Blade Runner Origins #2 Review

30 Tuesday Mar 2021

Posted by Paul Bowler in All, Titan Comics

Tags

Blade Runner, Blade Runner Origins, Blade Runner Origins #2, Blade Runner Origins #2 Review, Fernando Dagnino, K. Perkins, Mellow Brown, Mike Johnson, Titan Comics, Tyrell

Review by Paul Bowler

The action and intrigue ramps up in Blade Runner Origins #2 as LAPD detective Cal Moreaux continues his investigation into the apparent suicide of a scientist at the Tyrell Corporation. But what should have been an open and shut case has now become a murder investigation. Just as Moreaux begins to uncover the shocking truth about the company’s advanced Replicant research programme, dark forces close in to eliminate his only witness, and the conspiracy he finds could well redefine the essence of what means to be human in Los Angeles: 2029.

Titan Comics Blade Runner Origins comic series explores the story behind the first Blade Runners, and the genesis of the Nexus 5 replicants. Blade Runner Origins #2’s all-star creative team of K. Perkins (Supergirl), Mellow Brown (American Gods) and co-writing creative consultants Mike Johnson and Michale Green (Blade Runner 2019) stylishly builds on the atmospheric scene-setting first issue by adding a wealth of back-story and rich characterisation into the narrative.

Perkins and Brown weave a dark, compelling and well measured story with characters and plot twists that constantly keeps you guessing. This issue primarily focuses on Detective Moreaux’s ongoing investigation and his attempts to protect the late Dr. Kine’s brother, Marcus – who also has suspicions about the Tyrell Corp. However, their frantic high-speed escape from the mysterious replicant that’s tracking Marcus and the sinister machinations of Ilora Stahl, along with Cal’s clashes with his superiors at the LAPD, all conspire to prevent Moreaux from getting close to the truth.

The art by Fernando Dagnio and colors by Jim Campbell stylishly captures every nuance of the neon-noir drenched world of Blade Runner. From the gleaming cityscapes, dark rain swept streets, corporate opulence and dazzling technology Dagnio and Campbell bring Detective Moreaux’s tale to life with startlingly clarity and there’s even a beautiful homage to Blade Runners iconic “tears in the rain” scene for the mysterious replicant prototype that’s been following Marcus’s every move.

I’ve been really impressed by what Titan Comics have been doing with their Blade Runner comics, and this new series presents a fascinating prequel to one of cinemas most endearing sci-fi masterpieces. Blade Runner Origins #2 a worthy edition to Titan’s range and is sure to please fans and newcomers alike.

Publisher Titan Comics

Writers K. Perkins and Mellow Brown

Art Fernando Dagnino / Colors Marco Lesko

Letters Jim Campbell / Cover Angel Hernandez / Esther Sanz

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Superman #29 Review

09 Tuesday Mar 2021

Posted by Paul Bowler in All, DC Comics

≈ 22 Comments

Tags

Clark Kent, DC Comcis, Future State, Jon Kent, Lois Lane, Metropilis, Philip Kennedy Johnson, Superman, Superman #29, Superman #29 Review

Superman #29

Review by Paul Bowler.

Following his innovative take on the future of the Superman family during Future State, writer Philip Kennedy Johnson takes the helm full-time for Superman #29, for the first in a two-part story that will unfold this month in both Superman and Action Comics. “The Golden Age” presents an insightful and moving character study where Johnathan Kent reflects on his father’s great legacy, just as a new threat strikes from outer space, attacking Clark and almost killing him! The young hero must finally confront the foreknowledge he gained during his time with the Legion of Superheroes in the future about Superman’s fate – one that might soon become a frightening reality…

Much like Philip Kennedy Johnson’s Future State work, his debut issue as lead writer on Superman also focuses more on character than the actual event, more specifically here he throws the spotlight on the complexities of Clark’s relationship with his son after the long time Jon’s spent apart from his parents. The fallout from Brian Michael Bendis’ era is keenly felt. However the “The Golden Age” which Johnson aims for centres on the adolescent belief that our parents are infallible, and the inherent consequences when that unwavering sense of fearlessness crumbles when Jon witnesses his father falter for the first time in battle.

Amidst the emotional turmoil of exactly how Jon chooses to have that conversation with his dad about what he discovered thanks to his time with Legion, and Clark’s heartfelt way of getting Jon to open up to him about what’s really worrying him, allows Johnson to explore a rich emotional narrative that empowers the dynamic between the characters like never before. There’s also the mystery of who-or-what is causing the intergalactic breaches, and with Amanda Walker scheming on the side-lines you can be sure things wont go well for anyone who gets caught in the crossfire.

The artwork for Superman #29 by penciller Phil Hester and inker Eric Gapstur, with colors by HI-FI provides a distinctly clean and uncluttered visual style and tone for the issue. The standoffishness of Jon’s somber reluctance to talk to his father — sure in the knowledge that Clark died once before and that the Legion of Superheroes told him it could happen again — is also cleverly portrayed through the page-layouts with subtle notes of body language that express Jon’s fears just as strongly as the dialogue.

In the tales of Metropolis back-up story by Sean Lewis, with art by Sami Basri and colors by Ulies Arreola we see an old fan favourite from the 80’s / 90’s, Bibbo Bibbowski placed front and centre as this hero-of-the-people tackles an alien threat attempting to manipulate the citizens of Metropolis. Its a tale that taps into similar vein as the back-up stories Lewis did for Future State, DC’s Infinite Frontier penchant for back-up stories also offers a chance to showcase totally different — yet just as relevant — adventures and I’m sure there is a wealth of possibilities to explore with this format that will nicely complement the main narrative of Philip Kennedy Johnson’s run.

Overall, Superman #29 is a deeply thought provoking and emotional study of the complex relationship between Clark and Jon; along with their standing in Metropolis and indeed the universe itself. Superman #29 gets Philip Kennedy Johnson’s run off to a great start, with its character driven storyline and solid artwork, it would seem the House of El could not be in safer hands.

Publisher DC Comics

Writer Philip Kennedy Johnson / Pencils Phil Hester

Inks Eric Gapstur / Colorist HI-FI

Letterer Dave Sharpe / Cover Hester, Gapstur and HI-FI

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The Swamp Thing #1 Review

02 Tuesday Mar 2021

Posted by Paul Bowler in All, DC Comics

≈ 22 Comments

Tags

DC Comics, Mike Perkins, Mike Spicer, Ram V, Swamp Thing, Swamp Thing #1, Swamp Thing #1 review, The Pale Wanderer, The Swamp Thing #1, The Swamp Thing #1 review

The Swamp Thing #1

Review by Paul Bowler.

A new era of horror blossoms in The Swamp Thing #1, DC Comics brand new 10 part maxi-series from the creative team of writer Ram V and artist Mike Perkins. The Guardian of the Green has a new host, Levi Kamei, who cannot control his nightmarish metamorphosis into the Swamp Thing. Finding himself caught up in a terrifying mystery surrounding the ghastly murders committed by an ancient desert legend, Levi must revisit events from the past in his homeland of India, and confront a fearsome new villain if he is to ever understand the horrifying reality of what is happening to him…

Ram V is no stranger to Swamp Thing having written for Justice League Dark and Future State Swamp Thing for DC Comics. Now as part of DC Comics Infinite Frontier initiative in the aftermath of the Death Metal and Future State events, Ram V’s new Swamp Thing mini-series introduces us to Levi Kamei (DC’s first lead character heralding from India), an everyday guy with a deep rooted fear of flying, who now faces an inner-struggle to understand and control his dream fuelled transformations into Swamp Thing.

Exactly how Levi initially became Swamp Thing is opaquely mapped out by Ram V over a series of flashbacks to Levi’s trip to India to visit his dying father. Burning terror, violence and a dark bargain made by his brother all played some role in Levi’s origin as Swamp Thing. Previously, once a character had been transformed into Swamp Thing it was permanent, and there was no turning back. Ram V masterfully sows an uncanny twist into the narrative that seems to indicate that Levi is some kine of vessel or conduit for the Green, especially if Levi’s petrifying trans Atlantic flight back from India to the USA is anything to by, and its a change that respectfully builds on the enduring legacy of Swamp Thing whilst also branching out in a completely fresh direction for the character.

Swamp Thing #1: Becoming Part 1 broodingly establishes this new set-up as the action divides between a Sherif and his deputies investigation of a gruesome murder in the Sonoran Desert, the haunting legend of the Pale Wanderer, and Levi Kamei’s recollections about his trip to India after he returns to New York where he is welcomed home by his long-term friend-with-benefits – Jennifer Reece. It is only really at this issues mid-way point that this series’ premise becomes more clear as we begin to see the wider picture of Levi’s plight, one that’s steeped in the history of India, along with powerful real-world and environmental issues, raw emotion and dark creeping horror.

Gloriously illustrated throughout by artist Mike Perkins, every page blooms with intricate detail, vivid horror, and unsettling atmosphere. The scene setting opening in the desert offers a curious mix of isolation and dread, where the forensic examination of a corpse and the lifecycle of a blowfly provides a stark contrast with the symbiosis of Levi’s metamorphic relationship with both Swamp Thing and natures inexorable cycle of life and death. The grim story of the Pale Wanderer, a former Civil War soldier who abandoned his humanity after he wandered into the desert, and subsequent manifestation as some ghostly ghoul is also rendered with eerie clarity by Perkins. Levi Kamei’s journey is filled with compelling mystery and drama throughout, with Perkins art and colourist Mike Spicer’s exquisite use of rich tones and shadows bringing Levi’s mesmerising mind-trip down the green rabbit hole of Swamp Thing’s domain to life as dark fantasy melds with the frightening real-world horror of his transformations.

Ram V is clearly going for a less esoteric approach here than some writers have previously taken with Swamp Thing, and on the whole this makes the series feel extremely accessible to all. Fans might be disappointed there’s no mention or acknowledgment of the current Swamp Thing, Alec Holland, or recent events in Justice League Dark, and the battle with the Upside-Down Man. However, Ram V does such a great job introducing Levi Kamei as a new kind of Swamp Thing with this issue that it all serves to further the mysterious tone of the story anyway. This issue is a little bit of a slow burn, but its rich with characterisation, and everything builds to a nerve jangling face-off between Swamp Thing and the Pale Wanderer.

Swamp Thing #1 sets Levi Kamei on a hauntingly macabre path, one fraught with emotional turmoil and grim revelations. I’ve been eagerly anticipating the arrival of this 10 part maxi-series, I’m a big horror and Swamp Thing fan, and I’m pleased to say that I was highly impressed with this issue. If Ram V’s Future State Swamp Thing wetted your appetite for more, then The Swamp Thing #1 is sure to satisfy your horror craving with its deep and enchanting take on the character, and a killer creative team firing on all cylinders.

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colorist Mike Spicer / Letterer Aditya Bidikar

Cover Mike Perkins & Mike Spicer

Variant Cover Francesco Mattina

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