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Monthly Archives: June 2016

New Star Trek Beyond Trailer Featuring “Sledgehammer” by Rihanna

28 Tuesday Jun 2016

Posted by Paul Bowler in All, Trailers & Posters

≈ 14 Comments

Tags

Anton Yelchin, Captain Kirk, Chris Pine, Idris Elba, Karl Urban, New Star Trek Beyond trailer, Simon Pegg, Sofia Boutella, Spock, Star Trek, Star Trek Beyond, Star Trek Beyond Official Trailer, Star Trek Beyond Trailer 3, USS Enterprise, Zachary Quinto, Zoe Saldana

New Star Trek Beyond Trailer

Star Trek Beyond BANNER

Check out the third action-packed trailer for Justin Lin’s  Star Trek Beyond, featuring offers new footage and Rihanna’s latest single, Sledgehammer.

Star Trek Beyond is set for release on July 22nd, 2016

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Godzilla Oblivion #4 Review

22 Wednesday Jun 2016

Posted by Paul Bowler in All, IDW Publishing

≈ 4 Comments

Tags

Brian Churilla, Chris Mowry, comics, Godzilla, Godzilla Oblivion, Godzilla Oblivion #4, Godzilla Oblivion #4 review, IDW Publishing, Jay Fotos, Joshua Hale Fialkov, King Ghidorah, Mechagodzilla

Godzilla Oblivion #4

Review by Paul Bowler

After a team of scientists from an Earth that has never seen monsters opened a portal to a parallel dimension, they unleashed King Ghidorah on their own world. Godzilla Oblivion #4 sees the crisis escalate, having lured Godzilla from the apocalyptic parallel Earth to defeat King Ghidorah, they must now utilize a secret countermeasure against Godzilla – using replicated technology from the alternative Earth where monsters rule and the human race have made an alliance with Godzilla to protect them. As the fate of the world hangs in the balance, Godzilla’s rampage seems unstoppable, and the other Earth has a surprise of its own!

The King of the Monsters goes up against an army of Mechagodzillas in Godzilla Oblivion #4, in the penultimate issue of IDW Publishing’s five-part comic series, written by Joshua Hale Fialkov and with art by Brian Churilla, the world shattering action continues as Godzilla faces the onslaught of the Mechagodzillas!

GODZILLA OLBIVION #4 COVER 1

With its innovative What If? twist on the Godzilla franchise, Joshua Hale Fialkov and Brian Churilla’s have crafted an exciting and action packed storyline. This issue brings events full circle as the cast of scientists and military characters observe the titanic face off between Godzilla and the Mechagodzillas. Joshua Hale Fialkov keeps the suspense building over the course of this action packed issue, especially when it becomes clear that the apocalypse these humans have unleashed on their Earth is far from over. However, when a further backup plan suddenly presents itself, it seems the defeat of King Ghidorah could have inadvertently provided them with one last chance to get Godzilla back through the portal!

Brian Churilla’s artwork for this issue is excellent; indeed, it’s some of his finest work on this series so far. The opening battle royal between Godzilla and the Mechagodzilla army is stunningly realized by Churilla with bold page layouts and intense action, while the human characters observe the carnage and plan their next move. Their analysis of King Ghidorah is another highlight, where complex schematics and computer displays nicely complement the necessary exposition and techno-babble. The plan the scientist and military devise is audacious in the extreme, and its implementation is extremely dramatic. Jay Fotos’s vivid palette of colors also brings added clarity and definition to virtually every scene, employing a clever use of tone and shade which distinctly clarifies the human’s plight and also makes Godzilla look more powerful than ever before.

The end result collectively makes Godzilla Oblivion #4 one of the best issue so far in IDW this mini-series. Everything, as you might have expected, builds towards a fittingly apocalyptic cliff-hanger of epic proportions. I think Joshua Hale Fialkov, Brian ChurillaIt, and Jay Fotos have really excelled themselves with Godzilla Oblivion #4, and it looks like we are in for one hell of a monster showdown for the final issue!

Publisher: IDW Publishing / Writer: Joshua Hale Fialkov / Art: Brian Churilla

Colors: Jay Fotos / Letters / Creative Consultant: Chris Mowry

Cover: Brian Churilla

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Sci-Fi Jubilee My YouTube Channel: Uncharted 4 Chapter 11 Hidden In Plain Sight

20 Monday Jun 2016

Posted by Paul Bowler in All, Paul Bowler YouTube Channel

≈ 2 Comments

Tags

Nathan Drake, Paul Bowler, Paul Bowler YouTube, Playstation #4, PS4, PS4 Share, Uncharted 4, Uncharted 4 A Thief's End Chapter 11 Hidden In Plain Sight, Uncharted 4 A Thief's End Chapter 11 Hidden In Plain Sight Walkthrough, Uncharted 4 A Thief's Tale, YouTube

Sci-Fi Jubilee My YouTube Channel: Uncharted 4

Chapter 11 Hidden In Plain Sight

Convoy Chase!

Thank you for checking out my YouTube channel Paul Bowler YouTube  and for all your support everyone! I started played Uncharted 4 A Thief’s End recently, and my latest video is from Chapter 11: Hidden In Plain Sight. The clip features some great action from end of the chapter, where Nathan and Sully escape in their jeep and chase the convoy to rescue Nate’s brother, Sam. This was my favourite bit so far in Uncharted 4, I’ve been enjoying this game so much! I don’t tend to be that good at driving sections in games though, so please excuse my terrible driving in this LOL! Hope you enjoy the video and please feel free to hit that like button and subscribe if you do. Cheers!

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Green Arrow #1 Review

15 Wednesday Jun 2016

Posted by Paul Bowler in All, DC Comics

≈ 8 Comments

Tags

Benjamin Percy, Black Canary, comcis, DC Comics, DC Rebirth, Dinah Lance, Green Arrow, Green Arrow #1, Green Arrow #1 review, Green Arrow Rebirth, Green Arrow Rebirth #1, Oliver Queen, Otto Schmidt, Seattle, The Underground Men

Green Arrow #1

Review by Paul Bowler

The standout title from DC’s Rebirth event continues with Green Arrow #1, written by Benjamin Percy, featuring art and colors by Otto Schmidt, an exciting new era for the Emerald Archer begins. Together again following the events of the impressive Rebirth issue, Green Arrow and Black Canary have teamed-up once more to face a sinister new threat in Seattle that will challenge Oliver Queen like never before!

Benjamin Percy and Otto Schmidt have certainly pulled out all the stops for Green Arrow #1, continuing directly from the events of Green Arrow Rebirth #1, where Green Arrow and Black Canary uncovered a secret cabal that had been preying on Seattle’s homeless and selling women and children on the black market to the highest bidder. Green Arrow #1 opens on the fog strewn Seattle Docks where the mysterious Undergound Men are about to transport a consignment of victims in a shipping container. Green Arrow is ready to confront them, and determined to find out who is behind the human trafficking organization.

The Underground Men have brought backup, but Green Arrow has reinforcements of his own, with Henry providing vital intel, while Black Canary and Oliver’s sister, Emi, fight alongside Green Arrow to deal with the Underground Men. This exciting, fast-paced opening is peppered with wisecracking banter and tautly orchestrated action. It actually sets the tone for the rest of the issue, exposition drives the plot at a break neck speed, characters and back stories are quickly introduced and mapped out, romance blossoms, and an unexpected connection to Queen Industries leads Oliver to make some surprising discoveries of his own…

Green Arrow #1 COVER

While some might balk at the rapid pace with which Benjamin Percy builds up the house of cards in Oliver’s life, were, no matter how good Ollie’s intentions, Black Canary is quick to point out that chucking money at problems isn’t always quite the solution that he believes it to be, while also moving Oliver’s and Dinah’s relationship on significantly from the Rebirth issue, I actually found it refreshing to read a comic book that hit’s the ground running and just gets on with it for a change. Sure, there are huge narrative leaps, and some of the dialogue seems a little clunky in paces, but it’s done with such style and finesse that the positives more than outweigh any of the negatives.

The art and colors by Otto Schmidt dazzle with the slick, cartoony style that makes this book so dynamic. The fogy scenes at the docks are dominated by some pretty fast and furious action, which in turn highlights Green Arrow’s and his allies fighting skills to the max, with Black Canary unashamedly getting all the best lines and a show stopping fangirl moment against the Underground Men. The next step in Oliver’s and Dinah’s flourishing relationship is also beautifully illustrated by Schmidt, from here the bond between all of the characters is explored in the most heartfelt way, before Oliver’s visit to Queen Industries leads to a far darker turn of events…

I have to admit, its been a long while since I’ve read a Green Arrow comic regularly. I really enjoyed Green Arrow Rebirth #1 though, and I’m pleased to say that Green Arrow #1 also impressed me just as much, if not even more, than Green Arrow Rebirth #1 did. Benjamin Percy’s and Otto Schmidt’s take on the character and his supporting cast is brilliant, they’ve totally nailed it, successfully reaffirming the characters legacy and infusing culturally relevant issues into the mix to make Oliver question his own stance and role in the grand scheme of things. Then of course we have the sizzling chemistry between Green Arrow and Black Canary, together again at last in the DCU. Oh yeah, THIS is the Green Arrow comic that I’ve been waiting for!

Green Arrow #1 gets the series off to a great start, this issue moves at a cracking pace, bursting with action, and emotion, it all builds to a jaw dropping cliff-hanger that will blow you away! Benjamin Percy and Otto Schmidt have crafted something very special indeed here, I’m overjoyed to see the Emerald Archer’s adventures being handled by such a terrific creative team, and can’t wait to see what else they have in store for Green Arrow in the months ahead!

Publisher: DC Comics / Writer: Benjamin Percy / Art and Color: Otto Schmidt

Lettering: Nate Piekos of BLAMBOT / Cover: Juan Ferreyra

Variant Cover: Neal Adams and Kevin Nowlan with Dave McCaig

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Sci-Fi Jubilee 4th Anniversary!

14 Tuesday Jun 2016

Posted by Paul Bowler in All

≈ 42 Comments

Tags

Batman, Captain Britain, comics, DC Comics, Doctor Who, Horror, Marvel Comics, Paul Bowler YouTube, Sci-Fi, Sci-Fi Jubilee, Sci-Fi Jubilee 4th Anniversary, The Walking Dead, TWD, YouTube

Sci-Fi Jubilee 4th Anniversary!

My blog Sci-Fi Jubilee has now reached its 4th anniversary! This last year seems to have flown by so quickly. I have had a brilliant time writing this blog over the last four years, I’ve tried to included a good variety of TV, film, and comic book reviews and articles, covering many of the subjects and genres I enjoy most – particularly Doctor Who, The Walking Dead, and of course comic books, lots, and lots of comic books!

Captain-Britain #36 Cover

Of course, Sci-Fi Jubilee would be nothing without you! So, I’d like to say a huge thank you to everybody for reading and following my blog. You’ve all been so awesome sharing my reviews on Twitter, WordPress, and Sci-Fi Jubilee’s Facebook page. I’ve also recently started my new YouTube Channel which has become quite a popular feature on the blog as well, and its all thanks to you and your feedback that has made this such a fun and interactive part of Sci-Fi Jubilee. When I started this blog, I never expected Sci-Fi Jubilee to become such a big part of my life as it has, and its always been your comments and support that have made Sci-Fi Jubilee so enjoyable for me. Sci-Fi Jubilee has grown so much over the last four years, I also write for other websites now as well, and I’m really looking forward to developing the YouTube Channel. So, cheers everyone and thank you so much for your amazing support! Here’s to another fantastic year!

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Godzilla Oblivion #3 Review

13 Monday Jun 2016

Posted by Paul Bowler in All, IDW Publishing

≈ 2 Comments

Tags

Brian Churilla, Chris Mowry, comics, Godzilla, Godzilla Oblivion, Godzilla Oblivion #3, Godzilla Oblivion #3 review, IDW Publishing, Jay Fotos, Joshua Hale Fialkov, King Ghidorah, The King of the Monsters

Godzilla Oblivion #3

Review by Paul Bowler

On their Earth monsters never existed, but an experiment to visit an alternative dimension unleashed King Ghidorah on the world! Now, in Godzilla #3 from IDW Publishing, a team of scientists have lured Godzilla back from the parallel Earth in the hope the King of the Monsters will help them vanquish the rampaging King Ghidorah. However, when catastrophe strikes their mission to save the world is suddenly thrown into jeopardy, and the last hope of survival now rests with a vital piece of technology from the other dimension…

Godzilla, King of the Monsters thunders his way across the dimensional void to a another world as IDW Publishing’s new five-part comic series continues in Godzilla Oblivion #3, writer Joshua Hale Fialkov and artist Brian Churilla ramp up the monster action to the max, but will Godzilla’s arrival herald this Earth’s salvation, or its destruction? Joshua Hale Fialkov and Brian Churilla’s unique take on the Godzilla franchise with this innovative and exciting What If? Scenario, has already seen a team of scientists creating a portal to an apocalyptic parallel dimension, where monsters rule supreme and the rag-tad survivors of the human race have forged an alliance with Godzilla. Now, in a daring move, Godzilla has been transported to battle King Ghidorah on the scientists Earth in a desperate gamble that could soon backfire and threaten everything!

Godzilla Oblivion #3 COVER 1

Godzilla Oblivion #3 is without doubt the most action packed instalment so far in IDW’s five part mini-series. Joshua Hale Fialkov delivers a frenetically paced issue, with the battle between Godzilla and King Ghidorah taking center stage, while the scientists and military can only watch events unfold and wish for a hopeful outcome. The ethics and morality of both the scientist and the militaries actions are brought into sharp focus in this issue, Fialkoy channels the essence of just about every Godzilla movie trope you can possibly think of here, with the cast of characters watching and debating as the city levelling monster smack down between Godzilla and King Ghidorah escalates, and there’s plenty here for new and old school Godzilla fans to enjoy as the humans are ultimately forced to decide on a fateful course of action that could jeopardize the entire world!

Brian Churilla’s great artwork on this series really comes into its own in this issue, every moment of Godzilla’s and King Ghidorah’s battle is gloriously realized across huge sweeping page layouts that really capture the epic scale of their conflict, and we even get more insight into the human cast amidst all the action. The humans naturally have a back up plan to fall back on, one were victory outweighs unacceptable losses, at any price. Churilla ensures the build up to this explosive moment will have you on the edge of your seat. The colors by Jay Fotos are also key to making this issue look so good, with a rich palette of tones and shades enhancing every moment of Godzilla’s and King Ghidorah’s momentous fight, and the delivery of the Thunder Lizard culminates in a haunting fusion of art and color caught in the glint of a monsters eye.

This issue builds to a nail-biting close, with a seriously miffed Godzilla rising from the depths in spectacular fashion, and the humans of this world using replicated technology from the devastated parallel Earth to take the fight to Godzilla himself! Of course, with all the cover to cover action going on in Godzilla Oblivion #3, this issue is essentially one big fight sequence, albeit a spectacular one, and as a result it makes the issue a very quick read. However, if, like me, its full scale Godzilla monster smashing action that you‘re after, then Godzilla Oblivion #3 is just the ticket, with its fast paced story by Joshua Hale Fialkov and terrific art by Brian Churilla, this exciting IDW Godzilla comic series is really shaping up to be a gargantuan monster epic!

Publisher: IDW Publishing / Writer: Joshua Hale Fialkov / Art: Brian Churilla

Colors: Jay Fotos / Letters / Creative Consultant: Chris Mowry

Cover: Brian Churilla

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Detective Comics #934 Review

08 Wednesday Jun 2016

Posted by Paul Bowler in All

≈ 10 Comments

Tags

Adriano Lucas, Azrael, Batman, Batwoman, Cassandra Cain, Clayface, comics, DC Comics, DC Rebirth, Detective Comics #934, Detective Comics #934 Review, Eber Ferreira, Eddy Barrows, Gotham, Gotham City, James Tynion IV, Orphan, Red Robin, Rise of the Batmen, Rise of the Batmen Part 1, Spoiler

Detective Comics #934

Review by Paul Bowler

The Batman family must confront a new menace in Detective Comics #934, when an unknown enemy that looks suspiciously like Batman begins stalking Gotham City and using ruthless tactics against perceived threats. Batman and Batwoman unite to train the next generation of young heroes in Gotham: Spoiler, Red Robin, Orphan (Cassandra Cain), and the reformed super-villain Clayface, to battle crime and protect their city. ..

As well as returning to its original numbering, Detective Comics now embraces an entirely new concept, and gets a new creative team with the advent of DC Rebirth, as writer James Tynion IV, artist Eddy Barrows, inker Eber Ferreira, and colorist Adriano Lucas usher in a new era for DC’s flagship comic series. Detective Comics #934 also marks the return of Batwoman to play a major role in the DC Universe, now working alongside Batman, together they will form a new team of superheroes with, Spoiler, Red Robin, Orphan, and Clayface, to confront the challenge of this mysterious new Darker Knight prowling Gotham like a vengeful predator, but can they work as a team, and is Clayface really ready to change his villainous ways?

You know, as excited as I am by Batman, Nightwing, and All Star Batman, of all the new Bat-Titles coming our way during DC’s Rebirth, its Detective Comics that I’ve really been looking forward to the most. I often feel that Detective Comics got a bit overlooked at times during The New 52, but I’m sure all that will change; especially now on the strength of this first issue by James Tynion IV and the exciting new premise it establishes.

detective-comics-934 COVER

The initial scenes of Rise of the Batmen Part 1 flashbacks to events as Gotham’s deadly new cape and cowl attacks Azrael, it’s a brutal fight, but with Batman’s arrival on the scene this strange doppelganger impersonating Batman soon beats a hasty retreat to the shadows. The new status quo and cast of characters is quickly set out as the issue unfolds, as Kate’s father’s sentiments are echoed later in Batman’s request for her to help him find out why Azrael was attacked and who is controlling the drones that have been spying on Gotham’s vigilantes. It’s really interesting to see Bruce and Kate working together so closely again, the unusual dynamic between them really plays to Tynion’s strengths as a writer, and I’m looking forward to seeing how Batman and Batwoman will work together. Given how tense and distant their relationship has sometimes been, this issue heralds a major turnaround on that front, it’s a terrific scene, and pivotal to forging their bond of trust and respect as equal partner in recruiting and running their boot camp for their new trainees.

James Tynion IV also does a great job at handling this ensemble cast of characters, a fact that really shines through as we see Batman and Batwoman assessing and visiting Spoiler, Red Robin, Cassandra Cain, and Clayface individually over the course of the issue, and brining them together as a team to survive this new threat. Even though each student has their own unique attributes, strengths, and skills, Batwoman makes it clear from the outset their training is going to be tough; and she certainly isn’t going to go easy on them!

Then of course we have, in my opinion, the masterstroke move by Tynion and co, of having Clayface becoming part of the team! The scene were Batman and Batwoman recruit Basil Karlo proves to be a really powerful and emotional scene for the character, I found it genuinely moving, and the dynamic between Batman and Batwoman here is pitched perfectly. Ok, hands up, I admit I’m more than a little biased here, because Clayface is my all-time-favourite villain from Batman’s rogues galley, and I’m thrilled to see the character become such an integral part of this series, but is he really ready for redemption? Only time will tell…

Detective Comics #934 features some gorgeous artwork by Eddy Barrows and inks by Eber Ferreira. The page layouts are bold and dramatic, Barrow’s art is finely detailed and conveys the often kinetic action with an almost fluidic sense of pace and movement, all the characters are impressively realized, and Ferreira’s inks really brining out the finer nuances of Barrow’s work to such a degree that each scene literally bursts from the page with the sheer immersing power of characterization and spectacle in this issue. Likewise, colorist Adriano Lucas builds the tension and drama with a subtle blend of rich hues and bold tones, while the clever use of light and shadow accentuates the mood of countless scenes to make this issue an outstanding synergy of storytelling and art. This issue has so many highlights: Batman standing framed in light in St Michael’s Cathedral before the fallen Azrael, Batwoman swinging across the Gotham skyline, the recruiting of the individual team members, and the stunning welcome to boot camp at the Bat-Signal that emulates this issues stunning cover by Barrows, Ferreira, Lucas is a sublime move that neatly bookends the issue in fine style.

James Tynion IV has done a terrific job with Detective Comics #934, the new premise and mission scenario is set out for Batman, Batwoman, and their new team in a way that gradually builds the mystery and suspense, before the issue closes with a startling glimpse at the true scale of the menace they will all soon have to face. James Tynion gives all of the characters a moment to shine, while Eddy Barrows, Eber Ferreira, and Adriano Lucas ensure the issue is busting from cover to cover with impressive visual, along with concise letting from Marilyn Patrizio, collectively gets this new creative teams run on Detective Comics off to a great start!

Publisher: DC Comics / James Tynion IV / Art: Eddy Barrows

Inks: Eber Ferreira / Colors: Adriano Lucas / Letters: Marilyn Patrizio

Cover by: Barrows, Ferreira & Lucas / Variant Cover: Rafael Albuquerque

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Trista & Holt #15 Review

06 Monday Jun 2016

Posted by Paul Bowler in All, IF? Commix

≈ 2 Comments

Tags

Andrez Bergen, Black Sails, comics, Disco Inferno novelisation, Film Noir, IF? Commix, Magpie, Tobacco Stained Mountain Goat, Trista & Holt #15, Trista & Holt #15 Review, Trista and Holt #15, Tristan and Iseult, Who is Killing the Great Capes of Heropa?

Trista & Holt #15

Review by Paul Bowler

Heartache, despair, and sweet revenge await in Trista and Holt #15, following Trista’s shocking treatment at Black Sails sanatorium. But is their tragic love affair really over? Issy must now struggle back from the brink of despair, fending off suicidal thoughts and his inner demons, to return to Black Sails and save Trista. In this powerful and moving series finale, Trista and Holt seek to escape from their warring families forever, but can their love ever truly survive now after everything that‘s be done to tear their lives apart..?

Trista and Holt #15 brings Andrez Bergen’s (writer / artist of Tales to Admonish, Bullet Gal, and author of Who is Killing the Great Capes of Heropa?) IF? Commix crime-riddled, pulp-noir, dada influenced take on the medieval story of Tristan and Iseult spruced up with modern digital sensibilities, hardboiled violence, passion, and disco, to a sensational conclusion. Following the success of his Bullet Gal series, Magpie, and with the Black Sails, Disco Inferno novelisation just released (which also retells the classic romance of Trista and Iseult in a 70’s style pulp/noir world), Andrez Bergen’s innovative storytelling and distinct artistic style ensures Trista and Holt #15 rounds off his latest IF? Commix series in fine style.

Right from the outset, Trista and Holt #15: In The End, plunges us deep into the shadowy, nightmarish abyss of Issy’s suicidal despair as we flashback six days to find him broken hearted, despondent, and resigned to ending his own life. Having discovered the truth about his father and Trista’s aunt Marcella, and after learning what happened to Trista at Black Sails sanatorium, Issy has spiralled into a twisted game of Russian Roulette in which his own emotional ruin will seemingly provides the ammunition Issy needs to end his pain.

Trista + Holt_15_COVER ART_IF COMMIX

Andrez Bergen sends us on a roller coaster ride of emotions as the narrative unfolds, with Izzy facing his darkest hours, before finally emerging from his frenzied stupor without a bullet in his brain and the epiphany that will ultimately drive him – quite literally – in his dad’s cherished Jaguar D-Type to reach Black Sails and rescue Trista from the fate engineered by those whose machinations have conspired to destroy them. The dark opening themes gradually melt away during the heartrending reunion in the gardens of Black Sails, it’s a beautiful yet tragic moment for our erstwhile lovers, punctuated with dreams, recollections and melancholy as birds circle in the overcast sky above, Trista and Holt will make one last ditch bid for freedom that’s every bit as ingeniously bitter-sweet as it is barbed with revenge for those that have wronged them.

Andrez Bergen’s art for Trista and Holt #15 is arguably some his finest work ever: from the stark despair of Issy’s dalliance with suicidal thoughts, through to the windswept journey to Black Sails relayed via a collage of striking imagery and surreal montages, the digital cut-ups and collages of dreams and fantasy splice seamlessly with the emotional resonance of Trista and Holt’s reunion, and the bold white infused splash pages that sear away the shadows provide a vivid contrast with the intoxicatingly sombre, yet exquisitely upbeat and sensual tone of this impressive double-sized issue as the series concludes in the most unexpected way imaginable.

This series finale certainly delivers on every level and rewards long-term readers in the most sublime way. Trista’s haunting dream is a visual tour de force of storytelling and art from Andrez Bergen, the characterization is beautifully handled in this issue, and you will almost feel like you have been drawn into every scene as this mesmerising saga approaches its end. As a cry of rage rings out in the bowels of Tintagel, the build up towards Trista and Holt’s final scenes are simply stunning, and accentuated with the merest splash of color to mark the occasion and make that parting moment all the more poignant. Trista and Holt has been one of Andrez Bergen’s most outstanding IF? Comic series’ so far, this final issue is superb, and Trista and Holt #15 is guaranteed to make you cry, smile, and take your breath away all at the same time…

Publisher: IF? Commix / Writer: Andrez Bergen / Art: Andrez Bergen

Trista & Holt #15 is available 1st Jube 2016 / Hard Copy $5 & Digital $1

FIND OUT MORE FROM IF? COMMIX VIA THEIR WEBSITE

iffybizness.weebly.com

If you enjoyed Trista and Holt, then be sure to check out Andrez Bergen’s brand new Black Sails, Disco Inferno novelisation (with Renee Asher Pickup) based on his Trista and Holt  IF? Commix series. The paperback is available now via Amazon USA and Amazon UK and Amazon Canada, while the eBook can be picked up at Amazon USA, Amazon Australia, Amazon France, and Amazon Japan.

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Batman Rebirth #1 Review

02 Thursday Jun 2016

Posted by Paul Bowler in All, DC Comics

≈ 6 Comments

Tags

Batman Rebirth #1, Batman Rebirth #1 review, Calendar Man, comics, DC Comics, DC Comics Rebirth, Evil 356, June Chung, Mikel Janin, Scott Snyder, Tom King

Batman Rebirth #1

Review by Paul Bowler

This season’s major DC Comics event continues to unfold in Batman Rebirth #1, from Eisner Award winning Batman writer Scott Snyder and new Batman scribe Tom King, and featuring art by Mikel Janin, this special issue finds the Dark Knight detective facing a new challenge as of Calendar Man menaces Gotham City!

Well, now that DC Universe Rebirth #1 has set the ball rolling, its time for the rest of the DCU titles to follow suit. Batman Rebirth #1 builds on the events of that landmark 80 page one-shot Rebirth issue, with a rejuvenated Bruce Wayne / Batman, who is also now restored to the peak of his mental and physical prowess. This issue marks another rebirth of sorts for DC’s main Batman title, with Tom King (Grayson, Omega Men) now taking over writing duties on Batman from Scott Snyder (Although Snyder does co-write this issue with King), and together they kick-start a whole new era for the Dark Knight detective.

Batman Rebirth #1 throws us right into the thick of the action, the narrative unfolds across the accelerated seasons, with Batman dealing with a dire threat to Gotham, while Duke Thomas makes a major decision, and Lucius Fox has a poignant meeting with Bruce Wayne. I like how the issue embraces the concept of Rebirth wholeheartedly to bring a us fresh perspective to many of the established elements in the Bat-Books, there’s almost a sense of passing the baton so to speak, as we begin to move on from Scott Snyder and Greg Capullo’s run and Tom King starts to bring his vision for the character into sharper focus. The story meanders in a timey-wimey fashion somewhat, but that’s probably to be expected when the main antagonist in this issue Calendar Man.

Batman Rebirth #1

Calendar Man might seem a like strange choice of villain for this Rebirth issue, especially as he’s not exactly from the higher echelons of Batman’s rogue gallery, but he actually turns out to be a perfectly fitting choice for this story and Batman Rebirth overall, and his scheme here presents Batman with a major challenge. This version of the Calendar Man arguably takes the seasonal themes on which his crimes are always based to a whole new level, it was something I wasn’t expecting, and the character gets a much needed overhaul that effectively sees Calendar Man reborn in the most unique and unsettling way over the course of the story as well.

With its striking cover and impressive artwork by Mikel Janin, and fine colors by June Chung, Batman Rebirth #1 is certainly an eye-catching issue. There are some truly stunning set-pieces, especially those involving Batman’s confrontation with Calendar Man, a vertigo inducing work out, some intense underwater action, and Duke’s inauguration into Batman’s world continues to offer up something entirely new and unexpected. Seriously, the Bat-Cave looks stunning in this issue, the scene with Lucius Fox is also especially moving, and there’s a terrific bond that’s developing between Bruce and Duke as well that is sure to bring a whole new dynamic to the Dark Knights world.

Batman Rebirth #1 is an action-packed, emotional, and thoughtful issue. We now begin to get a greater sense of how DC Rebirth will resonate through the legacies of all the major DC characters, and if the rest of the Rebirth issues are half as good as this, the DCU is well on the way to reinvigorating their characters in fine style.

In short, I’d recommend Batman Rebirth #1, and I’m really looking forward to what Tom King and David Finch have in store for the Dark Knight even more now. Featuring a solid storyline, powerful and emotional scenes, a new role for Duke Thomas, and Calendar Man’s stomach churning – sure to make you recall a certain forth season X-Files episode – rejuvenation, Batman Rebirth #1 heralds a promising new chapter for the Dark Knight. One thing’s for sure though, no matter what the future might hold, the word can’t is still something that will never, ever exist in Batman’s vocabulary!

Publisher: DC Comics / Writers: Scott Snyder and Tom King

Art: Mikel Jenin / Colors: June Chung

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Invincible Iron Man #10 Review

01 Wednesday Jun 2016

Posted by Paul Bowler in All, Marvel Comics

≈ 6 Comments

Tags

Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Invincible Iron Man #10, Invincible Iron Man #10 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Spider-Man, The War Machines, Tokyo, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #10

Review by Paul Bowler

The road to Civil War II continues in Invincible Iron Man #10, with Tony working undercover in Osaka alongside Rhodey to deal with the deadly threat posed by the biohack ninjas, Iron Man needs his allies now more than ever as Civil War ominously encroaches on the horizon of the Marvel Universe. Get ready for an emotional and action-packed issue of Invincible Iron Man as Tony Stark’s world is shaken to the core.

The War Machines story-arc and the Road to Civil War II converge inexorably in Invincible Iron Man #10, as writer Brian Michael Bendis effortlessly builds the suspense, and numerous plot strands are drawn together as Tony’s plan to infiltrate the biohack ninjas led by Techno Golem, Tomoe, enters its next phase. So, when the biohack ninjas come knocking on Mister Richard Franco’s (AKA Tony Stark’s undercover identity recently assumed with the help of some advanced facial disguise software) door in Osaka, it begins to look like Tony might’ve bitten off more than he can chew. Fortunately he‘s got Rhodey to watch his back. Meanwhile, Tony’s A.I, Friday, is managing his company in his absence. But with the board of directors attempting to seize control following news of Stark‘s apparent demise, it now falls to Mary Jane Watson, who recently turned down the job offer to become Tony’s assistant, to make the toughest decision of all.

This is another impressive tightly plotted issue from Brian Michael Bendis. From Tony’s / Franco’s abduction, tinged with hints of colourful language and a hilarious “stinky” mask thrown in just to add insult to injury, the wry humour and banter with Rhodey soon gives way to the brooding menace of Tony’s confrontation with Techno Golem, Tomoe. Its ingenious how Bendis makes the scenes with MJ in New York proved such an equally powerful and poignant contrast with Tony’s mission in Japan, as billboards, a web-swinging cameo, and an unexpected request for help bring MJ to reflect on both her life and career. The AI, Friday, is another character that really shines in this issue, as her role becomes more pivotal than ever.

Invincible Iron Man #10 MJ

Mike Deodato’s art work for Invincible Iron continues to impress on every level. With some concise page layouts that are both elegantly structure and packed with detail, the plot unfolds rapidly between Japan and New York, each resonating with the drama and emotional beats of the other in perfect unison. Mike Deodato and Brian Michael Bendis have infused this issue with a mesmerising blend of action and suspense, as story and art fuse seamlessly as one. Gloriously realized two-page spreads punctuate key moment with vivid clarity, as the meeting in Tomoe’s stunning penthouse and a dazzling test of skill and endurance against the biohack ninjas make our jaws hit the floor with the sheer intoxication of their spectacle, while color artist Frank Martin’s exquisite use of tone and shade throughout immerses your imagination in every scene.

The issue juggles a lot of plot threads and delivers just as many revelations as it does unanswered questions. I particularly liked how MJ’s arc is leading the character towards a much stronger role in this series. Mike Deodato and Frank Martin’s fun cover for Invincible Iron Man #10 had me expecting something more frivolous, however, the emotional impact of Mary Jane’s scenes in this issue are handled perfectly, and it is those same quiet, reflective moments – where things remain unspoken and introspective sideways glances melt your heart – which actually reveal far more than words mere could ever hope to describe.

There’s also a brief interlude with new armored superhero, Riri Williams, Tony uncovers a surprising secret about his captors, and Rhodey is standing by jut in case Tony’s plan to infiltrate the techno-terrorists goes pear shaped. Invincible Iron Man #10 is another incredibly strong issue from Brian Michael Bendis and Mike Deodato, with its plethora exciting plot developments, stunning visuals, and awesome surprise final page, this is one issue on the road to Civil War II that you certainly wont want to miss!

Publisher: Marvel / Writer: Brian Michael Bendis /

Art: Mike Deodato / Color Artist: Frank Martin

VC’s Clayton Cowles: Letterer & Production /

Cover Artists Mike Deodato & Frank Martin

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