Spider-Man No Way Home Film Review

20 Monday Dec 2021

Posted by Paul Bowler in All, Film Reviews

Tags

Doctor Octopus, Doctor Strange, Electro, Green Goblin, Marvel, MCU, Multiverse, Sandman, Spider-Man, Spider-Man No Way Home, Spider-Man No Way Home Review, Spiderman No Way Home Review, The Lizard, Tom Holland

Spider-Man No Way Home

Review by Paul Bowler

The Multiverse explodes into the MCU in Spider-Man No Way Home as the webslingers world collides with the narrative of the Avengers movies and the plots of the five previous Spider-Man movies that starred Tobey Maguire and Andrew Garfield. Spider-Man No Way Home also contains more Easter eggs, secrets and cameos than any superhero film we’ve seen to date. Tom Holland’s third solo outing as Spider-Man also manages to side-step the curse of the over cluttered threquel to be an action packed, emotional roller coaster ride that more than lives up to the hype.

After a brief recap of Spider-Man being unmasked at the end of the previous film, Spider-Man No Way Home sees Holland’s young superhero struggling to protect Aunt May (Maria Tomie), his girlfriend MJ (Zendaya), best pal Ned (Jacob Batalon) and Tony Stark’s former chauffeur Happy Hogan (Jon Favreau) from the media swarm that has descended on his life thanks to J. Jonah Jamerson (JK Simmons) broadcasts claiming that Spider-Man murdered Mysterio (Jake Gyllenhaal).

To protect those he loves Peter seeks out Doctor Strange (Benedict Cumberbatch) at his Sanctum Sanctorum to ask him to cast a spell that could make the world forget his secret identity. But when the magic goes awry the multiverse is breached, summoning every villain who knew his identity in the other dimensions and Spider-Man movies – Green Goblin (Willem Dafoe, Doctor Octopus (Alfred Molina), Electro (Jamie Fox), Lizard (Rhys Ifans) and Sandman (Thomas Haden) – to converge on NCY in the MCU reality.

Director Jon Watts, who has been behind the camera since Holland began his solo adventures in Spider-Man Homecoming after his scene-stealing debut in Captain America Civil War, keeps the huge scope and scale of Spider-Man No Way Home on track along with returning screenwriters Chris McKenna and Erik Sommers. Highlights include a spellbinding chase between Spider-Man and Doctor Strange across the dimensions that echoes Christopher Nolan’s Inception, Spider-Man battles the rogues gallery of his deadliest foes, and there’s a thrilling showdown at the Statue of Liberty. But it is the films underlying themes of second chances what really drives the narrative of the movie the most as Peter Parker is put through the emotional wringer, the same is true for the multitude of returning villains as well, and even the core ethos of great power and responsibility that is the cornerstone of Spider-Man’s legacy gets powerfully reworked in the most unexpected way.

Tom Holland gives his best performance by far as Peter Parker / Spider-Man, the supporting cast are brilliant as well, and script is chock full of fun moments and clever call-backs to enjoy too. Oh and be sure to stay for those credits as well! To say any more about Spider-Man No Way Home would totally ruin the thrills and surprises it holds. I’d been really looking forward to seeing this film and I throughly enjoyed it. Suffice to say, if you’ve been a fan of the MCU and the many different eras of the Spider-Man films you are going to be totally blown away by the fan-pleasing moments this action-packed movie delivers!

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Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

New Spider-Man No Way Home Trailer Confirms a Multi-verse of Villains!

17 Wednesday Nov 2021

Posted by Paul Bowler in All, Trailers & Posters

≈ 20 Comments

Tags

Benedict Cumberbatch, Doc Ock, Doctor Strange, Electro, Green Goblin, Marvel, Multiverse, Sandman, Spider-Man, Spider-Man No Way Home, Spider-Man No Way Home trailer, Tom Holland

The new Spider-Man No Way Home trailer has finally arrived and it brings a multi-verse of villains along with it! The action-packed trailer delves even deeper into Spider-Man’s latest struggle as the multiverse begins to fracture and allow several classic Spidey villains from the multiverse to come pouring out through the cracks. Staring Tom Holland as Peter Parker/Spider-Man and Benedict Cumberbatch as Doctor Strange, this trailer suggests that Peter’s interruptions while the Sorcerer Supreme was conducting his memory-wiping spell led to the multiverse cracking open, and they seam to be at loggerheads as they try to deal with the ramifications of what they’ve unleashed.

Of course we already knew Alfred Molina’s Doc Ock would return, and it would seem he has the most prominent role to play in the new Spider-Man: No Way Home trailer. There’s also brief appearances from Electro (Jamie Foxx), Sandman, Lizard, and the Green Goblin!

Rumours abound about at who else might appear in Spider-Man No Way Home but this trailer doesn’t give anything more away on that front. Spider-Man No Way Home looks set to be an epic MCU movie event, and is certainly one of the most hotly anticipated films of the year. Spider-Man: No Way Home will be swinging into cinemas on December 15 in the UK and December 17 in the US!

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Spider-Man No Way Home Teaser Trailer Released!

24 Tuesday Aug 2021

Posted by Paul Bowler in All, Trailers & Posters

≈ 24 Comments

Tags

Doctor Octopus, Doctor Strange, Green Goblin, Marvel, Multiverse, Peter Parker, Spider-Man, Spider-Man No Way Home, Spider-Man No Way Home trailer, Tom Holland

So only a day after footage apparently leaked onto the internet, Sony have released the first teaser trailer for Spider-Man No Way Home. For the first time in the cinematic history of Spider-Man, our friendly neighbourhood hero is unmasked and no longer able to separate his normal life from the high-stakes of being a Super Hero. When he asks for help from Doctor Strange the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man!

The trailer looks really exciting and really looking forward to Spider-Man No Way Home – fingers crossed it lives up to all the hype!

The film stars Tom Holland, Zendaya, Benedict Cumberbatch, Jon Favreau, Jacob Batalon with Marisa Tomei, and is directed by Jon Watts. Spider-Man No Way Home looks set to be the MCU event of 2021 and will be realised exclusively at cinemas December 17th!.

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Amazing Spider-Man #64 Review

21 Wednesday Apr 2021

Posted by Paul Bowler in All, Marvel Comics

≈ 11 Comments

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Amazing Spider-Man #64, Amazing Spider-Man #64 Review, Boomerang, Kindred, King's Ransom, Kingpin, Marvel Comics, Nick Spencer, Peter Parker, Sinister War, Spider-Man, The Amazing Spider-Man #64 Review

The Amazing Spider-Man #64 Review

Review by Paul Bowler

The Amazing Spider-Man #64 finds Tombstone and Robbie Robertson at loggerheads yet again and Spider-Man’s life is getting trashed in the crossfire as a result! Mind you with Pete and his roommate Fred Myers (AKA. Reformed super villain Boomerang), teaming up with Spidey to keep the pieces of the all-powerful Lifeline tablet out of the Kingpin’s clutches, and Peter’s other roommate Randy Robertson dating Tombstone’s daughter, Janice Lincoln (the Beetle), its little wonder Spider-Man’s life is a tad chaotic right now!

Nick Spencer continues to steer the series back towards a more scattershot, back-to-basics and fun approach to Spider-Man’s world that was so indicative of the early stages of his run. The first half of “King’s Ransom Part Two” is a frenetically paced blend of recap and cliff-hanger fallout after Madame Masque and Crime Master ambushed Randy and Janice back at Pete’s apartment — which was interrupted when Peter and Fred suddenly returned home. The ensuing fight details how Spider-Man managed to enter the fray — with Peter cleverly managing to protect his secret identity — while safely sidelining Fred but also failing to prevent Randy and Janice being kidnapped.

Amazing Spider-Man #64 features slick artwork from Federico Vicentini, with Alex Sinclair on colors and lettering by Joe Caramagna. The pace of the action hardly lets up for a moment. Every page is dynamically structured, vibrantly illustrated and accentuated with a striking pallet of color. Spidey’s battle with Madame Masque and Crime Master in the apartment offers further insight into the abilities of Spider-Man’s new high-tech suit (courtesy of JJJ’s Threats & Menaces podcast). The suit enhances Spider-Man’s strength, agility, web shooters, and also enables TNM’s subscribers to livestream Spidey’s adventures — at his discretion of course — and this quirky modern twist on Peter’s old job selling photos of Spidey to the Bugle has boosted Spider-Man popularity in NYC (much to the Kingpin’s annoyance) and sent JJJ’s channel subscribers though the roof! I quite like the new costume, although I’m not overly fond of the Social Media slant to it all that much. Mark Bagley’s cover impressively showcases the current story line, however, it features Spidey in his classic suit, which seems a bit strange given all the time Marvel spent building hype about the new suit — guess this cover was commissioned before the new suit was revealed or decide on?

The one thing I’ve really like about Spencer’s time on Spider-Man is the humour peppered throughout the dialogue and the fun dynamic between all the characters and situations they stumble into. This issue is no exception to that rule. The bromance between Peter and Fred has also been a real highlight, and there are some especially moving moments this issue as Fred decides to take matters into his own hands against the Kingpin’s plans. Given all the years of bad blood between them, having Robbie and Tombstone set aide their differences — for now anyway — also leads to some fun hijinks as they try to track down Randy and Janice – as for the happy couple, well, as you’d expect there’re still bickering like crazy and testing their captors patience to the limit!

If all that wasn’t enough we also have the Kingpin’s scheme to assemble villains to send against Boomerang and Spider-Man, along with sinister machinations involving Kindred and Baron Mordo behind the scenes, and an ominous hint towards the Sinister War that’s coming in July thrown into the mix as well. While this issues not the best jumping on point, it does bring a lot of longstanding plot threads together, and sets up some intriguing possibilities. If you’ve stuck with Spencer’s run this long you’ll find plenty to enjoy here, while newcomers will find Amazing Spider-Man #64 crams in a hell of a lot but still manages to be a fun and enjoyable — if somewhat overwhelming — read nevertheless.

Publisher Marvel Comics

Writer Nick Spencer / Artist Federico Vicentini

Colorist Alex Sinclair / Lettere VC’s Joe Caramanga

Cover Mark Bagley, John Dell, and Edgar Delgado

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Amazing Spider-Man #55 Review

30 Wednesday Dec 2020

Posted by Paul Bowler in All, Marvel Comics

≈ 14 Comments

Tags

Amazing Spider-Man #55, Amazing Spider-Man #55 review, Amazing Spiderman #55 review, Green Goblin, Harry Osborne, Kindred, Kingpin, Last Remains, Marvel, Marvel Comics, Mary Jane, Miles Morales, Nick Spencer, Norman Osborne, Patrick Gleason, Peter Parker, Spider-Man

The Amazing Spider-Man #55

Review by Paul Bowler.

Last Remains concludes in Amazing Spider-Man #55 with an epic showdown between Spider-Man and Kindred! Its a battle that will shake Peter Parker’s world to the core, but the fallout from Kindred’s diabolical scheme could prove even more devastating for Spider-Man and those he loves…

So, after lurking in the shadows for nearly two yeasr, Kindred’s identity was finally revealed as none other than Norman Osborn’s son, and Peter’s old friend, Harry Osborne! After tormenting his old pal for what Harry perceived as Peter “sins,” namely his inability to stop Norman from causing chaos as the Green Goblin throughout their lives, Kindred beat Spider-Man to a bloody pulp, killing and reviving him over and over until restoring Peter’s life one last time to reveal the endgame of his grand plan — and to Peter’s horror it involves Mary Jane!

Writer Nick Spencer brings the chilling Last Remains storyline to a nerve jangling finale with Amazing Spider-Man #55 as the final battle unfolds in the crypt at the Osborne family cemetery. Spider-Man’s Spider-Friends, Spider-Gwen, Spider-Woman, Spider-Girl, Miles Morales, and Madame Web have also been captured by Kindred, and Peter can now only watch helplessly as Mary Jane is inexorably drawn into Kindred’s ghoulish web of vengeance. Events are brought to a cataclysmic head as Peter and Harry’s lifelong friendship is put under the microscope, uncomfortable home truths are finally aired over a grisly last supper, and old wounds get reopened with devastating results for all concerned.

I’ve really enjoyed the work of artist Patrick Gleason and colorist Edgar Delgado on this series and they’ve done a terrific job with this issue as well. Gleason’s art perfectly captures the grim tone of this story. Every page resonates with atmosphere and menace as Kindred’s dark schemes are given centre stage, with dynamic page layouts stylishly conveying the brutal action scenes, while Edgar Delgado’s masterful use of tone and shade accentuates the brooding air of dread, and the tense filled final moments are all brilliantly rendered in such a way that you almost feel a part the plight which Peter faces.

The ingenious way that Spencer throws a curveball move from some old foes as well as MJ into the mix for this final chapter of Last Remains is brilliantly done. Rounding everything off with an edge-of-your-seat cliffhanger was also a bold move — especially considering the revelations in this issue — and no doubt this storyline could well have wide reaching ramifications for the wall crawlers future. All in all, after a bit of lull during the recent glut of Marvel’s big comic book events and crossovers, I think Last Remains has really set Nick Spencer’s run on Amazing Spider-Man back on track. I’ve throughly enjoyed it and consider it one of the best comic storylines I’ve read in 2020.

While we await what’s in store for Spider-Man in the aftermath of Last Remains, Marvel have also given fans their first look at Spider-Man’s all new costume that Spidey will wear beginning with March’s Amazing Spider-Man #62 by Nick Spencer and Patrick Gleason and Aprils Amazing Spider-Man #63 — the costume is designed by Dustin Weaver, who also illustrates the variant covers for Amazing Spider-Man #62-#63 and was a collaborative effort with Spencer and Gleason. The new costume has a distinctly sleek, high-tech look to it, and I have a feeling it will be something fans will either love or hate. Personally I don’t mind it, I think its ok, I like the Spider-Noir style eyes, and the color scheme, though somewhat quirky, oddly seems to suit Spider-Man quite well.

Well, there we have it. My final review for 2020, and what a year its been hasn’t it? The Covid 19 pandemic has certainly turned our world upside down, tragically the death toll of this awful virus is still far from over, but the vaccine now offers hope. I’ve found the lockdowns tough, we’re still under almost lockdown conditions here in the UK, and that’s sadly meant that Christmas has been more of series of Zoom chats than the normal family get togethers I look forward to every year. Thank you for being there. Thank you for all your continued support of my blog and everything that I do, it means so much to me, to have this little corner of the internet to ramble on about comic books, films and TV shows like I do, and here’s hoping that 2021 brings better times for a us all.

Publisher: Marvel Comics

Writer: Nick Spencer / Artist: Patrick Gleason

Colorist: Edgar Delgado / Letterer: VC’s Joe Caramanga

Cover: Patrick Gleason and Edgar Delgado

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Daredevil #24 Review

26 Thursday Nov 2020

Posted by Paul Bowler in All, Marvel Comics

≈ 14 Comments

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Chip Zdarsky, Daredevil, Daredevil #24 review, Daredevil#24, Foggy Nelson, Kirsten McDuffe, Marvel, Marvel Comics, Matt Murdock, Mike Murdock, Spider-Man, The Kingpin, Tony Stark, Typhiod Mary, Wilson Fisk

Daredevil #24

Review by Paul Bowler

The Man Without Fear gets ready to face the music in Daredevil #24 (Truth / Dare Part 4) as his trial for murdering Leo Cararo looms. Ironically, Matt Murdock is only just Back in the Red as Daredevil following the chaos wrought on Hell’s Kitchen by the Stormwyns, and with the citizens of the city looking for someone to hold accountable Matt’s crime-fighting return might soon be over before its even begun.

Daredevil #24 is a masterclass in storytelling from writer Chip Zdarsky that sees Matt and the ensemble cast, both friend and foe alike, run a gauntlet of frayed emotions and angst as Daredevil’s trial approaches. With the erstwhile Mayor Fisk now considered a hero in the eyes of New York’s citizens, Matt has been moved into making plans of his own to ensure the safety of Hell’s Kitchen from the threat of Fisk’s corporate and criminal machinations with the imminent likelihood that Daredevil will probably soon be behind bars. Daredevil has already enlisted Spider-Man’s help to put the frighteners on a meeting of the crime families where Wilson Fisk appointed Izzy Libris as the new Kingpin of New York City, and asked Tony Stark to gain board approval to bid in the property auction for Hell’s Kitchen to keep it out of Fisk’s clutches.

Matters have been complicated by Foggy Nelson decision to go behind Matt’s back to recruit not just Kirsten McDuffie into DD’s legal defence team, but also calling in Mike Murdock – Matt’s twin brother — to pose as Matt himself during the trial as Daredevil takes the stand. As if all that wasn’t’[t enough for Matt to deal with Mayor Fisk has also made a dangerous new ally, Typhoid Mary! Zdarsky juggles all these plot threads and characters with consummate ease throughout this issue. For a superhero who is blind like Daredevil there’s a certain irony to be had in having the supporting characters spending most of this issue wrestling with own inner conflicts and emotions to such a degree that it consequently makes them all essentially blind to the secrets, lies and uncomfortable home truths right under their noses — which is all frankly genius scripting from Chip Zdarsky.

The Devil’s in the detail and that certainly the case here as the art for this issue of Daredevil is handled by penciler Mike Hawthorne, inker JP Mayer and color artist Mattia Iacono who collectively render the numerous scenes and character perspective with a striking level of detail, exciting page layouts, and bold colors. The fallout from Matt and Kirsten’s relationship resonates especially powerfully throughout, and the art beautifully encapsulates this integral driving force of the issues richly compelling narrative. The loneliness of Daredevil’s plight is also wonderfully depicted as Matt ponders the fate of Hell’s Kitchen alone on a rooftop, the courtroom is a veritable who’s who of friends and foes, and we even get a masked, suited and booted look for Daredevil as he prepares to face justice in this remarkably illustrated issue.

I can’t begin to tell you how much I’ve enjoyed Chip Zdarsky’s run on Daredevil since the tiles 2019 relaunch. He’s taken Matt Murdock on a dark journey, turned all the familiar DD tropes on their head, and woven a masterpiece of interconnected story arcs and unexpected character beats into a rich narrative that has ultimately lead to this point. Daredevil #24 is a stylish blend of courtroom drama, shady scheming, and emotional drama with the fate of Hell’s Kitchen at stake and only a whisper of hope remaining for Daredevil as his trial begins. Highly recommend.

Publisher Marvel Comics

Writer Chip Zdarsky / Penciler Mike Hawthorne

Inker JP Mayer / Color Artist Mattia Iacono

Letterer VC’s Clayton Cowles

Cover Marco Checchetto & Matthew Wilson

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The Amazing Spider-Man #52 Review

12 Thursday Nov 2020

Posted by Paul Bowler in All, Marvel Comics

≈ 7 Comments

Tags

Doctor Strange, Harry Osborne, Kindred, Last Remains, Last Remains Part 3, Marvel, Marvel Comics, Nick Spencer, Norman Osborne, Patrick Gleason, Peter Parker, Sin Eater, Spider-Man, Spider-Man #52 Review, Spiderman #52 Review

The Amazing Spider-Man #52

Review by Paul Bowler.

The darkest, most macabre confrontation imaginable awaits Peter Parker in The Amazing Spider-Man #52 as the wall crawler comes face-to-face with the new villain – Kindred! As Kindred reveals his true power to Spider-Man, horrors past and present are unleashed, and Spidey begins realise the terrible danger he’s in!

Having failed to secure the help of Doctor Strange last issue Spider-Man decided to take the fight directly to Kindred himself, but it’s a decision Peter might come to regret as their showdown unfolds. With a gathering of high profile skeletal remains for Kindred’s ghoulish tea party from hell, including George Stacy, Jean Dewolf, Marla Jamerson, Flash Thompson, Gwen Stacy, and Ben Parker, writer Nick Spencer ramps up the horror quota of Kindred’s vendetta to the max in Spider-Man #52 to such a degree that its positively skin-crawling. The way Kindred taunts and goads Spidey before brutally pummelling him to a pulp is done with almost surgical precision, and its not long before our friendly neighbourhood Spider-Man finds the tables have been horrifically turned on him.

Kindred has been plotting and scheming from the shadows for much of Spencer’s run, having first killed Mendel Stromm and then Mysterio, Kindred went on to resurrect Sin Eater to cleanse criminals of their sins — including Norman Osborne (the Green Goblin). Last Remains kicked off with Kindred sending these collective sins after Spider-Man’s Spider-Friends, Spider-Gwen, Spider-Woman, Spider-Girl, Miles Morales, and Madame Web, transforming them into twisted demonic version of themselves in order to unleash carnage on Peter and terrorise New York City. It is this demonic version of The Order of the Web that Kindred now uses against Spider-Man in this issue with almost frightening relish, and effetely forces him into a fateful no-win scenario.

Patrick Gleason’s artwork is a perfect fit for The Amazing Spider-Man. Employing a dynamic blend of overlapping page layouts and spectacular two-page spreads to convey the horror and intensity of Spidey’s face-off with Kindred, Gleason renders every moment of raw emotion, grisly horror and bone crunching action to perfection. Every scene is packed with detail and colourist Edgar Delgado enhances the action with a glorious use of vivid color, rich tones, and sinister shadows.

Everything builds towards a shock cliff-hanger which is brilliantly ambiguous and shockingly chilling. Grim thrills and intense action makes Amazing Spider-Man #52 riveting reading, Nick Spencer is firing on all cylinders here, and Patrick Gleason’s art continues to impress on every level. The creative team on this book are doing a fantastic job and Last Remains is easily one of the most darkly compelling Spider-Man storylines that I’ve enjoyed in a long while.

Publisher: Marvel Comics

Writer: Nick Spencer / Artist: Patrick Gleason

Colorist: Edgar Delgado / Letterer: VC’s Joe Caramanga

Cover: Patrick Gleason and Edgar Delgado

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The Amazing Spider-Man #50 Review

14 Wednesday Oct 2020

Posted by Paul Bowler in All, Marvel Comics

≈ 12 Comments

Tags

Green Goblin, Kindred, Last Remains Part 1, Marvel Comics, Nick Spencer, Norman Osborne, Patrick Gralson, Sine Eater, Spider-Man, Spider-Man #50, Spider-Man #50 Review, Spider-Man Last Reamins, The Order of the Web

The Amazing Spider-Man #50

Review by Paul Bowler.

The Amazing Spider-Man #50 marks another landmark issue for Marvel’s friendly neighbourhood Spider-Man. LAST REMAINS begins here, the first chapter of a new epic from writer Nick Spencer and artist Patrick Gleason. The mysterious villain Kindred finally enters the fray to strike at Spider-Man. But, having just saved Norman Osborne – director of the Ravencroft Institute for the criminally insane — from the Sin Eater, Spider-Man and his friends, the self styled Order of the Web (Spider-Gwen, Spider-Woman, Spider-Girl, Miles Morales, and Madame Web), are all completely unprepared for the terrifying horror that Kindred is about to unleash!

Following on directly from the colossal Amazing Spider-Man #49 (or #850 if we go by the legacy numbering), the double-sized Amazing Spider-Man #50 kicks off the LAST REMAINS story-arc with a bang. The scope and scale of events depicted in this issue are mind-blowing and far-reaching as writer Nick Spencer balances the twisting narrative threads into a nerve jangling web of intrigue, one where every strand is relevant, precisely crafted, and rich with powerful emotional beats for Spider-Man, his friends and even his foes. Furthermore, this issue also spins an uncanny recapping of the battle at Ravencroft, its chilling aftermath, and the brooding set-up for LAST REMAINS into the mix. As such, there’s plenty here for long-term fans to enjoy whilst still providing enough for newcomers to go on to quickly get up to speed with the plot.

After seeing Spider-Man and the Green Goblin fight side-by-side last issue against the Sin Eater, it was inevitable the Goblin would betray him. However, Spidey’s subsequent fit of rage and his decision to leave Norman behind in the ruins of Ravencroft as he escaped with The Order of the Web now pays off big time with the frightening aftermath of what that battle holds for Sin Eater, Norman Osborne and Kindred alike. Throw in a frightening encounter for The Order of the Web, a crushing defeat for Spider-Man, a visit to Doctor Strange, and some rather ominous interludes with Kindred and the stage is set for what might well become one of Spider-Man’s darkest and scariest stories ever.

Patrick Gleason takes over artistic duties with this issue of Amazing Spider-Man to craft the distinctive tone and style of the saga that is LAST REMAINS. Using a striking mix of overlapping page layouts and bold splash-pages to convey the action, Gleason packs every scene with rich detail and grim atmosphere, which, together with colorist Edgar Delgado’s subtle use of intricate shades and hues, ensures this issue of Amazing Spider-Man is a visual treat. Spider-Man’s frenetic flight from the danger and horror he encounters is also hauntingly portrayed, as is his conversation later with Doctor Strange about the fate of The Order of the Web, Norman Osborne’s sinister encounter in the bowels of Ravencroft is steeped in horrific menace, and Kindred looks absolutely terrifying. Overall I was really impressed with the style of Patrick Gleason’s work on this issue of Amazing Spider-Man and look forward to seeing more.

Nick Spencer’s run on Spider-Man has had its ups and downs for sure, the early optimism and back to basics approach of the relaunch did go on to get bogged down in a deluge of seemingly unrelated events and crossovers, but for the most part I’ve enjoyed the majority of Spencer’s run and Amazing Spider-Man #50 really sets the series back on a more even keel — more so perhaps than even last issues super-sized 850th extravaganza.

Aside from brining two years’ worth of plotlines to fruition, what really makes Amazing Spider-Man #50 stand out is how Kindred’s gruesome agenda begins to take shape as this skin-crawlingly disturbing villain steps from the shadows for the first time. Nick Spencer has teased us for a while now as Kindred Spider-Man’s life, watching, waiting and plotting. Amazing Spider-Man #50 is an excellent milestone issue, elements of Spencer’s run begin to slot into place to reveal a much wider picture as Kindred’s identity is uncovered, and its a bombshell of a revelation that is sure to rock Spider-Man’s world to the core!

Publisher: Marvel Comics

Writer: Nick Spencer / Artist: Patrick Gleason

Colorist: Edgar Delgado / Letterer: VC’s Joe Caramanga

Cover: Patrick Gleason and Morry Hollowell

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Spider-Man Far From Home Film Review

05 Friday Jul 2019

Posted by Paul Bowler in All, Film Reviews

≈ 16 Comments

Tags

Jake Gyllenhaal, Marvel, Marvel Comics, MCU, Mysterio, Peter Parker, Spider-Man, Spider-Man Far From Home, Spider-Man Far From Home film review, Spiderman Far From Home film review, Tom Holland

Spider-Man Far From Home

Review by Paul Bowler.

Tom Holland returns as Peter Parker in Spider-Man Far From home, the next chapter in Marvel’s web-spinning Spider-Man film series. Serving as a coda of sorts to this year’s blockbusting smash hit Avengers Endgame; Spider-Man Far From Home is a fun filled blend of high-school romcom, spy drama, and dazzling superhero action.

After cleverly addressing the events and aftermath of the last two Avengers films, Spider-Man far From Home quickly gets under way as Peter Parker (Tom Holland) joins his friends Ned (Jacob Batalon), MJ (Zendaya), and the rest of the classmates on a European vacation. However, Peter’s plan to take a break from all the super heroics are soon thrown into turmoil when Spider-Man’s recruited by Nick Fury (Samuel L Jackson) and teamed up with the dimension-travelling Mysterio (Jake Gyllenhaal) who is wracked by guilt because he failed to save his own world.

Together Spider-Man and Mysterio must confront the mysterious elemental creatures that have begun appearing and unleashing havoc across the continent. Peter Parker’s quest takes him across Europe battling elementals, but soon a new threat emerges, and only the friendly neighbourhood Spider-Man can save the day!

It’s a good job Aunt May (Marisa Tomel), now in the know about her nephew’s superhero alter-ego, decided to pack his Spidey-suit for him as there’s no rest for Spider-Man on this vacation! Tom Holland is on fine form once again as the wall-crawling hero, with Peter’s anguish over Tony Stark’s death in Avengers Endgame brining extra emotional depth to the role. Reunited with his pals from Spider-Man Homecoming for this European vacation, Peter also plans to confess his love for MJ, brilliantly played by pop star Zendaya, and it is the fizzing chemistry between Peter and MJ that provides the movie’s warm emotional core.

Of course with Spider-Man themes of great power and responsibility are never far away, and screenwriters Chris McKenna and Erik Sommers, and director Jon Watts skilfully craft further angst for Peter Parker by having Nick Fury see him as a kind of replacement for the late Tony Stark as the worlds most prominent superhero. Fury gives Peter a special pair of computerised glasses as well – equipped with an AI which Stark had intended for his successor to have – which only compounds the internal conflict further whilst also reiterating the fallout from Avengers Infinity War and Endgame. It creates an interesting and somewhat fraught dynamic between Fury and Spider-Man as Iron Man’s legacy proves a daunting prospect for the teenager, something that Peter’s not sure he even wants, or is capable of living up too as all he really wants is to do is live as normal a life as he possibly can given his extraordinary life now as Spider-Man.

Jake Gyllenhaal is also really good as Quentin Beck, AKA, Mysterio, who Peter initially sees as a similar kind of mentor figure like he did Stark. Beck claims to have come from an alternative Earth, he’s here to help stop the Elementals from destroying this world like they did his. I’ve always been a big fan of Mysterio in the comics and I was thrilled to see the character handled so well in this movie. Mysterio’s abilities look spectacular, Gyllenhaal makes the role his own, and his distinctive costume with its cloudy domed helmet looks great.

Amidst all the fun, romance, and big action set-pieces, director Jon Watts keeps Spider-Man Far From Home on an even keel. The added weight of recent events in the MCU’s continuity slots in well with the films quirky spy caper narrative, and there’s even a smattering of darker themes such as big corporate manipulation and fake news. With our amazing Spider-Man donning a number of old and new Spidey suits as his adventures take him across Europe, the callbacks to previous movies come thick and fast, and the overall geeky sense of fun is sure to delight fans. Other familiar characters also return, including Cobie Smulders as Maria Hill, and Jon Favreau as Happy Hogan.

With its great cast, crisp direction, and spectacular action Spider-Man Far From Home is sure to get your Spider Sense tingling! Brilliant fun from beginning to end, Spider-Man Far From Home provides a fitting epilogue to Avengers Endgame, and paves the way for a potentially bold new era for Spider-Man. Needless to say, this is a Marvel movie, so be sure to stay right through the credits where one of the films biggest secrets is waiting to be revealed!

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New Avengers: Endgame Official Trailer!

14 Thursday Mar 2019

Posted by Paul Bowler in All, Trailers & Posters

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Avengers 4, Avengers 4 trailer, Avengers Endgame, Avengers Endgame Official Trailer, Avengers Endgame Trailer, Benedict Cumberbatch, Benedict Wong, Bradley Cooper, Captain America, Captain Marvel, Chris Evans, Chris Hemsworth, Chris Pratt, Dave Bautista, Doctor Strange, Elizabeth Olsen, Guardians of the Galaxy, Hulk, Iron Man, Jeremy Renner, Josh Brolin, Jr., Karen Gillan, Mark Ruffalo, Paul Bethany, Pom Klementieff, Robert Downey, Scarlett Johansson, Sebastian Stan, Spider-Man, Thanos, The Avengers, Thor, Tom Holland

New Avengers: Endgame Official Trailer!

The new Avengers: Endgame official trailer has been released! This epic trailer givers us our first good look at what this major turning point in the Marvel Cinematic Universe will have in store for us. Avengers: Endgame, Directed by Anthony and Joe Russo, follows on from Avengers: Infinity War’s devestating cliff-hanger which saw fifty per cent of the MUC’s heroes turned to dust by Josh Brolin’s Thanos.. Now the saga reaches a shattering conclusion in Avengers: Endgame, and I can’t wait to see how everything is resolved after seeing this awesome looking trailer!