All Star Batman #10 Review

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Alfred Pennyworth, All Star Batman, All Star Batman #10, All Star Batman #10 review, Batman, Batman the First Ally Part 1, comics, DC Comics, DC Rebirth, Jordie Bellaire, Rafael Albuquerque, Sci-Fi Jubilee, Scott Snyder, Steve Wands, The First Ally

All Star Batman #10

Review by Paul Bowler

The Dark Knight detective faces a new, deadly enemy in All Star Batman #10, an unpredictable foe, one whose attacks are seemingly impossible to counteract! Batman uncovers a dark scheme from decades past, but inconceivably the architect of this insidious plot could well be one of his closets allies of all! All Star Batman #10 reunites Scott Snyder with his American Vampire collaborator Rafael Albuquerque for this stunning new Batman story arc: The Last Ally!

Interspaced with flashback to a rooftop chase across the pond in London and Batman and Alfred’s present day escapade in Miami, All Star Batman #10 hit’s the ground running, and doesn’t let up for a moment. The Batmobile is driven like an old pro, there’s an enemy with a familiar face to be caught, and the crowd goes wild before you‘ve even finished turning a few pages. Hell, you’d be forgiven for thinking that’d be enough full-on Bat-action for one issue alone, but this is Snyder and Albuquerque we are talking about here, and like Batman in this issue they sure know how to grab our attention with a scene stealing entrance!

Having got word something dangerous is being smuggled into Miami, Bruce and Alfred go all good cop bad cop to get the information they need, and their subsequent attempt to infiltrate an old fort off the coast sequestered by a quartet of leaders from Miami’s most feared crime families puts Bruce in terrible danger. Initially what feels like an Oceans 13 heist coated with Miami Vice glamour and menace, soon becomes a deadly game of pirates, and before you can say shiver me timbers all hell breaks loose as the bullets start flying!

This storyline is going to delve into Alfred’s past, an exciting concept in itself, but what I really liked about this issue was how Scott Snyder used the narrative to highlight the surrogate father / son bond between Alfred and Bruce. There are certain points in this issue, usually right in the thick of the action, where Alfred’s reminiscing feels genuinely heart-warming and quite moving. However, these moments are also powerfully counterbalanced with Alfred’s steely determination, especially during the interrogation scene, where we gain further insight into his character and just how far he’d be willing to cross the line if need be.

The pencils and inks of Rafael Albuquerque’s artwork brings the first chapter of The First Ally to life in glorious fashion. The action is often fast and furious, with concisely structured page layouts relaying Snyder‘s vision with the same flawless synergy their collaborations always bring, as story and art seamlessly fuse as one. Rafael Albuquerque’s spectacular art effortlessly draws you in, you’d swear can almost hear the roar of the crowd as Batman ejects form the Batmobile, there’s centrally no doubting that Alfred means business either, those flashbacks have a unique favour that perfectly encapsulates the era, and the high-tech security of the fort soon becomes engulfed in a slow-motion barrage of gunfire with a yo, ho, ho, and a bottle of rum. The colors by Jordie Bellaire beautifully complement Albuquerque’s art, from the dusky hues of London from times before to the bombastic tones of the opening chase sequence, though to the vivid shades of the Miami skyline, and the ice blues and greys of the fort showdown, Bellaire’s colors sublimely enrich every single scene.

Killers-In-Law, written by Rafael Albuquerque and Rafael Scavone, featuring art by Sebastian Fiumara, and colors by Trish Mulvihill, is the new backup story which accompanies this new All Star Batman story-arc, involving Bruce Wayne going deep undercover to infiltrate the Russian mafia. It’s an edgy, brutal, bare knuckle story, one that plays its cards close to its chest, insomuch that it fills in just enough back story to keep us guessing how everything is going to slot together with The First Ally story-arc.

Scott Snyder and Rafael Albuquerque round off The First Ally: Part 1 in fine style. You might say that Bruce’s good taste in art is his saving grace in this issue, but it also puts him smack-bang in the middle of a heart-grabbing mystery, one that Snyder brilliantly blindsides us with as past and present collide in the most unexpected way possible. The First Ally is another masterpiece in the making from Snyder and Albuquerque, with its gritty storytelling and outstanding artwork, All Star Batman #10 doesn’t just exceed expectations, if anything, it drives right through them!

Publisher DC Comics

Writer Scott Snyder / Art and Cover & Variant cover by Rafael Albuquerque

Colors Jordie Bellaire / Letters Steve Wands

Variant Cover Sebastian Fiumara

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All Star Batman #8 Review

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All Star Batman, All Star Batman #8, All Star Batman #8 review, Batman, comics, DC Comics, DC Comics Rebirth, Dean White, Ends of the Earth, Ends of the Earth Part 3, Francesco Francavilla, Giuseppi Camuncoli, Mark Morales, Scott Snyder, The Cursed Wheel, The Mad Hatter

All Star Batman #8

Review by Paul Bowler

An uncanny, mind-bending adventure awaits in All Star Batman #8 as the Dark Knight’s mission to save the world leads Batman into a fateful encounter with one of the most deranged members of his infamous Rogue’s Gallery… the Mad-Hatter!

Fittingly, this penultimate instalment of Ends of The Earth unites the all-star team of acclaimed writer Scott Snyder and artist Guiseppe Camuncoli to bring us the most intriguing and bizarre chapter in this saga so far. Batman’s quest to contain and neutralize the deadly spores Mr Freeze unleashed upon the world has already been partly successful, thanks to a cure provided by Poison Ivy, brining a temporary reprieve to the crisis, but the creeping death could begin spreading again at any moment. Now, with a team of camouflaged adversaries called the Blackhawks hampering Batman’s efforts and Duke suddenly MIA, the trail of clues has led him to a secluded house in the dank depths of the Batchaloo swamp where Batman must now confront the Mad-Hatter.

Ends of the Earth Part 3, like all of the issues in Scott Snyder’s latest All Star Batman story-arc, begins with Batman walking – quite literally – into the story; with a monologue-like introduction that gives us a tantalizing taste of what to expect from this issue as Batman emerges from the waters of the swamp. In essence while the narrative is more prose than comic book in many respects, these entrances have all felt like metaphors for the far wider scope of the overall story itself. Yet in other, more subtle ways, they also feel deeply personal and frank, non more so perhaps than with this issue, as Snyder writes from the very heart and soul of his being in a way that resonates as powerfully with the reader as it does with the characters on the page.

There are battles with some familiar faces and those not so familiar as well, but they are over before they are even instigated really. Batman doesn’t have time to hang about, the clock is ticking, the world is at stake, and nothing is going to make him late for this tea party! I’ll be honest with you, I’ve never rated the Mad-Hatter that highly, and in fact I’ve always considered him to be a decidedly second rate Bat-villain. However, Snyder does indeed work his magic – weaving in some intriguing connections from the past – to make the Mad-Hatter a truly dangerous and compellingly cunning adversary to be reckoned with in this issue.

All Star Batman #8 features some of this arcs most distinctive artwork yet, with Giuseppi Camuncoli’s pencils beautifully rendering the swampy locale, the initial fights are a joyous blend of instinct, strategy, gadgets, and wise fashion choices that prove Batman’s way never goes out of style. I can’t decide whether its Camuncoli’s depiction of the Mad-Hatter’s warped dreams for his inventions to send the world collectively though the looking glass or the terrifying plunge through the raw psyche of the Dark Knight’s grey matter that is the biggest highlight of the issue, but one thing’s for sure, with such gloriously atmospheric inks from Mark Morales and hauntingly psychedelic colors by Dean White, this issue is deliriously brilliant experience on every level.

The Cursed Wheel Part 7, continues the back up story written by Scott Snyder, and featuring stunning artwork by Francesco Francavilla. Although the focus for the majority of this storyline has been on Duke’s training, here we take a bit of time out for this beautifully crafted interlude – which also nicely links in with past events – as Duke finds inspiration in the most unlikely of places.

Our trip down the rabbet hole ends as All Star Batman #8 draws to a close in a fittingly explosive, and reality warping fashion. So, has this issue changed my mind about the Mad-Hatter? Well, yes, almost… While I don’t think the Mad-Hatter will ever be amongst my favourite villains from Batman‘s Rogues Gallery, this issue from Scott Snyder and Guiseppe Camuncoli has certainly altered my perceptions of the character. All Star Batman #8 is a wild, psychological, and chilling mind-trip though a Bat-themed Wonderland and it sets everything up for the thrilling conclusion of Ends of The Earth where the true villain will finally be revealed!

Publisher DC Comics

Writer: Scott Snyder / Pencils: Giuseppi Camuncoli

Inks: Mark Morales / Colors: Dean White / Letters: Steve Wands

The Cursed Wheel Part 7 / Writer: Scott Snyder / Art: Francesco Francavilla

Regular Cover & Variant Cover: Camuncoli & White

Variant Cover: Francesco Francavilla

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All Star Batman #6 Review

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Alaska, All Star Batman, All Star Batman #6, All Star Batman #6 review, Batman, DC Comics, DC Rebirth, Ends of the Earth, Ends of the Earth Part 1, Francesco Francavilla, Jock, Mr Freeze, Sci-Fi Jubilee, Scott Snyder

All Star Batman #6

Review by Paul Bowler

All Star Batman #6 brings the Dark Knight to Alaska as he attempts to stop Mr Freeze getting his frozen mitts on an ice core that could plunge the world into a new ice age! Critically acclaimed writer Scott Snyder is joined by the phenomenal artist Jock for All Star Batman’s new arc, Ends of The Earth, and their new take on Batman’s deadliest ice-cold adversary presents the Dark Knight with a hauntingly dark, wintry challenge as he battles to save the world from Mr Freeze in the icebound wilderness of humanities last frontier…

Scott Snyder continues to deliver a fresh slant on the Dark Knight’s rogues with DC Comics All Star Batman. Having successfully done so with Two Face in “My Own Worst Enemy”, Snyder now turns his attention to Mr Freeze (Dr Victor Fries), as the fearsome sub-zero villain embarks on a sinister plan to extract the world’s oldest ice core.

All Star Batman #6 gets Snyder’s new Ends of the Earth story-arc off to a confident start, plunging us directly into the frigid heart of this story right from the outset, with Batman – kitted out in a heavy-duty Mech-style Bat-suit that fires specially forged Batarangs – resolutely making his way to an outpost in Alaska, while the narrative gradually offers a chilling insight into his mission. Batman soon discovers the terrible fate of the researches, but it seems there’s an even nastier surprise awaiting him here at the top of the world!

Snyder masterfully builds the suspense and horror. Mr Freeze and his lumbering carbon bonded ice-zombie minions make fittingly terrifying adversaries for Batman in this issue. While its perhaps no surprise to see the familiar Mr Freeze tropes employed, such as his beloved Nora and themes of cryogenic resurrection, but its refreshing to seem them handled in a was that brings such a strong dramatic edge to the issues. The inclusion of the poem, Fire and Ice, by Robert Frost, is another masterstroke, and it’s this subtle half-guessed blend of mystery and suspense that Snyder uses to keep us guessing all the way to the final page. Even the story of how Batman’s Mech-suits Batarangs were specially crafted for this mission beautifully complements the bleak environment, stark brutality, and often reflective tone which this tale seamlessly shifts between at times.

Needless to say, artist Jock does a fantastic job with All Star Batman #6, Ends of the Earth Part 1 looks incredible. From the almost complete whiteout of the landscape 300 miles north of the artic circle, to Batman’s kick-ass Mech-Bat-suit, and Mr Freeze – who to my mind has rarely looked as ruthless and as fearsome as this – is at his maniacal deep-frozen best to provides a thrilling and palpable threat to the Dark Knight. Jock crafts so many standout moment in this issue, Freeze’s panoramic vision of the future, for instance, is gloriously realized, but my favourite scenes were with the screeching ice-zombies, I found them genuinely unnerving with their shuddering movements and blood curdling cries – especially when they overwhelm Batman at one point. Matt Hollingsworth’s colors provide a perfect accompaniment for Jock’s art, with exquisite artic blue tones, opaque, almost pearlescent whites, and shadowy hues that effortlessly melds the tension and emotional beats of the story.

All Star Batman #6 builds to a nerve jangling cliff-hanger, with danger closing in on all sides, and the Dark Knight in mortal danger. A resolution of sorts is found beating furiously at the heart of this story, one that drags protagonist and antagonist into the warped embrace of fire and ice in a scream of jaw-dropping action set-pieces, and it will leave you awestruck by the sheer overwhelming realization this arc is only just beginning!

The Cursed Wheel Part 5 written by Scott Snyder and with art by Francesco Francavilla continues All Star’s backup story focusing on Duke’s training through the wheel. Opening with a fiendish trap set by the Riddler for Batman and Duke to solve, events then flashback to their trip to Arkham to visit the Riddler in his cell, for a bizarre kind of Zero Year anniversary. But this year there’s something connected to more recent events waiting for Duke to confront. Snyder ensures the script it taut and engaging, and Francesco Francavilla’s artwork, with its angular panel layout, provides an impressively colourful mix form and shadow. This highly atmospheric story moves at a quick pace, there are some great moments of characterization for Batman and Duke, and everything quickly reaches a fittingly explosive puzzle-tinged final scene.

There is more than a hint of John Carpenter’s film, The Thing, about this opening chapter of Ends of the Earth, especially with its setting, remote base, something nasty frozen in the ice, and its themes of contaminated blood. I love this darker, more atmospheric, horror toned story, and I think Snyder and Jock have excelled themselves with this remarkable issue which splices story and art in such a way that it actually feels like it reads more like prose than a comic book – Steve Wands uncanny use of lettering makes every word leap from the page. It’s great to have Scott Snyder and Jock working on a Batman book again. No question about it, All Star Batman #6 is a must-read issue, with its terrific cover by Jock, as well as a Jock Variant cover , and Francavilla Variant, this issue sets the stage from one of Snyder’s most compelling story-arcs to date!

Publisher DC Comics

Writer Scott Snyder / Art Jock

Colors Matt Hollingsworth / Letterer Steve Wands

The Cursed Wheel Part 5 written by Scott Snyder with art by Francesco Francavilla

Cover Jock / Jock Variant / Variant Cover Francesco Francavilla

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Batman (2016) Annual #1

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Batman, Batman #1 Annual, Batman (2016) Annual #1, Batman Annual #1 review, Batman Silent Night, Bilquis Evely, David Finch, DC Comics, DC Comics Rebirth, Gabe Eltaeb, Gotham, Ivan Plascencia, Jordie Bellaire, Mat Lopes, Neal Adams, Paul Dini, Ray Fawkes, Riley Rossomo, Scott Bryan, Scott Snyder, Steve Orlando, Tom King

Batman (2016) Annual #1

Review By Paul Bowler

The hush of winter snowfall settles over Gotham City as Christmas draws near in the Batman (2016) Annual #1, but as we all know, there can never truly be a “Silent Night” in Gotham for the Dark Knight, his allies, or even his enemies, in this quintet of special festive tales from the Bat-Caves finest talent!

So, considering Gotham City can be a bit of a gloomy, crime ridden, place for much of the year, you’ll be pleased to know that this Batman Annual brings some surprise Christmas cheer for Batman and Gothamities alike as the holiday season fast approaches.

First off, we have Good Boy, written by Batman series writer Tom King, with pencils and inks from David Finch, and colors by Gabe Eltaeb. Ok, well, I have to admit the first page of this one freaked me out a little. Ever since I was a kid I’ve always been very, very weary of dogs, so the start of this story put me on edge a bit. Still, its testament to King’s writing and some rather fine art from Finch that I found myself, along with Bruce, being won over by Ace and this story that turned out to be a far more heart warming tale than I first expected.

Scott Snyder returns for the next story, together with Ray Fawkes, to bring us Silent Night, a thoughtful and moving Christmas story with Declan Shalvey on pencils and inks, and colors by Jordie Bellaire. Snyder and Fawkes bring an ingeniously techno-themed spin to the Bat-Signal with a new system designed to guide Batman’s actions, and one that ultimately leads into the eponymous silent night of the title itself. Its a lovely story, beautiful rendered by Shalvey and Bellaire, and one that gives us all call to take some time out from all the technological noise and clutter of our haphazard modern world to enjoy those small moments of grace and wonder while they fleetingly last.

Not So Silent Night of the Harley Quinn is actually every bit as festive as its title suggests. The script by Paul Dini throws Batman and Harley Quinn together for a jaunt around Gotham in the Batmobile while Batman patrols. This was easily my favourite story in the Annual, mostly for the distinct style, tone and look of this story because of the pencils, inks, and colors by the brilliant Neal Adams. It was great to see this more classic take on Batman’s costume again, and the Christmas spirit also permeates every aspect of this fun story.

On the flipside, Stag, written by Steve Orlando, with pencils and inks by Riley Rossomo, and colors by Ivan Plascencia, proves an altogether different affair. There’s a sound Christmas message beating at its heart, well-meaning and indeed quite thought provoking, but I felt the coda to this story jarred somewhat. It sets up something for 2017, but it all just seemed a little too grim to me, especially considering the other stories around it.

The Insecurity Diversion rounds of this Batman Annual with a trip to Arkham and an audacious escape attempt by one of the inmates. Scott Bryan Wilson’s script builds a concise and complex narrative as the mystery unfolds, with Batman shadowing the escapee every step of the way until the real villain of the piece – who isn’t really a surprise – is revealed, but it is a journey that is nevertheless a compelling and insightful one. Excellent artwork and inks from Bilquis Evely set the scene perfectly, and Mat Lopes colors nicely complement the festive tone with cool icy tones, before the story closes as Batman turns the tables on his enemies in fine style.

I don’t normally tend to read comic book annuals as a rule, however, considering the great writers and artists involved in this Batman (2016) Annual #1 from DC Comics I simply had to check this one out (especially with its gorgeous cover by David Finch and Brad Anderson), and I’m pleased to say I wasn’t disappointed. It’s a great little anthology of Christmas themed Batman stories, each is uniquely different and brings something new to the table, and while I enjoyed some more than others, overall I thoroughly enjoyed reading this annual.

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All Star Batman #1 Review

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All Star Batman, All Star Batman #1, All Star Batman #1 review, Batman, comics, Danny Miki, DC Comics, Dean White, Declan Shalvey, Duke Thomas, John Romita Jr., Jordie Bellaire, My Own Worst Enemy, Scott Snyder, Two Face

All Star Batman #1

Review by Paul Bowler

After the phenomenal success of his five year run on Batman, critically acclaimed writer Scott Snyder is back with an all new Batman series, one that will reimagine many of the Dark Knight’s Rogues Galley, along with legendary artist John Romita Jr. – the first of many of the industries best artists who Snyder will work with on the title – to bring us All Star Batman #1, and the first villain of the piece is Two Face!

Taking an extreme course of action Batman decides to bring Two Face to a secret location outside Gotham, but the scarred villain’s warped duality has devised a terrifying quandary for Batman. Bound together by circumstance and trapped on a highway to hell, with every two-bit assassin, gun for hire, and even ordinary citizens out to kill the Dark Knight, get ready for a Batman and Two Face story quite unlike anything you’ve ever seen before.

In many respects, All Star Batman #1 makes it abundantly clear from the outset that it will redefine what we expect from the way Scott Snyder writes Batman. It’s still connected with the rest of the Rebirth DCU to a degree, but this is a decidedly fresh take on the Dark Knight. All Star Batman is tonally very different from anything Snyder has done before, both story wise and visually, and it all kicks off with My Own Worst Enemy: Part 1, drawn by John Romta Jr. and featuring a remarkably dark and terrifying new version of Two Face.

Following his recent corrosive attack on Gotham, Two Face has been captured, and now Batman is flying him to a special place outside the city in an attempt to counteract Dent’s increasing reign of power in the city. But what should have been a routine trip goes drastically awry when Two Face after manages to make a surprise proposition that reaches out to everyone in the state, in which he claims, that providing anyone can stop Batman from delivering him to his fate and free him, Two Face will offer up the hidden fortunes of three of Gotham’s biggest crime bosses, and his stake in this deadly game doubles down on everyone’s untold secrets just for good measure!

From the everyday peace shattering opening, the issue unfolds in a flurry of flashbacks across minutes, hours, and weeks, all blended masterfully in with present events, where bombastic action and brooding drama infuse every scene. The insightful verbal and psychological sparing between Batman and Two Face during the early stages of their journey is marvellous, and Snyder presents us with a chilling examination of the flipside of darkness Two Face’s unflinching defaced gaze can see within all of us. We’ve had the big Joker and Riddler storylines, now Snyder brings us a story that provides Two Face’s moment in the spotlight, this is very much Two Face’s time, the heavy hitters in Gotham’s criminal fraternity are even rattled, and All Star Batman #1 will certainly gives us all cause to reconsider our preconceptions of this duplicitous villain because Scott Snyder makes Two Face more diabolical, manipulative, and ruthlessly cunning than you ever could’ve thought possible.

This story also gives Snyder a chance to write Batman in an entirely new and much more exuberant way. This is, after all, a Batman renewed after the events of Superheavy, there’s such a fresh sense of vibrancy and energy about Bruce now that really shines though here in spite of the incredibly dark themes this story tackles, and its clear that Snyder is having an absolute blast writing this reinvigorated Dark Knight outside of his usual Gotham environment.

Following his run on Superman and Dark Knight Returns: The Last Crusade, John Romta Jr. now brings his dynamic artistic style to All Star Batman, and the result together with Danny Miki’s exceptional inks and the striking palette of colors employed by Dean White, are truly astounding. To have Scott Snyder and John Romata Jr. working together on Batman is like a dream come true, John Romata Jr.‘s art syncs in perfect harmony with Snyder’s intricate storytelling and characterization, and the page layouts and settings both in and outside of Gotham are all beautifully realized.

Who’d have thought that such bright wide open spaces could feel as ominous and as threatening as Gotham’s dark streets? There’s also a slightly grittier, harder edge about John Romata Jr.’s work on All Star Batman which gives the Dark Knight a defined, yet somewhat more rugged appearance. The action is fast and furious too. Romata Jr’s Two Face is equally impressive, the contrast depicted between the healthy and scarred side of the character – both physically and mentally – is genuinely unsettling at times, and the depiction of his hideous looking scarred color blind eye and Two Face’s uncanny perception of the world is ghoulishly chilling.

Numerous standout moments in All Star Batman #1 will make you want to read this issue many times over just to immerse yourself in the thrilling experience this new Bat-Title has to offer. Those initial scenes in the diner blindside us with a false sense of ordinariness, but as the full scope of the narrative kicks in a surprising roll call of villains, a wonderfully moody scene between Gordon, Batman, and new sidekick Duke Thomas, there’s also an iconic horror themed addition to Batman’s arsenal that is simply brilliant, and the powerfully staged exchanges between Two Face and Batman all collectively add up to make this first issue a gripping read indeed.

The back up stories featuring Duke Thomas and his training by the Dark Knight is another key ingredient of All Star Batman that makes this new DC Comics series feel so special. The Cursed Wheel Part 1: written by Scott Snyder, featuring pencils and inks by Declan Shalvey, and colors by Jordie Bellaire sees Duke’s training really begin in earnest. I love how the characters address the enormity of the task ahead, with the role of being a “sidekick” transcending even the moniker of simply being defined as Robin, to evolve into a refined challenge that will make Duke into the hero he will become… Tautly plotted by Snyder, and with striking visuals – that view of the Bat-Cave is a real showstopper – by Declan Shalvey and colors by Jordie Bellaire, the first part of this backup story complements the main storyline in the issue perfectly.

I’ve been eagerly anticipating All Star Batman #1 and I was totally blown away by how good it was. It’s everything I could’ve hoped for, and then some! Scott Snyder and John Romita Jr. have crafted one hell of an issue here, you’ll see Two Face in a completely different light afterwards, and those killer final moments are guaranteed to make your jaw hit the floor! All Star Batman soars beyond all expectations, with its brilliant all star creative team and wealth of variant covers, this is one Bat-Max fury road trip that you won’t want to miss for anything!

Publisher: DC Comics / Writer: Scott Snyder Pencils: John Romita Jr

Inks: Danny Miki / Colors Dean White Letters Steve Wands

Cover & Variant by Romita, Miki, White

Variant Cover: Jock

Variant Cover: Declan Shalvey & Jordie Bellaire

The Cursed Wheel Part 1 Writer: Scott Snyder / Pencils & Inks: Declan Shalvey

Colors: Jordie Bellaire / Letters Steve Wands

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Batman Rebirth #1 Review

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Batman Rebirth #1, Batman Rebirth #1 review, Calendar Man, comics, DC Comics, DC Comics Rebirth, Evil 356, June Chung, Mikel Janin, Scott Snyder, Tom King

Batman Rebirth #1

Review by Paul Bowler

This season’s major DC Comics event continues to unfold in Batman Rebirth #1, from Eisner Award winning Batman writer Scott Snyder and new Batman scribe Tom King, and featuring art by Mikel Janin, this special issue finds the Dark Knight detective facing a new challenge as of Calendar Man menaces Gotham City!

Well, now that DC Universe Rebirth #1 has set the ball rolling, its time for the rest of the DCU titles to follow suit. Batman Rebirth #1 builds on the events of that landmark 80 page one-shot Rebirth issue, with a rejuvenated Bruce Wayne / Batman, who is also now restored to the peak of his mental and physical prowess. This issue marks another rebirth of sorts for DC’s main Batman title, with Tom King (Grayson, Omega Men) now taking over writing duties on Batman from Scott Snyder (Although Snyder does co-write this issue with King), and together they kick-start a whole new era for the Dark Knight detective.

Batman Rebirth #1 throws us right into the thick of the action, the narrative unfolds across the accelerated seasons, with Batman dealing with a dire threat to Gotham, while Duke Thomas makes a major decision, and Lucius Fox has a poignant meeting with Bruce Wayne. I like how the issue embraces the concept of Rebirth wholeheartedly to bring a us fresh perspective to many of the established elements in the Bat-Books, there’s almost a sense of passing the baton so to speak, as we begin to move on from Scott Snyder and Greg Capullo’s run and Tom King starts to bring his vision for the character into sharper focus. The story meanders in a timey-wimey fashion somewhat, but that’s probably to be expected when the main antagonist in this issue Calendar Man.

Calendar Man might seem a like strange choice of villain for this Rebirth issue, especially as he’s not exactly from the higher echelons of Batman’s rogue gallery, but he actually turns out to be a perfectly fitting choice for this story and Batman Rebirth overall, and his scheme here presents Batman with a major challenge. This version of the Calendar Man arguably takes the seasonal themes on which his crimes are always based to a whole new level, it was something I wasn’t expecting, and the character gets a much needed overhaul that effectively sees Calendar Man reborn in the most unique and unsettling way over the course of the story as well.

With its striking cover and impressive artwork by Mikel Janin, and fine colors by June Chung, Batman Rebirth #1 is certainly an eye-catching issue. There are some truly stunning set-pieces, especially those involving Batman’s confrontation with Calendar Man, a vertigo inducing work out, some intense underwater action, and Duke’s inauguration into Batman’s world continues to offer up something entirely new and unexpected. Seriously, the Bat-Cave looks stunning in this issue, the scene with Lucius Fox is also especially moving, and there’s a terrific bond that’s developing between Bruce and Duke as well that is sure to bring a whole new dynamic to the Dark Knights world.

Batman Rebirth #1 is an action-packed, emotional, and thoughtful issue. We now begin to get a greater sense of how DC Rebirth will resonate through the legacies of all the major DC characters, and if the rest of the Rebirth issues are half as good as this, the DCU is well on the way to reinvigorating their characters in fine style.

In short, I’d recommend Batman Rebirth #1, and I’m really looking forward to what Tom King and David Finch have in store for the Dark Knight even more now. Featuring a solid storyline, powerful and emotional scenes, a new role for Duke Thomas, and Calendar Man’s stomach churning – sure to make you recall a certain forth season X-Files episode – rejuvenation, Batman Rebirth #1 heralds a promising new chapter for the Dark Knight. One thing’s for sure though, no matter what the future might hold, the word can’t is still something that will never, ever exist in Batman’s vocabulary!

Publisher: DC Comics / Writers: Scott Snyder and Tom King

Art: Mikel Jenin / Colors: June Chung

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Batman #51 Review

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Alfred Pennyworth, Batman, Batman #51, Batman #51 review, Batmobile, comics, Danny Miki, DC Comics, DC Rebirth, FCO Plascencia, GCPD, Gotham, Gotham City, Gotham Is, Greg Capullo, Jim Gordon, Scott Snyder, The Bat-Cave, The Court of Owls, The Joker, The New 52

Batman #51

Review by Paul Bowler

In the wake of recent events Batman #51 sees the Dark Knight facing a new challenge. Batman has battled so often to protect Gotham from his deadly rogues gallery of villains over the years, from everyone to the Joker, the Court of Owls, and now Mr Bloom, so how will Batman deal with a quiet night in Gotham City..?

Scott Snyder has written for three different characters who have worn the mantel of the Bat, including Dick Grayson during his initial stint on Detective Comics, to Bruce Wayne on Batman, and Jim Gordon in the recent Superheavy arc. Now as Scott Snyder’s incredible run on Batman with artist Greg Capullo concludes in Batman #51, we can reflect on how their collaboration on this title has transformed it into a modern classic, and their tenure in Gotham is sure to down in history as including some of the finest Batman stories ever told.

Now that Mr Bloom is presumably pushing up daises somewhere, Batman #51 presents the Dark Knight with an unusual challenge – a seemingly uneventful evening in Gotham City! Scott Snyder’s final story in this run is a clear love letter to both the character of Batman and the fans themselves as past and present become one. Centred around the powerful resonance of a small life-styles piece in the Gotham Gazette, Gotham Is delves into the world of Batman and the Gothamites he has vowed to protect in a way quite unlike anything we’ve ever seen before. From the wonderful opening scenes in the Bat-Cave featuring Bruce and Alfred, which Snyder makes both emotionally moving and brilliant fun; wounds old and new are simultaneously healed via a patchwork quilt of new developments, before Batman races away into the night on a clear road to Gotham in spectacular fashion!

Of course, we all know there’s no such thing as a quite night in Gotham City, or is there? A sudden power outage soon brings with it some more pressing concerns and a new threat to the city. Scott Snyder’s dazzling writing style and excellent characterization makes Gotham Is an absolute joy to read, we are treated to a wonderful scene with Jim and Batman next to the Bat-Signal, there’s an intriguing mystery right at the heart of the story for Batman to solve, and plenty of our old Arkham favourites are on the loose as well!

Needless to say, Greg Capullo’s artwork for this issue of Batman is as stunning as ever. From those stylish and fun moments in the Bat-Cave, to the dramatic face-off in Arkham, Capullo channels the narrative of Gotham Is across a wondrous montage of interconnected scenes that beautifully addresses elements from previous arcs, and sets everything up for a glorious final page that will simply take your breath away. Danny Miki’s inks brilliantly highlight every nuance of Capullo’s work, but it is in those shadow swathed scenes during the blackout, on the rooftop of GCPD, then deep below ground, and high over a silhouetted Gotham skyline where Danny Miki really excels. FCO Plascencia’s colors infuse this issue with an uncanny blend of vibrant and muted tones throughout, with flashes of bright purple enhancing the inside the new cape while the vivid yellow of the new Bat-Insignia on Batman’s chest that skilfully blends the old with the news almost leaps off the page at you, and that stunning final scene… Quite frankly, this issue looks incredible!

Featuring a stunning regular cover by Greg Capullo, Danny Miki, and FCO (Which, incidentally, I think would make an brilliant poster, please make this happen guys!), as well as a terrific variant cover by John Romita Jr. , Batman #51 concludes in the most fan pleasing way imaginable, as Scott Snyder rounds off the narrative of his previous story-arcs in fine style, and effectively brings his tenure with Greg Capullo on Batman full circle in the most heartfelt, exciting, and moving way imaginable. It’s a thoughtful, funny, intense, dialogue-heavy issue, and to say more would spoil it, but suffice to say I enjoyed every single moment of it – even though my enjoyment was tinged with a little sadness that Batman #51 is Snyder’s and Capullo’s final issue.

DC’s Rebirth event has initiated a major wave of change throughout the DCU that is going to herald some big developments in the Bat-Universe. Even though Scott Snyder is indeed moving on from DC’s flagship Batman title, he isn’t leaving the Dark Knight behind completely; in fact, Snyder will now be fronting the brand new monthly series All Star Batman that will also feature art from some of the finest talents in the industry: including John Romita, Jr, Jock, Sean Murphy, and many more. With its epic storyline All Star Batman allows Snyder to use some of the villains that he never got to focus on that much before, such as Two-Face, Mr Freeze, and Catwoman, together with a rotating roster of superstar artist, and back-up stories featuring Duke Thomas. Meanwhile, Greg Capullo will be busy over the next six months working on an uber secret project with Mark Millar, and that’s certainly something that we will all be looking forward to as well. Scott Snyder has also confirmed that he will be working with Greg Capullo again on a new project for DC Comics in 2017 at some point, and I’m sure we will all be excited to see what that will be.

So, as we say farewell to Scott Snyder and Greg Capullo with Batman #51 and their brilliant run on Batman with Danny Miki and FCO Plascencia, there’s still Batman #52 written by James Tvnion IV to look forward to before this current volume of Batman ends and everything changes in the Rebirth event. With Tom King taking over on Batman, while James Tynion IV helms Detective Comics, with Tim Seeley on Nightwing, and with Scott Snyder writing All Star Batman, these are certainly exciting times for Batman fans!

I’ve had the pleasure of reviewing nearly every issue of Snyder’s and Capullo’s run on Batman. Their take on Batman got me back into reading comics regularly again with Batman #1 (2011). Actually, I was still recovering from badly injuring my left hand at the time – a glass broke while emptying the dishwasher and sliced right though my middle finger, palm, and thumb – but their amazing storylines helped inspire me though that particularly dark time, and now I’m writing and reviewing comic books and stuff here on my blog, and on other sites now as well. So, thank you Scott Snyder and Greg Capullo for your legendary run on Batman, because thanks to you guys, for me, and I’m sure for many others besides, Gotham Is: “Batman, fan, forever.”

Publisher DC Comics / Writer: Scott Snyder / Art: Greg Capullo

Inks: Danny Miki / Colors: FCO Plascencia / Letters: Steve Wands

Cover: Capullo / Miki / FCO / Variant Cover: John Romita, Jr.

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Batman #50 Review

Tags

Bat Bot, Batman, Batman #50, Batman #50 Review, Bruce Wayne, comics, Danny Miki, DC Comics, FCO Plascencia, Gotham City, Greg Capullo, Jim Gordon, Mr Bloom, Nathan Fairbairn, Scott Snyder, Superheavy Part 10, The New 52, Yanick Paquette

Batman #50

Review by Paul Bowler

The Dark Knight returns to Gotham City in the extra sized Batman #50 for the thrilling conclusion of Snyder and Capullo’s epic Superheavy story-arc! Bruce Wayne has regained his memories and reclaimed the mantel of the Bat to join Jim Gordon in the battle against Mr Bloom and save the city they have sworn to protect.

Batman #50 sees the return of Bruce Wayne to the cape and cowl as Mr Bloom and his super-powered-seed army lays siege to all of Gotham. With the city reeling from Mr Bloom’s onslaught, Batman, Jim Gordon, and Powers Internationals army of GCPD Bat-Bots unite against Gotham’s towering new super villain, and the fate of the city will be decided as Batman’s showdown with Mr Bloom reaches its thrilling conclusion!

Scott Snyder’s and Greg Capullo’s Superheavy arc saw Jim Gordon step up as Gotham’s new Bat-Bot suited Dark Knight following Batman’s apparent demise in Endgame while Bruce Wayne – now without his memories of being Batman – forged a new life with his old flame Julie Madison. Jim became the Batman the city needed at this dark time, but Bruce’s past wouldn’t rest easily, the Joker also survived Endgame, albeit radically changed by the experience, and now Mr Bloom’s rise to power has forced Bruce to sacrifice his newfound life to become the Batman again. Superheavy Part 10 stands as the total culmination of everything Snyder and Capullo have achieved with this story-arc, and it is only now that we can begin to fully appreciate the immense scope and scale of this game-changing storyline as it races towards its city shaking finale!

The beard may be no more, but Bruce Wayne is well and truly back in Batman #50 all kitted out in a new Bat-Suit and ready to give the citizens of Gotham a Batman they’ve never seen before – the Dark Knight they’ve deserved all along. Meanwhile, it’s all going to hell in Gotham as Mr Bloom and his seed-powered minions go on the rampage, while Julia Pennyworth tries to get the injured Jim Gordon to safety, and the Robo-Bat-Suited Commissioner Sawyer leads Gotham’s robo-suited Finest in the fight against Mr Bloom.

Just when it seems that all is lost, the one, true Dark Knight finally returns, rising from the shattered vestiges of Gotham’s most iconic symbol. It’s the rousing moment we’ve all been waiting for since Superheavy began and Snyder delivers it with a series of fan-pleasing moments, revitalized by the Dionesium and with Penny One to welcome him back, its clear Batman is relishing every moment of being back in the cape and cowl. This issue, perhaps more so than any before, exemplifies everything that Snyder and Capullo have done during their tenure on Batman. Sure, Batman #50 is packed with city smashing drama, but as fun and exciting as all the Bat-Bot action is, it is instead the emotionally charged character moments Snyder uses to punctuate the drama at key moments that really strike a chord, especially the moving reunion between Batman and Gordon, we also discover what happened to Duke Thomas’ parents, and there’s a bizarre connection amidst some recently acquired evidence that provides a sinister and unexpected connection to Mr Bloom’s origin.

Greg Capullo has well and truly surpassed all our expectations with his artwork on this issue. It looks absolutely stunning! Every page will have you mesmerised by the way Capullo maintains the fluidity and pace of the plot, infusing every scene with a staggering level of detail that almost defies description, to make Batman #50 one of his finest issues ever. From the symbolic moment of Bruce choosing of a new costume, to its eventual reveal, the nail biting tension in the Bat-Blimp high over Gotham, though to Gordon’s resolve to find another way to get the job done, and the bombastic smack down between Batman and Mr Bloom, Capullo pulls out all the stops here, along with Danny Miki’s brilliant inks, and FCO’s glorious colors, to deliver the rousing finale for the conclusion of Snyder’s epic Superheavy storyline. If this issue was a gym session, then suffice to say it’s probably the most extreme work out of Capullo’s artistic talents we’ve ever seen.!

The redesign of the Bat-Suit is both subtle and effective, with some classic embellishments – one in particular being a symbolic fusion of the old and the new in a way that I‘m really pleased to see carry over from Gordon‘s EVA Bat Suit – along with new gloves and cape, but despite all the upgrades and tech its still good to see that some things never change; especially when it comes to Batman getting the boot in during a fight!

In the build up towards its climatic moments, Batman #50 finds all the players in place for the final fight against Mr Bloom. With the Collider kicking off like Soundgarden’s Black Hole Sun all over Gotham, Batman and Mr Bloom going toe to toe in scenes that makes Man of Steel look positively tame by comparison, a daring rescue that will grab you by the scruff of the neck and leave you punching the air with glee, and Gordon calling on his Rookie one last time to bring us to possibly the biggest moment of the entire arc as the fate of Gotham City teeters on a superconductive event horizon that burns with hope for a better tomorrow…

Batman #50 also features an eight page coda, written by Scott Snyder, and featuring terrific artwork by Yanick Prouette and colors by Nathan Fairbairn As epilogues go, this little interlude actually proves to be just as powerful and as moving as the main bulk of the story in the issue. The initial focuse is on Jim Gordon, there are some wonderful scenes here, lots of familiar faces, and it seems that there are going to be some pretty major changes at the GCPD as well. Of course it’s when Jim and Batman finally discuss everything that happened since Endgame as they survey the wounded city before them that are really this codas finest moments, and there’s even time for a reconciliation between Duke and Bruce, and some poignant reflection for Julie Madison.

Well… here we are. Yes, as we now know, Batman #50 is indeed Scott Snyder’s and Greg Capullo’s penultimate issue of Batman. Their run on this series has been a tremendous achievement; and its brought us so many incredible stories and iconic moments. Snyder and Capullo have redefined the mythology of the Bat itself, and then some! Having announced their tenure will conclude next issue with Batman #51, Snyder and Capullo have been saying for a while now that they plan to reunite on another project in the near future. In the interim, Batman #52, by James Tvnion IV and Rafael Alberque will bring this current volume to an end before Batman relaunches in June with a new creative team as part of DC’s forthcoming Rebirth event.

I will look to the future with a mixture of sadness, trepidation, and anticipation for the future of this title, along with Rebirth and the changes it brings to DC Comics, and excitement for what Snyder and Capullo will do next. For now though, let’s not dwell on goodbyes, or what the future might hold just yet. Instead, we should celebrate this incredible giant-sized 50^th issue of Batman, along with the momentous accomplishments that Scott Snyder and Greg Capullo have achieved on this title together with Danny Miki and FCO Plascencia. What a team! Batman #50 is a full-on epic issue in every sense of the word, the story and art will blow you away, and you will be left with an overwhelming sense that you have just read one of the greatest Batman issues ever made.

Publisher DC Comics

Writer: Scott Snyder / Art: Greg Capullo

Inks: Danny Miki / Colors: FCO Plascencia / Letters: Steve Wands

Epilogue Art Yanick Parquette / Epilogue Colors: Nathan Fairbairn

Cover: Capullo / Miki / FCO

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Batman #49 Review

Tags

Alfred Pennyworth, Batman, Batman #49 review, Bruce Wayne, comics, James Tynion IV, Jim Gordon, Mr Bloom, Nathan Fairbairn, Scott Snyder, Superheavy, Superheavy pat 9, The Bat-Cave, The New 52, Yanick Paquette

Batman #49

Review by Paul Bowler

With the chaos unleashed by Mr Bloom engulfing Gotham, the time has finally come for Bruce Wayne to reclaim his past in Batman #49, as he descends into the Bat-Cave to face his destiny. But can Bruce truly find it in himself to sacrifice his new life free of the shadow of the bat that easily? Can he embrace the legacy of the Bat again, to confront the past and become one with all the horror, madness, and violence that consumed him before as Gotham’s Dark Knight Protector. Now, in this special issue the fates of Bruce Wayne and Batman converge once more, and the Dark Knight’s world will never be the same again…

Last issue saw Gotham’s new Batman, Jim Gordon, captured by the gargantuan Mr Bloom, while the new super-villains super-powered-seed army emerged to wreak havoc. Meanwhile, Bruce Wayne, having begun to recover the memories of his former life as Batman, suddenly encountered the Joker, whose memories of his past life as the Clown Prince of Crime have also seemingly been wiped away like Bruce’s were after their violent showdown in Endgame. Now in Batman #49, part nine of the Superheavy arc reaches a major turning point, as writer Scott Snyder and co-writer James Tynion IV, together with artist Yanick Paquette, and colorist Nathan Fairbairn, bring us Bruce’s darkest, most challenging ordeal so far as he prepares to risk everything to become the Dark Knight once more…

It has all been building towards this moment, now its here at last! Alfred is now all that stands in the way of Bruce Wayne rediscovering the full knowledge of who he really is in Batman #49, as Scott Snyder and co-write James Tynion IV steer Bruce on a journey that will encompasses a myriad of infinite possibilities which will test his resolve, willpower, and perhaps even his sanity, as an inexorable date with destiny looms.

The copious multi-layered aspects of Bruce’s life that Snyder and Tynion IV have spliced into the ongoing narrative of the Supeheavy arc in this issue are mind bogglingly sublime. At times it almost feels as if we’ve sidestepped into the Martrix, with all the fragments all jostling for our attention, before two clear junctures in Bruce’s life slowly begin to run parallel to one another… Alfred is now all that stands in the way of Bruce Wayne rediscovering the knowledge of who he really is in Batman #49, unfolding at Wayne Tower and Wayne Manor as time itself simultaneously becomes a portal to save the future and the last barrier to lock away the past. Its heartrending stuff, the scenes between Bruce and Alfred are truly moving, but with the machinery that will restore Bruce’s mind in such a dire state of disrepair, the key to Bruce’s resurrection rests with what is perhaps the most unexpected – yet ironically obvious – act of trust and foresight of all.

With Greg Capullo busy getting ahead with Batman #50, Yanick Paquette (Wolverine, Batman, Swamp Thing, Wonder Woman) and colorist Nathan Fairbairn (Batman INC, Multiversity, Wonder Woman: The Trial of Diana Prince) take over the artistic duties for Batman #49, and what an awesome looking issue it is! I really like how Yanick Paquette alternates the more futuristic scenes with those in the present day, with the multiple projections of Bruce’s lineage often coalescing like temporal thought bubbles, and the uncanny symmetry between the dual entrances into the cave are both magnificently epic and ominously foreboding.

Yanick Paquette brings this gloriously mined seam of craziness that Scott Snyder’s and James Tynion IV have created to life with such vivid detail, the sheer power of the emotional scenes will take your breath away, while the stunning rendering of Bruce’s struggle across fracturing realities unfolds over numerous two-page spreads that will simply blow you away with the sheer scope and scale of it all. Batman #49 also features some of the very best Nathan Fairbairn colors you can possibly imagine, Nathan Fairbairn makes every scene come alive in exquisite detail, utilizing a rich pallet of colors that complement the story perfectly.

The final moments are heartbreaking in the extreme. Although we all knew this moment was coming, now that we are finally here, the reality of Bruce’s struggle, along with the sacrifice he’s prepared to make, are really hammered home. This is no mere sci-fi cliché resolution either. Scott Snyder has kept us guessing every step of the way with the Superhavy arc, we’ve had a glimpse of the man Bruce might’ve been if he’d never set foot in crime alley as a child, but now the time has come to pull the trigger on that new found life and happiness, and the way in which this point is finally reached is guaranteed to break everyone’s heart.

Batman #49 is a superb issue from Scott Snyder and James Tynion VI. It’s one that mixes truths and consequences, where raw emotion and devotion cascade towards the memorial waterfall of a time immemorial, until we reach the threshold of the one line that even the Batman cannot cross… The haunting cover by Yanick Paquette and Nathan Fairbairn is like a Bat version of The Scream with a side order of Nosferatu to send a chill down your spine, lets hope they do a poster or print of this stunning cover one day, its brilliant, and there’s also a terrific Neal Adams variant cover to look out for as well. Batman #49 is a fantastic instalment of the Superhavy arc; everything is now set up for the momentous 50^th issue. Hell yeah, its time to go to work!

Publisher: DC Comics / Writer: Scott Snyder & James Tynion IV

Artist: Yanick Paquette / Colors: Nathan Fairbairn / Letterer: Steve Wands

Cover: Yanick Paquette & Nathan Fairbairn / Variant Cover: Neal Adams

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Batman #48 Review

Tags

Bat Bot, Batman, Batman #48, Batman #48 review, Bruce Wayne, Danny Miki, DC Comics, FCO Plascencia, Gotham, Gotham City, Greg Capullo, Jim Gordon, Mr Bloom, Scott Snyder, Superheavy, The New 52

Batman #48

Review by Paul Bowler

Mr Bloom’s deadly seeds begin to flourish in Batman #48, unleashing an army that could turn everyone in Gotham against its new Batman. Gordon must face the chaos that Mr Bloom has unleashed on the city, but his robotic nano-carbon Bat-Suit has been destroyed, and the new Dark Knight is running out of options fast… Meanwhile, Bruce Wayne’s new life without the shadow of the Bat is thrown into turmoil, when he encounters a stranger whose return instigates a chain of events that might change Bruce’s life forever…

Batman #48 finds Jim Gordon reeling after the attack from Mr Bloom’s super-powered-seed army, just as he was on the verge of unmasking Gotham’s newest super villain. Now, as Batman emerges from the wreckage of the Bat-Truck, this eighth part of Scott Snyder’s and Greg Capullo’s Superheavy arc becomes a nail biting battle for survival for Jim as Mr Bloom’s grand design for Gotham blossoms amidst a super-powered riot of violence and damnation. Meanwhile, Bruce returned to the park bench where his new life began after Endgame, where he meets a mysterious man who also miraculously survived an “accident” nearby.

Yes, the Joker is back, and it seems the clown prince of crime has also survived Endgame without the memories of his past life, or so it would seem… Now that Bruce’s memories have begun to return following his argument with Duke and the haunting vision in the subway station in Batman #47, it is perhaps ironic that Bruce Wayne has met this man – who we are led to believe is the Joker – that also just happens to be in the same state of mind which Bruce found himself in after he survived the events of Endgame. I love the ambiguity of these scenes, Snyder has pitched it so well, and you will find yourself hanging on every word.

It is here, in Batman #48 that we begin to see how Snyder is brining the pieces of the Superheavy arc together. We’ve watched as Gordon stepped up to become Gotham‘s new Dark Knight, seen the introduction of the new robot Bat-Suit, addressed the very essence of what Batman really stands for, and witnessed the surprise return of the amnesic Bruce Wayne living a new life with Julie Madison and working at the Lucius Fox Center for Gotham Youth. Now in Batman #48 we have a chance meeting that sees Bruce and the Joker sitting on a park bench, as if they were just two ordinary guys, and with the menace posed by Mr Bloom also drawing notable comparisons with terror threats and social divisions now faced in the world today, everything is now eclipsed by the impending conclusion of what is Scott Snyder’s most innovative and cathartic Bruce Wayne story of all.

Just like the Joker was to Bruce’s Dark Knight, in many ways Mr Bloom has become the arch nemesis to Gordon’s new Batman, and this issue presents Gotham’s new super-villain with a chance to really up his game. With the seeds of Mr Bloom’s influence now sprouting like weeds from the cracks in society all over Gotham, the full extent of Mr Bloom’s powers, his plans for Gotham, and its citizens becomes clear. Even Jim finds himself unable to escape from the gip of his foes schemes and paraded as an example to reinforce Mr Bloom’s warped ideology. Yet, on a park bench, the lives of Bruce Wayne and the Joker have been inexorably drawn together in Gotham once again, but this time their fates are converging from drastically different perspectives, and it’s a sure bet everything will hinge on the outcome of this bizarre turn of events.

Snyder has explored the dark, almost symbiotic parallels between the Dark Knight and the Clown Prince of Crime in ways that few could have imagined possible: from the raw terror unleashed on the Bat-Family by the Joker in Death of the Family, the early origins were then revisited in Zero Year and remoulded, before the savage showdown in Endgame brought both of their worlds crashing down around them, and now we reach a point where everything culminates with their resurrection in Superheavy. Of course the sublime twist this time is that Bruce and the Joker now find themselves on the opposite sides of the mirror. The scenes here on the park bench between Bruce and the Joker are some of the most intense, thought-provoking, and memorable that Snyder has ever written for the characters. Yes, Jim Gordon’s role as the new Batman has been fascinating to explore, all the new gadgets, the Bat-Bot, and giant robots are great fun, but these are the moments that now repay our faith in Snyder and the entirety of this arc as a whole.

Greg Capullo has certainly pulled out all the stops for this issue. Every page is a mesmerising tour de force of striking visuals from Capullo, from Gordon confronting the unnervingly creepy Mr Bloom and the onslaught of his super-seed-powered doppelgangers, to the beautifully crafted scenes with Bruce and the Joker, and Mr Bloom’s monstrous new form, Capullo’s work on Batman #48 is some of his finest ever. Danny Miki’s inks bring added definition and clarity to every page and FCO Plascencia’s sumptuous use of color immerse us totally in the atmosphere of the story. The sheer scope and scale of this issue is immense: from the turmoil sweeping across Gotham, Mr Bloom cuts a swath of terror that slices right into the very heart of the city itself, unearthing the dark parallels with many contemporary issues, and the scenes in the park resonate powerfully with the raw emotion of the decision that Bruce knows he now faces. The team on this book are simply amazing, the story, the art, it all clicks together so perfectly and it makes every issue breathtaking to read.

Batman #48 is a resounding success on every level. Frankly, if this issue doesn’t dispel any doubts you might have had about this arc; then nothing will! The thrilling events over the final pages will have you on the edge of your seat as horror strikes at everything Bruce has come to cherish, while Gotham and Gordon writhe in Mr Bloom’s clutches, the path to the island of stability goes critical, and Geri Powers finally gives the order we‘ve all been waiting for. But nothing, absolutely nothing can compare to the way the heartbreaking closing scene kicks the door in at the last possible moment to make your jaw hit the floor…

So, after the all shocking events in this issue, were will things go from here? Will Bruce end up having to give up his new life with Julie Madison and his work at the Lucius Fox Center for Gotham Youth helping the deprived areas of Gotham to become Batman again? After all, that “final invention” is still sitting there in the Bat Cave gathering dust. Could it be that the Joker will end up being the one that ironically gets the chance of a new life instead of Bruce? Whatever the final outcome, I’m sure Snyder’s labyrinthine imagination has conjured up a resolution in Batman #50 that will completely blow our minds, and we won’t even see it coming!

Publisher DC Comics / Writer: Scott Snyder / Art: Greg Capullo

Inks: Danny Miki / Colors: FCO Plascencia / Letters: Steve Wands

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