50 all kitted out in a new Bat-Suit and ready to give the citizens of Gotham a Batman they’ve never seen before – the Dark Knight they’ve deserved all along. Meanwhile, it’s all going to hell in Gotham as Mr Bloom and his seed-powered minions go on the rampage, while Julia Pennyworth tries to get the injured Jim Gordon to safety, and the Robo-Bat-Suited Commissioner Sawyer leads Gotham’s robo-suited Finest in the fight against Mr Bloom.

Just when it seems that all is lost, the one, true Dark Knight finally returns, rising from the shattered vestiges of Gotham’s most iconic symbol. It’s the rousing moment we’ve all been waiting for since Superheavy began and Snyder delivers it with a series of fan-pleasing moments, revitalized by the Dionesium and with Penny One to welcome him back, its clear Batman is relishing every moment of being back in the cape and cowl. This issue, perhaps more so than any before, exemplifies everything that Snyder and Capullo have done during their tenure on Batman. Sure, Batman #50 is packed with city smashing drama, but as fun and exciting as all the Bat-Bot action is, it is instead the emotionally charged character moments Snyder uses to punctuate the drama at key moments that really strike a chord, especially the moving reunion between Batman and Gordon, we also discover what happened to Duke Thomas’ parents, and there’s a bizarre connection amidst some recently acquired evidence that provides a sinister and unexpected connection to Mr Bloom’s origin.

Greg Capullo has well and truly surpassed all our expectations with his artwork on this issue. It looks absolutely stunning! Every page will have you mesmerised by the way Capullo maintains the fluidity and pace of the plot, infusing every scene with a staggering level of detail that almost defies description, to make Batman #50 one of his finest issues ever. From the symbolic moment of Bruce choosing of a new costume, to its eventual reveal, the nail biting tension in the Bat-Blimp high over Gotham, though to Gordon’s resolve to find another way to get the job done, and the bombastic smack down between Batman and Mr Bloom, Capullo pulls out all the stops here, along with Danny Miki’s brilliant inks, and FCO’s glorious colors, to deliver the rousing finale for the conclusion of Snyder’s epic Superheavy storyline. If this issue was a gym session, then suffice to say it’s probably the most extreme work out of Capullo’s artistic talents we’ve ever seen.!

The redesign of the Bat-Suit is both subtle and effective, with some classic embellishments – one in particular being a symbolic fusion of the old and the new in a way that I‘m really pleased to see carry over from Gordon‘s EVA Bat Suit – along with new gloves and cape, but despite all the upgrades and tech its still good to see that some things never change; especially when it comes to Batman getting the boot in during a fight!

In the build up towards its climatic moments, Batman #50 finds all the players in place for the final fight against Mr Bloom. With the Collider kicking off like Soundgarden’s Black Hole Sun all over Gotham, Batman and Mr Bloom going toe to toe in scenes that makes Man of Steel look positively tame by comparison, a daring rescue that will grab you by the scruff of the neck and leave you punching the air with glee, and Gordon calling on his Rookie one last time to bring us to possibly the biggest moment of the entire arc as the fate of Gotham City teeters on a superconductive event horizon that burns with hope for a better tomorrow…

Batman #50 also features an eight page coda, written by Scott Snyder, and featuring terrific artwork by Yanick Prouette and colors by Nathan Fairbairn As epilogues go, this little interlude actually proves to be just as powerful and as moving as the main bulk of the story in the issue. The initial focuse is on Jim Gordon, there are some wonderful scenes here, lots of familiar faces, and it seems that there are going to be some pretty major changes at the GCPD as well. Of course it’s when Jim and Batman finally discuss everything that happened since Endgame as they survey the wounded city before them that are really this codas finest moments, and there’s even time for a reconciliation between Duke and Bruce, and some poignant reflection for Julie Madison.

Well… here we are. Yes, as we now know, Batman #50 is indeed Scott Snyder’s and Greg Capullo’s penultimate issue of Batman. Their run on this series has been a tremendous achievement; and its brought us so many incredible stories and iconic moments. Snyder and Capullo have redefined the mythology of the Bat itself, and then some! Having announced their tenure will conclude next issue with Batman #51, Snyder and Capullo have been saying for a while now that they plan to reunite on another project in the near future. In the interim, Batman #52, by James Tvnion IV and Rafael Alberque will bring this current volume to an end before Batman relaunches in June with a new creative team as part of DC’s forthcoming Rebirth event.

I will look to the future with a mixture of sadness, trepidation, and anticipation for the future of this title, along with Rebirth and the changes it brings to DC Comics, and excitement for what Snyder and Capullo will do next. For now though, let’s not dwell on goodbyes, or what the future might hold just yet. Instead, we should celebrate this incredible giant-sized 50^th issue of Batman, along with the momentous accomplishments that Scott Snyder and Greg Capullo have achieved on this title together with Danny Miki and FCO Plascencia. What a team! Batman #50 is a full-on epic issue in every sense of the word, the story and art will blow you away, and you will be left with an overwhelming sense that you have just read one of the greatest Batman issues ever made.

Publisher DC Comics

Writer: Scott Snyder / Art: Greg Capullo

Inks: Danny Miki / Colors: FCO Plascencia / Letters: Steve Wands

Epilogue Art Yanick Parquette / Epilogue Colors: Nathan Fairbairn

Cover: Capullo / Miki / FCO

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Batman #49 Review

Tags

Alfred Pennyworth, Batman, Batman #49 review, Bruce Wayne, comics, James Tynion IV, Jim Gordon, Mr Bloom, Nathan Fairbairn, Scott Snyder, Superheavy, Superheavy pat 9, The Bat-Cave, The New 52, Yanick Paquette

Batman #49

Review by Paul Bowler

With the chaos unleashed by Mr Bloom engulfing Gotham, the time has finally come for Bruce Wayne to reclaim his past in Batman #49, as he descends into the Bat-Cave to face his destiny. But can Bruce truly find it in himself to sacrifice his new life free of the shadow of the bat that easily? Can he embrace the legacy of the Bat again, to confront the past and become one with all the horror, madness, and violence that consumed him before as Gotham’s Dark Knight Protector. Now, in this special issue the fates of Bruce Wayne and Batman converge once more, and the Dark Knight’s world will never be the same again…

Last issue saw Gotham’s new Batman, Jim Gordon, captured by the gargantuan Mr Bloom, while the new super-villains super-powered-seed army emerged to wreak havoc. Meanwhile, Bruce Wayne, having begun to recover the memories of his former life as Batman, suddenly encountered the Joker, whose memories of his past life as the Clown Prince of Crime have also seemingly been wiped away like Bruce’s were after their violent showdown in Endgame. Now in Batman #49, part nine of the Superheavy arc reaches a major turning point, as writer Scott Snyder and co-writer James Tynion IV, together with artist Yanick Paquette, and colorist Nathan Fairbairn, bring us Bruce’s darkest, most challenging ordeal so far as he prepares to risk everything to become the Dark Knight once more…

It has all been building towards this moment, now its here at last! Alfred is now all that stands in the way of Bruce Wayne rediscovering the full knowledge of who he really is in Batman #49, as Scott Snyder and co-write James Tynion IV steer Bruce on a journey that will encompasses a myriad of infinite possibilities which will test his resolve, willpower, and perhaps even his sanity, as an inexorable date with destiny looms.

The copious multi-layered aspects of Bruce’s life that Snyder and Tynion IV have spliced into the ongoing narrative of the Supeheavy arc in this issue are mind bogglingly sublime. At times it almost feels as if we’ve sidestepped into the Martrix, with all the fragments all jostling for our attention, before two clear junctures in Bruce’s life slowly begin to run parallel to one another… Alfred is now all that stands in the way of Bruce Wayne rediscovering the knowledge of who he really is in Batman #49, unfolding at Wayne Tower and Wayne Manor as time itself simultaneously becomes a portal to save the future and the last barrier to lock away the past. Its heartrending stuff, the scenes between Bruce and Alfred are truly moving, but with the machinery that will restore Bruce’s mind in such a dire state of disrepair, the key to Bruce’s resurrection rests with what is perhaps the most unexpected – yet ironically obvious – act of trust and foresight of all.

With Greg Capullo busy getting ahead with Batman #50, Yanick Paquette (Wolverine, Batman, Swamp Thing, Wonder Woman) and colorist Nathan Fairbairn (Batman INC, Multiversity, Wonder Woman: The Trial of Diana Prince) take over the artistic duties for Batman #49, and what an awesome looking issue it is! I really like how Yanick Paquette alternates the more futuristic scenes with those in the present day, with the multiple projections of Bruce’s lineage often coalescing like temporal thought bubbles, and the uncanny symmetry between the dual entrances into the cave are both magnificently epic and ominously foreboding.

Yanick Paquette brings this gloriously mined seam of craziness that Scott Snyder’s and James Tynion IV have created to life with such vivid detail, the sheer power of the emotional scenes will take your breath away, while the stunning rendering of Bruce’s struggle across fracturing realities unfolds over numerous two-page spreads that will simply blow you away with the sheer scope and scale of it all. Batman #49 also features some of the very best Nathan Fairbairn colors you can possibly imagine, Nathan Fairbairn makes every scene come alive in exquisite detail, utilizing a rich pallet of colors that complement the story perfectly.

The final moments are heartbreaking in the extreme. Although we all knew this moment was coming, now that we are finally here, the reality of Bruce’s struggle, along with the sacrifice he’s prepared to make, are really hammered home. This is no mere sci-fi cliché resolution either. Scott Snyder has kept us guessing every step of the way with the Superhavy arc, we’ve had a glimpse of the man Bruce might’ve been if he’d never set foot in crime alley as a child, but now the time has come to pull the trigger on that new found life and happiness, and the way in which this point is finally reached is guaranteed to break everyone’s heart.

Batman #49 is a superb issue from Scott Snyder and James Tynion VI. It’s one that mixes truths and consequences, where raw emotion and devotion cascade towards the memorial waterfall of a time immemorial, until we reach the threshold of the one line that even the Batman cannot cross… The haunting cover by Yanick Paquette and Nathan Fairbairn is like a Bat version of The Scream with a side order of Nosferatu to send a chill down your spine, lets hope they do a poster or print of this stunning cover one day, its brilliant, and there’s also a terrific Neal Adams variant cover to look out for as well. Batman #49 is a fantastic instalment of the Superhavy arc; everything is now set up for the momentous 50^th issue. Hell yeah, its time to go to work!

Publisher: DC Comics / Writer: Scott Snyder & James Tynion IV

Artist: Yanick Paquette / Colors: Nathan Fairbairn / Letterer: Steve Wands

Cover: Yanick Paquette & Nathan Fairbairn / Variant Cover: Neal Adams

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Batman #48 Review

Tags

Bat Bot, Batman, Batman #48, Batman #48 review, Bruce Wayne, Danny Miki, DC Comics, FCO Plascencia, Gotham, Gotham City, Greg Capullo, Jim Gordon, Mr Bloom, Scott Snyder, Superheavy, The New 52

Batman #48

Review by Paul Bowler

Mr Bloom’s deadly seeds begin to flourish in Batman #48, unleashing an army that could turn everyone in Gotham against its new Batman. Gordon must face the chaos that Mr Bloom has unleashed on the city, but his robotic nano-carbon Bat-Suit has been destroyed, and the new Dark Knight is running out of options fast… Meanwhile, Bruce Wayne’s new life without the shadow of the Bat is thrown into turmoil, when he encounters a stranger whose return instigates a chain of events that might change Bruce’s life forever…

Batman #48 finds Jim Gordon reeling after the attack from Mr Bloom’s super-powered-seed army, just as he was on the verge of unmasking Gotham’s newest super villain. Now, as Batman emerges from the wreckage of the Bat-Truck, this eighth part of Scott Snyder’s and Greg Capullo’s Superheavy arc becomes a nail biting battle for survival for Jim as Mr Bloom’s grand design for Gotham blossoms amidst a super-powered riot of violence and damnation. Meanwhile, Bruce returned to the park bench where his new life began after Endgame, where he meets a mysterious man who also miraculously survived an “accident” nearby.

Yes, the Joker is back, and it seems the clown prince of crime has also survived Endgame without the memories of his past life, or so it would seem… Now that Bruce’s memories have begun to return following his argument with Duke and the haunting vision in the subway station in Batman #47, it is perhaps ironic that Bruce Wayne has met this man – who we are led to believe is the Joker – that also just happens to be in the same state of mind which Bruce found himself in after he survived the events of Endgame. I love the ambiguity of these scenes, Snyder has pitched it so well, and you will find yourself hanging on every word.

It is here, in Batman #48 that we begin to see how Snyder is brining the pieces of the Superheavy arc together. We’ve watched as Gordon stepped up to become Gotham‘s new Dark Knight, seen the introduction of the new robot Bat-Suit, addressed the very essence of what Batman really stands for, and witnessed the surprise return of the amnesic Bruce Wayne living a new life with Julie Madison and working at the Lucius Fox Center for Gotham Youth. Now in Batman #48 we have a chance meeting that sees Bruce and the Joker sitting on a park bench, as if they were just two ordinary guys, and with the menace posed by Mr Bloom also drawing notable comparisons with terror threats and social divisions now faced in the world today, everything is now eclipsed by the impending conclusion of what is Scott Snyder’s most innovative and cathartic Bruce Wayne story of all.

Just like the Joker was to Bruce’s Dark Knight, in many ways Mr Bloom has become the arch nemesis to Gordon’s new Batman, and this issue presents Gotham’s new super-villain with a chance to really up his game. With the seeds of Mr Bloom’s influence now sprouting like weeds from the cracks in society all over Gotham, the full extent of Mr Bloom’s powers, his plans for Gotham, and its citizens becomes clear. Even Jim finds himself unable to escape from the gip of his foes schemes and paraded as an example to reinforce Mr Bloom’s warped ideology. Yet, on a park bench, the lives of Bruce Wayne and the Joker have been inexorably drawn together in Gotham once again, but this time their fates are converging from drastically different perspectives, and it’s a sure bet everything will hinge on the outcome of this bizarre turn of events.

Snyder has explored the dark, almost symbiotic parallels between the Dark Knight and the Clown Prince of Crime in ways that few could have imagined possible: from the raw terror unleashed on the Bat-Family by the Joker in Death of the Family, the early origins were then revisited in Zero Year and remoulded, before the savage showdown in Endgame brought both of their worlds crashing down around them, and now we reach a point where everything culminates with their resurrection in Superheavy. Of course the sublime twist this time is that Bruce and the Joker now find themselves on the opposite sides of the mirror. The scenes here on the park bench between Bruce and the Joker are some of the most intense, thought-provoking, and memorable that Snyder has ever written for the characters. Yes, Jim Gordon’s role as the new Batman has been fascinating to explore, all the new gadgets, the Bat-Bot, and giant robots are great fun, but these are the moments that now repay our faith in Snyder and the entirety of this arc as a whole.

Greg Capullo has certainly pulled out all the stops for this issue. Every page is a mesmerising tour de force of striking visuals from Capullo, from Gordon confronting the unnervingly creepy Mr Bloom and the onslaught of his super-seed-powered doppelgangers, to the beautifully crafted scenes with Bruce and the Joker, and Mr Bloom’s monstrous new form, Capullo’s work on Batman #48 is some of his finest ever. Danny Miki’s inks bring added definition and clarity to every page and FCO Plascencia’s sumptuous use of color immerse us totally in the atmosphere of the story. The sheer scope and scale of this issue is immense: from the turmoil sweeping across Gotham, Mr Bloom cuts a swath of terror that slices right into the very heart of the city itself, unearthing the dark parallels with many contemporary issues, and the scenes in the park resonate powerfully with the raw emotion of the decision that Bruce knows he now faces. The team on this book are simply amazing, the story, the art, it all clicks together so perfectly and it makes every issue breathtaking to read.

Batman #48 is a resounding success on every level. Frankly, if this issue doesn’t dispel any doubts you might have had about this arc; then nothing will! The thrilling events over the final pages will have you on the edge of your seat as horror strikes at everything Bruce has come to cherish, while Gotham and Gordon writhe in Mr Bloom’s clutches, the path to the island of stability goes critical, and Geri Powers finally gives the order we‘ve all been waiting for. But nothing, absolutely nothing can compare to the way the heartbreaking closing scene kicks the door in at the last possible moment to make your jaw hit the floor…

So, after the all shocking events in this issue, were will things go from here? Will Bruce end up having to give up his new life with Julie Madison and his work at the Lucius Fox Center for Gotham Youth helping the deprived areas of Gotham to become Batman again? After all, that “final invention” is still sitting there in the Bat Cave gathering dust. Could it be that the Joker will end up being the one that ironically gets the chance of a new life instead of Bruce? Whatever the final outcome, I’m sure Snyder’s labyrinthine imagination has conjured up a resolution in Batman #50 that will completely blow our minds, and we won’t even see it coming!

Publisher DC Comics / Writer: Scott Snyder / Art: Greg Capullo

Inks: Danny Miki / Colors: FCO Plascencia / Letters: Steve Wands

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Batman #47 Review

Tags

Batman, Batman #47, Batman #47 review, Bruce Wayne, Danny Miki, DC Comics, FCO Plascencia, Gotham City, Greg Capullo, Jim Gordon, Mr Bloom, Scott Snyder, Superheavy, The New 52

Batman #47

Review by Paul Bowler

Following a surprise attack by new super villain, Mr Bloom, Jim Gordon must now face the ultimate test as Gotham’s corporate funded Batman. Having learned the full scale of the Powers Batman Programme, Jim Gordon tracked Mr Bloom to a long forgotten pathway in the Narrows. But his enemy has a nasty surprise waiting for him. Now, as Jim battles for survival in his confrontation against Mr Bloom, Bruce Wayne has a startling recollection about the past that could well change his life, and Gotham City, forever…

Batman #47 finds the new Batman caught in the vice-like grip of his own robotic Bat-Suit after Mr Bloom – Gotham’s new super villain who has been selling seed implants to criminal gangs that give them superpowers – turned the tables on him! This latest instalment of Scott Snyder’s and Greg Capullo’s exciting Superheavy arc entwines several key plotlines, with Jim Gordon fighting for his life, Batman #47 also heralds some unexpected developments for Bruce Wayne, and Mr Bloom’s grand schemes begin to blossom.

After refitting the Robo-Bat-Suit with a blocking device to neutralise Mr Bloom’s powers, Gordon tracked his foe to the area that was once know as Blossom Row in the Narrows. But when Mr Bloom somehow overrode his commands and turned Gordon’s “rookie” partner against him, Jim Gordon suddenly found himself at the mercy of his own Bat-Suit! Scott Snyder piles on the tension and suspense here as Gordon battles the combined threat from his own Bat-Suit and Mr Bloom. Meanwhile, Duke must find a way to escape from the new Iceberg lounge, and Bruce Wayne’s new life without the legacy of the Bat following the events of Endgame is thrown into turmoil when he is forced to look into the shadows of the past.

I really like how this issue unfolds. Snyder certainly puts Gordon though his paces in Batman #47, there’s a sense of poignancy and urgency in Gordon’s fight against his robotic partner, and the way he outwits his own suit whilst still managing to stay one step ahead of the super-powered attack of Mr Bloom shows just how far Jim has come since he stepped up to become Gotham’s new Batman. The scenes between Bruce and Duke in the subway station are another big highlight of this issue, and it’s a defining moment for these characters as Bruce’s past converges with the present as it screeches down the shadowy tracks of fate towards him.

Greg Capullo’s art remains as spellbinding as ever. The dynamic panel layout places us right at the heart of the action, especially during the fight between Gordon and his robo Bat-Suit. Gordon’s struggle reaches some death defying heights, and there is a distinct claustrophobic feel to Batman’s face-off with Mr Bloom as well that feels extremely disquieting. But it’s that aforementioned scene between Bruce and Duke in the subway station where Capullo really shines this issue, with a magnificent fusion of story and art – one that also packs an incredibly powerful emotional punch; and will no doubt probably become the most iconic moment of this arc. As ever, Danny Miki’s intricate line-work makes every aspect of Capullo’s art leap from the page, and FCO Plascencia’s glorious use of color and tone makes this issue of Batman a veritable feast for the senses.

This issue rounds off with Gordon and his team returning with a prisoner, but their victory is short lived, and its not long before Mr Bloom is able to strike back. Well, as another Bat-Truck bites the dust, it’s almost impossible to talk about this issue of Batman without totally spoiling the killer twist that awaits us in the closing pages. So, even though this review will be going out a bit late, let’s just say that a certain someone is back, and while this characters return might not have been wholly unexpected – especially considering Bruce’s surprise return at the start of this arc – it’s certainly a lot quicker than any of us could have expected!

Batman #47 is packed with big game-changing events, Scott Snyder gets right to the emotional core of this arc with this issue, and together with Greg Capullo’s excellent artwork; they bring a whole new slant to the Superheavy storyline in the most dramatic, and entirely unexpected way imaginable as we gradually begin progressing towards the conclusion. One thing’s for sure, waiting for Batman #48 is going to be no laughing matter…

Publisher DC Comics

Writer: Scott Snyder

Art: Greg Capullo

Inks: Danny Miki

Colors: FCO Plascencia

Letters: Steve Wands

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Batman #45 Review

Tags

Bat Bot, Batman, Batman #45, Batman #45 review, Bruce Wayne, comics, Danny Miki, DC Comics, FCO Plascencia, Gotham City, Greg Capullo, Jim Gordon, Mr Bloom, Scott Snyder, The New 52

Batman #45

Review by Paul Bowler

Following last issues post Zero Year introduction to Mr Bloom, Batman #45 returns to the present, where Jim Gordon is Gotham’s new robo-suited Batman. However, it seems Bruce Wayne survived Endgame! Without the shadow of Batman in his life, Bruce now works for the Lucius Fox Center for Gotham Youth, and is reunited with his former sweetheart Julie Madison. When Batman breaks into a warehouse to investigate Mr Bloom – the new super-villain selling seed-like implants that give criminals extreme powers – Gordon finds himself trapped. Now, after Batman’s close call with the Devil Pig Gang, Jim Gordon must re-examine his role as the new Dark Knight protector of Gotham before time runs out for city…

Batman #45 finds the former marine and Police Commissioner Jim Gordon facing his greatest challenge so far as Gotham’s corporate funded Robo-Batman. Trapped in a furnace, seemingly with no way out, this latest instalment of Scott Snyder’s and Greg Capullo’s new Superheavy story-arc places Gordon in mortal danger and confronts him with a situation that makes him question if he really has what it takes to wear the cowl.

Scott Snyder turns up the heat for the new Batman in Superheavy Part 5, as Gordon has to find a way to escape from the industrial furnace before his Bat-Suit fails. Snyder really gets inside Gordon’s head during these opening scenes, as Jim rapidly assesses the situation Batman-Style, while also keeping his personal feelings in check, and finding the right mindset to ensure that all that Batarang practice finally pays off! Outgunned and outnumbered Jim now faces his most crucial lesson of all about what it really means to be Batman…

A number of plot threads entwine during this issue. Bruce and Julie Madison are busily helping the kids at the Lucius Fox Center for Gotham Youth, the area is still littered with the wreckage of the trophies from the Bat-Cave the Joker used for his parade during Endgame, and the horror and devastation caused by the Joker virus is still clearly evident. The relationship developing between Bruce and Julie is really moving, we get to learn more about Julie’s past, and the bond they share is inexorably linked with paths their lives have taken.

Batman #45 is one hell of an action packed issue, Greg Capullo’s art captures the essence of every scene perfectly, and the way Capullo has Gordon evaluate the situation and escape from the furnace is brilliant. The Bat-Bot goes into full “partner mode” this issue, it’s another action-packed moment, and it works so well seen the context of Jim’s predicament. Danny Miki’s inks accentuate the finer details and nuances of Capullo’s art, especially in the scenes between Bruce and Julie, there’s also an interlude featuring Duke and Daryl that nicely refers back to the events of Batman #44 & We Are Robin #1, and FCO’s sublime colors take us from the roaring orange-purples-and reds of the furnace to the icy blue depths of Gotham were the Collider that Jeri Powers company has built to make one giant leap for man – and the periodic table – to the “island of stability” bring all the elements of story and art together in a way that is quite simply astounding. As for Mr Bloom, well, suffice to say we finally see him in action, and its blooming incredible!

Bruce’s solution for dealing with the trophies proves to be utterly inspired too, and completely indicative of everything Snyder and Capullo have set out to accomplish with this arc. Batman #45 builds towards an exciting climax, with the powers-that-be poised to decide the new Batman’s fate, Jim must step up and show who’s the boss – just as terrible danger prepares to strike during a key moment of “censored” dialogue!

Batman #45 is another excellent issue in the Superheavy arc from Scott Snyder, with terrific artwork by Greg Capullo, this storyline continues to throw new and unexpected curve balls our way with every new issue. The various plot strands seem to be coming together now, all of the characters get a good share of the limelight as well, and the stage is now set for one hell of a face-off between the new Batman and Mr Bloom!

Publisher: DC Comics

Writer: Scott Snyder

Art: Greg Capullo

Inks: Danny Miki

Color: FCO Plascencia

Letters: Steve Wands

Cover Capullo/Miki/FCO

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Batman #44 Review

Tags

Batman, Batman #44, Batman #44 review, Brian Azzarello, comics, DC Comics, Gotham City, Jock, Lee Loughridge, Mr Bloom, Scott Snyder, The New 52

Batman #44

Review by Paul Bowler

The early beginnings of new villain Mr Bloom unfolds in Batman #44 in a tale from Bruce Wayne’s past, where Batman investigates a terrible crime in the Narrows that took place during his early crime fighting career in Gotham City. In this special issue written by Scott Snyder and Brian Azzarello (100 Bullets), and drawn by Snyder’s Wytches Co-Creator, Jock, Batman’s ongoing crusade against crime in Gotham has begun, but after vicious events in a slum neighbourhood the Dark Knight must solve a case unlike anything he has faced before…

In a story set post Zero Year, Batman has defeated the Riddler but crime in Gotham is on the increase as the city recovers, and a new rogue’s gallery of super-villains is thriving in the chaos. When the body of fifteen year-old Peter Duggio is found after being shot and dumped from on high, Batman vows to find out who killed the teenager from the crime-ridden area of the Narrows known as The Corner. The rivalry between the Penguin and the ruthless Four Fives gang leads Batman’s investigation down a dark path, one were the tragic circumstances of Peter Duggio’s life became inexorably entwined with his struggle to escape from gang culture, and the desperation that ultimately allowed Mr Bloom to thrive in the aftermath of Zero Year.

Batman #44 is quintessentially a special one-shot introduction to the new villain of the current Superheavy arc, Mr Bloom, and is set during the early days of Bruce’s time as Batman. In this issue Scott Snyder and Brian Azzarello not only offer a flashback to Batman’s life following the events of Zero Year, it’s a story that also forms the basis of the core issues on which the current arc is built, and the events which Jim Gordon is dealing with in the present as Gotham’s new Batman. It also shows how Mr Bloom’s story began, and provides us with a fascinating glimpse into the area of Gotham that allowed this mysterious new villain to blossom and thrive.

Jock’s incredible artwork on this issue of Batman brings Snyder’s and Azzarello’s story to life in a way that makes it feel like the whole world has just slowed down around you and faded away to nothing while you become completely engrossed in the issue. From the bleak stillness of the Gotham Marshes, we are propelled into an electrifying confrontation with the Penguin, coils of evil slowly encircle Peter Duggio’s life in vivid detail, and soaring from the lush garden of deprivation the moving finale is punctuated by a faint tinge of hope… The Gotham that Jock depicts in Batman #44 is grittier, grimier, with an almost a pulp-noir tinge at times, the dark brooding streets, driving rain, looming shadows, brutal violence, and newspaper clippings interspaced throughout the panel layout at key moments of reflection all heighten the sombre mood as story and art fuse seamlessly as one. The color art by Lee Loughridge is also excellent, with cool muted tones dominating the early half of the issue, before richer hues gradually seep in to accentuate key emotional beats, and the way the gentle simplicity of a bunch of flowers leads us into the wild overgrown area of Gotham is utterly sublime.

Scott Snyder and Brian Azzarello have crafted a tale that reaches right into the crime-ridden belly of Gotham City. Batman’s investigation into Peter’s murder turns The Corner over like a stone and uncovers all sorts of secrets squirming around in the darkness. Its interesting to revisit Batman during this post Zero Year period, where Bruce Wayne thinks he knows everything about Gotham, but where in reality, despite all the years he spent away training and the latest technical upgrades to his Bat-suit and the cave, he’s actually only just beginning to scratch the surface of what he really understands about Gotham City. Batman #44 doesn’t shy away from tackling some extremely difficult social and moral issues. We discover why The Corner is a slum, where segregation, corruption, and crime divided communities and gave a new kind of evil the opportunity it needed to take root in the cracks of society where it bloomed in the fertile soil of violent crime and social deprivation.

Suspenseful, brooding, and deeply thought-provoking, Batman #44 is an engaging side-step into the past that complements the present story arc perfectly, but one that can still be enjoyed as a standalone issue in its own right. Scott Snyder and Brian Azzarello have clearly invested their heart and soul into this issue, it resonates on so many levels, together with Jock’s art – with some splash pages to die-for – and Lee Loughridge’s colors, this is one issue of Batman that proves the very best stories are anything but a simple open and shut case…

Publisher: DC Comics

Story by: Scott Snyder

Written by: Scott Snyder and Brian Azzarello

Art by: Jock

Color art by: Lee Loughridge

Letters: Deron Bennett

Cover by: Jock / Green Lantern 75 Anniversary Variant cover by: Tony Danniel & Tomeau Morey

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Batman #42 Review

Tags

Bat Bot, Batman, Batman #42, Batman #42 review, Danny Miki, DC Comics, FCO Plascencia, Greg Capullo, Jim Gordon, Mr Bloom, Scott Snyder, The New 52

Batman #42

Review by Paul Bowler

Jim Gordon’s new role as Gotham’s nano-carbon-suited Dark Knight continues in Batman #42, as the city recovers from the traumatic events of Endgame. Gordon now faces the challenges of life as Gotham’s robotic law enforcer, and more surprises await as the all-new Batman hits the streets of Gotham City…

Batman #42 mixes duelling action figures, Gordon’s new perspective of Gotham as Batman, and plenty of high-octane app driven action as Scott Snyder’s and Greg Capullo’s exciting new story-arc kicks into high gear. Its fascinating to see Jim Gordon’s viewpoint of Batman’s world, his “old person” translation of the tech and tactics continues to raise many a wry smile, but the former Marine and Police Commissioner has really stepped up following Batman’s demise in Endgame to become a corporate funded Batman, one that works inside the system in conjunction with the GCPD and the local governments for the people of Gotham.

Superheavy Part 2 continues to drive the narrative by flashing forward and backwards as events unfold. The city is still licking its wounds after the chaos inflicted by the Joker. Jim begins to find his new life as an “official” Batman to be far more complex than he first thought, Powers Corp and the GCPD are the one’s calling the shots, and as a result there are certain lines that Jim won’t be able to cross like his predecessor.

Batman makes a grim discovery at the morgue after Precious Precious mysteriously dies – poisoned by a high-tech radioactive implant. It would seem there have been other victims too, with implants that also gave them enhanced abilities, and the connection between their deaths provides an unsettling mystery for Gordon to mull over. Jim also attempts to hone his Batarang skills in this issue, his bond with Julia and Daryl continues to develop, and a new Batmobile debuts as another super-powered menace goes on the rampage in the Narrows.

I really like how Snyder is gradually developing this new story-arc. Gordon is striving to become the Batman he wholeheartedly believes Gotham needs, but Jim knows he’s got a lot to prove before the city will have faith in him – especially in the downtrodden communities of the Narrows. This new Batman isn’t all just about the high-tech Bat-Bot either. Jim has his own streamlined Bat-Suit for when he has to get out of the robotic-suit and work in the field as Batman, its a clever move by Snyder, and really creates an interesting spin on the new format. There’s a classic nod to the past as well; with a particularly apt use for some digital camouflage.

One notable difference I’ve found with this arc is the level of humour Scott Snyder has weaved into the narrative. It’s cleverly done, never overstated, and strikes a good balances between the wit and the big action set-pieces. The kids squabbling with the action figures and Commissioner Sawyer’s quip about the Bat-Bot being on charge are both priceless, while Gordon’s “superpower” and added incentive for giving up smoking are also nice touches, but it’s the running gag about Gordon’s Batman not having a Batmobile that really steals the show.

Greg Capullo’s art raises the bar once more for this series, the page layouts convey the pace and tone of the plot perfectly, and the sheer attention to detail in Batman #42 is stunning. The new Bat-Suit is really beginning to grow on me now, its got so many cool abilities, and Capullo is clearly relishing every opportunity he gets to show the suit in action. None more so than here, as the Bat-Bot goes toe to toe with a Triad leader with the ability to use the very bricks and mortar of Gotham itself against Batman. The sleek black Batman Bat-Suit that Gordon wears for his EVA’s from the Robo-Bat-Suit is also superb, and I love the classic hints of yellow trim on Gordon’s suit – especially the Bat-Symbol! As ever, Danny Miki’s sublime inks and FCO’s mesmerising colors fuse seamlessly with Capullo’s art to make Batman #42 another tremendous, almost cinematic experience. Batman’s fight with Gee Gee Heung is a ground shaking smack down, the scenes in the morgue are dark and brooding, and the new Batmobile / Bat-Van is a high-tech juggernaut that packs one hell of a punch!

Batman #42 is an action-packed issue that also sets up a wealth of plot threads for the rest of this arc. It would seem “Officer Batman” has found his first super-villain. While the mysterious Mr Bloom remains an enigma for now, there is a notable scene between Gordon and one of his colleagues as they reach a new bat-understanding, and last issues jaw-dropping ending is taken a step further too – with some very surprising results!

I think I’ve overcome my initial reservations about the bunny-eared Bat-Bot’s design and Gordon taking over as Batman. Seeing Jim Gordon experiencing Gotham from Batman’s perspective feels like a breath of fresh air for the title, if anything it actually brings us closer to Gordon’s character than we’ve ever been before. Batman #42 continues to build on the foundations of this new story-arc. Sure, the tone and style is very different from Snyder’s previous Batman storylines, but quintessentially it’s still Batman at its core, and if this issue is anything to go by Gordon and the legacy of the Bat are still very much as inseparable as ever…

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Doctor Fate #1 Review

Tags

comics, DC Comics, Doctor Fate, Doctor Fate #1, Doctor Fate #1 review, Dr Fate #1, Dr Fate #1 review, Khalid Nassor, Lee Loughridge, Nick J. Napolitano, Paul Levitz, Sonny Liew, The New 52

Doctor Fate #1

Review by Paul Bowler

A new era begins in Doctor Fate #1 as a storm rages over Brooklyn., the Egyptian Lord of the Dead is set to unleash a terrifying flood upon the world, and soon the young Egyptian-American med student Khalid Nassor will become the next person to wear the fabled helmet of Fate – but learning to control his newfound mystical abilities will prove far from easy…

DC Comics brand new Dr Fate series, written by Paul Levitz, together with art by Sonny Liew, colors by Lee Loughridge, and letters by Nick J. Napolitano, ushers in a bold new direction for the character.

Doctor Fate #1 follows on directly from events seen in DC’s free Dr Fate Sneak Peak, as Khalid Nasser takes refuge from the storm in the Brooklyn Museum, and encounters an exhibit where an unearthly voice reveals that Amun-Ra has decreed that he use the helmet of Fate to save the world from the flood Anubis has released to usurp the natural order of things.

Blood of the Pharaohs is an engaging and thoughtful opener to this new Dr Fate series, there’s plenty here for fans of the character to enjoy, and it also provides an excellent jumping on point for new readers too. Paul Levitz skilfully mixes the myth and magical elements with Khalid’s life in the modern world. Freaked out by what he’s seen, Khalid legs it out of museum and decides to make his way home on the subway. Levitz uses this opportunity to introduce us to Khalid’s world as he ambles down to the platform: there’s a fun series of text messages between Khalid and his girlfriend, Shaya, a call from his mom, his cat, Puck, meanders home between the raindrops, and Khalid’s dad is busily driving an irate passenger to the airport in his cab.

Considering how Dr Fate has spent the latter half of his time in The New 52 either being beaten senseless or left raving half out of his mind, this new version of Khalid / Dr Fate comes across as just an everyday student, someone with an everyday life and family, and it brings a refreshingly modern slant to the character.

With his distinct sketchy cartoon style, Sonny Liew’s artwork is a perfect fit for this modern take on the character, and it brings Levitz’s magical blend of Egyptian mysticism, wry humour, and brooding atmosphere together with the legacy of Dr Fate to craft something very special indeed. The characters expressions are rendered beautifully, conveying every nuance and emotion. The rain swept streets of Brooklyn look brilliant, I adore how Puck the cat wanders so casually through the narrative, its sublime, and the big set-piece in the subway station is absolutely thrilling. The colors by Lee Loughridge gloriously complements Levitz’s art with vividly eloquent tones, and the letters by Nick J. Napolitano bring a distinct edge and heightened sense of clarity to the issues most pivotal scenes.

As the fates converge the time comes for Khalid to accept his destiny, the issue brings this origin story full circle, and a new Dr Fate emerges amidst a wonderful mosaic of images that meld reality and magic like never before. Throw in this issues closing, and somewhat sinister final scene, and you will be left eager for more. Sonny Liew’s imaginative cover is amazing, it really makes this book jump out at you, and I also really liked Ibrahim Moustafa’s variant cover as well. I think Paul Levitz has done a fantastic job with the characters and the storyline for this first issue, the premise works so well, and with Sonny Liew’s excellent artwork, Doctor Fate looks set to become one of DC’s standout new titles of 2015.

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