FUTURE STATE GOTHAM #1 Review

Tags

Batman, DC Comics, Denis Cluver, Future State, Future State Gotham #1, Future State Gotham #1 review, Giannis Milonogiannis, Gotham, Jason Todd, Joshua Williamson, Red Hood

Future State Gotham #1

Review by Paul Bowler.

Spinning out of the success of DC Comics Future State event comes Future State Gotham, an all-new ongoing series featuring former Robin Jason Todd: AKA the Red Hood. When a disaster strikes Gotham, all evidence points towards Tim Fox, The Next Batman, and Red Hood soon finds himself enlisted by the Magistrate’s totalitarian regime to hunt down this new Dark Knight.

Following the aftermath of events in Future State, Gotham is still run by a private Police force controlled by a mysterious figure known only as the Magistrate, and the law is enforced by his ruthless Peacekeepers. Written by Joshua Williamson and Denis Culver, with art by Giannis Milonogiannis, Future State Gotham #1 kicks off with an action-packed face-off between Red Hood and the Ventriloquist who has unleashed a gigantic robotic version of Scarface on Jason Todd’s neighbourhood. 

Although costumed superheroes are outlawed in Gotham, Jason Todd has thrown in his lot with the Magistrate’s regime and works for them by hunting down the remaining heroes who dare defy the lockdown. Williamson delivers a fast paced issue, with Red Hood and Peacekeeper 3 teaming up to fight the Ventriloquist and Scarface, before a city-wide terrorist attack changes the landscape of Gotham forever. Jason is still reeling from the break-up with his on-off girlfriend, Ravager, there’s fraught clandestine meetings with former allies to contend with too, and a surprise  promotion that finds him tasked with tracking down the new Batman as Peacekeeper Red!

Giannis Milonogiannis’ Akira inspired artwork impressively captures the Cyberpunk look of this near-future Gotham. The battle with Robo-Scarface, sweeping vistas of Gotham in the wake of an explosive attack, and the debut of Jason Todd’s new costume as Peacekeeper Red are just some of the many standout moments in this first issue. I really like black and white artwork in comics — I think it adds a whole new dimension to the characters and gives the story a very dramatic, noirish feel. I also expect Milonogiannis’ Akira style line-work led to DC Comics deciding to reprint a 1996 Batman story by Akira creator Katsuhiro Otomo as the back-up story for Future State Gotham #1 as well.

Joshua Williamson, Denis Culver and Giannis Milonogiannis look set to craft a bold new direction for Red Hood and a thrilling continuation of Future State with this new series. Creatively it’s also very different from the usual Bat-Books, which I find both refreshing and exciting. Future State Gotham blends a stylish noir vibe with compelling action and is certainly going to one to watch in the months to come.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Publisher DC Comics

Writer Joshua Williamson and Denis Culver 

Art Giannis Milonogiannis

Lettered by Alw’s Troy Peteri

Cover Yasmine Putri

Robin #1 Review

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Alfred Pennyworth, Batman, Conner Hawke, Damian Wayne, DC Comics, Flatline, Gleb Melnikov, Joshua Williamson, League of Lazarus, NCB, Respawn, Robin, Robin #1, Robin #1 Review, Rose Wilson, Teen Titans

Robin #1

Review by Paul Bowler.

Damian Wayne strikes out on his own in Robin #1, DC Comics brand new ongoing series  from writer Joshua Williamson and artist Gleb Melnikov. Having cut all ties with Batman and the Teen Titans, Damian will have to emerge from the shadows cast by both of sides of his parentage to forge his own legacy.  Embarking on a quest to earn a place in the deadly League of Lazarus tournament, the teenage Robin uncovers new mysteries and allies as he seeks the prestige of proving himself the greatest fighter in the DC Universe! 

Damian Wayne is probably the most exciting and dynamic character in the extended Bat-Family that’s been crying out for his own series for a while now, and writer Joshua Williamson  is  clearly  going to address the emotional fallout from City of Bane and send Damian on a heroes journey of self discovery with this opening story-arc. Having gone off the grid completely Damian must find the secret island where the League of Lazarus tournament is being held. That means a cage fight with King Snake, some kick ass action, and the acquisition of a marker to enter the tournament. There’s time for some reflection along the way, we also have the reintroduction of established characters like Rose Wilson and Conner Hawke, and brand new faces like Flatline and ReSpawn for Robin to meet as well.

Gleb Melnikov’s engaging artwork brings a dynamic Manga-like look that is a perfect fit for this series and a character like Damian. Alfred’s death has impacted powerfully across the whole of the Bat-Family, none more so than for Damian, and Melnikov crafts some hauntingly moving scenes with the young Robin mulling over his plans with an imaginary spectral Pennyworth watching over him. The action scenes in the cage fight with King Snake and the journey to the island are also rendered with vibrant detail. 

This premier issue kicks off an important story in the DCU that will examine Damian’s connections to Batman and Talia Al Ghul like never before as Robin searches to find out the why his mother and father kept the League of Lazarus  tournament a secret from him. There’s also a great mix of new and old characters for Damian to interact with, especially Rose Wilson, Conner, and the intriguing Respawn – a character with a distinct penchant for copyright infringement!

There’s a wealth of potential here for Damian to grow and evolve as a character in this series. All-in-all Robin #1 sets up the new series and its premise very well. Joshua Williamson and Gleb Melnikov make for an inspired creative team, and its great to see Damian finally getting a  long overdue stint in the limelight with his own book. 

Publisher DC Comics

Writer Joshua Williamson / Artist Gleb Melnikov

Lettering ALW’s Troy Peteri Cover & Variant Gleb Melnikov 

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman The Detective #1 Review

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Andy Kubert, Batman, Batman The Detective, Batman The Detective #1, Batman The Detective #1 review, DC Comics, Gotham, The Dark Knight, The Knight, The Squire, Tom Taylor

Batman The Detective #1

Review by Paul Bowler.

The Dark Knight embarks on an epic European adventure in Batman The Detective #1, the new DC Comics six-part mini-series helmed by the dynamic duo of writer Tom Taylor and artist Andy Kubert. 

Opening with a harrowing mid-air tragedy in the United Kingdom which spells out a dark and personal message for the Dark Knight, writer Tom Taylor quickly establishes this mini-series’ intriguing premise and brooding atmosphere of mystery. This Batman is older, somewhat past his prime and questioning his role in the world. However, Taylor deftly circumvents the usual tropes by making this a Dark Knight Detective that isn’t simply driven by the death of his parents and the more recent loss of Alfred, instead we have a Batman in the twilight of his career who is finally ready to move on from the ghosts of his past. The terrible attack in the UK simply provides the catalyst Batman needs to pack his bags, put the past to bed, and set out from Gotham City to investigate!

Batman The Detective also sees the Dark Knight’s visit to England leading to an encounter with the UK’s own dynamic duo of Beryl Hutchinson as The Knight and her new Squire, Amina, who looks set to become something a of new side-kick for Batman over the course of his European mission. Of course the characters and Britain are very different in this modern iteration when the Squire was originally introduced in the 1950s (The Knight, Percival Sheldrake, was created by Roy Thomas and Michael Bair for You All-Stars in 1948, while The Squire, his sidekick, was created by Bill Finger and Dick Sprang for Batman #62 in 1951), and their investigation into the crash-site at the West Pennie Moors in Lancashire spells  high-tech intrigue and supernatural danger for them both!

Andy Kubert’s pencils and inks are a perfect fit for this story. From the dramatic opening, to the emotionally charged scenes in the Bat-Cave, though to Batman and the Squire’s uncanny team-up against a spectral adversary Kubert’s art enriches every page with detail, while Brad Anderson’s vivid use of tone and shade accentuates  every nuance of Taylor’s action-packed story as it unfolds. The look of this incarnation of Batman is a cool hybridisation of Miller’s iconic Dark Knight Returns suit and the Snyderverse’s Kightmare Bat-Fleck, and the end result is extremely impressive looking indeed.

You can’t really go wrong with a superstar creative team like Tom Taylor and Andy Kubert.  The premise in itself is enough to ensure the first issue has the momentum to gets this new mini-series off to a strong start. Its going to be interesting to see where this adventure with new foes, allies, and the hunt for the menace known as Equilibrium will take Batman and Squire next. With its solid storytelling and great art Batman The Detective #1 deftly blends current themes with elements and characters from yesteryear; whilst also crafting a bold new take and look for the Dark Knight mythos.

Writer Tom Taylor / Pencils and Inks Andy Kubert

Colors Brad Anderson / Letters Clem Robins

Main & Variant Cover Kubert & Anderson

Variant Cover Riccardo Federici

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

The Swamp Thing #1 Review

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DC Comics, Mike Perkins, Mike Spicer, Ram V, Swamp Thing, Swamp Thing #1, Swamp Thing #1 review, The Pale Wanderer, The Swamp Thing #1, The Swamp Thing #1 review

The Swamp Thing #1

Review by Paul Bowler.

A new era of horror blossoms in The Swamp Thing #1, DC Comics brand new 10 part maxi-series from the creative team of writer Ram V and artist Mike Perkins. The Guardian of the Green has a new host, Levi Kamei, who cannot control his nightmarish metamorphosis into the Swamp Thing. Finding himself caught up in a terrifying mystery surrounding the ghastly murders committed by an ancient desert legend, Levi must revisit events from the past in his homeland of India, and confront a fearsome new villain if he is to ever understand the horrifying reality of what is happening to him…

Ram V is no stranger to Swamp Thing having written for Justice League Dark and Future State Swamp Thing for DC Comics. Now as part of DC Comics Infinite Frontier initiative in the aftermath of the Death Metal and Future State events, Ram V’s new Swamp Thing mini-series introduces us to Levi Kamei (DC’s first lead character heralding from India), an everyday guy with a deep rooted fear of flying, who now faces an inner-struggle to understand and control his dream fuelled transformations into Swamp Thing.

Exactly how Levi initially became Swamp Thing is opaquely mapped out by Ram V over a series of flashbacks to Levi’s trip to India to visit his dying father. Burning terror, violence and a dark bargain made by his brother all played some role in Levi’s origin as Swamp Thing. Previously, once a character had been transformed into Swamp Thing it was permanent, and there was no turning back. Ram V masterfully sows an uncanny twist into the narrative that seems to indicate that Levi is some kine of vessel or conduit for the Green, especially if Levi’s petrifying trans Atlantic flight back from India to the USA is anything to by, and its a change that respectfully builds on the enduring legacy of Swamp Thing whilst also branching out in a completely fresh direction for the character.

Swamp Thing #1: Becoming Part 1 broodingly establishes this new set-up as the action divides between a Sherif and his deputies investigation of a gruesome murder in the Sonoran Desert, the haunting legend of the Pale Wanderer, and Levi Kamei’s recollections about his trip to India after he returns to New York where he is welcomed home by his long-term friend-with-benefits – Jennifer Reece. It is only really at this issues mid-way point that this series’ premise becomes more clear as we begin to see the wider picture of Levi’s plight, one that’s steeped in the history of India, along with powerful real-world and environmental issues, raw emotion and dark creeping horror. 

Gloriously illustrated throughout by artist Mike Perkins, every page blooms with intricate detail, vivid horror, and unsettling atmosphere. The scene setting opening in the desert offers a curious mix of isolation and dread, where the forensic examination of a corpse and the lifecycle of a blowfly provides a stark contrast with the symbiosis of Levi’s metamorphic relationship with  both Swamp Thing and natures inexorable cycle of life and death. The grim story of the Pale Wanderer, a former Civil War soldier who abandoned his humanity after he wandered into the desert, and subsequent manifestation as some ghostly ghoul is also rendered with eerie clarity by Perkins. Levi Kamei’s journey is filled with compelling mystery and drama throughout, with Perkins art and colourist Mike Spicer’s exquisite use of rich tones and shadows bringing Levi’s mesmerising mind-trip down the green rabbit hole of Swamp Thing’s domain to life as dark fantasy melds with the frightening real-world  horror of his transformations.

Ram V is clearly going for a less esoteric approach here than some writers have previously taken with Swamp Thing, and on the whole this makes the series feel extremely accessible to all. Fans might be disappointed there’s no mention or acknowledgment of the current Swamp Thing, Alec Holland, or recent events in Justice League Dark, and the battle with the Upside-Down Man. However, Ram V does such a great job introducing Levi Kamei as a new kind of Swamp Thing with this issue that it all serves to further the mysterious tone of the story anyway. This issue is a little bit of a slow burn, but its rich with characterisation, and everything builds to a nerve jangling face-off between Swamp Thing and the Pale Wanderer.

Swamp Thing #1 sets Levi Kamei on a hauntingly macabre path, one  fraught with emotional turmoil and grim revelations. I’ve been eagerly anticipating the arrival of this 10 part maxi-series, I’m a big horror and Swamp Thing fan, and I’m pleased to say that I was highly impressed with this issue. If Ram V’s Future State Swamp Thing wetted your appetite for more, then The Swamp Thing #1 is sure to satisfy your horror craving with its deep and enchanting take on the character, and a killer creative team firing on all cylinders.  

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colorist  Mike Spicer  / Letterer Aditya Bidikar

Cover Mike Perkins & Mike Spicer

Variant Cover Francesco Mattina 

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Future State Swamp Thing #2 Review

Tags

DC Comics, Future State, Future State Swamp Thing, Future State Swamp Thing #2, Future State Swamp Thing #2 review, June Chung, Mike Perkins, NCBD, Ram V, Swamp Thing, Swamp Thing #2

Future State Swamp Thing #2

Review by Paul Bowler

Humanity strikes back in Future State Swamp Thing #2 to reclaim the world the new Swamp Thing avatar has nurtured and forged in his own image. Duped by Woodrue Wilson’s quest for power and revenge, a lone group of survivors have hatched a terrible plan that will plunge the world into darkness. Yet for all his enemies insidious deceptions Swamp Thing also harbours a terrible secret of his own, one that will call for the ultimate sacrifice lest the green be lost from the world forever…

As we move into the second month of DC Comics Future State comic book event, one depicting a possible future for the DCU in the aftermath of Death Metal, few have embraced this opportunity for such creative free licence like writer Ram V and artist Mike Perkins with their dark, apocalyptic Future State Swamp Thing. 

In Future State, Swamp Thing is now the Green Father overseer of the world, sheer loneliness led to him creating offshoots of his own species blessed with his memories of humanity, and though he believed mankind was lost Swamp Thing’s encounter with a human survivor has finally led him to a desolate S.T.A.R labs facility in the frozen north. Now in this second, concluding issue writer Ram V explores the dark visions of the mysterious Undying Man, the gnarled Jason Woodrue: the Floronic Man! He has captured the hero who was once known as Obsidian and convinced the  leader of this last bastion of humanity that by harnessing his powers they can save the world. Swamp Thing must lead his own kind and the last ragtag band of human resistance against Woodrue, but will humanities last sapling of hope survive to see the dawn of a new world?

Mike Perkins artwork renders every nuance of Swamp Thing’s determination to reach his goal in striking, almost visceral detail. Swamp Thing is quite literally prepared to walk through the fires of Hell to reach his goal. The depiction of the horrifically disfigured Woodrue is also vividly realised, with his seething ambition and desire for revenge at being rejected by the green fuelling his deranged scheme. The juxtaposition between Swamp Thing and Woodrue’s motivations are the backbone to this story. Neither have been all that honest with those who follow and trust them either. The dramatic line Ram V establishes between saviour and destroyer is masterfully blurred, with Perkin’s art sumptuously cultivating a lush spectacle of apocalypse and rebirth, while the intricate use of color by June Chung beautifully seeds the narratives rich emotional undercurrents as they flourish and bloom.

The powerful closing scenes are deeply heartrending as Swamp Thing confronts the enormity of what he has wrought upon the world, himself, and the constructs he’s crafted from his inner self and feelings. Future State Swamp Thing #2 is a magical, visceral and emotional addition to the legacy of Swamp Thing. When this event started I must admit I dismissed it, believing Future State would be just a rehash of DC’s abortive 5G event, instead Future State  has proven a great showcase for new talent and creative teams, and I couldn’t be more pleased to have been proven wrong about my misgivings. Future State Swamp Thing has been the evergreen jewel in the crown of DC’s Future State event, like all good stories it leaves you wanting more, and more we shall have when the new 10 issue maxi-series by Ram V and Mike Perkins, with colors by Mike Spicer, debuts in March!

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colors June Chung

Letters Aditya Bidikar

Cover Mike Perkins and June Chung 

Future State Nightwing #1 Review

Tags

Batman, Bruce Wayne, DC Comics, Dick Grayson, Future State Nightwing #1 review, Future State Nightwing#1, Gotham, NCBD, Nightwing, The Next Batman

Future State Nightwing #1

Review by Paul Bowler.

Dick Grayson carries on the good fight in Future State Nightwing #1 as he leads the resistance in Gotham against the Magistrate’s oppressive regime. Batman is gone and Bruce Wane is believed to be dead. In order to stay one step ahead of the Magistrate and his cybernetically enhanced troops Nightwing has established a base in the abandoned Arkham Asylum, but a visit from Gotham’s new Batman could prove fortuitous — at least so long as he can fight like a Dark Knight!

DC Comics Future State is in full swing now following the aftermath of the multiverse saving events of Death Metal, and it looks like this possible glimpse into the future is going to be very dark indeed for Nightwing. Now as Nightwing’s mission to keep the citizens of Gotham safe from the Magistrate’s police state begins to escalate, writer Andrew Constant quickly establishes how grim the situation has got in Gotham since Batman was murdered by Peacekeeper-01. Right from the get-go the stakes are raised as Nightwing intervenes to help a couple being harassed by a Cyber, although everything isn’t quite what it seems, and plans are being hatched in Magistrate HQ to take Nightwing out — permanently!

Nicola Scott’s artwork and Ivan Plascencia’s vivid color palette stylishly conveys every nuance of the plot as scenes shift from Nightwing’s vertigo inducing rooftop skirmish, to the gleaming Cyberpunk vista of Gotham, the  high-tech interiors of Magistrate HQ, and the gloomy ruins of Arkham Asylum that Nightwing now calls home. Nightwing’s costume for Future State is  a nice blend of the classic look with some cool looking futuristic refinements. Although the story is primarily action driven, its in the quieter moments where Dick talks via video link to his allies, especially Barbara, where Nicola Scott’s art really shines and accentuates the scripts emotional beats with powerful effect. Yasmine Putri’s cover portrays a stunning depiction of Nightwing – its almost as if Gotham has a new Arkham Knight!

The face-off between Nightwing and the Next Batman is easily the big highlight of the issue. While I found this new Dark Knight’s debut in Future State The Next Batman #1 rather underwhelming, his characterisation here in Future State Nightwing is much less one dimensional, and far more satisfying as a result. Andrew Constant really fleshes out the characters and their motivations in these scenes, which, though heavy with exposition, skilfully adds an intriguing    plot twist into the mix as the Magistrate’s forces close in. 

It seems the future hasn’t been kind to Dick Grayson, but he’s still very much depicted here in Future State as the character that can resist the darkness and remain in the light — despite all the friends and allies he’s lost. Although Future State Nightwing #1 might not exactly be the most groundbreaking chapter in DC Comics current line-wide Future Sate event, the exciting story by Andrew Constant and impressive artwork by Nicola Scott nevertheless still provides a fascinating glimpse into these dark times for Nightwing in Future State.

Publisher DC Comics

Writer Andrew Constant / Artist Nicola Scott

Colorist Ivan Plascencia / Letterer Wes Abbott 

Cover Yasmine Putri

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Future State Robin Eternal #1 Review

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Batman, DC Comics, Eddy Barrdow, Future State, Future State Robin Eternal # review, Future State Robin Eternal #1, Magistrate, Megan Fitzmartin, NCBD, Robin, Robin Eternal #1 review, Spoiler, Stephanie Brown

Future State Robin Eternal #1

Review by Paul Bowler

Future State Robin Eternal #1 provides a thrilling, action-packed new chapter in DC Comics line-wide Future State comic book event as Robin strikes back against the Magistrate’s oppressive regime in Gotham. A regenerative drug that could make his cybernetic forces immortal is en route to the city. Robin and Spoiler must embark on a daring heist at 20,000 feet to intercept it, but will Tim and Stephanie Brown’s emotional baggage jeopardise their mission or prove the key to its success?

DC Comics Future State has so far provided an intriguing glimpse into a possible future for the publishers core titles and characters. Future State Robin Eternal might not be the most catchy sounding addition to the line-up on glancing at the solicitations but new rising star writer Megan Fitzmartin (Supernatural)  has clearly brought her A game to the table for this jaunt into a future vision of Gotham, and fans of Tim Drake’s Robin and his former girlfriend Stephanie Brown, a.k.a Spoiler, will find plenty to enjoy here. Tim Drake’s Robin  has been pushed from pillar to post somewhat in recent times, so its great to see him being put front and centre like this in Future State.

Megan Fitzmartin crafts a fast-paced, action-driven story, laced with strong emotional beats for the character. It seems that Tim has soldiered on alone as Robin as the Magistrate’s regime took over Gotham – banning the masks and costumed vigilantes with his advanced technology and cybernetically enhanced forces. Believing that Batman, Bruce Wayne, has been killed, along with the betrayal of Jason Todd, and Dick Grayson in Arkham, this lone Robin is desperate to find a way to stop the shipment of a new drug derived from the Lazarus Pit that can make the Cybers unbeatable. Fitzmartin skilfully highlights just how Stephanie’s and Tim’s former history still makes things strained between them, and there’s a welcome reunion with an old We Are Robin member as well that’s also beautifully written into the narrative.

This futuristic looking Gotham is realised with some pretty amazing artwork too. With pencils  by Eddy Barrdows (Detective Comics), inks by Eber Ferreira, and colors by Adriana Lucas, Future State Robin Eternal boasts a distinctly vibrant, almost Cyberpunk vibe that dynamically cascades across the stylish page layouts. From the stunning rainswept opening battle between Robin and the hulking Cyber high on the new prototype drug, through to Tim’s emotional scenes with Spoiler, along with his reunion with Darcy, and the inevitable team-up with Robin leading his allies on an exciting Mission Impossible style heist to intercept the shipment of the Lazarus Resin are  all just some of the many highlights brilliantly crafted by the artistic team for this impressive looking issue. 

While I don’t tend to go in for comic book events that much I have to say I’ve found Future State quite entertaining so far — from the issue I’ve read anyway. Future State Robin Eternal #1’s creative team seizes the premise of this possible future and runs with it for all its worth. The ensuing result proves extremely satisfying indeed, Future State Robin Eternal is a veritable showcase of creative verve, and the issues thrilling cliffhanger provides a great hook to bring us back for the conclusion in the next issue.

Publisher DC Comics

Writer Megan Fitzmartin / Pencils Eddy Barrdows 

Inks Eber Ferreira / Colorist Adriana Lucas

Letterer Pat Brosseau Cover Irvin Rodriguez & Emanuela Lupacchino

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #105 Review

Tags

Alvaro Martinez, Batman, Batman #105, Batman #105 review, Batmobile, Bruce Wayne, Carlo Pagulayan, Christian Duce, Clownhunter, Danny Miki, DC Comics, Ghost-Maker, Gotham, Harley Quinn, James Tynion IV, Joker War, NCBD

Batman #105

Review by Paul Bowler

The Dark Knight and Ghost-Maker face-off in a no-hold’s barred showdown in Batman #105, with the fate of Clownhunter, Gotham and Batman’s austerity driven war on crime all resting on the outcome!

Batman #105 by writer James Tynion IV, artists Carlo Pagulayan, Danny Miki, Alvaro Martinez, Christian Duce and colorist David Barron, is the final chapter in Ghost-Maker’s introductory story – Ghost Stories – before the regular Batman title takes a short two-month hiatus to make way for the Next Batman as part of DC Comics next big line wide comic book event  – Future State.

I’ve really enjoyed how Tynion has explored Bruce’s complex relationship with this childhood rival from his past, and how the new anti-hero Ghost-Maker has returned to wreak havoc on Gotham in the aftermath of Joker War. In this issue of Batman we finally learn the reason their friendship fractured so badly and how it impacted on their quests to become crime-fighters. The opening flashback in Argentina is beautifully written by Tynion, and its fascinating to see what caused Bruce and Ghost-Hunter to take such different paths. The rest of the issue also showcases Tynion’s character-driven writing style, there’s an emotional reckoning between Harley Quinn and Clownhunter, and a thrilling edge-of-your seat battle between Batman and Ghost-Hunter that unexpectedly brings their story full circle. 

My only really complaint in this issue is with the art by Carlo Pagulayan, Danny Miki, Alvaro Martinez, Christian Duce and stylish use of color by David Barron, which is all adequate enough, but the differing styles do feel a tad disjoined and unsatisfying. Since Joker War the art team on Batman hasn’t been all that consistent, sadly Ghost Stories Part 4 does suffer as a result, and it tarnishes what has otherwise been a really good storyline. Batman is a flagship title after all, so come on DC Comics, get your act together and sort out a regular art team for Tynion’s run whydontya?

James Tynion has really begun to make his mark on this series and I look forward to seeing where thing’s go from here The conclusion of this epic tale involving Batman and Ghost-Hunter in Batman #105, does however, reach an intriguing conclusion that’s far beyond anything that could’ve been expected. With the tantalising prospect of a new Batmobile just around the corner Batman certainly seems to be keeping his friends close these days, and his enemies even closer…

Publisher DC Comics

Writer James Tynion IV

Artists Carlo Pagulayan, Danny Miki, Alvaro Martinez, Christian Duce

Colorist David Barron / Letterer Clayton Cowles

Cover Jorge Jimenez & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman Beyond #48 Review

Tags

Batman, Batman Beyond, Batman Beyond #48, Batman Beyond #48 review, Blanque, Booster Gold, Bruce Wayne, Dan Jurgens, DC Comics, Gotham, Terry McGinnis

Batman Beyond #48

Review by Paul Bowler.

The future and the past collide in Batman Beyond #48 when Terry McGinnis’ mentor Bruce Wayne suddenly turns against him! Luckily histories greatest unknown hero – Booster Gold – is on hand to whisk Batman Beyond back to the Gotham of yesteryear, to the time when Bruce Wayne is Batman. It looks as if Batman and Batman Beyond are finally going to meet at last… or will they?

Its time for Batman Beyond to go all back to the future — well sort of — but with a fun twist as writer Dan Jurgens turns familiar tropes on their head and sends him back to the present day instead. Events unfold extremely rapidly from the outset, throwing us right into the heart of this intriguing time travel quandary Terry McGninnis faces, and the stakes are deeply personal for him as well.

The addition of Booster Gold is the real masterstroke here. Not only is it a good old-fashioned team-up, the banter between Batman Beyond and Booster Gold is also very funny, and I really like the quirky dynamic between them. Given that Dan Jurgens is at the helm we can rest assured Batman Beyond’s time travelling shenanigans with Booster Gold are in safe hands, other writers have used Booster Gold very poorly of late in my opinion, so it’s great to see Jurgens redressing the balance.

Visually this is quite a striking issue of Batman Beyond from penciler Paul Pelleteir, along with inks by Norman Rapmund and bold colors by colorist Chris Sotomayor that seamlessly melds the two different eras this issue bridges to great effect. The action flows at a fast, almost unbroken pace for virtually the entirety of the issue as Batman Beyond and Booster Gold go through the ubiquitous team-up squabbles and fisticuffs before they join forces to achieve their goal — to prevent the time delayed subliminal message that caused Bruce Wayne to turn against Batman Beyond in the future from ever being implanted by the telepath Blanque. Characters, locations and emotional beats are all rendered in rich detail and vibrant color by the artistic team — along with a terrific final page that nicely encapsulates the tone of this issues eye catching cover by Dan Mora.

A hugely enjoyable issue in its own right, Batman Beyond #48 feels like a breath of fresh air in the DCU at the moment. I’ve always had a bit of a soft spot for Batman Beyond who became a part of the DCU after the success of the Batman Beyond animated series (1999-2001), this has been the characters longest running comic book series to date, and I’ve really enjoyed it. I’m also a fan of Booster Gold, so I’m really happy to see him being written in the way he should be again, and teaming up with Batman Beyond is the icing on the cake! Batman Beyond in 2020 is such a great concept as well, its just a shame its taken until nearly the end of Dan Jurgens iconic run for it to finally happen.

Publisher: DC Comics

Writer: Dan Jurgens / Penciller: Paul Pelleteir 

Inks: Norman Rapmund / Colorist: Chris Sotomayor

Letterer: Travis Lanham / Cover: Dan Mora

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #101 Review

Tags

Batman, Batman #101, Batman #101 review, Bruce Wayne, Catwoman, Clownhunter, DC Comics, Gotham, Guillem March, James Tynion IV, Joker, Joker War, Lucius Fox, Punchline, Robin, Tomeu Morey

Batman #101

Review by Paul Bowler

A new dawn rises over Gotham City in Batman #101 as the dust settles in the aftermath of Joker War. The full impact of the Joker’s reign of terror and the effect its had on the citizens of the city is now realised in the cold light of day. Batman chooses a bold new path for his war on crime as Bruce Wayne’s life is changed forever, and why exactly is Cole Cash – a.k.a.-Grifter, now working for Lucius Fox?

It’s time to ring in the changes as writer James Tynion IV sets out a new direction for the Dark Knight in this somber, emotional and reflective issue of Batman. Joker War might be over but the fallout from what the Clown Prince of Crime did to the city using the Wayne fortune will have long lasting ramifications for Bruce Wayne. Tynion delivers some terrific character moments for Batman and Lucius Fox as they reevaluate their lives in the wake of the traumatic  events they each suffered, both mentally and physically, during Joker War. Fox now has control of the Wayne fortune, the board of Wayne Enterprises want Bruce quietly sidelined from the company, and Batman is going to have to tighten his utility belt with a more cash strapped, low-tech, approach to crime fighting.

Guillem March’s strikingly detailed artwork for Batman #101 brings vivid clarity to the events in this issue. Numerous pages are awash with swapping vistas of Gotham as Batman looks back on simpler times, where Commissioner Gordon always stood by the Bat-Signal, Robin fought by the Dark Knight’s side, and Alfred was ever present in the Bat-Cave to offer advice.  Now all these constants in Batman’s life are gone, March’s artwork beautifully encapsulates these reflective, emotionally charged moments, whilst Tomeu Morey’s subtle colors heightens them perfectly in the Dark Knight’s powerful scenes with Lucius Fox and his tender soul-searching moments with Catwoman. Batman’s no-holds-bared fight with Lucius Fox’s new bodyguard, Grifter, is another highlight as well.

Along with having Bruce relocating his operations as Batman to a more modest location in Gotham, Tynion also acknowledges what Joker War will mean for Bat and the Cat relationship now. Tough decisions need to be made to accommodate the new status quo Bruce has adopted to allow himself to work off the grid as leaner, more self-sufficient Batman, and Catwoman being the number one target of Gotham’s underworld after stealing the Wayne fortune back from the Underwriter isn’t exactly going to make things any easier for them or their relationship going forwards.

Brief mentions of Punchline’s media message and Clownhunter’s vigilante antics also get thrown into the mix to keep those plot lines bubbling away in the background for future issue to explore. Although this issue comes across initially as being rather downbeat after Joker War, there’s a distinct move by Tynion here to really start to place his stamp of the character with a more back-to-basics approach. With its excellent character driven narrative by James Tynion IV and terrific artwork by Guillem March, Batman #101 heralds a new beginning for the Dark Knight – in more way than one!

Publisher: DC Comics

Writer: James Tynion IV / Artist: Guillem March

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Guillem March & Tomeu Morey

Follow @paul_bowler

About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook