Batman White Knight #6 Review

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Batgirl, Batman, Batman White Knight, Batman White Knight #6, Batman White Knight #6 Review, Batmobile, comics, DC Comics, Jim Gordon, Mad Hatter, Matt Hollingsworth, Mr Freeze, NCBD, Neo Joker, Nightwing, Sean Murphy, The Joker

Batman White Knight #6

Review by Paul Bowler

Gotham’s most iconic alliance is shaken to the core in Batman White Knight #6 as Gordon’s trust in Batman reaches breaking point! The Dark Knight’s fall from grace has been orchestrated by the reformed Joker – aka Jack Napier – now seemingly cured of his homicidal madness by therapy and medication. But the drug Jack relies on is gradually loosing its effect, the city is slowly descending into chaos, and with Batman defeated it’s up to Jack to step up to the plate when the Neo Joker finally instigates her grand plan to seize Gotham…

Set in a world that has uncannily turned the Batman into the villain and the Joker into a hero, Batman White Knight, with its story and art by Sean Murphy, and colors by Matt Hollingsworth, continues to go from strength to strength with every successive issue. Napier’s ascension in this mini-series has seem him cured and released from Arkham, from where he’s gone on to expose the corruption that has festered in the GCPD for decades, becoming a champion of the middle-classes, and covertly using an army of super-villains – along with the collateral damage this conflict causes – to discredit the Batman‘s standing in the eyes of Gotham‘s citizens.

Batman White Knight #6 sees this mini-series reach a major turning point, as Murphy’s dark tale brings Batman’s world crashing down. Seeing Gordon resolve to bring Batman in is a powerful, defining moment here, as is Nightwing assisting him by delivering the means for him to do so, and the subsequent fracturing this has on the Bat-Family when Batgirl, aghast at Nightwing’s actions, refuses to have anything to do with the plan.

This book and its starkly grim take on the Bat-Mythos, especially the look and tone of Gotham itself – being more industrial and gothic, and less generically NYC like most of the main Bat-Books – are key elements that really make Batman White Knight stand out from the crowd. Sean Murphy’s edgy, moody artistic style further enhances the grim sense of foreboding in this issue, while Matt Hollingsworth’s richly atmospheric colors bring added gavatis to every scene. The sheer fan boy glee at seeing the Batmobile from the1989 Tim Burton Batman movie Vs the Batman White Knight’s Batmobile in a high-speed chase sequence is undoubtedly one of the big highlights of the issue, however, it is the blood-spattered, bone-churching face-off between Batman and Jack Napier that follows which really steals the show – whilst also vividly illustrating the warped schism Murphy has crafted between the Batman and the Joker in this mini-series.

With Batman facing an ignoble fate in Arkham, its not long before the Neo Joker, having taken control of the villains utilizing Mad Hatter’s technology, seems hell bent on holding the city to ransom after she unleashes a giant freeze cannon on Gotham. Other standout moments that shine in this issue are an especially poignant scene between Mr Freeze and Batgirl, and Harley tires in vain to get through to Jack again as he prepares to face Neo Joker.

This was another thoroughly enjoyable issue. With its intense action, brooding characterization, unexpected plot twists, and striking visuals Sean Murphy and Matt Hollingsworth constantly keep you on your toes in Batman White Knight #6, and as this mini-series enters its final act we are left wondering if the Batman can find possibly find a way back from everything that‘s happened, or will the Joker have the last laugh after all?

Publisher DC Comics

Writer / Artist / Covers / Sean Murphy

Colors & Cover Colors Matt Hollingsworth

Leters Todd Klein

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Detective Comics #968 Review

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A Lonley Place of Living, Alfred, Alvaro Martinez, Azeral, Batcave, Batman, Batwing, Batwoman, Cassandra, Clayface, Damian, DC Comics, DC Comics Rebirth, Detective Comics, Detective Comics #968, Detective Comics #968 review, James Tynion IV, Nightwing, Raul Fernandez, Red Hood, Red Robin, Tim Drake, Tomeu Morey

Detective Comics #968

Review by Paul Bowler

A Lonely Place of Living reaches its astounding conclusion in Detective Comics #968, with Tim Drake now back on Earth, but he’s also brought a fearsome menace back with him – a future version of himself that has been tragically moulded by fate to become the Batman! This misguided Batman is determined to complete his mission to kill Batwoman and change the future, not even the Dark Knight and his allies can stand against him, and now Red Robin must fight to save everything that he’s ever fought and died for…

Suffice to say, Detective Comics #968 is not only one hell of an action packed issue, its also probably writer James Tynion’s finest story arc so far during his run on Detective Comics. With its throwbacks to A Lonely Place of Dying and nebulous links to the Mr Oz storyline going on over in Action Comics, this storyline with its timey wimey narrative has made for compelling reading, and effectively brought Tim Drake‘s story full circle as he returns to the fold in a battle royal with his future self who now wears the mantel of the Bat!

Tynion skilfully balances the cast of Bat-characters in this issue, with Batman, Red Robin, Nightwing, Damian, Red Hood, and Alfred squaring off against the future Tim / Batman in the Batcave, while Batwoman, Azeral, Cassandra, Batwing, and Clayface bravely confront a lethal attack from hacked Colony drones at the Belfrey. Everyone in the Bat-Family gets a moment to shine in the spotlight, the dialogue and banter positively crackles from the page, and the team dynamic that makes this book so strong will no doubt be made all the richer by the dramatic far-reaching implication of the events that unfold over the course of this issue.

Detective Comics #968 also dazzles with some especially striking artwork, with pencils by Alvaro Martinez, inks by Raul Fernandez, and colors Tomeu Morey, the bold, free flowing page layouts and panoramic double page spreads exquisitely relay the frenetic action and emotional beats in vivid detail; while the concise letting by Sal Cipriano ensures the dialogue seamlessly blends the narrative across each and every panel. From the face-off in the Batcave to the showdown in the Belfrey, the extensive cast of characters are all impressively rendered, dynamic perspectives give each location a distinct tone, and the temporal effect that intermittently manifests around the future Tim / Batman also provides an interesting visual flourish.

This story-arc has been nothing short of brilliant, and James Tynion IV has excelled once himself again with this issue. Detective Comics 968 delivers an extremely satisfying, powerful, and moving conclusion to A Lonely Place of Living. It’s great to finally have Tim Drake back after his apparent demise in the battle with the Colony and his subsequent incarceration outside of time by Mr Oz. A Lonely Place of Living has offered us an intriguing glimpse into the future (or at last one possible future), it will be fascinating to what happens now that Tim has returned to the Bat-family, and I can’t wait to see what Tynion and Co have in store for this team next!

Publisher DC Comics.

Writer James Tynion IV / Pencils Alvaro Martinez / Inks Raul Fernandez

Colors Tomeu Morey / Letters Sal Cipriano

Cover Eddy Barrows, Eber Ferreira, & Adriano Lucas

Varian Cover Rafael Albuquerque

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Ragman #1 Review

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comics, DC Comics, DC Comics Rebirth, Eva de la Cruz, Gotham City, Guillem March, Inaki Miranda, NCBD, New Ragman Miniseries, Ragman #1, Ragman #1 Review, Ragman Arrow, Ray Fawkes, Rory Regan, Suit of Souls

Ragman #1

Review by Paul Bowler

A hero is forged from adversity in Ragman #1 as war vet Rory Regan struggles to come to terms with his past, and embarks on a mission to confront a sinister new evil rising in Gotham City as the mysterious supernatural vigilante – Ragman! This new DC Comics Ragman mini-series by writer Ray Fakes (Constantine, Gotham By Midnight) charts a bold new reimagining of Ragman’s origin, the Jewish hero whose mystical suit of rags gives him power from the souls it has bound and drained. Fawkes is joined by artist Inaki Miranda and colorist Eva De La Cruz, in brining us this new vision of Ragman, and the series will feature covers by Guillem March.

Ragman originally debuted in 1976, and was created by DC Legends Robert Kanigher and Joe Kubert. The series was short lived but Ragman’s gritty urban setting, along with his uncanny blend of magic and mystery, has always made this champion of the downtrodden a compelling character, and he’s remained a distinct figure in the DC Universes otherworldly pantheon of characters ever since – albeit often as a guest star. This new Ragman mini-series is the first comic book series to feature Ragman in a major role since 2010’s Ragman Suit of Souls one-shot. The character also appeared in Season 5 of CW’s Arrow TV series, played by Joe Dinicol.

In a nutshell Ragman #1 finds war veteran Rory Regan still haunted by the death of his team-mates after their mission to locate a treasure in the Israeli desert gores disastrously wrong. Now back in Gotham and consumed with survivors guilt, Rory’s ongoing struggle with PTSD leads him to discover that he inadvertently brought the treasure back with him – a rag-tad suit of souls that has the ability to collects the souls of others – and it will change his life forever!

Seeing inhuman things in people’s eyes wherever he goes, events drive Rory towards his eventual transformation into Ragman, and it only then when things start to become clear to him. Together with the disembodied help of his dead team-mate, Rory learns more about the suit of rags, and its strange powers. But a dark evil is building in Gotham City. A demonic force wants the Suit of Souls, soon it will unleash its minions on those he loves most, and Rory must quickly master his new abilities as Ragman to save Gotham from this hellish threat …

Ray Fawkes does a great job in establishing the character of Ragman and keeping the plot moving along at a fast pace, whilst not getting too bogged down in exposition, as he skilfully brings the multifaceted aspects and interpretations of the character together for this new take on Ragman’s mythology. With flashbacks resonating powerfully throughout the narrative as Rory attempts to piece his life back together in present day Gotham, Rory’s struggle with PTSD, his close bond with his father, and the eventual realization of how he became Ragman all splice together with a hauntingly dream-like quality. Fawkes emotionally charged script remains eminently respectful to the character – as well as offering an entirely fresh perspective – and the results is an edgy, mystically tinged, adventure that proves to be as intriguing as it is exhilarating.

The brooding, sombre look of this Ragman series is effectively defined by artist Inaki Miranda and colorist Eva De La Cruz, with boldly stylised page layouts that stylishly reflect the beats of the story. Inaki Miranda packs in a tremendous amount of detail on every page. The characters and expressions are well defined; nerve jangling angles permeate the flashbacks, while the quieter moments as Rory deals with his PTSD sublimely punctuate the narrative. Rory’s father has always been an integral part of the Ragman mythos, and the scenes between Rory and his dad in the Rags N Tatters shop is one of this issue stand out emotional moments. Ragman’s appearance has also been suitably updated, and the character looks even more wild and dramatic than ever as his suit of souls evolves and flow with the strength of Rory’s inner demons. Eva De La Cruz’s utilizes a vivid palette of color throughout, enriching the brooding darkness and accentuating emotions with subtle shifts in tone, contrasting it with a striking Gotham skyline awash with rich urban hues, and building the ominous drama of the cliff-hanger with a spirited fission of color and shadow.

Ragman #1 ushers in an exciting new era for long-time fans of Ragman and offers a great introduction to the character for newcomers as well. Stylishly written by Ray Fawkes, with great art by Inaki Miranda, glorious colors by Eva De La Cruz, and with a stunning cover by Guillem March, Ragman #1 is a reboot that captivates your imagination as it enwraps you in its dark world. It may only be a mini-series, but on the strength of this issue, I certainly hope Ragman becomes a more permanent feature in DC’s Rebirth continuity in the future.

Publisher: DC Comics

Writer: Ray Fawkes / Art : Inaki Miranda / Colorist: Eva De La Cruz

Letterer: Josh Reed / Cover: Guillem March

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Hal Jordan and the Green Lantern Corps #29 Review

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DC Comics, DC Comics Rebirth, Green Lantern, Hal Jordan, Hal Jordan and the Green Lantern Corps #29, Hal Jordan and the Green Lantern Corps #29 review, Kyle Rayner, Rafael Sandoval, Robert Venditti, The Green Lantern Corps, The New Gods, Tomeu Morey

Hal Jordan and the Green Lantern Corps #29

Review by Paul Bowler

The intergalactic saga that has entwined the fates of the Green Lantern Corps and the New Gods kicks off big time in Hal Jordan and the Green Lantern Corps #29, Fall of the Gods Part Four, as the Green lantern Corps battle valiantly to hold the line between the gargantuan Godkiller robots and the Source Wall. But will even the combined might of the Green Lantern Corps be enough to save the New Gods from annihilation?

Having caught up with Lightray to safeguard Highfather of the New Gods last issue, and with Orion’s life still hanging in the balance back at the Green Lantern Corps HQ on the sentient world of Mogo, the race is now on for Hal Jordan to prevent the Nth Metal Golems from destroying Highfather.

As with the previous issue in this story-arc, the pace hardly lets up for a moment, and writer Robert Venditti keeps the action and suspense building as the emerald jet fighter Hal’s constructed carries him and Highfather across space at unimaginable speed – pursued by a Golem’s lethal Omega Beams. Meanwhile, on Mogo, Kyle Rayner must muster every ounce of his willpower to maintain the artificial heart needed to support Orion – after Orion’s real heart was removed to trick the Metal Golem hunting him into believing that he was dead – while Corp’s leader John Stewart strives to discover the destination of the Golem’s new objective.

I’ve only been reading Hal Jordan and the Green Lantern Corps since issue #17, primarily because that issue featured a major turning point for Kyle Rayner (my favourite Green Lantern) in a story which saw him transformed from the White Lantern back to being a Green Lantern again. The Prism of Time and Fracture story-arcs which followed then got me totally hooked on the entire Green Lantern Corps again, and I’ve enjoyed catching up with the lives of Hal Jordan, John Stewart, Kyle Rayner, Guy Gardner, and many more characters besides.

Even though this issue is the final part of a big storyline, this title is still relatively easy for new readers to jump on board and get swept along with the action. Much like the Omega Beams stalking Hal and Highfather, this issue moves at lightening speed, and there’s no time for breakfast either as the Green Lantern Corps rally their forces to prevent the Metal Golems releasing Yugr-Khan from a mysterious cosmic barrier – The Source Wall!

Needless to say, the artwork by Rafael Sandoval and inks by Jordie Tarragona relays the frenetic action superbly, realizing the finer nuances of Robert Venditti’s script and dazzling the eye with bold, sweeping page layouts. Impressive vistas of the Source Wall and stunning scenes of the Green lantern Corps flying into battle with the Golems, all gloriously accentuated by colorist Tomeu Morey’s striking use of tone and shade, all serve to make this one of the most visually arresting issue so far, and it more than hit’s the sweet spot for delving all-out-action on such a grand scale.

Hal Jordan and the Green Lantern Corps #29 provides a rousing conclusion to The Fall of the Gods arc. The threat poised by the Golems and their plan to free Highfather’s father, Yugr-Khan from the Source Wall is resolved in a fittingly blockbusting, and satisfying manner, with an especially poignant scene for Hal and Highfather afterwards which resonates powerfully with the underlying themes of fatherhood that have bought added gravatis to this cosmic epic. In short, if, like me, you like your comics packed with more Green Lanterns than you can shake a power battery at, boasting wall-to-wall action, together with strong characterization, plotting, and fun camaraderie, then Hal Jordan and the Green Lantern Corps is the book you for you!

Publisher DC Comics

Writer Robert Venditti / Art Rafael Sandoval / Inker Jordie Tarragona

Colorist Tomeu Morey / Letterer Dave Sharp

Cover Sanddval, Tarragona, & Morey / Variant Cover Barry Kitson and Hi-Fi

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Green Arrow #28 Review

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Arrow, Benjamin Percy, Black Canary, comics, DC Comics, DC Rebirth, Green Arrow, Green Arrow #28, Green Arrow #28 review, Hard Travelling Hero Part 3, Juan Ferreyra, Lex Luthor, Oliver Queen, Superman, The Flash, The Ninth Circle, Wonder Woman

Green Arrow #28

Review by Paul Bowler

Oliver Queen’s ongoing crusade to bring down the Ninth Circle brings him to Metropolis in Green Arrow #28, where the nefarious secret cabal of financiers have targeted the only person rich and powerful enough to have rejected their ideology: Lex Luthor! Not even Oliver can deal with the scale of this threat alone. Look up in the sky, is it bird, is it plane? Nope, its Superman and Green Arrow, teaming up to save the day!

Lex Luthor finds out there’s no such thing as a glass ceiling when it comes to dealing with the Ninth Circle during his tense face-off with Green Arrow in this issue. The initial exchanges might be heavy on exposition, but with Hard Travelling Hero: Part Three writer Benjamin Percy skilfully sets Oliver’s new outlook since the Ninth Circle destroyed his life on a collision course with Luthor’s ruthless business acumen.

The results are thrilling to say the least, with Luthor going all Sherlock on Green Arrow, before a malicious hack sends Lex’s employees, along with Lexcorps share price, into freefall when the one-percenters that grease the wheels of his all-powerful business empire prove to be the Achilles heel the Ninth Circle have been looking for. Fortunately the Man of Steel is quickly on hand to swoop in to assist Green Arrow with saving those affected, but will Lex Luthor be able to find a way to repel the deadly cyber-attack in time?

The impeccable art and colors by Juan Ferreyra are as impressive as ever. Every page provides a seamless blend of drama and characterization: the brooding atmosphere as Oliver’s and Lex’s vastly opposing ideologies clash is almost palpable, everyday settings that suddenly become infused with chaos are awash with sharp colors and diffused light, and vibrant action is punctuated by Ferreyra’s glorious rendition of the Man of Steel. There’s also a brief interlude as we catch up with Black Canary’s and Emi’s plan hunt down the Underground Men and the Auctioneer, along with an update on the status of Oliver’s impending trial.

We’ve already seen the Oliver team-up with The Flash and Wonder Woman during Hard Travelling Hero, and it’s great to see Green Arrow and Superman working together here. Their scenes towards the end of the issue are the undoubted highlight of this issue. Oliver have evolved so much since his fall from grace at the hand of the Ninth Circle, its been a tough journey back for him, and to hear get praise from Superman is a really defining moment for the character. I’m guessing this story-arc will probably lead to Green Arrow finally being accepted by the Justice League. I certainly hope so anyway, because it feels like it’d be the next natural step for the character to take, and it would really enhance his presence in DC Comics new Rebirth continuity.

It seems Green Arrow has even given Lex Luthor a new perspective on a few things as well, his help provides Oliver’s quest with some new leads, and sets Green Arrow on the road to the darkest city of all… Green Arrow #28 continues this series’ incredibly strong run with another breathtaking paced story from Benjamin Percy and the spellbinding art of Juan Ferreyra. In short, Green Arrow’s road trip through the DCU has turned out to be a real thrill ride and his visit to Metropolis is one issue you don’t want to miss!

Publisher DC Comics

Writer: Benjamin Percy / Art and Color: Juan Ferreyra

Lettering: Nate Piekos of BLAMBOT

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Superman #27 Review

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comics, DC Comics, DC Rebirth, Gable Eltaeb, NCBD, Patrick Gleason, Peter J. Tomasi, Scott Godlewski, Superman, Superman #27, Superman #27 review

Superman #27

Review by Paul Bowler

The Kent family decide to take a vacation in Superman #27: Declaration Part 1 when exhaustion and the super-heroics of recent events in their lives catch up with them. It’s a road trip full of fun, insightful detours, and the unexpected as DC Comics Super-Family enjoy some much needed R&R. But with a dark threat looming on the horizon their probably going to need another vacation to get over this one before they are through!

I simply cannot express enough what a joy Superman #27 was to read. Like the Kent’s, I’ve also been feeling in need of a vacation myself (which is why I took break from reviews N stuff to enjoy Wimbledon), and this issue exemplifies everything I love about Superman since the characters renaissance following DC’s Rebirth. The family dynamic is what makes this title so enjoyable and fun to read. Writers Peter J Tomasi and Patrick Gleason craft a delightful issue here as Lois decides her family needs a vacation, Jon’s glee at checking out their hired camper van is also great fun, and even Clark is forced to agree they need a break after nodding off mid-flight as Superman!

The most compelling and insightful aspects of this issue are explored through the places they decide to visit on their Super-Road Trip. Scott Godlewski’s clear and concise artwork and panel layouts sublimely captures the essence of each location: from the exhilarating fun of bodysurfing at Niagara Falls, to the moving and remarkable story their visit to Rock Ridge Cemetery brings, even something as mundane as a bumper sticker holds a symbolic message of freedom, belief, and coexistence for Jon, together with stops in New York and Philadelphia, are amongst the many highlights that features in this superbly illustrated issue.

It is the people the Kent’s meet along the way that really make this road trip feel like you are witnessing something distinctly special as you read this comic book though, non more so, than when they are joined for dinner by war veteran Ryan Duffy. Needless to say this scene is brilliantly handled, it holds some of this issues most powerful and moving moments of all, and provides a fitting closure for this leg of the Kent’s road trip.

Superman #27 rounds everything off with a lovely scene for Lois and Clark, however a foreboding new menace is developing, duty calls, but this vacation is far from over just yet… I started reading Superman with the Multiplicity arc way back in issue #14 after someone recommend it to me. I’ve never been an avid reader of Superman, certainly not during The New 52, but since reading that issue I’ve become hooked on reading the Rebirth version of Superman.

Although I’m abstaining from reading any of the big comic book events, crossovers, or tie-in issues from ANY of the major publisher this year – TBH I’m fatigued and burned out by the constant monotonous deluge of these events that I find I can muster little or no enthusiasm for them right now – I have to say when I read comics as good as Superman #27 its clear to me why I feel this way. Superman #27 is, frankly, one of the best comics I’ve read this year. Its not flashy, its not a universe shattering epic, and there’s hardly any superpowers on show, its just a meaningful, beautifully told story that will challenge you and make you stop, think, and ponder long after you’ve finished it. In short, Superman #27, as well as providing a shining and timely reminder of just how brilliant comic books can be, is without doubt probably as uplifting and magnificent an issue you’ll read this year, and I cannot recommend it highly enough.

Publisher: DC Comics

Writers: Peter J Tomasi & Patrick Gleason

Art: Scott Godlewski / Colors: Gable Eltaeb

Letterer: Rob Leigh / Cover: Lee Weeks & Brad Anderson

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All Star Batman #10 Review

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Alfred Pennyworth, All Star Batman, All Star Batman #10, All Star Batman #10 review, Batman, Batman the First Ally Part 1, comics, DC Comics, DC Rebirth, Jordie Bellaire, Rafael Albuquerque, Sci-Fi Jubilee, Scott Snyder, Steve Wands, The First Ally

All Star Batman #10

Review by Paul Bowler

The Dark Knight detective faces a new, deadly enemy in All Star Batman #10, an unpredictable foe, one whose attacks are seemingly impossible to counteract! Batman uncovers a dark scheme from decades past, but inconceivably the architect of this insidious plot could well be one of his closets allies of all! All Star Batman #10 reunites Scott Snyder with his American Vampire collaborator Rafael Albuquerque for this stunning new Batman story arc: The Last Ally!

Interspaced with flashback to a rooftop chase across the pond in London and Batman and Alfred’s present day escapade in Miami, All Star Batman #10 hit’s the ground running, and doesn’t let up for a moment. The Batmobile is driven like an old pro, there’s an enemy with a familiar face to be caught, and the crowd goes wild before you‘ve even finished turning a few pages. Hell, you’d be forgiven for thinking that’d be enough full-on Bat-action for one issue alone, but this is Snyder and Albuquerque we are talking about here, and like Batman in this issue they sure know how to grab our attention with a scene stealing entrance!

Having got word something dangerous is being smuggled into Miami, Bruce and Alfred go all good cop bad cop to get the information they need, and their subsequent attempt to infiltrate an old fort off the coast sequestered by a quartet of leaders from Miami’s most feared crime families puts Bruce in terrible danger. Initially what feels like an Oceans 13 heist coated with Miami Vice glamour and menace, soon becomes a deadly game of pirates, and before you can say shiver me timbers all hell breaks loose as the bullets start flying!

This storyline is going to delve into Alfred’s past, an exciting concept in itself, but what I really liked about this issue was how Scott Snyder used the narrative to highlight the surrogate father / son bond between Alfred and Bruce. There are certain points in this issue, usually right in the thick of the action, where Alfred’s reminiscing feels genuinely heart-warming and quite moving. However, these moments are also powerfully counterbalanced with Alfred’s steely determination, especially during the interrogation scene, where we gain further insight into his character and just how far he’d be willing to cross the line if need be.

The pencils and inks of Rafael Albuquerque’s artwork brings the first chapter of The First Ally to life in glorious fashion. The action is often fast and furious, with concisely structured page layouts relaying Snyder‘s vision with the same flawless synergy their collaborations always bring, as story and art seamlessly fuse as one. Rafael Albuquerque’s spectacular art effortlessly draws you in, you’d swear can almost hear the roar of the crowd as Batman ejects form the Batmobile, there’s centrally no doubting that Alfred means business either, those flashbacks have a unique favour that perfectly encapsulates the era, and the high-tech security of the fort soon becomes engulfed in a slow-motion barrage of gunfire with a yo, ho, ho, and a bottle of rum. The colors by Jordie Bellaire beautifully complement Albuquerque’s art, from the dusky hues of London from times before to the bombastic tones of the opening chase sequence, though to the vivid shades of the Miami skyline, and the ice blues and greys of the fort showdown, Bellaire’s colors sublimely enrich every single scene.

Killers-In-Law, written by Rafael Albuquerque and Rafael Scavone, featuring art by Sebastian Fiumara, and colors by Trish Mulvihill, is the new backup story which accompanies this new All Star Batman story-arc, involving Bruce Wayne going deep undercover to infiltrate the Russian mafia. It’s an edgy, brutal, bare knuckle story, one that plays its cards close to its chest, insomuch that it fills in just enough back story to keep us guessing how everything is going to slot together with The First Ally story-arc.

Scott Snyder and Rafael Albuquerque round off The First Ally: Part 1 in fine style. You might say that Bruce’s good taste in art is his saving grace in this issue, but it also puts him smack-bang in the middle of a heart-grabbing mystery, one that Snyder brilliantly blindsides us with as past and present collide in the most unexpected way possible. The First Ally is another masterpiece in the making from Snyder and Albuquerque, with its gritty storytelling and outstanding artwork, All Star Batman #10 doesn’t just exceed expectations, if anything, it drives right through them!

Publisher DC Comics

Writer Scott Snyder / Art and Cover & Variant cover by Rafael Albuquerque

Colors Jordie Bellaire / Letters Steve Wands

Variant Cover Sebastian Fiumara

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All Star Batman #8 Review

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All Star Batman, All Star Batman #8, All Star Batman #8 review, Batman, comics, DC Comics, DC Comics Rebirth, Dean White, Ends of the Earth, Ends of the Earth Part 3, Francesco Francavilla, Giuseppi Camuncoli, Mark Morales, Scott Snyder, The Cursed Wheel, The Mad Hatter

All Star Batman #8

Review by Paul Bowler

An uncanny, mind-bending adventure awaits in All Star Batman #8 as the Dark Knight’s mission to save the world leads Batman into a fateful encounter with one of the most deranged members of his infamous Rogue’s Gallery… the Mad-Hatter!

Fittingly, this penultimate instalment of Ends of The Earth unites the all-star team of acclaimed writer Scott Snyder and artist Guiseppe Camuncoli to bring us the most intriguing and bizarre chapter in this saga so far. Batman’s quest to contain and neutralize the deadly spores Mr Freeze unleashed upon the world has already been partly successful, thanks to a cure provided by Poison Ivy, brining a temporary reprieve to the crisis, but the creeping death could begin spreading again at any moment. Now, with a team of camouflaged adversaries called the Blackhawks hampering Batman’s efforts and Duke suddenly MIA, the trail of clues has led him to a secluded house in the dank depths of the Batchaloo swamp where Batman must now confront the Mad-Hatter.

Ends of the Earth Part 3, like all of the issues in Scott Snyder’s latest All Star Batman story-arc, begins with Batman walking – quite literally – into the story; with a monologue-like introduction that gives us a tantalizing taste of what to expect from this issue as Batman emerges from the waters of the swamp. In essence while the narrative is more prose than comic book in many respects, these entrances have all felt like metaphors for the far wider scope of the overall story itself. Yet in other, more subtle ways, they also feel deeply personal and frank, non more so perhaps than with this issue, as Snyder writes from the very heart and soul of his being in a way that resonates as powerfully with the reader as it does with the characters on the page.

There are battles with some familiar faces and those not so familiar as well, but they are over before they are even instigated really. Batman doesn’t have time to hang about, the clock is ticking, the world is at stake, and nothing is going to make him late for this tea party! I’ll be honest with you, I’ve never rated the Mad-Hatter that highly, and in fact I’ve always considered him to be a decidedly second rate Bat-villain. However, Snyder does indeed work his magic – weaving in some intriguing connections from the past – to make the Mad-Hatter a truly dangerous and compellingly cunning adversary to be reckoned with in this issue.

All Star Batman #8 features some of this arcs most distinctive artwork yet, with Giuseppi Camuncoli’s pencils beautifully rendering the swampy locale, the initial fights are a joyous blend of instinct, strategy, gadgets, and wise fashion choices that prove Batman’s way never goes out of style. I can’t decide whether its Camuncoli’s depiction of the Mad-Hatter’s warped dreams for his inventions to send the world collectively though the looking glass or the terrifying plunge through the raw psyche of the Dark Knight’s grey matter that is the biggest highlight of the issue, but one thing’s for sure, with such gloriously atmospheric inks from Mark Morales and hauntingly psychedelic colors by Dean White, this issue is deliriously brilliant experience on every level.

The Cursed Wheel Part 7, continues the back up story written by Scott Snyder, and featuring stunning artwork by Francesco Francavilla. Although the focus for the majority of this storyline has been on Duke’s training, here we take a bit of time out for this beautifully crafted interlude – which also nicely links in with past events – as Duke finds inspiration in the most unlikely of places.

Our trip down the rabbet hole ends as All Star Batman #8 draws to a close in a fittingly explosive, and reality warping fashion. So, has this issue changed my mind about the Mad-Hatter? Well, yes, almost… While I don’t think the Mad-Hatter will ever be amongst my favourite villains from Batman‘s Rogues Gallery, this issue from Scott Snyder and Guiseppe Camuncoli has certainly altered my perceptions of the character. All Star Batman #8 is a wild, psychological, and chilling mind-trip though a Bat-themed Wonderland and it sets everything up for the thrilling conclusion of Ends of The Earth where the true villain will finally be revealed!

Publisher DC Comics

Writer: Scott Snyder / Pencils: Giuseppi Camuncoli

Inks: Mark Morales / Colors: Dean White / Letters: Steve Wands

The Cursed Wheel Part 7 / Writer: Scott Snyder / Art: Francesco Francavilla

Regular Cover & Variant Cover: Camuncoli & White

Variant Cover: Francesco Francavilla

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The Flash #16 Review

Tags

Barry Allen, Captain Cold, Carmine Di Giandomenco, DC Comics, DC Comics Rebirth, Golden Glider, Heat Wave, Iris West, Ivan Plascencia, Joshua Williamson, Kid Flash, Mirror Master, The Flash, The Flash #16, The Flash #16 review, The Flash Rebirth, The Flash Rogues Reloaded, The Rogues, Trickster, Weather Wizard

The Flash #16

Review by Paul Bowler

It seems the Rogues have pulled off the perfect crime in The Flash #16, after tricking the Scarlet Speedster into leaving Central City to fight Mirror Master and his mirror duplicates of the Rogues in Corto Maltese, the real Rogues struck back in Central City at five different locations! Now the Flash must race home, but can even the fastest man alive prevent this quintet of crimes when they are being carried out all at the same time?

Rogues Reloaded Part 3 illustrates just how ingenious the Rogues plan really is, and it highlights the shattering aftermath for the Flash because he was distracted by their mirror version on the other side of the world. Flash’s confidence certainly takes a knock in this issue, fortunately Iris West, who Barry has just started dating (although he hasn’t told her he’s the Flash), inspires him to use the Rogues new way of thinking and turn it to his advantage.

What I really like about the Flash since DC Comics Rebirth, is how writer Joshua Williamson brings such a fresh dynamic to the character of Barry Allen and his blossoming relationship with Iris West, and this issue really plays to those strengths. The Rogues Reloaded storyline has also given Williamson the opportunity to explore new facets of the bonds between the Rogues themselves, and how they operate. Heat Wave also plays a somewhat unexpected role in The Flash #16 which unveils a chilling glimpse into the warped machinations of his flame charred psychology – and proves he’s a villain never to be underestimated!

The fast and furious pace of the action is gloriously realized by artist Carmine Di Giandomenico, the Flash’s dynamically staged analysis of how the Rogues split up to conduct their multiple crime spree is brilliantly handled by Giandomenico. The interlude with Heat Wave is another big highlight, the drama and tension crackles from the page, and the build up to the Flash’s inevitable confrontations with the Rogues culminates in a stylishly handled spectacle of super-speed action. The colors by Ivan Plascencia effortlessly mirror the tone of each scene, from Flash surveying the dark, smouldering aftermath of Heat Wave’s rampage which he wasn’t able to arrive in time to stop, to the horrific memories of the past burn vividly from the page, and the realization of the speed force as is crackles around the Flash in combat during the issues final moment is utterly sublime.

Everything builds towards the moment that we’ve all been waiting for as the Flash finally confronts the Rogues, but it would seem that there’s not quite as much honour amongst thieves as we’ve been led to believe, and his final opponent has deadly surprise in store that even the Flash might not be able to escape from!

The Flash #16 is another excellent issue from Joshua Williamson, Carmine Di Giandomenico, and Ivan Plascencia. Rogues Reloaded has been a great super-powered heist caper, its really tested the Flash’s abilities and skills to the limit, Mirror Master, Golden Glider, Heat Wave, Weather Wizard, Trickster, and Captain Cold have all had a good share of the action, there’s been a myriad of plot twists that have all collectively added to the excitement, and now everything is in place for the epic conclusion of Rogues Reloaded!

Publisher: DC Comics

Writer: Joshua Williamson / Artist: Carmine Di Giandomenico

Colorist: Ivan Plascencia / Letterer: Steve Wands

Cover: Carmine Di Giandomenco / Variant Cover: Dave Johnson

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Green Arrow #16 Review

Tags

Benjamin Percy, Black Canary, comcis, DC Comics, DC Rebirth, Dinah Lance, Emerald Outlaw, Emerald Outlaw Part 5, Emi Queen, Green Arrow, Green Arrow #16, Green Arrow #16 Review, Green Arrow Rebirth, Oliver Queen, Otto Schmidt, Red Arrow, Seattle, The Dark Archer

Green Arrow #16

The Emerald Archer goes on the offensive in Green Arrow #16, but the odds are stacked against him after being framed by the Dark Archer Malcolm Merlyn for a recent wave of murders in Seattle, hounded by a rogue team of corrupt cops called The Vice Squad, and vilified by a detestable mayoral candidate. Things don’t look good for Green Arrow and Co, but all that could soon change with the return of an old ally….Emiko Queen!

Emerald Outlaw Part 5 sees Green Arrow, Black Canary, and Chief Westberg setting out to deal with Sergeant Notting and The Vice Squad once and for all! First though, writer Benjamin Percy brings us the long awaited reunion between Green Arrow and his sister, Emi – AKA Red Arrow. Her tangle with her mother and the Yakuza bosses has made Emi tougher than ever, she’s back and – hugging aside – on her terms! From here Green Arrow #16 races along at a furious pace, as Benjamin Percy sets the scene for the showdown between the Emerald Archer, his allies, and The Vice Squad in a hanger outside Seattle, where the moral arguments of this arc become polarized like never before as the fists, bullets and arrows start flying left right and centre.

This is a mighty fine looking issue of Green Arrow, the terrific art and colors by Otto Schmidt are true spectacle to behold, and every page is crammed with action, speed, and motion as the face-off in the hanger unfolds towards its explosive and poignantly honourable conclusion. The initial reunion between Oliver and Emi is also nicely portrayed, and the running joke of everyone getting used to calling Emi by the moniker of Red Arrow is great fun. I also really like how Otto Schmidt’s chameleon-like use of color pitches the mood of each scene, perfectly matching them with the beats of the storyline, with vivid tones for the more emotional moments, while cool dark shades heighten the menace and danger of the fight in the hanger.

However, it is the multifaceted aftermath of this battle where story and art fuse beautifully as one, with media reports, a word in a mayoral candidates ear, and a tender repairing of bonds to make a family whole again that provides some of the most moving and heart-warming moments we’ve seen in this series so far, and it reaffirms my view that Green Arrow is one of the strongest titles to emerge from DC Comics Rebirth.

Green Arrow #16 is the kind of issue that makes us love these characters so much. Benjamin Percy and Otto Schmidt have delivered another remarkable issue with Green Arrow #16, the jaw-dropping and emotionally charged ending of this penultimate issue of Emerald Outlaw raises the stakes to a whole new, and entirely unexpected level, and it sets everything up for a momentous action-packed finale for this brilliant story arc.

Publisher: DC Comics

Writer: Benjamin Percy Art and Color: Otto Schmidt

Letters: Nate Piekos of BLAMBOT

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