Batman #105 Review

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Alvaro Martinez, Batman, Batman #105, Batman #105 review, Batmobile, Bruce Wayne, Carlo Pagulayan, Christian Duce, Clownhunter, Danny Miki, DC Comics, Ghost-Maker, Gotham, Harley Quinn, James Tynion IV, Joker War, NCBD

Batman #105

Review by Paul Bowler

The Dark Knight and Ghost-Maker face-off in a no-hold’s barred showdown in Batman #105, with the fate of Clownhunter, Gotham and Batman’s austerity driven war on crime all resting on the outcome!

Batman #105 by writer James Tynion IV, artists Carlo Pagulayan, Danny Miki, Alvaro Martinez, Christian Duce and colorist David Barron, is the final chapter in Ghost-Maker’s introductory story – Ghost Stories – before the regular Batman title takes a short two-month hiatus to make way for the Next Batman as part of DC Comics next big line wide comic book event  – Future State.

I’ve really enjoyed how Tynion has explored Bruce’s complex relationship with this childhood rival from his past, and how the new anti-hero Ghost-Maker has returned to wreak havoc on Gotham in the aftermath of Joker War. In this issue of Batman we finally learn the reason their friendship fractured so badly and how it impacted on their quests to become crime-fighters. The opening flashback in Argentina is beautifully written by Tynion, and its fascinating to see what caused Bruce and Ghost-Hunter to take such different paths. The rest of the issue also showcases Tynion’s character-driven writing style, there’s an emotional reckoning between Harley Quinn and Clownhunter, and a thrilling edge-of-your seat battle between Batman and Ghost-Hunter that unexpectedly brings their story full circle. 

My only really complaint in this issue is with the art by Carlo Pagulayan, Danny Miki, Alvaro Martinez, Christian Duce and stylish use of color by David Barron, which is all adequate enough, but the differing styles do feel a tad disjoined and unsatisfying. Since Joker War the art team on Batman hasn’t been all that consistent, sadly Ghost Stories Part 4 does suffer as a result, and it tarnishes what has otherwise been a really good storyline. Batman is a flagship title after all, so come on DC Comics, get your act together and sort out a regular art team for Tynion’s run whydontya?

James Tynion has really begun to make his mark on this series and I look forward to seeing where thing’s go from here The conclusion of this epic tale involving Batman and Ghost-Hunter in Batman #105, does however, reach an intriguing conclusion that’s far beyond anything that could’ve been expected. With the tantalising prospect of a new Batmobile just around the corner Batman certainly seems to be keeping his friends close these days, and his enemies even closer…

Publisher DC Comics

Writer James Tynion IV

Artists Carlo Pagulayan, Danny Miki, Alvaro Martinez, Christian Duce

Colorist David Barron / Letterer Clayton Cowles

Cover Jorge Jimenez & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #100 Review

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Batman, Batman #100, Batman #100 review, Batmobile, DC Comics, James Tynion IV, Joker, Joker War, Joker War finale, JOker War part 6, Jorge Jimenez, Tomeu Morey

Batman #100

Review by Paul Bowler

Life changing events await the Dark Knight in Batman #100 as Joker War reaches its thrilling finale courtesy of the dynamic creative team of writer James Tynion IV, artist Jorge Jimenez and colorist Tomeu Morey. The fate of Gotham City hangs in the balance as Batman reaches his epic showdown with the Joker at ACE Chemicals, the outcome will change Gotham forever, and the aftermath will herald a bold new era for Batman and his allies!

James Tynion IV deftly juggles an ensemble cast of Bat-characters and numerous ongoing plot strands in Batman #100, with Batgirl revisiting her role as Oracle in the iconic Clocktower to coordinate the Bat-Families efforts by initiating latent protocols in the Bat-Computer and broadcasting a message of hope to Gothamites while Nightwing leads the fight against Joker’s marauding goons on the streets alongside Red Robin, Batwoman, Red Hood, Spoiler, Orphan, and Signal. I’m really pleased that Dick Grayson is finally back as Nightwing at last, especially now the whole Ric Grayson fiasco is out the way, and his banter with Barbara is a joy to behold here. Commissioner Bullock also steps up to the plate too; putting career on the line to keep GCPD in the fight to save Gotham.

Of course the main event of this landmark issue is Batman’s confrontation with the Joker at ACE Chemicals. The Clown Prince of Crime has donned his own Jokerized next-gen Bat-Suit for the occasion, and he’s even brought a present to the party to taunt the Dark Knight – Alfred’s weaponised corpse! Batman’s eternal conflict with the Joker has been elevated into a frightening theatre of war over the course of James Tynion’s Joker War story-arc – quite literally in some instances — and Tynion skilfully delivers a refreshingly new slant on the familiar tropes that inevitably resurface when Batman and Joker clash so spectacularly as this. The Joker really manages to push Batman’s buttons this time around though, finally getting the chance to really twist the knife just for good measure, before a wild card enters the fray and forces the Dark Knight to make a game changing choice that I feel won’t be as easy to walk away from once the dust has settled.

Joker War has seen some amazing work grace the pages of Batman from artist Jorge Jimenez and colorist Tomeu Morey, and with Batman #100 they’ve certainly gone that extra mile to make this issue extra special. Jimenez’s richly detailed artwork and dynamic page layouts convey the action at a break-neck-pace. Batman’s showdown with the Joker is all boiling vats of chemicals, brutal combat, and frightening horror — both psychological and physical. Alfred’s weaponised corpse is also chillingly macabre and looks like something that’s just shambled out of a Re-Animator movie. Other highlights include Oracle back in the Clocktower, the Bat-Family fighting Joker’s forces on the streets of Gotham, and Nightwing’s face-off with Punchline are all especially standout moments as are the vivid colors and hues by Tomeu Morey which bring a startling clarity to a fire ravaged Gotham gripped by chaos, the oppressive shadows of ACE Chemicals look more sinister than ever, whilst gleaming tones from Bruce’s futuristic dreams for the Bat legacy become a maniacal twinkle in the Joker’s eye, and the fiery finale is awash  with the bittersweet hopes and shades of the new dawn waiting on the horizon.

In the aftermath of Joker War writer James Tynion manages to wrap things up with considerable style. There’s no attempt to pull the wool over out eyes. As is the way with most comic book ‘events’ nowadays everything and nothing changes in almost equal measure,  corruption in Gotham may been exposed on every level, but the ambiguities of Joker’s fate are unashamedly  glossed over to leave things open-ended, there’s a funeral for a dear friend, and we even get a tantalising glimpse of Gotham’s newest vigilante and rival to Batman – the Ghost Maker! 

If all that wasn’t enough Batman #100 also features two back-up stories, both written by Tynion. Intervention, with art by Carlo Pagulayn, inks by Danny Miki and colors by Tomeu Morey features the first meeting between Batman and Clownhunter. The reveal of Clownhunter’s true identity wasn’t quite what I was expecting, if anything it had an almost Robin-in-waiting tone to it, and it will be interesting to see where Tynion takes this interesting — if somewhat messed-up — character next. Dead Ringers features art by Guillem March and colors by Tomeu Morey, and shifts the focus towards Punchline in the aftermath of Joker War. I‘m not a huge fan of  Punchline, her character has slowly grown on me over the course of Joker War, but unfortunately this tale proved rather underwhelming and was easily the weakest out of the two back-up stories in this issue.

The only criticism I can really level at Batman #100 is that the requisition of the Wayne fortune feels little more than a sidebar to the main action and isn’t really explained in any detail at all. As for Joker War itself, well, as comic book events go, I think it turned out rather well. Some might argue that it was just a series of big set-pieces with scant narrative content and that James Tynion was writing solely for the omnibus / trade collection. To a degree, Joker War certainly reads better as a whole, but the story is far more than the sum of its parts. Joker War has examined the dark schism between Batman and Joker from an entirely fresh perspective, its shaken up the status quo, reunited the Bat-Family, and tackled the emotional fallout from Alfred’s death in a way that finally brings some meaning to his senseless demise during Tom King’s run.

Joker War reaches a powerful, emotional and action-packed conclusion with this outstanding issue — and overall I think Joker War can be considered a rousing success on practically every front. James Tynion IV, Jorge Jimenez and Tomeu Morey have excelled themselves with Batman #100, they’ve revitalised DC Comics flagship Batman book in every conceivable way, and I can’t wait to see where this teams run on Batman will take the Dark Knight and his allies next.

Publisher: DC Comics

Writer: James Tynion IV

Artists: Jorge Jimenez / Gillem March / Carlo Pagulayan

Inks: Jorge Jimenez / Gillem March / Danny Miki

Colors: Tomeu Morey / Cover: Jorge Jimenez & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Detective Comics #1018 Review

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Alfred, Batman, Batmobile, City of Bane, DC Comics, Detective Comics, Detective Comics #1018 review, Gotham, Peter J. Tomasi, Scott Godlewski

Batman Detective Comics #1018

Review by Paul Bowler

A chill wind blows over Gotham in the aftermath of City of Bane. Detective Comics #1018 finds the Dark Knight in a dark, lonely place, as both Bruce Wayne and Batman. But there is little time to mourn his greatest loss as a series of gruesome ritualistic killings have been happening across the city. It would seem that supernatural forces have unleashed a monstrous pagan spirit. Batman must quell his personal demons for now and stop the killings, or Gotham’s festive season will be irrevocably tainted with blood and death…

For me Peter J. Tomasi’s run, after such a strong start, felt like it had been curtailed somewhat because of the Year of the Villain tie-in (something which I feel also spoiled a lot of my favourite comics, including Hawkman, Supergirl, and The Flash), although it has to be said that Tomasi’s story with Mr Freeze didn’t feel shoehorned into the umbrella style narrative of that ‘event’ like so many others did, if anything he was one of the few writers that really seemed to embrace the concept to really run with it and make anything even remotely cohesive from it as a result.

Now with Detective Comics #1018 Tomasi begins getting things back on track with Dead of Winter Part 1, however, there is no escaping the grim cloud of Tom King’s run (no, I wasn’t as fan of King either) and that hangs heavily over this issue. From the blood-soaked opening scenes we find the Dark Knight dealing with a minor crime by comparison to the one we‘ve just witnessed. From here Tomasi quickly immerse us in Batman’s ongoing investigation into the series of deaths that have recently struck the city, but now that Alfred Pennyworth is dead and Jim Gordon is unavailable, Batman only has Bullock to assist him, and not even making it home in time for a game of catch with pooches Ace and Titus affords Bruce little solace from his grief and isolation.

Employing a series of bold, sometimes overlapping page layouts, artist Scott Godlewski brings this sombre and powerful issue to life in the most stylish of ways. Sweeping snow swept vistas of Gotham blend seamlessly with the street level action with Batman. The Batmbile is a fan boy delight to behold with its gorgeous mix of crisp animated series lines, Burtonesque undertones, and classic retro flourishes. Colorist David Baron further heightens the atmosphere with vivid tones and hues alongside swarthy deep shadows, Bruce’s attempt to cast of the winter blues with a game of catch with the dogs poignantly conveys the Dark Knight’s melancholy, while Bullock’s office seems darker than the Batcave itself. The scene of the latest killing at the botanical gardens is another visual highlight of this issue, as it looks so bizarre, a twisted nightmare decked out in tinsel and baubles more akin to something like you’d have seen in the Hannibal TV series back in its heyday.

The issue ends with a dramatic cliffhanger and the stage is now set to bring the Dark Knight face to face with the stories monstrous protagonist… So, Detective Comics #1018 is a good return to form for this series, with a strong story, and reasonable enough artwork. The ramifications of City of Bane dose mean that there’s still very much a sense of picking up the pieces to this issue of Detective Comics. I can only hope that now the recent storylines and events involving Batman elsewhere are over Peter J. Tomasi’s run on Detective Comics can now really begin to stretch its wings and finally get its time to shine in the spotlight.

Publisher: DC Comics Writer: Peter J. Tomasi / Artist: Scott Godlewski

Colorist: David Baron / Letterer: Rob Leigh

Cover: Rafael Samdoval, Jordi Tarrago , & John Kalise

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman Kings of Fear #1 Review

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Arkham Asylum, Batman, Batman Kings of Fear, Batman Kings of Fear #1, Batman Kings of Fear #1 review, Batmobile, comics, DC Comics, Kelly Jones, Michelle Madsen, NCBD, Scarecrow, Scott Peterson, The Dark Knight, The Joker

Batman Kings of Fear #1

Review by Paul Bowler

Renowned artist Kelly Jones returns to the Dark Knight’s world with Batman Kings of Fear #1, the first issue in DC Comics stunning new miniseries written by former Batman editor Scott Peterson. Batman has been watching over Gotham City for many, many years, but now the Dark Knight is beginning to question the effectiveness of his relentless war on crime. Plagued by self doubt, insecurities, and personal fears that threaten to overwhelm him Batman must now face Scarecrow as he unleashes chaos in Arkham Asylum! This blockbusting new six-issue miniseries has Batman confronting the darkest challenge of his crime fighting career and portrays Scarecrow in a terrifying new way that’s unlike anything you’ve ever seen before.

Batman Kings of Fear #1 kicks off in a fittingly macabre fashion as Batman takes on the Joker and stops another of his maniacal schemes. Kelly Jones striking visuals and Scott Peterson’s intense storytelling quickly immerses us in the warped schism that Batman and the Joker seem perpetually condemned to play out. Scott Peterson weaves some especially insightful and haunting dialogue into their journey to Arkham Asylum – so much so that the Clown Prince of Crime even seems to jangle the Dark Knight’s nerves at one point. Once inside Arkham the dark humour, a snarky Doctor, and the ensuing breakout of mayhem all collude to ramp up the ominous air of brooding menace that’s been closing in on Batman right from the outset.

Kelly Jones illustrated some of the most acclaimed Batman comics imagery during the 1990’s, including the brilliant Batman & Dracula trilogy – which kicked off with Red Rain back in 1991 – and many of the covers for the acclaimed Knightfall storyline where Bane broke the Bat. Esteemed writer Scott Peterson also worked as an editor on the Batman books during Knightfall and many other pivotal Bat-stories from the 90’s. Its great to see Jones and Peterson working together again like this on Batman Kings of Fear, and their shared creative vision for the Dark Knight shines through just as vividly now as when they originally worked together on the Batman books in the 90‘s. The story in Batman Kings of Fear is not connected to DC Comics current Batman storylines, but is instead set after Bruce has been the Dark Knight for many years – giving the creative team the scope to explore the core facets of the character in new and dynamically exciting ways.

Artist Kelly Jones brings all the hallmarks of his distinctly dark, horror-tinged gothic style to Batman Kings of Fear, and then some! I’ve always been a huge fan of Kelly Jones artwork, especially Jones’ portrayal of Batman as a constantly shifting shape that always seamlessly blends in with the shadows. One of the major highlights in this issue is a face-off with some of the darkest members of Batman Rogues Galley – a truly jaw dropping sequence that places you right in the heart of Batman‘s nightmarish predicament. Another nice touch with Batman Kings of Fear is that it features the Dark Knight in his classic costume – yellow oval and all! I love how Kelly Jones always renders Batman’s billowing cape in a way that gives him an almost supernatural visage, effectively making the cape and cowl as equally a distinct character in its own right. It is this, together with Michelle Madsen’s gloriously sombre color pallet that perfectly encapsulates the raw, terrifying, almost primal presence that makes Batman so uniquely special and intimidating.

The greatest threat though comes from the Scarecrow’s terrifying plot against him. Jones and Peterson’s darkly compelling story is made even more striking by having Scarecrow as the major villain of the piece, and this creative team certainly don’t look like they will shy away from brining the most frightening aspects of this creepy iconic character from Batman’s rogues gallery to the fore either.

Batman Kings of Fear #1 hurtles along at a cracking pace, the eerie atmosphere is brilliantly offsets by the spectacular visuals, and the chilling cliff-hanger rounds off this start of this superb miniseries in fine style. Kelly Jones and Scott Peterson have certainly crafted a brilliant premise here, with Scarecrow seeking to make the Dark Knight face his greatest fear, and I’ve no doubt the creative team will continue to weave their dark magic as this story unfolds. If you like your Batman classic, unburdened by recent continuity, and laced with overtones of gothic horror then Batman Kings of Fear is the Bat-Book you’ve been waiting for!

Publisher: DC Comics

Writer: Scott Peterson & Art and Cover: Kelly Jones

Colors: Michelle Madsen / Letters: Rob Leigh

Variant Cover: Bill Sienkiewicz

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Batman White Knight #6 Review

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Batgirl, Batman, Batman White Knight, Batman White Knight #6, Batman White Knight #6 Review, Batmobile, comics, DC Comics, Jim Gordon, Mad Hatter, Matt Hollingsworth, Mr Freeze, NCBD, Neo Joker, Nightwing, Sean Murphy, The Joker

Batman White Knight #6

Review by Paul Bowler

Gotham’s most iconic alliance is shaken to the core in Batman White Knight #6 as Gordon’s trust in Batman reaches breaking point! The Dark Knight’s fall from grace has been orchestrated by the reformed Joker – aka Jack Napier – now seemingly cured of his homicidal madness by therapy and medication. But the drug Jack relies on is gradually loosing its effect, the city is slowly descending into chaos, and with Batman defeated it’s up to Jack to step up to the plate when the Neo Joker finally instigates her grand plan to seize Gotham…

Set in a world that has uncannily turned the Batman into the villain and the Joker into a hero, Batman White Knight, with its story and art by Sean Murphy, and colors by Matt Hollingsworth, continues to go from strength to strength with every successive issue. Napier’s ascension in this mini-series has seem him cured and released from Arkham, from where he’s gone on to expose the corruption that has festered in the GCPD for decades, becoming a champion of the middle-classes, and covertly using an army of super-villains – along with the collateral damage this conflict causes – to discredit the Batman‘s standing in the eyes of Gotham‘s citizens.

Batman White Knight #6 sees this mini-series reach a major turning point, as Murphy’s dark tale brings Batman’s world crashing down. Seeing Gordon resolve to bring Batman in is a powerful, defining moment here, as is Nightwing assisting him by delivering the means for him to do so, and the subsequent fracturing this has on the Bat-Family when Batgirl, aghast at Nightwing’s actions, refuses to have anything to do with the plan.

This book and its starkly grim take on the Bat-Mythos, especially the look and tone of Gotham itself – being more industrial and gothic, and less generically NYC like most of the main Bat-Books – are key elements that really make Batman White Knight stand out from the crowd. Sean Murphy’s edgy, moody artistic style further enhances the grim sense of foreboding in this issue, while Matt Hollingsworth’s richly atmospheric colors bring added gavatis to every scene. The sheer fan boy glee at seeing the Batmobile from the1989 Tim Burton Batman movie Vs the Batman White Knight’s Batmobile in a high-speed chase sequence is undoubtedly one of the big highlights of the issue, however, it is the blood-spattered, bone-churching face-off between Batman and Jack Napier that follows which really steals the show – whilst also vividly illustrating the warped schism Murphy has crafted between the Batman and the Joker in this mini-series.

With Batman facing an ignoble fate in Arkham, its not long before the Neo Joker, having taken control of the villains utilizing Mad Hatter’s technology, seems hell bent on holding the city to ransom after she unleashes a giant freeze cannon on Gotham. Other standout moments that shine in this issue are an especially poignant scene between Mr Freeze and Batgirl, and Harley tires in vain to get through to Jack again as he prepares to face Neo Joker.

This was another thoroughly enjoyable issue. With its intense action, brooding characterization, unexpected plot twists, and striking visuals Sean Murphy and Matt Hollingsworth constantly keep you on your toes in Batman White Knight #6, and as this mini-series enters its final act we are left wondering if the Batman can find possibly find a way back from everything that‘s happened, or will the Joker have the last laugh after all?

Publisher DC Comics

Writer / Artist / Covers / Sean Murphy

Colors & Cover Colors Matt Hollingsworth

Leters Todd Klein

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Sci-Fi Jubilee My New You Tube Channel Batman: Return to Arkham Collection Arkham City

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Arkham Asylum, Arkham City, Bane, Batman, Batman Return to Arkham Arkham City Walkthrough, Batman: Return to Arkham Collection, Batmobile, Catwoman, Gotham, Harley Quinn, Hugo Strange, Killer Croc, Mr Freeze, Paul Bowler YouTube, Poison Ivy, PS4, PS4 Share, Ra's al Ghul, Scarecrow, The Joker, The Penguin, The Riddler, Two Face, YouTube

Sci-Fi Jubilee My New You Tube Channel Batman Return to Arkham: Arkham City

Hi everyone! Thanks for checking out my YouTube Channel while I’ve been playing the Batman Return to Arkham Collection. I had a great time completing Arkham Asylum, so, after short break I’ve now started Arkham City. I’m really enjoying revisiting Arkham City again, the scope and scale of the game is even bigger than Arkham Asylum, and there are loads of great story moments and villains for Batman fans to enjoy!

The first video I streamed features the opening of the Arkham City as Bruce Wayne is captured by Hugo Strange and sent to Arkham City. Once Batman suits up its time to save Catwoman from Two Face. We also get to see Penguin, Calendar Man, Harley Quinn, and Bane, before Batman tracks down the Joker’s hideout in the Steel Mill.

Having reached Joker’s lair its time for Batman’s first confrontation in this game with the Joker! I found a few Riddler trophies as well, sorry if I wander around a bit looking for them! There’s also the first part of the Catwoman storyline here as well, I’ve never played any of the DLC for Arkham City before, so that was fun.

In this video Batman searches the Old GCPD building to find out where Penguin has taken Mr Freeze. The Riddler and Deadshot missions begin, and this part concludes as Batman makes a poignant visit to Crime Alley.

I think the remastered graphics in Arkham City look really good as well, even better than Arkham Asylum. I’ll stream and post some more Arkham City videos on my channel as I play through the game, obviously it’s a much bigger game than Arkham Asylum, so I’ll probably concentrate on the main storyline and boss fights. I might uses some of the different character skins as well, like the 70’s Batman or Dark Knight Returns Batman, to mix things up a bit. So, look out for new videos on my YouTube channel as I explore Arkham City, I hope you enjoy them, and please feel free to hit that like button and subscribe if you do.

Thanks for watching and cheers for all your support!

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Sci-Fi Jubilee My New You Tube Channel Batman Return to Arkham Collection: Part 2

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Arkham Asylum, Arkham City, Arkham Knight, Batman, Batman Return to Arkham Arkham Asylum Walkthrough, Batman: Return to Arkham Collection, Batmobile, Gotham, Harly Quin, Killer Croc, Paul Bowler YouTube, Poison Ivy, PS4, PS4 Share, Scarecrow, The Joker, The Riddler, YouTube

Sci-Fi Jubilee My New You Tube Channel Batman: Return to Arkham Collection

Part 2 Arkham Asylum completed!

Hello everyone, and thank you checking out my YouTube Channel.  I’ve been playing the Batman: Return to Arkham Collection recently, and I’ve now completed Arkham Asylum!

I’m a big Batman fan, and I love all the Arkham games – so I’ve been eagerly awaiting the chance to play the remastered version of Arkham Asylum in this collection. The trio of new videos here cover lots of my favourite moments from playing Arkham Asylum again.

First is a face-off with the Scarecrow, featuring a really wacky mind-trip for Batman that cleverly gives us a chilling new version of the games opening sequence.

Time to explore Killer Croc’s lair! This was probably my favourite part of Arkham Asylum. Its creepy, atmospheric, and you never know when Killer Croc will jump out!

After defeating Poison Ivy in the Botanical Gardens, its time for the epic showdown with the Joker, and the final battle with the Titan / Joker! I’ve included the end credits as well and the cut scene afterwards.

This is the first time I’ve streamed a game from start to finish like this on my YouTube Channel, it went quite well, and I’d just like to say thank you for all the support you‘ve given me. It was a lot of fun to do. I thought the remastered graphics in Arkham Asylum looked very impressive overall, the storyline and combat mechanics were just as good as I remembered, and I loved the dark, creepy atmosphere of the whole game. All my Arkham Asylum walkthrough videos (1-12) are now on my YouTube channel, so please feel free to check them out and like and subscribe if enjoy them. I’ve had a great time playing Arkham Asylum again, cheers everyone, and thanks for joining me!

Next stop, Arkham City!

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Sci-Fi Jubilee My New You Tube Channel Batman: Return to Arkham Collection

Tags

Arkham Asylum, Arkham City, Arkham Knight, Batman, Batman Return to Arkham Arkham Asylum Walkthrough, Batman: Return to Arkham Collection, Batmobile, Gotham, Harly Quin, Killer Croc, Paul Bowler YouTube, PS4, PS4 Share, The Joker, The Riddler, YouTube

Sci-Fi Jubilee My New You Tube Channel Batman: Return to Arkham Collection

Hi all, thank you checking out my YouTube Channel. I’ve been a little busy with lots of comic book reviews recently, so I haven’t had as much time to play PS4 games for a few weeks. Anyway, I’ve been really looking forward to the Batman: Return to Arkham Collection, and I’ve just started Arkham Asylum.

I’m a huge Batman fan so I’m going to have fun revisiting Arkham Asylum and Arkham City. These two new videos feature the opening parts of Arkham Asylum that I’ve played so far, I think it really set up the dark atmospheric tone of the game. From what I’ve seen so far the remastered graphics look good, but not quite as good as those in Batman: Arkham Knight.

I hope you enjoy the Return to Arkham videos, please feel free to hit that like button and subscribe if you do. I’ll probably post more Arkham Asylum videos on my channel as I work my way through the game. Maybe I’ll do longer clips like these, or just focus on the boss battles, which do you prefer? Let me know. So watch this space and get ready to meet some of Batman’s deadliest and craziest enemies as we return to the asylum…

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Batman #51 Review

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Alfred Pennyworth, Batman, Batman #51, Batman #51 review, Batmobile, comics, Danny Miki, DC Comics, DC Rebirth, FCO Plascencia, GCPD, Gotham, Gotham City, Gotham Is, Greg Capullo, Jim Gordon, Scott Snyder, The Bat-Cave, The Court of Owls, The Joker, The New 52

Batman #51

Review by Paul Bowler

In the wake of recent events Batman #51 sees the Dark Knight facing a new challenge. Batman has battled so often to protect Gotham from his deadly rogues gallery of villains over the years, from everyone to the Joker, the Court of Owls, and now Mr Bloom, so how will Batman deal with a quiet night in Gotham City..?

Scott Snyder has written for three different characters who have worn the mantel of the Bat, including Dick Grayson during his initial stint on Detective Comics, to Bruce Wayne on Batman, and Jim Gordon in the recent Superheavy arc. Now as Scott Snyder’s incredible run on Batman with artist Greg Capullo concludes in Batman #51, we can reflect on how their collaboration on this title has transformed it into a modern classic, and their tenure in Gotham is sure to down in history as including some of the finest Batman stories ever told.

Now that Mr Bloom is presumably pushing up daises somewhere, Batman #51 presents the Dark Knight with an unusual challenge – a seemingly uneventful evening in Gotham City! Scott Snyder’s final story in this run is a clear love letter to both the character of Batman and the fans themselves as past and present become one. Centred around the powerful resonance of a small life-styles piece in the Gotham Gazette, Gotham Is delves into the world of Batman and the Gothamites he has vowed to protect in a way quite unlike anything we’ve ever seen before. From the wonderful opening scenes in the Bat-Cave featuring Bruce and Alfred, which Snyder makes both emotionally moving and brilliant fun; wounds old and new are simultaneously healed via a patchwork quilt of new developments, before Batman races away into the night on a clear road to Gotham in spectacular fashion!

Of course, we all know there’s no such thing as a quite night in Gotham City, or is there? A sudden power outage soon brings with it some more pressing concerns and a new threat to the city. Scott Snyder’s dazzling writing style and excellent characterization makes Gotham Is an absolute joy to read, we are treated to a wonderful scene with Jim and Batman next to the Bat-Signal, there’s an intriguing mystery right at the heart of the story for Batman to solve, and plenty of our old Arkham favourites are on the loose as well!

Needless to say, Greg Capullo’s artwork for this issue of Batman is as stunning as ever. From those stylish and fun moments in the Bat-Cave, to the dramatic face-off in Arkham, Capullo channels the narrative of Gotham Is across a wondrous montage of interconnected scenes that beautifully addresses elements from previous arcs, and sets everything up for a glorious final page that will simply take your breath away. Danny Miki’s inks brilliantly highlight every nuance of Capullo’s work, but it is in those shadow swathed scenes during the blackout, on the rooftop of GCPD, then deep below ground, and high over a silhouetted Gotham skyline where Danny Miki really excels. FCO Plascencia’s colors infuse this issue with an uncanny blend of vibrant and muted tones throughout, with flashes of bright purple enhancing the inside the new cape while the vivid yellow of the new Bat-Insignia on Batman’s chest that skilfully blends the old with the news almost leaps off the page at you, and that stunning final scene… Quite frankly, this issue looks incredible!

Featuring a stunning regular cover by Greg Capullo, Danny Miki, and FCO (Which, incidentally, I think would make an brilliant poster, please make this happen guys!), as well as a terrific variant cover by John Romita Jr. , Batman #51 concludes in the most fan pleasing way imaginable, as Scott Snyder rounds off the narrative of his previous story-arcs in fine style, and effectively brings his tenure with Greg Capullo on Batman full circle in the most heartfelt, exciting, and moving way imaginable. It’s a thoughtful, funny, intense, dialogue-heavy issue, and to say more would spoil it, but suffice to say I enjoyed every single moment of it – even though my enjoyment was tinged with a little sadness that Batman #51 is Snyder’s and Capullo’s final issue.

DC’s Rebirth event has initiated a major wave of change throughout the DCU that is going to herald some big developments in the Bat-Universe. Even though Scott Snyder is indeed moving on from DC’s flagship Batman title, he isn’t leaving the Dark Knight behind completely; in fact, Snyder will now be fronting the brand new monthly series All Star Batman that will also feature art from some of the finest talents in the industry: including John Romita, Jr, Jock, Sean Murphy, and many more. With its epic storyline All Star Batman allows Snyder to use some of the villains that he never got to focus on that much before, such as Two-Face, Mr Freeze, and Catwoman, together with a rotating roster of superstar artist, and back-up stories featuring Duke Thomas. Meanwhile, Greg Capullo will be busy over the next six months working on an uber secret project with Mark Millar, and that’s certainly something that we will all be looking forward to as well. Scott Snyder has also confirmed that he will be working with Greg Capullo again on a new project for DC Comics in 2017 at some point, and I’m sure we will all be excited to see what that will be.

So, as we say farewell to Scott Snyder and Greg Capullo with Batman #51 and their brilliant run on Batman with Danny Miki and FCO Plascencia, there’s still Batman #52 written by James Tvnion IV to look forward to before this current volume of Batman ends and everything changes in the Rebirth event. With Tom King taking over on Batman, while James Tynion IV helms Detective Comics, with Tim Seeley on Nightwing, and with Scott Snyder writing All Star Batman, these are certainly exciting times for Batman fans!

I’ve had the pleasure of reviewing nearly every issue of Snyder’s and Capullo’s run on Batman. Their take on Batman got me back into reading comics regularly again with Batman #1 (2011). Actually, I was still recovering from badly injuring my left hand at the time – a glass broke while emptying the dishwasher and sliced right though my middle finger, palm, and thumb – but their amazing storylines helped inspire me though that particularly dark time, and now I’m writing and reviewing comic books and stuff here on my blog, and on other sites now as well. So, thank you Scott Snyder and Greg Capullo for your legendary run on Batman, because thanks to you guys, for me, and I’m sure for many others besides, Gotham Is: “Batman, fan, forever.”

Publisher DC Comics / Writer: Scott Snyder / Art: Greg Capullo

Inks: Danny Miki / Colors: FCO Plascencia / Letters: Steve Wands

Cover: Capullo / Miki / FCO / Variant Cover: John Romita, Jr.

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Batman Eternal #35 Review

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Batman, Batman Eternal #35, Batman Eternal #35 Review, Batmobile, comics, Commissioner Bard, DC Comics, Fenando Blanco, Gotham, Hush, James Tynion IV, Kyle Higgins, Marcelo Maiolo, Ray Fawkes, Scott Snyder, Tim Seeley

Batman Eternal #35

Review by Paul Bowler

Events in Batman Eternal #35 introduce the new world order in Gotham. Batman confronted Hush and defeated him. However, it was far from a decisive victory for the Dark Knight. Wayne Enterprises and its subsidiaries have been seized because of their involvement with Batman’s secret weapons caches. Bruce Wayne’s assets are frozen, Wayne Manor is being transformed into Arkham Manor, and now it seems that the GCPD have actually beaten Batman!

Batman Eternal #35 opens with a short flash forward to the action-packed final moments depicted on this issues cover, before detailing the events that have transpired following the fall of Hush. Out of Control begins the third act of Batman Eternal with a bang, in this fast paced story by writers Scott Snyder and James Tynion IV, with script also by James Tynion IV, and consulting writers Ray Fawkes, Kyle Higgins, and Tim Seeley, in which Lucius Fox sets out just how bad things really are for Bruce Wayne now that Wayne Enterprises has fallen and the remnants of Batman Incorporated have been raided by Commissioner Bard.

With Hush now confined in the Batcave and construction crews working on Arkham Manor, it falls to Julia Pennyworth to keep watch over their prisoner while ensuring the cave is secure until Bruce can establish a new base in the city. Meanwhile, Vicky Vale begins working on new story, one that leads her back to Bard’s old stomping ground in Detroit. In order to draw Batman out, Commissioner Bard orders the demolition of the Wayne housing restoration project. Thanks to a thinly veiled warning from Lucius Fox, Batman knows he will be driving into a trap, yet despite Julia’s warnings his attempt to force a confrontation may yet prove unfounded as Bard and the GCPD seem better prepared than the Dark Knight anticipated.

The art by Fenando Blanco, with its dynamic panel layouts, really brings across the intense tone of Batman Eternal #34, and the colors by Marcelo Maiolo also complements Blanco’s work perfectly. From Bruce’s initial meeting with Fox in the shadow of Wayne Tower, to the scenes in the Batcave, and the pedal to the metal excitement of the closing moments, Blanco’s richly detailed environments and Maiolo’s bold colors ensures this issue of Batman Eternal looks great and wrings every ounce of tension from the action-packed plot.

The big highlight of this issue sees Commissioner Bard doing a Batman Returns style hijack of the Batmobile, taunting the Dark Knight from the screen on the dashboard, while Batman struggles to regain control of the vehicle. Over the exciting final pages, the net slowly closes in on Batman as the Batmobile is sent flying – quite literally – through the heart of everything Bruce’s fortune and reputation stands for before culminating in one of this weekly series most thrilling cliff-hangers to date.

It is this moment, together with the startling revelations uncovered by Vicky Vale about Gotham’s new Police Commissioner, that kicks off this dark new chapter of Batman Eternal and keeps us guessing right up until the final page as Batman’s world gradually unravels around him. Batman Eternal #35 contains plenty of twists and turns in the plot to keep you hooked right from the first page, which together with its excellent artwork, makes this another thoroughly exciting and enjoyable issue of this weekly DC Comics series.

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