The new, second trailer for The Batman has been released during DC’s 2021 FanDome event. The trailer offers a great taste of what this dark, noir style take on the legacy of the Batman will be like.
Thought the trailer was amazing and I’m excited to see this movie more than ever now. “The Batman,” with director Matt Reeves (the “Planet of the Apes” films) at the helm and with Robert Pattinson (“Tenet,” “The Lighthouse,” “Good Time”) starring as Gotham City’s vigilante detective, Batman, and billionaire Bruce Wayne looks set to be a box-office smash.
Also in the star-studded ensemble as Gotham’s famous and infamous cast of characters are Zoë Kravitz (“Fantastic Beasts: The Crimes of Grindelwald,” “Mad Max: Fury Road”) as Selina Kyle; Paul Dano (“Love & Mercy,” “12 Years a Slave”) as Edward Nashton; Jeffrey Wright (the “Hunger Games” films) as the GCPD’s James Gordon; John Turturro (the “Transformers” films) as Carmine Falcone; Peter Sarsgaard (“The Magnificent Seven,” “Black Mass”) as Gotham D.A. Gil Colson; Barry Keoghan (“Dunkirk”) as Officer Stanley Merkel; Jayme Lawson (“Farewell Amor”) as mayoral candidate Bella Reál; with Andy Serkis (the “Planet of the Apes” films, “Black Panther”) as Alfred; and Colin Farrell (“Fantastic Beasts and Where to Find Them,” “Dumbo”) as Oswald Cobblepot.
“The Batman” is set to open in theaters 4th March 2022.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Legacies of the past and the future entwine as one in DC Comics Superman Action Comics Annual 2021 #1, as writer Philip Kennedy Johnson revisits Future State’s House of El as Superman’s descendants of tomorrow face a threat established during the yesteryear of the present.
One of the most fascinating aspects of Future State for me was Philip Kennedy Johnson’s one-shot that explored the distant future of the House of El, where the legacy of the Man of Steel had merged with numerous other heroes and legacies of DC universe, and the despot villain Prythos (Kal El’s fallen son) wished to tear down everything that his family’s heroic dynasty stands for. This special Action Comics Annual ties-in broadly with Johnson’s current “Warworld Rising” arc in Action Comics, the issue opens in the near future where a mysterious old man is telling a group of children a tale of heroes from their own future. Events then flash forward to a time of great prosperity and hope for the House of El, where Superwoman, Lady Kara Zor El, is presiding over a wedding in the House of El, but before the nuptials can be completed Prythos gatecrashes the ceremony. It falls to Brandon Kent, the Superman of this era, to protect his family and save the next generation of the House of El from the menace of Prythos – killer of Darksied and the new Highfather of Apokolips!
Philip Kennedy Johnson delivers a welcome return to the empire of the House of El which he established in Future State, and this Annual sets up a wealth of possibilities for the both the future and the present of the DCU. Tales of the House of El takes the wedding backdrop and turns it into a thrilling all-out action adventure, one laced with heartfelt emotion, a perilous voyage through the Phantom Zone, the surprise return of an old Superman villain, and there’s even a hint of redemption in the air as the story races to get to the church on time for its joyous final act.
The artwork by Siya Oum and Scott Godlewski provides us with dynamic realisation of the richly textured narrative. From the gleaming opulence of the Sanctuary to the chilling vistas of the Phantom Zone, the characters are stylishly defined, and the action sequences impressively rendered throughout. Hi-Fi’s colours are, as always, of a high standard, and every scene is awash with vibrant hues that perfectly accentuates the fine detail of Oum and Godlewski’s work.
I throughly enjoyed this exciting sojourn back to the Future State era of the House of El portrayed in Superman Action Comics Annual 2021. Whether the open-ended nature of much of what transpires in this issue will actually impact or influence Philip Kennedy Johnson’s Action Comics run, of course, remains to be seen. I for one sincerely hope these plot threads and characters are revisited again at some point. Superman Action Comics Annual 2021 #1 is a beautifully crafted story, one where a child’s toy becomes a treasured relic and the future personification of the fundamental legacy of the House of El itself… hope.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
A terrifying new monster stalks the darkest monsters of Gotham in Batman Reptilian #1, DC Comics chilling new six-part Black Label series from the all-star team of writer Gareth Ennis and artist Liam Sharp. Batman used to be the most frightening thing in Gotham. Now something less than human lurks in the shadows, inflicting fear, and blood-curdling violence against the Dark Knight’s infamous Rogues gallery…
In this bone-chilling first chapter of Batman Reptilian: Quick and Dirty, writer Gareth Ennis crafts a bleak and gritty tale interwoven with an almost palpable sense of dread. The opening scenes with Batman meeting out his own brand of justice to a boxing champion who is just as handy with his fists outside the ring as he is in it, immediately sets the tone for this more downtrodden and uglier take on Gotham to what we are used to seeing in the mainstream Batman books. From here Ennis sets the Dark Knight on a path that will see him investigating a horrific attack that spilled out from of a clandestine gathering of some of Batman’s most nefarious foes. The low-tech means Batman employs to uncover what happened during the ensuing bloodbath which followed this gathering is refreshing, to say the least, and the graphic account of events is genuinely stomach churning.
Every brooding, creepy moment of Batman Reptilian is impressively relayed by the gorgeous painted artwork by Liam Sharp. If you thought his work on Green Lantern Season 1 & 2 was out of this world, then you are in for a real treat here is well! Sharp’s depiction of the Dark Knight’s world is truly stunning, Gotham is a noirish rainswept metropolis of ebony shadows and Gothic menace. Batman’s presence is as indistinguishable as the night itself, brutally in-your-face, unflinching and striking dread into the hearts of criminals wherever he appears — quite literally in most instances. Horror is splattered with liberal abandon by Sharp throughout, brining a psychedelic quality to the Rogues gallery of villains, and the gruesome carnage they endure is visceral in the extreme.
The simple premise of having someone, or something, that’s able to strike more fear than. Batman into the hearts of those who terrorise the upper echelons of Gotham’s villains is brilliantly effective — both narratively and visually. Yet for all this issues heady mix of brutality and gore, its the things you don’t see that actually ends up being more terrifying, and none perhaps more so than that sublime final jump moment! If you like your Batman dark and grim, well, Batman doesn’t get much darker than this! Batman Reptilian has taken a long journey to reach the page, originally being written more than five years ago for the late Steve Dillon. Gareth Ennis eventually brought the story to life with the help of Dillon’s friend, artist Liam Sharp, and now this highly anticipated project has finally come to fruition. With its eerily macabre writing from Gareth Ennis and hauntingly stylish art by Liam Sharp, Batman Reptilian #1 is everything we could’ve hoped for, and it sets up a compelling mystery that’s sure to keep us all guessing every grisly step of the way.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Jason Todd vows to carry out justice in Future State Gotham #2, no matter what the cost! As Gotham reels from a devastating tragedy Red Hood finds himself newly promoted to the rank of Peacekeeper Red in the Magistrate’s regime. With the Next Batman seemingly responsible for the attack, Jason must bring down this new Dark Knight, but he’s got to get past Nightwing and the rest of the Bat-Family first!
Writers Joshua Williamson and Demis Culver have taken the dark concept of a Gotham City run by the Magistrate’s cybernetically enhanced Peacekeepers, established during DC Comics Future State event, and elevated it to a whole new level with this Future State Gotham series. Having sided with the Magistrate to hunt down outlawed superheroes, Future State Gotham #2 has Jason Todd struggling with a crisis of conscience as his role as Peacekeeper Red brings his betrayal of the Bat-Family to the fore and forces him to fight his former allies.
Battle lines are drawn, emotions run high, and not everything is as black-and white as we’ve been led to believe by Williamson and Culver. Jason Todd’s methods and actions have always made him something of a divisive character, and never more so than here in Death by the Family. Jason seems at loggerheads with everyone and everything in this issue. Theres a brooding sense of cross and double cross as the narrative unfolds, which in turn leads to some great character beats, and even a surprise revelation when Red Hood’s secret ally finally emerges from the shadows.
The Akiria themed artwork by Giannis Milonogiannis stylishly captures the frenetic action and pace of the issue. Action flows seamlessly from one scene to the next, with the with roof-top face-off between Jason and the rest of the Bat-Family and a high-octane dash to Blackgate which culminates in a showdown with the Next Batman all just some of the many visual highlights in this issue. I’ve always been a fan of black and white artwork like this in comics, and I think it suits the Cyberpunk tone of Future State Gotham perfectly.
Along with the major plot elements that begin slotting into place during this issue, which in turn gives a whole new context to Jason’s mission and indeed the series as a whole, there’s also a great back up story The Cavalry featuring the Next Batman by writer John Ridley and artist Oliver Coipel to enjoy. With its intricate storyline, strong characterisation and great art Future State Gotham #2 continues to impress with a striking Neo-futuristic take on the Dark Knight’s world and legacy.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Finding themselves still trapped in the realm of the Green, Levi’s and Jennifer’s psychedelic voyage continues in The Swamp Thing #4 as DC Comics ten-part maxi-series from writer Ram V and artist Mike Perkins delves further into Levi Kamei’s origins as the new Swamp Thing.
It is with Swamp Thing #4 that writer Ram V finally begins to hint at the events surrounding Levi’s transformation into Swamp Thing and what happened on his trip to India to visit his dying father. Separated after the MRI scan Levi underwent to better understand his mysterious transformations into the Swamp Thing, Jenifer’s journey through the darker depths of the Green with the Floronic Man begin to take a sinister turn, while as Swamp Thing, Levi receives some unexpected help from a former avatar of the Green, Alec Holland. After the bizarre interactions with the dual aspects of Poison Ivy last issue, Levi gains far greater insight into the Green with Holland’s guidance, with his role as the new Swamp Thing, along with the cause of the contagion ravaging the Green, and the uncanny schism in which it entwines Levi’s origin as the new avatar of the Green all beginning to fall into place. Ram V cultivates an intricate balance of plot and dialogue throughout the issue. The meeting between Levi and Alec Holland is a masterclass in writing, and the revelations it brings will have you hanging on every word.
Likewise, the gorgeous artwork by Mike Perkins and luscious colors by Mike Spicer are every bit as enchanting as the narrative. We are treated to some truly spectacular vistas as Levi and Jenifer explore the Green, encountering denizens that prove to be both friend and foe, along with startling depictions of the magical and terrifying power which Swamp Thing must learn to embrace lest this seed of contagion spread to our world. This veritable tour de force of wonder and horror Perkins and Spicer craft is absolutely spellbinding, its peppered with memories from across the ages, glimmers of Levi’s past become juxtaposed with the pollination of life and consciousness, and there’s even an epic face-off with the proto-myth of first avatar which Swamp Thing has to confront as well to obtain his evergreen Nirvana.
My Green Amaranthine Part 2 sows seeds of knowledge and foresight as Levi’s quest of self discovery comes full circle. Not everything in this issue is quite as it seems either as reality, memory and myth collide as one. Poison Ivy’s role this issue, though fleeting, is still crucial to the plot. There’s a reckoning with an old foe as well, and Jennifer’s frightening first encounter with Alex as Swamp Thing leaves Levi pondering over the terrible cost it might have on their friendship. There’s also an atmospheric coda to round off the issue that sets the stage for the two-part crossover event between Swamp Thing and Suicide Squad in August. This maxi-seres continues to go from strength to strength. With the brilliant writing and scripting from Ram V and the incredible art by Mike Perkins, Swamp Thing #4 is another enthralling chapter in this new era of Swamp Thing!
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Publisher Image Comics
Writer Tod McFarlane
Art Carlo Barber / Colors Jay David Ramos & Andrew Dalhouse
Lettering Tom Orzechowski
Cover Artists Tod McFarlane, Bjorn Barends, Tonton Revolver
Spinning out of the success of DC Comics Future State event comes Future State Gotham, an all-new ongoing series featuring former Robin Jason Todd: AKA the Red Hood. When a disaster strikes Gotham, all evidence points towards Tim Fox, The Next Batman, and Red Hood soon finds himself enlisted by the Magistrate’s totalitarian regime to hunt down this new Dark Knight.
Following the aftermath of events in Future State, Gotham is still run by a private Police force controlled by a mysterious figure known only as the Magistrate, and the law is enforced by his ruthless Peacekeepers. Written by Joshua Williamson and Denis Culver, with art by Giannis Milonogiannis, Future State Gotham #1 kicks off with an action-packed face-off between Red Hood and the Ventriloquist who has unleashed a gigantic robotic version of Scarface on Jason Todd’s neighbourhood.
Although costumed superheroes are outlawed in Gotham, Jason Todd has thrown in his lot with the Magistrate’s regime and works for them by hunting down the remaining heroes who dare defy the lockdown. Williamson delivers a fast paced issue, with Red Hood and Peacekeeper 3 teaming up to fight the Ventriloquist and Scarface, before a city-wide terrorist attack changes the landscape of Gotham forever. Jason is still reeling from the break-up with his on-off girlfriend, Ravager, there’s fraught clandestine meetings with former allies to contend with too, and a surprise promotion that finds him tasked with tracking down the new Batman as Peacekeeper Red!
Giannis Milonogiannis’ Akira inspired artwork impressively captures the Cyberpunk look of this near-future Gotham. The battle with Robo-Scarface, sweeping vistas of Gotham in the wake of an explosive attack, and the debut of Jason Todd’s new costume as Peacekeeper Red are just some of the many standout moments in this first issue. I really like black and white artwork in comics — I think it adds a whole new dimension to the characters and gives the story a very dramatic, noirish feel. I also expect Milonogiannis’ Akira style line-work led to DC Comics deciding to reprint a 1996 Batman story by Akira creator Katsuhiro Otomo as the back-up story for Future State Gotham #1 as well.
Joshua Williamson, Denis Culver and Giannis Milonogiannis look set to craft a bold new direction for Red Hood and a thrilling continuation of Future State with this new series. Creatively it’s also very different from the usual Bat-Books, which I find both refreshing and exciting. Future State Gotham blends a stylish noir vibe with compelling action and is certainly going to one to watch in the months to come.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Damian Wayne strikes out on his own in Robin #1, DC Comics brand new ongoing series from writer Joshua Williamson and artist Gleb Melnikov. Having cut all ties with Batman and the Teen Titans, Damian will have to emerge from the shadows cast by both of sides of his parentage to forge his own legacy. Embarking on a quest to earn a place in the deadly League of Lazarus tournament, the teenage Robin uncovers new mysteries and allies as he seeks the prestige of proving himself the greatest fighter in the DC Universe!
Damian Wayne is probably the most exciting and dynamic character in the extended Bat-Family that’s been crying out for his own series for a while now, and writer Joshua Williamson is clearly going to address the emotional fallout from City of Bane and send Damian on a heroes journey of self discovery with this opening story-arc. Having gone off the grid completely Damian must find the secret island where the League of Lazarus tournament is being held. That means a cage fight with King Snake, some kick ass action, and the acquisition of a marker to enter the tournament. There’s time for some reflection along the way, we also have the reintroduction of established characters like Rose Wilson and Conner Hawke, and brand new faces like Flatline and ReSpawn for Robin to meet as well.
Gleb Melnikov’s engaging artwork brings a dynamic Manga-like look that is a perfect fit for this series and a character like Damian. Alfred’s death has impacted powerfully across the whole of the Bat-Family, none more so than for Damian, and Melnikov crafts some hauntingly moving scenes with the young Robin mulling over his plans with an imaginary spectral Pennyworth watching over him. The action scenes in the cage fight with King Snake and the journey to the island are also rendered with vibrant detail.
This premier issue kicks off an important story in the DCU that will examine Damian’s connections to Batman and Talia Al Ghul like never before as Robin searches to find out the why his mother and father kept the League of Lazarus tournament a secret from him. There’s also a great mix of new and old characters for Damian to interact with, especially Rose Wilson, Conner, and the intriguing Respawn – a character with a distinct penchant for copyright infringement!
There’s a wealth of potential here for Damian to grow and evolve as a character in this series. All-in-all Robin #1 sets up the new series and its premise very well. Joshua Williamson and Gleb Melnikov make for an inspired creative team, and its great to see Damian finally getting a long overdue stint in the limelight with his own book.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
The Dark Knight embarks on an epic European adventure in Batman The Detective #1, the new DC Comics six-part mini-series helmed by the dynamic duo of writer Tom Taylor and artist Andy Kubert.
Opening with a harrowing mid-air tragedy in the United Kingdom which spells out a dark and personal message for the Dark Knight, writer Tom Taylor quickly establishes this mini-series’ intriguing premise and brooding atmosphere of mystery. This Batman is older, somewhat past his prime and questioning his role in the world. However, Taylor deftly circumvents the usual tropes by making this a Dark Knight Detective that isn’t simply driven by the death of his parents and the more recent loss of Alfred, instead we have a Batman in the twilight of his career who is finally ready to move on from the ghosts of his past. The terrible attack in the UK simply provides the catalyst Batman needs to pack his bags, put the past to bed, and set out from Gotham City to investigate!
Batman The Detective also sees the Dark Knight’s visit to England leading to an encounter with the UK’s own dynamic duo of Beryl Hutchinson as The Knight and her new Squire, Amina, who looks set to become something a of new side-kick for Batman over the course of his European mission. Of course the characters and Britain are very different in this modern iteration when the Squire was originally introduced in the 1950s (The Knight, Percival Sheldrake, was created by Roy Thomas and Michael Bair for You All-Stars in 1948, while The Squire, his sidekick, was created by Bill Finger and Dick Sprang for Batman #62 in 1951), and their investigation into the crash-site at the West Pennie Moors in Lancashire spells high-tech intrigue and supernatural danger for them both!
Andy Kubert’s pencils and inks are a perfect fit for this story. From the dramatic opening, to the emotionally charged scenes in the Bat-Cave, though to Batman and the Squire’s uncanny team-up against a spectral adversary Kubert’s art enriches every page with detail, while Brad Anderson’s vivid use of tone and shade accentuates every nuance of Taylor’s action-packed story as it unfolds. The look of this incarnation of Batman is a cool hybridisation of Miller’s iconic Dark Knight Returns suit and the Snyderverse’s Kightmare Bat-Fleck, and the end result is extremely impressive looking indeed.
You can’t really go wrong with a superstar creative team like Tom Taylor and Andy Kubert. The premise in itself is enough to ensure the first issue has the momentum to gets this new mini-series off to a strong start. Its going to be interesting to see where this adventure with new foes, allies, and the hunt for the menace known as Equilibrium will take Batman and Squire next. With its solid storytelling and great art Batman The Detective #1 deftly blends current themes with elements and characters from yesteryear; whilst also crafting a bold new take and look for the Dark Knight mythos.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
A new era of horror blossoms in The Swamp Thing #1, DC Comics brand new 10 part maxi-series from the creative team of writer Ram V and artist Mike Perkins. The Guardian of the Green has a new host, Levi Kamei, who cannot control his nightmarish metamorphosis into the Swamp Thing. Finding himself caught up in a terrifying mystery surrounding the ghastly murders committed by an ancient desert legend, Levi must revisit events from the past in his homeland of India, and confront a fearsome new villain if he is to ever understand the horrifying reality of what is happening to him…
Ram V is no stranger to Swamp Thing having written for Justice League Dark and Future State Swamp Thing for DC Comics. Now as part of DC Comics Infinite Frontier initiative in the aftermath of the Death Metal and Future State events, Ram V’s new Swamp Thing mini-series introduces us to Levi Kamei (DC’s first lead character heralding from India), an everyday guy with a deep rooted fear of flying, who now faces an inner-struggle to understand and control his dream fuelled transformations into Swamp Thing.
Exactly how Levi initially became Swamp Thing is opaquely mapped out by Ram V over a series of flashbacks to Levi’s trip to India to visit his dying father. Burning terror, violence and a dark bargain made by his brother all played some role in Levi’s origin as Swamp Thing. Previously, once a character had been transformed into Swamp Thing it was permanent, and there was no turning back. Ram V masterfully sows an uncanny twist into the narrative that seems to indicate that Levi is some kine of vessel or conduit for the Green, especially if Levi’s petrifying trans Atlantic flight back from India to the USA is anything to by, and its a change that respectfully builds on the enduring legacy of Swamp Thing whilst also branching out in a completely fresh direction for the character.
Swamp Thing #1: Becoming Part 1 broodingly establishes this new set-up as the action divides between a Sherif and his deputies investigation of a gruesome murder in the Sonoran Desert, the haunting legend of the Pale Wanderer, and Levi Kamei’s recollections about his trip to India after he returns to New York where he is welcomed home by his long-term friend-with-benefits – Jennifer Reece. It is only really at this issues mid-way point that this series’ premise becomes more clear as we begin to see the wider picture of Levi’s plight, one that’s steeped in the history of India, along with powerful real-world and environmental issues, raw emotion and dark creeping horror.
Gloriously illustrated throughout by artist Mike Perkins, every page blooms with intricate detail, vivid horror, and unsettling atmosphere. The scene setting opening in the desert offers a curious mix of isolation and dread, where the forensic examination of a corpse and the lifecycle of a blowfly provides a stark contrast with the symbiosis of Levi’s metamorphic relationship with both Swamp Thing and natures inexorable cycle of life and death. The grim story of the Pale Wanderer, a former Civil War soldier who abandoned his humanity after he wandered into the desert, and subsequent manifestation as some ghostly ghoul is also rendered with eerie clarity by Perkins. Levi Kamei’s journey is filled with compelling mystery and drama throughout, with Perkins art and colourist Mike Spicer’s exquisite use of rich tones and shadows bringing Levi’s mesmerising mind-trip down the green rabbit hole of Swamp Thing’s domain to life as dark fantasy melds with the frightening real-world horror of his transformations.
Ram V is clearly going for a less esoteric approach here than some writers have previously taken with Swamp Thing, and on the whole this makes the series feel extremely accessible to all. Fans might be disappointed there’s no mention or acknowledgment of the current Swamp Thing, Alec Holland, or recent events in Justice League Dark, and the battle with the Upside-Down Man. However, Ram V does such a great job introducing Levi Kamei as a new kind of Swamp Thing with this issue that it all serves to further the mysterious tone of the story anyway. This issue is a little bit of a slow burn, but its rich with characterisation, and everything builds to a nerve jangling face-off between Swamp Thing and the Pale Wanderer.
Swamp Thing #1 sets Levi Kamei on a hauntingly macabre path, one fraught with emotional turmoil and grim revelations. I’ve been eagerly anticipating the arrival of this 10 part maxi-series, I’m a big horror and Swamp Thing fan, and I’m pleased to say that I was highly impressed with this issue. If Ram V’s Future State Swamp Thing wetted your appetite for more, then The Swamp Thing #1 is sure to satisfy your horror craving with its deep and enchanting take on the character, and a killer creative team firing on all cylinders.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Humanity strikes back in Future State Swamp Thing #2 to reclaim the world the new Swamp Thing avatar has nurtured and forged in his own image. Duped by Woodrue Wilson’s quest for power and revenge, a lone group of survivors have hatched a terrible plan that will plunge the world into darkness. Yet for all his enemies insidious deceptions Swamp Thing also harbours a terrible secret of his own, one that will call for the ultimate sacrifice lest the green be lost from the world forever…
As we move into the second month of DC Comics Future State comic book event, one depicting a possible future for the DCU in the aftermath of Death Metal, few have embraced this opportunity for such creative free licence like writer Ram V and artist Mike Perkins with their dark, apocalyptic Future State Swamp Thing.
In Future State, Swamp Thing is now the Green Father overseer of the world, sheer loneliness led to him creating offshoots of his own species blessed with his memories of humanity, and though he believed mankind was lost Swamp Thing’s encounter with a human survivor has finally led him to a desolate S.T.A.R labs facility in the frozen north. Now in this second, concluding issue writer Ram V explores the dark visions of the mysterious Undying Man, the gnarled Jason Woodrue: the Floronic Man! He has captured the hero who was once known as Obsidian and convinced the leader of this last bastion of humanity that by harnessing his powers they can save the world. Swamp Thing must lead his own kind and the last ragtag band of human resistance against Woodrue, but will humanities last sapling of hope survive to see the dawn of a new world?
Mike Perkins artwork renders every nuance of Swamp Thing’s determination to reach his goal in striking, almost visceral detail. Swamp Thing is quite literally prepared to walk through the fires of Hell to reach his goal. The depiction of the horrifically disfigured Woodrue is also vividly realised, with his seething ambition and desire for revenge at being rejected by the green fuelling his deranged scheme. The juxtaposition between Swamp Thing and Woodrue’s motivations are the backbone to this story. Neither have been all that honest with those who follow and trust them either. The dramatic line Ram V establishes between saviour and destroyer is masterfully blurred, with Perkin’s art sumptuously cultivating a lush spectacle of apocalypse and rebirth, while the intricate use of color by June Chung beautifully seeds the narratives rich emotional undercurrents as they flourish and bloom.
The powerful closing scenes are deeply heartrending as Swamp Thing confronts the enormity of what he has wrought upon the world, himself, and the constructs he’s crafted from his inner self and feelings. Future State Swamp Thing #2 is a magical, visceral and emotional addition to the legacy of Swamp Thing. When this event started I must admit I dismissed it, believing Future State would be just a rehash of DC’s abortive 5G event, instead Future State has proven a great showcase for new talent and creative teams, and I couldn’t be more pleased to have been proven wrong about my misgivings. Future State Swamp Thing has been the evergreen jewel in the crown of DC’s Future State event, like all good stories it leaves you wanting more, and more we shall have when the new 10 issue maxi-series by Ram V and Mike Perkins, with colors by Mike Spicer, debuts in March!
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
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