AQUAMAN ANDROMEDA #1 REVIEW

07 Tuesday Jun 2022

Tags

Aquaman, AQUAMAN ANDROMEDA #1 REVIEW, Aquaman: Andromeda #1, Black Label, Christian Ward, DC Comics, Ram V

Aquaman: Andromeda #1

Review by Paul Bowler

The world of Aquamam comes to DC’s Black Label for a new three part series Aquaman Andromeda, from writer Ram V (Venom, The Swamp Thing) and illustrated by Christian Ward (Thor, Invisible Kingdom). Aquaman Andromeda #1 is a highly compelling and immersive experience that works on many levels. Blending rich sci-fi themes and dark psychological horror, Ram V take us on a deep dive into the Pacific Ocean, where Arthur Curry, a crew of scientists on an experimental submarine, and even old foes will find themselves facing a dark terrors in the depths of beyond that will test even the King of Seas to breaking point. Initially, Aquaman’s presence is slightly cursory at best. Ram V shows us a more contemplative side to Arthur Curry, where his need for solitude and dedication to the duty of his aquatic realm strikes a much finer balance than anyone could’ve suspected.

Much of the action takes place on the prototype submarine Andromeda, the incredible high-tech vessel is powered by an experimental quantum drive, and her crew is a diverse mix of coutures and specialities — some of whom have a far more intuitive understanding of the nature of the sea than even they themselves realise. It is this Marine Biologists haunting backstory almost unconsciously drives the narrative as the Andromeda embarks on its mission to investigate a mysterious signal emanating from Point Nemo – the infamous spaceship graveyard used by the various nations of the world for their crafts splashdowns on returning to Earth since the dawn of the space race.

Aquaman Andromeda is beautifully illustrated throughout by Christian Ward. Every page is like an aquarium of encapsulated drama and mystery, rich with detail, vivid color, and mesmerising clarity. Aquaman’s time above and below the waves strikes distinct parallels between story beats, with warm tones and an almost soft focus conveying his treasured solace in a simple task, while ominous shadows creep in before descending into the deep to face a strange new calling. Ward gives Aquaman’s traditional costume a slight makeover as well; with accents reminiscent of a coral reef. The Andromeda submarine is another marvel to behold, with its futuristic corridors and instruments.

This series looks set to take full advantage of the edgier format Black Label can offer. The sense of building dread is palpable throughout, events also set master pirate Black Manta on a collision course with his old nemesis, and the attack by a giant Cephalopoda leads to a jaw-dropping confrontation with Aquaman. This cracking first issue unashamedly wears its sci-fi-horror influences on its sleeve, and provides an intriguing set-up for what’s to come as something begins awakening down in the dark at Point Nemo. If you like comics being a tad edgier then you’ll be amazed at how DC’s King of the Seas takes a voyage to the darker side of sci-fi here, as Aquaman Andromeda #1, with its thrilling story by Ram V and fantastic artwork by Christian Ward, is sure to float your boat!

Publisher DC Comics (Black Label)

Writer Ram V

Artist Christian

Letters Aditya Bidikar

Cover Christian Ward

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Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

The Swamp Thing #11 Review

29 Tuesday Mar 2022

Posted by Paul Bowler in All, DC Comics

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DC Comics, Horror, Levi Kamei, Mike Perkins, Ram V, Swamp Thing, The Spawn Thing #11 Review, The Swamp Thing, The Swamp Thing #11

The Swamp Thing #11

Review by Paul Bowler

DC Comics The Swamp Thing is back along with the creative team of writer Ram V and artist Mike Perkins as they return for a “Second Season” of spellbinding adventures featuring their new avatar of the Green, Levi Kamei (DC’s first leading character to herald from India). Levi Kamei was left in pieces, quite literally, during the final issue of the 10 part maxi-series, but now the breakout horror hit is back by popular demand for an extended run that will take the series to sixteen instalments!

The Swamp Thing #11 picks up after the climatic battle between Levi and his brother, Jacob, which saw the Swamp Thing broken up after the Prescot research facility was destroyed in the battle. A sinister new stage in their grand designs was also hinted at. Now The Swamp Thing #11 reveals just how dark and ominous those plans were; along with the implications it will have for the Green if they succeed. Ram V ramps up the body horror and supernatural themes to eleven and beyond with this scene-setting issue. No stone is left unturned, physically or emotionally, with Levi’s essence fractured within the Green, while his long-term friend Jennifer Reece seeks the help of Tefe Holland (daughter of the original Swamp Thing), and Mr Pilgrim puts his fate in Woodrue’s hands as he goes under the knife for a grisly medical procedure at a secret Prescot facility.

Mike Perkins artwork is brings Ram V’s haunting script to life with awe-inspiring detail and clarity. The blend of Levi’s dream-like visions exquisitely weave a mesmerising state of flux around Swamp Thing. Meanwhile, Perkin’s art portrays Jennifer’s emotional journey via the tendrils of recaps that pepper the narrative with further insight, and the ghoulish vivisection unfolding at Prescot certainly isn’t for the squeamish either. Mike Spicer’s glorious colors enrich the stark horror and emotional trauma felt by protagonist and antagonist alike, as the dramatic seeds of diligently planted in every scene blossom with a veritable cornucopia of flora, fauna and visceral terror.

Ram V seizes the chance to sow this issue with broad narrative strokes that will clearly take this innovative new saga of Swamp Thing to a whole other level of strangeness and horror. A lot of intriguing elements are set up to keep us guessing, and a few surprises are waiting in the wings as well before this issue close out. I’m so glad this maxi-series got an extended run. With a creative team at the top of their game The Swamp Thing #11 is a standout horror title, and highly recommend!

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colorist Mike Spicer / Letterer Aditya Bidikar

Cover Perkins & Spicer

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The Batman Film Review

07 Monday Mar 2022

Posted by Paul Bowler in DC Comics, Film Reviews

≈ 43 Comments

Tags

Alfred, Bat Cave, Batmobile, Catwoman, DC Comics, Gotham, Matt Reeves, Penguin, Riddler, Robert Pattinson, The Batman, The Batman film review, The Batman review

The Batman

Review by Paul Bowler

The Caped Crusader is back In director Matt Reeves The Batman, with Twilight’s Robert Pattinson donning the cape and cowl in what has arguably become one the most hotly anticipated film of the year. The Batman has a dark, crime thriller horror vibe about it, one that often feel more akin to David Fincher’s Seven, and subsequently it elevates this gritty superhero fable into a hugely compelling character study of the Dark Knight. Set against the corrupt backdrop of a crime riddled Gotham City, the gloriously atmospheric film noir aesthetic of this Dark Knight’s world is indeed a cut above anything we’ve seen before in the genre.

Taking place two decades after the death of Thomas and Martha Wayne, and two years into Bruce Wayne’s all-consuming Bat-fuelled Gotham project, the city is now caught in the grip of a puzzle obsessed serial killer, the Riddler (Paul Dano). He’s a maniac with a penchant for murdering the elite of Gotham along with their reputations, and is just the catalyst Patterson’s emo incarnation of the Batman needs to finally step into the light and assist the GCPD’s James Gordon (Jeffrey Wright) – much to the chagrin of Gordon’s colleagues.

Matt Reeves and co-writer Peter Craig’s powerful take on Batman’s early career cleverly utilises the oft overlooked trait of Batman being comicdoms worlds greatest detective as the template for one of Batman’s darkest of cinematic outings ever, and the film is all the richer for it. Robert Pattinson’s Dark Knight is an intense, deeply driven vigilante, he may have the bullet proof Bat-suit, but he’s got none of the usual high-tech gadgets and gizmos of his glossier cinematic predecessors. Indeed, Pattinson’s performance as Wayne / Batman is both mesmerising and unflinching as a Batman who is totally focused on his war on crime and hell-bent on instilling fear in criminals. He has yet to earn the trust of Gotham or Gordon, the reclusive Bruce Wayne’s only real ally is his loyal butler Alfred (brilliantly played by Andy Serkis), and this fledgling Batman’s inexperience often sees him taking nearly as much punishment as he dishes out.

Batman’s detective work crucially finds him crossing paths with Zoe Kravitz’s sultry femme fatal Selina Kyle, a.k.a Catwoman, who is conducting her own personal investigation which also brings her into conflict with Batman’s mission to solve the Riddler’s diabolical puzzles. Their tangled love story and alliance of connivence never truly convinces, but the sizzling chemistry between Pattinson and Kravitz is fuelled even further by the intensity of the dynamic between their alter-egos.

The Batman features a number of key villains from the Dark Knight’s ominous rogues gallery, with a virtually unrecognisable Colin Farrell under a mass of prosthetic make up as nightclub boss, the Penguin, Paul Dano’s blood curdling turn as Edward Nashton / the Riddler leads to some truly chilling scenes, and John Turturro proves to be an unexpectedly pivotal player in The Batman’s story as Carmine Falcone.

Greig Fraser’s stunning cinema photography makes the films grimy rain-swept depiction of Gotham perhaps the biggest scene stealer of all. The spectacle of Wayne Tower and the urban gothic of the new Bat-Cave are just some of the films many standout settings. The city feels almost like a character in its own right here, as Reeves stylish direction brings a graphic novel sense of scale and awe to the production, together with a mix of atmospheric locations and fantastic special effects, to make this noir-infused comic book crime caper come to life on the screen in a way that is as menacing as it is breathtaking. Reeves uses the action sparingly, but in incredibly effective ways. Fight sequences are relentlessly brutal, there’s an incredible car chase featuring the Batmobile and a death defying leap from a skyscraper amongst The Batman’s many blockbusting big-action set-pieces to enjoy.

At just under three hours, this first solo Batman movie in a decade is the longest Batman movie ever made. The hard-boiled noir influences and striking visual style are to die for, as is that new Batmobile, and it is only the somewhat overloaded final act that holds the film back from achieving absolute perfection. Pattinson defies all expectations and totally makes the role of the Dark Knight his own as well. This epic superhero movie may have been beset by pandemic related delays but Matt Reeves The Batman has certainly turned out to be well worth the wait, and is everything you could want from a Batman movie.

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DC FanDome: The Batman New Trailer!

16 Saturday Oct 2021

Posted by Paul Bowler in Trailers & Posters

≈ 25 Comments

Tags

Batmobile, DC Comics, Gotham, Matt Reeves, New Batman Trailer, Robert Paterson, The Batman, The Batman FanDome Trailer, Warner Bros

DC FanDome: The Batman NewMain Trailer!

The new, second trailer for The Batman has been released during DC’s 2021 FanDome event. The trailer offers a great taste of what this dark, noir style take on the legacy of the Batman will be like.

Thought the trailer was amazing and I’m excited to see this movie more than ever now. “The Batman,” with director Matt Reeves (the “Planet of the Apes” films) at the helm and with Robert Pattinson (“Tenet,” “The Lighthouse,” “Good Time”) starring as Gotham City’s vigilante detective, Batman, and billionaire Bruce Wayne looks set to be a box-office smash.

Also in the star-studded ensemble as Gotham’s famous and infamous cast of characters are Zoë Kravitz (“Fantastic Beasts: The Crimes of Grindelwald,” “Mad Max: Fury Road”) as Selina Kyle; Paul Dano (“Love & Mercy,” “12 Years a Slave”) as Edward Nashton; Jeffrey Wright (the “Hunger Games” films) as the GCPD’s James Gordon; John Turturro (the “Transformers” films) as Carmine Falcone; Peter Sarsgaard (“The Magnificent Seven,” “Black Mass”) as Gotham D.A. Gil Colson; Barry Keoghan (“Dunkirk”) as Officer Stanley Merkel; Jayme Lawson (“Farewell Amor”) as mayoral candidate Bella Reál; with Andy Serkis (the “Planet of the Apes” films, “Black Panther”) as Alfred; and Colin Farrell (“Fantastic Beasts and Where to Find Them,” “Dumbo”) as Oswald Cobblepot.

“The Batman” is set to open in theaters 4th March 2022.

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Superman Action Comics Annual 2021 #1 Review

13 Tuesday Jul 2021

Posted by Paul Bowler in All, DC Comics

≈ 14 Comments

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Action Comics, Brandon Kent, DC Comics, Future State, House of El, Philip Kennedy Johnson, Superman, Superman Action Comics Annual 2021 #1, Superman Action Comics Annual 2021 #1 review, Superwoman, The Phantom Zone

Superman Action Comics Annual 2021 #1

Review by Paul Bowler.

Legacies of the past and the future entwine as one in DC Comics Superman Action Comics Annual 2021 #1, as writer Philip Kennedy Johnson revisits Future State’s House of El as Superman’s descendants of tomorrow face a threat established during the yesteryear of the present.

One of the most fascinating aspects of Future State for me was Philip Kennedy Johnson’s one-shot that explored the distant future of the House of El, where the legacy of the Man of Steel had merged with numerous other heroes and legacies of DC universe, and the despot villain Prythos (Kal El’s fallen son) wished to tear down everything that his family’s heroic dynasty stands for. This special Action Comics Annual ties-in broadly with Johnson’s current “Warworld Rising” arc in Action Comics, the issue opens in the near future where a mysterious old man is telling a group of children a tale of heroes from their own future. Events then flash forward to a time of great prosperity and hope for the House of El, where Superwoman, Lady Kara Zor El, is presiding over a wedding in the House of El, but before the nuptials can be completed Prythos gatecrashes the ceremony. It falls to Brandon Kent, the Superman of this era, to protect his family and save the next generation of the House of El from the menace of Prythos – killer of Darksied and the new Highfather of Apokolips!

Philip Kennedy Johnson delivers a welcome return to the empire of the House of El which he established in Future State, and this Annual sets up a wealth of possibilities for the both the future and the present of the DCU. Tales of the House of El takes the wedding backdrop and turns it into a thrilling all-out action adventure, one laced with heartfelt emotion, a perilous voyage through the Phantom Zone, the surprise return of an old Superman villain, and there’s even a hint of redemption in the air as the story races to get to the church on time for its joyous final act.

The artwork by Siya Oum and Scott Godlewski provides us with dynamic realisation of the richly textured narrative. From the gleaming opulence of the Sanctuary to the chilling vistas of the Phantom Zone, the characters are stylishly defined, and the action sequences impressively rendered throughout. Hi-Fi’s colours are, as always, of a high standard, and every scene is awash with vibrant hues that perfectly accentuates the fine detail of Oum and Godlewski’s work.

I throughly enjoyed this exciting sojourn back to the Future State era of the House of El portrayed in Superman Action Comics Annual 2021. Whether the open-ended nature of much of what transpires in this issue will actually impact or influence Philip Kennedy Johnson’s Action Comics run, of course, remains to be seen. I for one sincerely hope these plot threads and characters are revisited again at some point. Superman Action Comics Annual 2021 #1 is a beautifully crafted story, one where a child’s toy becomes a treasured relic and the future personification of the fundamental legacy of the House of El itself… hope.

Writer Philip Kennedy Johnson

Artist Siya Oum & Scott Godlewski

Colorist Hi-Fi / Letterer Dave Sharpe

Cover Scott Godlewski & Gabe Eltaeb

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BATMAN REPTILIAN #1 REVIEW

22 Tuesday Jun 2021

Posted by Paul Bowler in All, DC Comics

≈ 12 Comments

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Batman, Batman Reptilian, Batman Reptilian #1, Batman Reptilian #1 Review, DC Black Label, DC Comics, Gareth Ennis, Gotham, Horror, Liam Sharp, NCBD

Batman Reptilian #1

Review by Paul Bowler

A terrifying new monster stalks the darkest monsters of Gotham in Batman Reptilian #1, DC Comics chilling new six-part Black Label series from the all-star team of writer Gareth Ennis and artist Liam Sharp. Batman used to be the most frightening thing in Gotham. Now something less than human lurks in the shadows, inflicting fear, and blood-curdling violence against the Dark Knight’s infamous Rogues gallery…

In this bone-chilling first chapter of Batman Reptilian: Quick and Dirty, writer Gareth Ennis crafts a bleak and gritty tale interwoven with an almost palpable sense of dread. The opening scenes with Batman meeting out his own brand of justice to a boxing champion who is just as handy with his fists outside the ring as he is in it, immediately sets the tone for this more downtrodden and uglier take on Gotham to what we are used to seeing in the mainstream Batman books. From here Ennis sets the Dark Knight on a path that will see him investigating a horrific attack that spilled out from of a clandestine gathering of some of Batman’s most nefarious foes. The low-tech means Batman employs to uncover what happened during the ensuing bloodbath which followed this gathering is refreshing, to say the least, and the graphic account of events is genuinely stomach churning.

Every brooding, creepy moment of Batman Reptilian is impressively relayed by the gorgeous painted artwork by Liam Sharp. If you thought his work on Green Lantern Season 1 & 2 was out of this world, then you are in for a real treat here is well! Sharp’s depiction of the Dark Knight’s world is truly stunning, Gotham is a noirish rainswept metropolis of ebony shadows and Gothic menace. Batman’s presence is as indistinguishable as the night itself, brutally in-your-face, unflinching and striking dread into the hearts of criminals wherever he appears — quite literally in most instances. Horror is splattered with liberal abandon by Sharp throughout, brining a psychedelic quality to the Rogues gallery of villains, and the gruesome carnage they endure is visceral in the extreme.

The simple premise of having someone, or something, that’s able to strike more fear than. Batman into the hearts of those who terrorise the upper echelons of Gotham’s villains is brilliantly effective — both narratively and visually. Yet for all this issues heady mix of brutality and gore, its the things you don’t see that actually ends up being more terrifying, and none perhaps more so than that sublime final jump moment! If you like your Batman dark and grim, well, Batman doesn’t get much darker than this! Batman Reptilian has taken a long journey to reach the page, originally being written more than five years ago for the late Steve Dillon. Gareth Ennis eventually brought the story to life with the help of Dillon’s friend, artist Liam Sharp, and now this highly anticipated project has finally come to fruition. With its eerily macabre writing from Gareth Ennis and hauntingly stylish art by Liam Sharp, Batman Reptilian #1 is everything we could’ve hoped for, and it sets up a compelling mystery that’s sure to keep us all guessing every grisly step of the way.

Publisher DC Comics

Writer Gareth Ennis

Artist, colorist, and cover artist Liam Sharp

Letterer Rob Steene

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FUTURE STATE GOTHAM #2 REVIEW

08 Tuesday Jun 2021

Posted by Paul Bowler in All, DC Comics

≈ 4 Comments

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Batman, DC Comics, Denis Cluver, Future State, Future State Gotham #2, Giannis Milonogiannis, Gotham, Jason Todd, Joshua Williamson, Magistrate, Next Batman, Nightwing, Red Hood

Future State Gotham #2

Review by Paul Bowler

Jason Todd vows to carry out justice in Future State Gotham #2, no matter what the cost! As Gotham reels from a devastating tragedy Red Hood finds himself newly promoted to the rank of Peacekeeper Red in the Magistrate’s regime. With the Next Batman seemingly responsible for the attack, Jason must bring down this new Dark Knight, but he’s got to get past Nightwing and the rest of the Bat-Family first!

Writers Joshua Williamson and Demis Culver have taken the dark concept of a Gotham City run by the Magistrate’s cybernetically enhanced Peacekeepers, established during DC Comics Future State event, and elevated it to a whole new level with this Future State Gotham series. Having sided with the Magistrate to hunt down outlawed superheroes, Future State Gotham #2 has Jason Todd struggling with a crisis of conscience as his role as Peacekeeper Red brings his betrayal of the Bat-Family to the fore and forces him to fight his former allies.

Battle lines are drawn, emotions run high, and not everything is as black-and white as we’ve been led to believe by Williamson and Culver. Jason Todd’s methods and actions have always made him something of a divisive character, and never more so than here in Death by the Family. Jason seems at loggerheads with everyone and everything in this issue. Theres a brooding sense of cross and double cross as the narrative unfolds, which in turn leads to some great character beats, and even a surprise revelation when Red Hood’s secret ally finally emerges from the shadows.

The Akiria themed artwork by Giannis Milonogiannis stylishly captures the frenetic action and pace of the issue. Action flows seamlessly from one scene to the next, with the with roof-top face-off between Jason and the rest of the Bat-Family and a high-octane dash to Blackgate which culminates in a showdown with the Next Batman all just some of the many visual highlights in this issue. I’ve always been a fan of black and white artwork like this in comics, and I think it suits the Cyberpunk tone of Future State Gotham perfectly.

Along with the major plot elements that begin slotting into place during this issue, which in turn gives a whole new context to Jason’s mission and indeed the series as a whole, there’s also a great back up story The Cavalry featuring the Next Batman by writer John Ridley and artist Oliver Coipel to enjoy. With its intricate storyline, strong characterisation and great art Future State Gotham #2 continues to impress with a striking Neo-futuristic take on the Dark Knight’s world and legacy.

Publisher DC Comics

Writers Joshua Williamson and Denis Culver

Art Giannis Milonogiannis

Lettered by Aly’s Troy Peteri

Cover Ladronn

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THE SWAMP THING #4 REVIEW

01 Tuesday Jun 2021

Posted by Paul Bowler in All, DC Comics

≈ 4 Comments

Tags

Alec Holland, DC Comics, Horror, Mike Perkins, Mike Spicer, Poison Ivy, Ram V, Suicide Squad, Swamp Thing, Swamp Thing #4, Swamp Thing #4 Review, The Swamp Thing, The Swamp Thing #4

The Swamp Thing #4

Review by Paul Bowler.

Finding themselves still trapped in the realm of the Green, Levi’s and Jennifer’s psychedelic voyage continues in The Swamp Thing #4 as DC Comics ten-part maxi-series from writer Ram V and artist Mike Perkins delves further into Levi Kamei’s origins as the new Swamp Thing.

It is with Swamp Thing #4 that writer Ram V finally begins to hint at the events surrounding Levi’s transformation into Swamp Thing and what happened on his trip to India to visit his dying father. Separated after the MRI scan Levi underwent to better understand his mysterious transformations into the Swamp Thing, Jenifer’s journey through the darker depths of the Green with the Floronic Man begin to take a sinister turn, while as Swamp Thing, Levi receives some unexpected help from a former avatar of the Green, Alec Holland. After the bizarre interactions with the dual aspects of Poison Ivy last issue, Levi gains far greater insight into the Green with Holland’s guidance, with his role as the new Swamp Thing, along with the cause of the contagion ravaging the Green, and the uncanny schism in which it entwines Levi’s origin as the new avatar of the Green all beginning to fall into place. Ram V cultivates an intricate balance of plot and dialogue throughout the issue. The meeting between Levi and Alec Holland is a masterclass in writing, and the revelations it brings will have you hanging on every word.

Likewise, the gorgeous artwork by Mike Perkins and luscious colors by Mike Spicer are every bit as enchanting as the narrative. We are treated to some truly spectacular vistas as Levi and Jenifer explore the Green, encountering denizens that prove to be both friend and foe, along with startling depictions of the magical and terrifying power which Swamp Thing must learn to embrace lest this seed of contagion spread to our world. This veritable tour de force of wonder and horror Perkins and Spicer craft is absolutely spellbinding, its peppered with memories from across the ages, glimmers of Levi’s past become juxtaposed with the pollination of life and consciousness, and there’s even an epic face-off with the proto-myth of first avatar which Swamp Thing has to confront as well to obtain his evergreen Nirvana.

My Green Amaranthine Part 2 sows seeds of knowledge and foresight as Levi’s quest of self discovery comes full circle. Not everything in this issue is quite as it seems either as reality, memory and myth collide as one. Poison Ivy’s role this issue, though fleeting, is still crucial to the plot. There’s a reckoning with an old foe as well, and Jennifer’s frightening first encounter with Alex as Swamp Thing leaves Levi pondering over the terrible cost it might have on their friendship. There’s also an atmospheric coda to round off the issue that sets the stage for the two-part crossover event between Swamp Thing and Suicide Squad in August. This maxi-seres continues to go from strength to strength. With the brilliant writing and scripting from Ram V and the incredible art by Mike Perkins, Swamp Thing #4 is another enthralling chapter in this new era of Swamp Thing!

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colorist Mike Spicer / Letterer Aditya Bidikar

Cover Mike Perkins and Mike Spicer

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Publisher Image Comics

Writer Tod McFarlane

Art Carlo Barber / Colors Jay David Ramos & Andrew Dalhouse

Lettering Tom Orzechowski

Cover Artists Tod McFarlane, Bjorn Barends, Tonton Revolver

FUTURE STATE GOTHAM #1 Review

11 Tuesday May 2021

Posted by Paul Bowler in All, DC Comics

≈ 9 Comments

Tags

Batman, DC Comics, Denis Cluver, Future State, Future State Gotham #1, Future State Gotham #1 review, Giannis Milonogiannis, Gotham, Jason Todd, Joshua Williamson, Red Hood

Future State Gotham #1

Review by Paul Bowler.

Spinning out of the success of DC Comics Future State event comes Future State Gotham, an all-new ongoing series featuring former Robin Jason Todd: AKA the Red Hood. When a disaster strikes Gotham, all evidence points towards Tim Fox, The Next Batman, and Red Hood soon finds himself enlisted by the Magistrate’s totalitarian regime to hunt down this new Dark Knight.

Following the aftermath of events in Future State, Gotham is still run by a private Police force controlled by a mysterious figure known only as the Magistrate, and the law is enforced by his ruthless Peacekeepers. Written by Joshua Williamson and Denis Culver, with art by Giannis Milonogiannis, Future State Gotham #1 kicks off with an action-packed face-off between Red Hood and the Ventriloquist who has unleashed a gigantic robotic version of Scarface on Jason Todd’s neighbourhood.

Although costumed superheroes are outlawed in Gotham, Jason Todd has thrown in his lot with the Magistrate’s regime and works for them by hunting down the remaining heroes who dare defy the lockdown. Williamson delivers a fast paced issue, with Red Hood and Peacekeeper 3 teaming up to fight the Ventriloquist and Scarface, before a city-wide terrorist attack changes the landscape of Gotham forever. Jason is still reeling from the break-up with his on-off girlfriend, Ravager, there’s fraught clandestine meetings with former allies to contend with too, and a surprise promotion that finds him tasked with tracking down the new Batman as Peacekeeper Red!

Giannis Milonogiannis’ Akira inspired artwork impressively captures the Cyberpunk look of this near-future Gotham. The battle with Robo-Scarface, sweeping vistas of Gotham in the wake of an explosive attack, and the debut of Jason Todd’s new costume as Peacekeeper Red are just some of the many standout moments in this first issue. I really like black and white artwork in comics — I think it adds a whole new dimension to the characters and gives the story a very dramatic, noirish feel. I also expect Milonogiannis’ Akira style line-work led to DC Comics deciding to reprint a 1996 Batman story by Akira creator Katsuhiro Otomo as the back-up story for Future State Gotham #1 as well.

Joshua Williamson, Denis Culver and Giannis Milonogiannis look set to craft a bold new direction for Red Hood and a thrilling continuation of Future State with this new series. Creatively it’s also very different from the usual Bat-Books, which I find both refreshing and exciting. Future State Gotham blends a stylish noir vibe with compelling action and is certainly going to one to watch in the months to come.

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Publisher DC Comics

Writer Joshua Williamson and Denis Culver

Art Giannis Milonogiannis

Lettered by Alw’s Troy Peteri

Cover Yasmine Putri

Robin #1 Review

27 Tuesday Apr 2021

Posted by Paul Bowler in All, DC Comics

≈ 19 Comments

Tags

Alfred Pennyworth, Batman, Conner Hawke, Damian Wayne, DC Comics, Flatline, Gleb Melnikov, Joshua Williamson, League of Lazarus, NCB, Respawn, Robin, Robin #1, Robin #1 Review, Rose Wilson, Teen Titans

Robin #1

Review by Paul Bowler.

Damian Wayne strikes out on his own in Robin #1, DC Comics brand new ongoing series from writer Joshua Williamson and artist Gleb Melnikov. Having cut all ties with Batman and the Teen Titans, Damian will have to emerge from the shadows cast by both of sides of his parentage to forge his own legacy. Embarking on a quest to earn a place in the deadly League of Lazarus tournament, the teenage Robin uncovers new mysteries and allies as he seeks the prestige of proving himself the greatest fighter in the DC Universe!

Damian Wayne is probably the most exciting and dynamic character in the extended Bat-Family that’s been crying out for his own series for a while now, and writer Joshua Williamson is clearly going to address the emotional fallout from City of Bane and send Damian on a heroes journey of self discovery with this opening story-arc. Having gone off the grid completely Damian must find the secret island where the League of Lazarus tournament is being held. That means a cage fight with King Snake, some kick ass action, and the acquisition of a marker to enter the tournament. There’s time for some reflection along the way, we also have the reintroduction of established characters like Rose Wilson and Conner Hawke, and brand new faces like Flatline and ReSpawn for Robin to meet as well.

Gleb Melnikov’s engaging artwork brings a dynamic Manga-like look that is a perfect fit for this series and a character like Damian. Alfred’s death has impacted powerfully across the whole of the Bat-Family, none more so than for Damian, and Melnikov crafts some hauntingly moving scenes with the young Robin mulling over his plans with an imaginary spectral Pennyworth watching over him. The action scenes in the cage fight with King Snake and the journey to the island are also rendered with vibrant detail.

This premier issue kicks off an important story in the DCU that will examine Damian’s connections to Batman and Talia Al Ghul like never before as Robin searches to find out the why his mother and father kept the League of Lazarus tournament a secret from him. There’s also a great mix of new and old characters for Damian to interact with, especially Rose Wilson, Conner, and the intriguing Respawn – a character with a distinct penchant for copyright infringement!

There’s a wealth of potential here for Damian to grow and evolve as a character in this series. All-in-all Robin #1 sets up the new series and its premise very well. Joshua Williamson and Gleb Melnikov make for an inspired creative team, and its great to see Damian finally getting a long overdue stint in the limelight with his own book.

Publisher DC Comics

Writer Joshua Williamson / Artist Gleb Melnikov

Lettering ALW’s Troy Peteri Cover & Variant Gleb Melnikov

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