FUTURE STATE GOTHAM #1 Review

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Batman, DC Comics, Denis Cluver, Future State, Future State Gotham #1, Future State Gotham #1 review, Giannis Milonogiannis, Gotham, Jason Todd, Joshua Williamson, Red Hood

Future State Gotham #1

Review by Paul Bowler.

Spinning out of the success of DC Comics Future State event comes Future State Gotham, an all-new ongoing series featuring former Robin Jason Todd: AKA the Red Hood. When a disaster strikes Gotham, all evidence points towards Tim Fox, The Next Batman, and Red Hood soon finds himself enlisted by the Magistrate’s totalitarian regime to hunt down this new Dark Knight.

Following the aftermath of events in Future State, Gotham is still run by a private Police force controlled by a mysterious figure known only as the Magistrate, and the law is enforced by his ruthless Peacekeepers. Written by Joshua Williamson and Denis Culver, with art by Giannis Milonogiannis, Future State Gotham #1 kicks off with an action-packed face-off between Red Hood and the Ventriloquist who has unleashed a gigantic robotic version of Scarface on Jason Todd’s neighbourhood. 

Although costumed superheroes are outlawed in Gotham, Jason Todd has thrown in his lot with the Magistrate’s regime and works for them by hunting down the remaining heroes who dare defy the lockdown. Williamson delivers a fast paced issue, with Red Hood and Peacekeeper 3 teaming up to fight the Ventriloquist and Scarface, before a city-wide terrorist attack changes the landscape of Gotham forever. Jason is still reeling from the break-up with his on-off girlfriend, Ravager, there’s fraught clandestine meetings with former allies to contend with too, and a surprise  promotion that finds him tasked with tracking down the new Batman as Peacekeeper Red!

Giannis Milonogiannis’ Akira inspired artwork impressively captures the Cyberpunk look of this near-future Gotham. The battle with Robo-Scarface, sweeping vistas of Gotham in the wake of an explosive attack, and the debut of Jason Todd’s new costume as Peacekeeper Red are just some of the many standout moments in this first issue. I really like black and white artwork in comics — I think it adds a whole new dimension to the characters and gives the story a very dramatic, noirish feel. I also expect Milonogiannis’ Akira style line-work led to DC Comics deciding to reprint a 1996 Batman story by Akira creator Katsuhiro Otomo as the back-up story for Future State Gotham #1 as well.

Joshua Williamson, Denis Culver and Giannis Milonogiannis look set to craft a bold new direction for Red Hood and a thrilling continuation of Future State with this new series. Creatively it’s also very different from the usual Bat-Books, which I find both refreshing and exciting. Future State Gotham blends a stylish noir vibe with compelling action and is certainly going to one to watch in the months to come.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Publisher DC Comics

Writer Joshua Williamson and Denis Culver 

Art Giannis Milonogiannis

Lettered by Alw’s Troy Peteri

Cover Yasmine Putri

THE SWAMP THING #3 REVIEW

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DC Comcis, Floronic Man, Levi Kamei, Mike Perkins, Poison Ivy, Ram V, Swamp Thing #3 review, The Green, The Swamp Thing, The Swamp Thing #3

The Swamp Thing #3 Review

Review by Paul Bowler.

Ram V’s and Mike Perkins new Swamp Thing ten part max-series has quickly become one of the major highlight of DC Comics Infinite Frontier initiative. The Swamp Thing #3 continues Levi Kamei’s dark journey of discovery as the new avatar of the Green following his battle with the Pale Wanderer. In a bid to understand the root cause of his frightening transformations Levi enlists the help of his friend, Jenifer Reece, while he undergoes an MRI scan which results in them both being unexpectedly transported into the Green…

“My Green Amaranthine” is an enchanting metaphysical voyage into the Green quite unlike anything we’ve seen before. Levi and Jennifer become separated after the MRI triggers a spore induced spirit quest down this proverbial rabbit hole to the Green, and writer Ram V heightens the psychedelic tone of the narrative further in their encounters with some of the realms bizarre denizens. Poison Ivy is perhaps the most intriguing of the characters Levi meets as Swamp Thing.  It seems she’s been split into to two personas that share a warped dynamic reminiscent of the relationship between the Red Queen and the Mad Hatter in Alice in Wonderland. After a fragmenting chase Jennifer is saved by the Floronic Man, whose motives as yet remain unclear, and somewhat unsettling.

Mike Perkins artwork on this issue is phenomenal. The intricate, clinical detail of the MRI scans melds seamlessly with the ongoing narrative and mystery that has dogged Levi’s life since returning from his trip to India to visit his dying father and secure his family’s ancestral lands for Prescot Industries. His depiction of the Green is a veritable paradise of mystery, magic and beautiful vistas of rich flora and fauna. Perkins delivers a stunningly beautiful rendition of both aspects of Poison Ivy, with each of her personas shining through, the Floronic Man is ungainly and sinister, the hulking Woodewos feels more like a terrifying force of nature, and the throughout the extent of Levi’s journey colorist Mike Spicer ensures everything is awash with gorgeous tones and hues throughout. 

Although three issues in we are still really none the wiser about Levi’s origin as the new Swamp Thing, Ram V does go some way to brining everything into a sharper focus by transposing events through then prism of the Green for this issue. Fortunately there’s a familiar face waiting in the wings to help Levi understand what’s happening to him and the contagion spreading through the Green. With its intriguing storyline and outstanding art Ram V and Mike Perkins are knocking it out the park with this maxi-series. The Swamp Thing #3 is an enchanting voyage into the heart of the Green itself, and highly recommended. 

Publisher DC Conics

Writer Ram V / Artist Mike Perkins

Colorist Mike Spier / Letterer Aditya Bidikar 

Cover Mike Perkins & Mike Spicer

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Robin #1 Review

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Alfred Pennyworth, Batman, Conner Hawke, Damian Wayne, DC Comics, Flatline, Gleb Melnikov, Joshua Williamson, League of Lazarus, NCB, Respawn, Robin, Robin #1, Robin #1 Review, Rose Wilson, Teen Titans

Robin #1

Review by Paul Bowler.

Damian Wayne strikes out on his own in Robin #1, DC Comics brand new ongoing series  from writer Joshua Williamson and artist Gleb Melnikov. Having cut all ties with Batman and the Teen Titans, Damian will have to emerge from the shadows cast by both of sides of his parentage to forge his own legacy.  Embarking on a quest to earn a place in the deadly League of Lazarus tournament, the teenage Robin uncovers new mysteries and allies as he seeks the prestige of proving himself the greatest fighter in the DC Universe! 

Damian Wayne is probably the most exciting and dynamic character in the extended Bat-Family that’s been crying out for his own series for a while now, and writer Joshua Williamson  is  clearly  going to address the emotional fallout from City of Bane and send Damian on a heroes journey of self discovery with this opening story-arc. Having gone off the grid completely Damian must find the secret island where the League of Lazarus tournament is being held. That means a cage fight with King Snake, some kick ass action, and the acquisition of a marker to enter the tournament. There’s time for some reflection along the way, we also have the reintroduction of established characters like Rose Wilson and Conner Hawke, and brand new faces like Flatline and ReSpawn for Robin to meet as well.

Gleb Melnikov’s engaging artwork brings a dynamic Manga-like look that is a perfect fit for this series and a character like Damian. Alfred’s death has impacted powerfully across the whole of the Bat-Family, none more so than for Damian, and Melnikov crafts some hauntingly moving scenes with the young Robin mulling over his plans with an imaginary spectral Pennyworth watching over him. The action scenes in the cage fight with King Snake and the journey to the island are also rendered with vibrant detail. 

This premier issue kicks off an important story in the DCU that will examine Damian’s connections to Batman and Talia Al Ghul like never before as Robin searches to find out the why his mother and father kept the League of Lazarus  tournament a secret from him. There’s also a great mix of new and old characters for Damian to interact with, especially Rose Wilson, Conner, and the intriguing Respawn – a character with a distinct penchant for copyright infringement!

There’s a wealth of potential here for Damian to grow and evolve as a character in this series. All-in-all Robin #1 sets up the new series and its premise very well. Joshua Williamson and Gleb Melnikov make for an inspired creative team, and its great to see Damian finally getting a  long overdue stint in the limelight with his own book. 

Publisher DC Comics

Writer Joshua Williamson / Artist Gleb Melnikov

Lettering ALW’s Troy Peteri Cover & Variant Gleb Melnikov 

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman The Detective #1 Review

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Andy Kubert, Batman, Batman The Detective, Batman The Detective #1, Batman The Detective #1 review, DC Comics, Gotham, The Dark Knight, The Knight, The Squire, Tom Taylor

Batman The Detective #1

Review by Paul Bowler.

The Dark Knight embarks on an epic European adventure in Batman The Detective #1, the new DC Comics six-part mini-series helmed by the dynamic duo of writer Tom Taylor and artist Andy Kubert. 

Opening with a harrowing mid-air tragedy in the United Kingdom which spells out a dark and personal message for the Dark Knight, writer Tom Taylor quickly establishes this mini-series’ intriguing premise and brooding atmosphere of mystery. This Batman is older, somewhat past his prime and questioning his role in the world. However, Taylor deftly circumvents the usual tropes by making this a Dark Knight Detective that isn’t simply driven by the death of his parents and the more recent loss of Alfred, instead we have a Batman in the twilight of his career who is finally ready to move on from the ghosts of his past. The terrible attack in the UK simply provides the catalyst Batman needs to pack his bags, put the past to bed, and set out from Gotham City to investigate!

Batman The Detective also sees the Dark Knight’s visit to England leading to an encounter with the UK’s own dynamic duo of Beryl Hutchinson as The Knight and her new Squire, Amina, who looks set to become something a of new side-kick for Batman over the course of his European mission. Of course the characters and Britain are very different in this modern iteration when the Squire was originally introduced in the 1950s (The Knight, Percival Sheldrake, was created by Roy Thomas and Michael Bair for You All-Stars in 1948, while The Squire, his sidekick, was created by Bill Finger and Dick Sprang for Batman #62 in 1951), and their investigation into the crash-site at the West Pennie Moors in Lancashire spells  high-tech intrigue and supernatural danger for them both!

Andy Kubert’s pencils and inks are a perfect fit for this story. From the dramatic opening, to the emotionally charged scenes in the Bat-Cave, though to Batman and the Squire’s uncanny team-up against a spectral adversary Kubert’s art enriches every page with detail, while Brad Anderson’s vivid use of tone and shade accentuates  every nuance of Taylor’s action-packed story as it unfolds. The look of this incarnation of Batman is a cool hybridisation of Miller’s iconic Dark Knight Returns suit and the Snyderverse’s Kightmare Bat-Fleck, and the end result is extremely impressive looking indeed.

You can’t really go wrong with a superstar creative team like Tom Taylor and Andy Kubert.  The premise in itself is enough to ensure the first issue has the momentum to gets this new mini-series off to a strong start. Its going to be interesting to see where this adventure with new foes, allies, and the hunt for the menace known as Equilibrium will take Batman and Squire next. With its solid storytelling and great art Batman The Detective #1 deftly blends current themes with elements and characters from yesteryear; whilst also crafting a bold new take and look for the Dark Knight mythos.

Writer Tom Taylor / Pencils and Inks Andy Kubert

Colors Brad Anderson / Letters Clem Robins

Main & Variant Cover Kubert & Anderson

Variant Cover Riccardo Federici

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

The Swamp Thing #2 Review

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DC Comcis, Horror, Mike Perkins, Mike Spicer, Ram V, Swamp Thing, Swamp Thing #2 review, The Swamp Thing #2, The Swamp Thing #2 Review

The Swamp Thing #2

Review by Paul Bowler

Levi Kamei’s nightmarish becoming as the new avatar of the green continues in The Swamp Thing #2, from writer Ram V and artist Mike Perkins. Confronted with terrifying transformations he cannot control, Levi turns to his friend Jenifer Reece in NYC to help him contend with the trauma of his past, and the horror of the Pale Wanderer’s bloody rampage of death across the Sonoran desert in Arizona.

Ram V’s new DC Comics 10 part Swamp Thing maxi-series expands the trials of Levi Kamei’s frightening transition into the realms and reality of the green, casting further light on Levi’s haunting origins as the new Swamp Thing back in India, and the murderous designs of the ghostly Pale Wanderer. Following their initial encounter this second issue charts the recurring nightmares Levi begins to suffer, where each of his fateful encounters with this wraith-like desert legend ends the same, and another victims perishes as the Swamp Thing is torn asunder. Writer Ram V skilfully  blends the mystery and horror of Levi’s plight. Levi’s long-term friend, Jennifer, proves key to helping him get closer to the truth, while the lone Sherif investigating the murders in the Sonoran desert resolves to seek out that which has become his own private quietus in the dwindling twilight of his career.

Mike Perkins art and Mike Spicer’s colors gloriously cultivates and infuses the rich narrative of Ram V’s script with a blend of dynamic page layouts, sumptuous detail, chilling undercurrents of horror and a subtle palette of delicate hues that flow seamlessly across every page. From the grotesque imagery of Levi’s dreamscape “lessons” as Swamp Thing with the Pale Wanderer, to more frightening revelations about what transpired during his trip India, and the shocking realisation of what he is becoming are all rendered in startling clarity. The Sherif’s discussion with his deputy in the run-down bar in Aztec Town Arizona is another highpoint, one brooding with atmosphere, dread and macabre insight into his fixation with finding the spirit of this long dead Cilvil War soldier that cast off its humanity after wandering into the desert. 

Ram V masterfully brings all these tangled plot threads together in The Swamp Thing #2, as this unholy trinity of Swamp Thing, the Pale Wanderer and the Sherif finally seek each other out. The spectacular evergreen fallout from this showdown is a sight to behold, one rooted firmly in Levi’s homeland, and bringing revelations that none of the participants could’ve ever expected or truly believed possible. A surprise, if brief, cameo from a prominent DC hero, and a knowing reference to Alec Holland are all just some of the tantalising narrative seeds sown into the plot to make this another hauntingly enthralling issue of this new Swamp Thing maxi-series!

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colorist Mike Spicer / Letterer Aditya Bidikar

Cover Perkins & Spicer

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Superman #29 Review

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Clark Kent, DC Comcis, Future State, Jon Kent, Lois Lane, Metropilis, Philip Kennedy Johnson, Superman, Superman #29, Superman #29 Review

Superman #29

Review by Paul Bowler.

Following his innovative take on the future of the Superman family during Future State, writer Philip Kennedy Johnson takes the helm full-time for Superman #29, for the first in a two-part story that will unfold this month in both Superman and Action Comics. “The Golden Age” presents an insightful and moving character study where Johnathan Kent reflects on his father’s great legacy, just as a new threat strikes from outer space, attacking Clark and almost killing him! The young hero must finally confront the foreknowledge he gained during his time with the Legion of Superheroes in the future about Superman’s fate – one that might soon become a frightening reality…

Much like Philip Kennedy Johnson’s Future State work, his debut issue as lead writer on Superman also focuses more on character than the actual event, more specifically here he throws the spotlight on the complexities of Clark’s relationship with his son after the long time Jon’s spent apart from his parents. The fallout from Brian Michael Bendis’ era is keenly felt. However the “The Golden Age” which Johnson aims for centres on the adolescent belief that our parents are infallible, and the inherent consequences when that unwavering sense of fearlessness crumbles  when Jon witnesses his father falter for the first time in battle. 

Amidst the emotional turmoil of exactly how Jon chooses to have that conversation with his dad about what he discovered thanks to his time with Legion, and Clark’s heartfelt way of getting Jon to open up to him about what’s really worrying him, allows Johnson to explore a rich  emotional narrative that empowers the dynamic between the characters like never before. There’s also the mystery of who-or-what is causing the intergalactic breaches, and with Amanda Walker scheming on the side-lines you can be sure things wont go well for anyone who gets caught in the crossfire. 

The artwork for Superman #29 by penciller Phil Hester and inker Eric Gapstur, with colors by HI-FI provides a distinctly clean and uncluttered visual style and tone for the issue. The standoffishness of Jon’s somber reluctance to talk to his father — sure in the knowledge that Clark died once before and that the Legion of Superheroes told him it could happen again — is also cleverly portrayed through the page-layouts with subtle notes of body language that express Jon’s fears just as strongly as the dialogue. 

In the tales of Metropolis back-up story by Sean Lewis, with art by Sami Basri and colors by Ulies Arreola we see an old fan favourite from the 80’s / 90’s, Bibbo Bibbowski placed front and centre as this hero-of-the-people tackles an alien threat attempting to manipulate the citizens of Metropolis. Its a tale that taps into similar vein as the back-up stories Lewis did for Future State, DC’s Infinite Frontier penchant for back-up stories also offers a chance to showcase totally different — yet just as relevant — adventures and I’m sure there is a wealth of possibilities to explore with this format that will nicely complement the main narrative of Philip Kennedy Johnson’s run.

Overall, Superman #29 is a deeply thought provoking and emotional study of the complex relationship between Clark and Jon; along with their standing in Metropolis and indeed the universe itself. Superman #29 gets Philip Kennedy Johnson’s run off to a great start, with its character driven storyline and solid artwork, it would seem the House of El could not be in safer hands.

Publisher DC Comics

Writer Philip Kennedy Johnson / Pencils Phil Hester

Inks Eric Gapstur / Colorist HI-FI

Letterer Dave Sharpe / Cover Hester, Gapstur and HI-FI

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

The Swamp Thing #1 Review

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DC Comics, Mike Perkins, Mike Spicer, Ram V, Swamp Thing, Swamp Thing #1, Swamp Thing #1 review, The Pale Wanderer, The Swamp Thing #1, The Swamp Thing #1 review

The Swamp Thing #1

Review by Paul Bowler.

A new era of horror blossoms in The Swamp Thing #1, DC Comics brand new 10 part maxi-series from the creative team of writer Ram V and artist Mike Perkins. The Guardian of the Green has a new host, Levi Kamei, who cannot control his nightmarish metamorphosis into the Swamp Thing. Finding himself caught up in a terrifying mystery surrounding the ghastly murders committed by an ancient desert legend, Levi must revisit events from the past in his homeland of India, and confront a fearsome new villain if he is to ever understand the horrifying reality of what is happening to him…

Ram V is no stranger to Swamp Thing having written for Justice League Dark and Future State Swamp Thing for DC Comics. Now as part of DC Comics Infinite Frontier initiative in the aftermath of the Death Metal and Future State events, Ram V’s new Swamp Thing mini-series introduces us to Levi Kamei (DC’s first lead character heralding from India), an everyday guy with a deep rooted fear of flying, who now faces an inner-struggle to understand and control his dream fuelled transformations into Swamp Thing.

Exactly how Levi initially became Swamp Thing is opaquely mapped out by Ram V over a series of flashbacks to Levi’s trip to India to visit his dying father. Burning terror, violence and a dark bargain made by his brother all played some role in Levi’s origin as Swamp Thing. Previously, once a character had been transformed into Swamp Thing it was permanent, and there was no turning back. Ram V masterfully sows an uncanny twist into the narrative that seems to indicate that Levi is some kine of vessel or conduit for the Green, especially if Levi’s petrifying trans Atlantic flight back from India to the USA is anything to by, and its a change that respectfully builds on the enduring legacy of Swamp Thing whilst also branching out in a completely fresh direction for the character.

Swamp Thing #1: Becoming Part 1 broodingly establishes this new set-up as the action divides between a Sherif and his deputies investigation of a gruesome murder in the Sonoran Desert, the haunting legend of the Pale Wanderer, and Levi Kamei’s recollections about his trip to India after he returns to New York where he is welcomed home by his long-term friend-with-benefits – Jennifer Reece. It is only really at this issues mid-way point that this series’ premise becomes more clear as we begin to see the wider picture of Levi’s plight, one that’s steeped in the history of India, along with powerful real-world and environmental issues, raw emotion and dark creeping horror. 

Gloriously illustrated throughout by artist Mike Perkins, every page blooms with intricate detail, vivid horror, and unsettling atmosphere. The scene setting opening in the desert offers a curious mix of isolation and dread, where the forensic examination of a corpse and the lifecycle of a blowfly provides a stark contrast with the symbiosis of Levi’s metamorphic relationship with  both Swamp Thing and natures inexorable cycle of life and death. The grim story of the Pale Wanderer, a former Civil War soldier who abandoned his humanity after he wandered into the desert, and subsequent manifestation as some ghostly ghoul is also rendered with eerie clarity by Perkins. Levi Kamei’s journey is filled with compelling mystery and drama throughout, with Perkins art and colourist Mike Spicer’s exquisite use of rich tones and shadows bringing Levi’s mesmerising mind-trip down the green rabbit hole of Swamp Thing’s domain to life as dark fantasy melds with the frightening real-world  horror of his transformations.

Ram V is clearly going for a less esoteric approach here than some writers have previously taken with Swamp Thing, and on the whole this makes the series feel extremely accessible to all. Fans might be disappointed there’s no mention or acknowledgment of the current Swamp Thing, Alec Holland, or recent events in Justice League Dark, and the battle with the Upside-Down Man. However, Ram V does such a great job introducing Levi Kamei as a new kind of Swamp Thing with this issue that it all serves to further the mysterious tone of the story anyway. This issue is a little bit of a slow burn, but its rich with characterisation, and everything builds to a nerve jangling face-off between Swamp Thing and the Pale Wanderer.

Swamp Thing #1 sets Levi Kamei on a hauntingly macabre path, one  fraught with emotional turmoil and grim revelations. I’ve been eagerly anticipating the arrival of this 10 part maxi-series, I’m a big horror and Swamp Thing fan, and I’m pleased to say that I was highly impressed with this issue. If Ram V’s Future State Swamp Thing wetted your appetite for more, then The Swamp Thing #1 is sure to satisfy your horror craving with its deep and enchanting take on the character, and a killer creative team firing on all cylinders.  

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colorist  Mike Spicer  / Letterer Aditya Bidikar

Cover Mike Perkins & Mike Spicer

Variant Cover Francesco Mattina 

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Future State Swamp Thing #2 Review

Tags

DC Comics, Future State, Future State Swamp Thing, Future State Swamp Thing #2, Future State Swamp Thing #2 review, June Chung, Mike Perkins, NCBD, Ram V, Swamp Thing, Swamp Thing #2

Future State Swamp Thing #2

Review by Paul Bowler

Humanity strikes back in Future State Swamp Thing #2 to reclaim the world the new Swamp Thing avatar has nurtured and forged in his own image. Duped by Woodrue Wilson’s quest for power and revenge, a lone group of survivors have hatched a terrible plan that will plunge the world into darkness. Yet for all his enemies insidious deceptions Swamp Thing also harbours a terrible secret of his own, one that will call for the ultimate sacrifice lest the green be lost from the world forever…

As we move into the second month of DC Comics Future State comic book event, one depicting a possible future for the DCU in the aftermath of Death Metal, few have embraced this opportunity for such creative free licence like writer Ram V and artist Mike Perkins with their dark, apocalyptic Future State Swamp Thing. 

In Future State, Swamp Thing is now the Green Father overseer of the world, sheer loneliness led to him creating offshoots of his own species blessed with his memories of humanity, and though he believed mankind was lost Swamp Thing’s encounter with a human survivor has finally led him to a desolate S.T.A.R labs facility in the frozen north. Now in this second, concluding issue writer Ram V explores the dark visions of the mysterious Undying Man, the gnarled Jason Woodrue: the Floronic Man! He has captured the hero who was once known as Obsidian and convinced the  leader of this last bastion of humanity that by harnessing his powers they can save the world. Swamp Thing must lead his own kind and the last ragtag band of human resistance against Woodrue, but will humanities last sapling of hope survive to see the dawn of a new world?

Mike Perkins artwork renders every nuance of Swamp Thing’s determination to reach his goal in striking, almost visceral detail. Swamp Thing is quite literally prepared to walk through the fires of Hell to reach his goal. The depiction of the horrifically disfigured Woodrue is also vividly realised, with his seething ambition and desire for revenge at being rejected by the green fuelling his deranged scheme. The juxtaposition between Swamp Thing and Woodrue’s motivations are the backbone to this story. Neither have been all that honest with those who follow and trust them either. The dramatic line Ram V establishes between saviour and destroyer is masterfully blurred, with Perkin’s art sumptuously cultivating a lush spectacle of apocalypse and rebirth, while the intricate use of color by June Chung beautifully seeds the narratives rich emotional undercurrents as they flourish and bloom.

The powerful closing scenes are deeply heartrending as Swamp Thing confronts the enormity of what he has wrought upon the world, himself, and the constructs he’s crafted from his inner self and feelings. Future State Swamp Thing #2 is a magical, visceral and emotional addition to the legacy of Swamp Thing. When this event started I must admit I dismissed it, believing Future State would be just a rehash of DC’s abortive 5G event, instead Future State  has proven a great showcase for new talent and creative teams, and I couldn’t be more pleased to have been proven wrong about my misgivings. Future State Swamp Thing has been the evergreen jewel in the crown of DC’s Future State event, like all good stories it leaves you wanting more, and more we shall have when the new 10 issue maxi-series by Ram V and Mike Perkins, with colors by Mike Spicer, debuts in March!

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colors June Chung

Letters Aditya Bidikar

Cover Mike Perkins and June Chung 

Future State Nightwing #1 Review

Tags

Batman, Bruce Wayne, DC Comics, Dick Grayson, Future State Nightwing #1 review, Future State Nightwing#1, Gotham, NCBD, Nightwing, The Next Batman

Future State Nightwing #1

Review by Paul Bowler.

Dick Grayson carries on the good fight in Future State Nightwing #1 as he leads the resistance in Gotham against the Magistrate’s oppressive regime. Batman is gone and Bruce Wane is believed to be dead. In order to stay one step ahead of the Magistrate and his cybernetically enhanced troops Nightwing has established a base in the abandoned Arkham Asylum, but a visit from Gotham’s new Batman could prove fortuitous — at least so long as he can fight like a Dark Knight!

DC Comics Future State is in full swing now following the aftermath of the multiverse saving events of Death Metal, and it looks like this possible glimpse into the future is going to be very dark indeed for Nightwing. Now as Nightwing’s mission to keep the citizens of Gotham safe from the Magistrate’s police state begins to escalate, writer Andrew Constant quickly establishes how grim the situation has got in Gotham since Batman was murdered by Peacekeeper-01. Right from the get-go the stakes are raised as Nightwing intervenes to help a couple being harassed by a Cyber, although everything isn’t quite what it seems, and plans are being hatched in Magistrate HQ to take Nightwing out — permanently!

Nicola Scott’s artwork and Ivan Plascencia’s vivid color palette stylishly conveys every nuance of the plot as scenes shift from Nightwing’s vertigo inducing rooftop skirmish, to the gleaming Cyberpunk vista of Gotham, the  high-tech interiors of Magistrate HQ, and the gloomy ruins of Arkham Asylum that Nightwing now calls home. Nightwing’s costume for Future State is  a nice blend of the classic look with some cool looking futuristic refinements. Although the story is primarily action driven, its in the quieter moments where Dick talks via video link to his allies, especially Barbara, where Nicola Scott’s art really shines and accentuates the scripts emotional beats with powerful effect. Yasmine Putri’s cover portrays a stunning depiction of Nightwing – its almost as if Gotham has a new Arkham Knight!

The face-off between Nightwing and the Next Batman is easily the big highlight of the issue. While I found this new Dark Knight’s debut in Future State The Next Batman #1 rather underwhelming, his characterisation here in Future State Nightwing is much less one dimensional, and far more satisfying as a result. Andrew Constant really fleshes out the characters and their motivations in these scenes, which, though heavy with exposition, skilfully adds an intriguing    plot twist into the mix as the Magistrate’s forces close in. 

It seems the future hasn’t been kind to Dick Grayson, but he’s still very much depicted here in Future State as the character that can resist the darkness and remain in the light — despite all the friends and allies he’s lost. Although Future State Nightwing #1 might not exactly be the most groundbreaking chapter in DC Comics current line-wide Future Sate event, the exciting story by Andrew Constant and impressive artwork by Nicola Scott nevertheless still provides a fascinating glimpse into these dark times for Nightwing in Future State.

Publisher DC Comics

Writer Andrew Constant / Artist Nicola Scott

Colorist Ivan Plascencia / Letterer Wes Abbott 

Cover Yasmine Putri

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Future State Robin Eternal #1 Review

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Batman, DC Comics, Eddy Barrdow, Future State, Future State Robin Eternal # review, Future State Robin Eternal #1, Magistrate, Megan Fitzmartin, NCBD, Robin, Robin Eternal #1 review, Spoiler, Stephanie Brown

Future State Robin Eternal #1

Review by Paul Bowler

Future State Robin Eternal #1 provides a thrilling, action-packed new chapter in DC Comics line-wide Future State comic book event as Robin strikes back against the Magistrate’s oppressive regime in Gotham. A regenerative drug that could make his cybernetic forces immortal is en route to the city. Robin and Spoiler must embark on a daring heist at 20,000 feet to intercept it, but will Tim and Stephanie Brown’s emotional baggage jeopardise their mission or prove the key to its success?

DC Comics Future State has so far provided an intriguing glimpse into a possible future for the publishers core titles and characters. Future State Robin Eternal might not be the most catchy sounding addition to the line-up on glancing at the solicitations but new rising star writer Megan Fitzmartin (Supernatural)  has clearly brought her A game to the table for this jaunt into a future vision of Gotham, and fans of Tim Drake’s Robin and his former girlfriend Stephanie Brown, a.k.a Spoiler, will find plenty to enjoy here. Tim Drake’s Robin  has been pushed from pillar to post somewhat in recent times, so its great to see him being put front and centre like this in Future State.

Megan Fitzmartin crafts a fast-paced, action-driven story, laced with strong emotional beats for the character. It seems that Tim has soldiered on alone as Robin as the Magistrate’s regime took over Gotham – banning the masks and costumed vigilantes with his advanced technology and cybernetically enhanced forces. Believing that Batman, Bruce Wayne, has been killed, along with the betrayal of Jason Todd, and Dick Grayson in Arkham, this lone Robin is desperate to find a way to stop the shipment of a new drug derived from the Lazarus Pit that can make the Cybers unbeatable. Fitzmartin skilfully highlights just how Stephanie’s and Tim’s former history still makes things strained between them, and there’s a welcome reunion with an old We Are Robin member as well that’s also beautifully written into the narrative.

This futuristic looking Gotham is realised with some pretty amazing artwork too. With pencils  by Eddy Barrdows (Detective Comics), inks by Eber Ferreira, and colors by Adriana Lucas, Future State Robin Eternal boasts a distinctly vibrant, almost Cyberpunk vibe that dynamically cascades across the stylish page layouts. From the stunning rainswept opening battle between Robin and the hulking Cyber high on the new prototype drug, through to Tim’s emotional scenes with Spoiler, along with his reunion with Darcy, and the inevitable team-up with Robin leading his allies on an exciting Mission Impossible style heist to intercept the shipment of the Lazarus Resin are  all just some of the many highlights brilliantly crafted by the artistic team for this impressive looking issue. 

While I don’t tend to go in for comic book events that much I have to say I’ve found Future State quite entertaining so far — from the issue I’ve read anyway. Future State Robin Eternal #1’s creative team seizes the premise of this possible future and runs with it for all its worth. The ensuing result proves extremely satisfying indeed, Future State Robin Eternal is a veritable showcase of creative verve, and the issues thrilling cliffhanger provides a great hook to bring us back for the conclusion in the next issue.

Publisher DC Comics

Writer Megan Fitzmartin / Pencils Eddy Barrdows 

Inks Eber Ferreira / Colorist Adriana Lucas

Letterer Pat Brosseau Cover Irvin Rodriguez & Emanuela Lupacchino

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook