Juggernaut #1 Review

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Cain Marko, Fabian Nicieza, Juggernaut, Juggernaut #1, Juggernaut #1 review, Juggernaut mini-series, Marvel, Marvel Comics, NCBD, Ron Garney, X-Men

Juggernaut #1

Review by Paul Bowler.

Cain Marko returns in Juggernaut #1, Marvel’s brand new five part mini-series from well renowned X-Men scribe Fabian Nicieza (X-Force, Deadpool) and acclaimed artist Ron Garney (Captain America, Daredevil).

Done with letting other people pick up the pieces Cain Marko is getting his life back on track by working for Damage Control and putting his destructive talents as the Juggernaut to  good use. With the assured hand of writer Fabian Nicieza at the helm Juggernaut #1 quickly sets the stage for the tone of this series right rom the outset. Nicieza presents a far more sympathetic take on the character of Cain Marko, which is immediately refreshing as Juggernaut has often been portrayed somewhat one dimensionally in the past (having suffered years of abuse by his father, been rendered powerless, or hurt, familiar tropes usually see him written as just a raging, unstoppable powerhouse), and the end result is as solid character piece that elevates Juggernaut   to a whole new level.

The story itself is straightforward enough. While on a demolition job in a run down neighbourhood Juggernaut encounters a group of homeless teens, but when one of them exhibits super-powers and gets injured he decided to help out and become something of a mentor to her while she recovers in hospital. Fabian Nicieza cleverly weaves the core narrative of this series through the conversations between Juggernaut and D-Cell in the hospital, with pacy, wry dialogue highlighting just how lost both of them are in the difficult junctures of their lives, and it is here that Juggernaut finds the sense of purpose he’s been looking for to become a more positive force in the world.

Juggernaut #1 features some great artwork by Ron Garney that perfectly captures the soul-searching mood of the issue. Garney balances the raw, overwhelming power of Juggernaut with the moving sincerity of Marko’s wish to help D-Cell, and the bold, heavier, shades and tones employed by color artist Matt Milla works in perfect conjunction with Garney’s expressive, yet understated artwork. Highlights include Juggernaut cutting loose on the demolition site, the flashback to his torturous journey across Limbo and his ultimate sacrifice at The Crossroads, but it is the heartwarming scenes with Marko at D-Cell’s hospital bedside that really make this issue a compelling read.

Nothing can stop the Juggernaut, except himself of course, and the first issue of this new mini-series brings that fact home with all the crystal clarity of a mystic gem. For that is exactly what Juggernaut #1 — with its thought-provoking story by Fabian Nicieza and terrific art by Ron Garney – is, an unexpected little gem in the veritable sea of comic book events dominating the landscape at the moment, and with a startling cliffhanger that isn’t kidding around in the slightest I’ve high expectations for the rest of this mini-series!

Publisher: Marvel Comics

Writer: Fabian Nicieza /Artist Ron Garney / Color Artist: Matt Milla

Letterer VC’s Joe Sabino / Cover: Geoff Shaw

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

Iron Man #1 Review

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Alex Ross, Cafu, Christopher Cantwell, Frank D’Armata, Hellcat, Iron Man, Iron Man #1, Iron Man #1 Review, Marvel, Marvel Comics, Patsy Walker, Tony Stark

Iron Man #1

Review by Paul Bowler.

Tony Stark decides to get back to basics in Iron Man #1 as Marvel Comics launches a brand new ongoing series from the all-new-creative team of writer Christopher Cantwell, artist Cafu and color artist Frank D’Armata.

Right from the outset its clear writer Christopher Cantwell is aiming for a more refined and contemporary take on the character. While the opening slugfest with Terrax provides us with the necessary prerequisite of Iron Man action, the real nuts and bolts of the issue follows Tony Stark’s attempt to get his life back on track. Reinvesting his billion dollar exit package from Stark Unlimited, along with all the high-tech toys and equally high-profile image is the easy part, recalibrating his life with a 1978 Dodge Aspen, a new pad, and street racing while every CEO, financier and entrepreneur worth their salt has something to pitch to him proves to be a more challenging balancing act for him. Fortunately Patsy Walker, aka Hellcat, arrives to keep Tony grounded. 

Cantwell ensures the pace of the issue flows smoothly while significant refinements to Tony’s life unfold along the way, one could almost say it reads a bit like superhero mid-life-crisis, and the parallel narrative of social media posts peppered throughout brings the scrutiny on Stark’s world into sharper context than ever before. Patsy Walker is another unexpected surprise, one that that totally blindsides Tony during his most soul-searching moments, and she proves t a perfect foil for Stark’s ego as well. Throw in a D-list villain and a threat with biblical connotations and Christopher Cantwell sets up this new Iron Man series in fine style indeed.

The art by Cafu is a real treat as well, rich with detail, expression, and dynamic viewpoints   it makes this issue a veritable feast on the senses. Full framed, overlapping panel layouts allow scenes to shift seamlessly from one to the next, with media interviews, street racing, encounters with old friends and old enemies are all rendered in Cafu’s distinctly lavish visuals and beautifully complemented by color artist Frank D’Armata’s exquisite use of muted pallets, rich tones, and deep shadows. The new Iron Man armor design by Alex Ross is a glorious reinvention of the characters classic look, it even gets showcased with a good old-fashioned suit-up scene, and the overall aesthetic is pleasingly nostalgic yet sufficiently updated enough to make this relaunch feel all the more special as a result.

Much like Tony Stark, this new series suits-up with an upgraded sense of reflection and confidence, quickly finds it feet, and embarks on a bold new era filled with potential. With its excellent and witty storyline by Christopher Cantwell, great art by Cafu, and superb cover by Alex Ross, Iron Man #1 feels like a much needed breath of fresh air for the character, and I’m really excited to see what this new creative team have in store for old Shell-Head in the months to come.

Publisher: Marvel

Writer: Christopher Cantwell / Artist: Cafu

Color Artist: Frank D’Armata / Letterer: VC’s Joe Caramagna 

Cover: Alex Ross

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

Batman #99 Review

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Alfred Pennyworth, Batgirl, Batman, Batman #99, Batman #99 Review, Batwoman, Bruce Wayne, Clownhunter, DC Comics, Dick Grayson, Gotham, Harley Quinn, James Tynion IV, Joker War, Joker War Part 5, NCBD, Nightwing, Orphan, Punchline, Red Hood, Red Robin, Signal, The Joker

Batman #99

Review by Paul Bowler.

The endgame of Joker War looms in Batman #99 as the Dark Knight and the Joker prepare for the ultimate showdown. Batman knows he cannot win this war alone. He’s going to need the whole of the Bat-Family to help him reclaim Gotham. It’s time for a reunion with the first Robin, Dick Grayson, but is he ready and willing to return as Nightwing so soon after reclaiming his lost memories?

Everyone is in place as the penultimate chapter of Joker War unfolds, writer James Tynion IV delivers his most thrilling issue of Batman to date, and the rich level of characterisation he employs is mind-blowing in the extreme. We are treated to a frightening insight to the Joker’s twisted psyche and his anarchic vision of Gotham. Equally chilling is his warped use of the Wayne fortune, enjoying his luxurious new Jokermobile as he surveys the carnage he’s unleashed, and his ruthless demeanour towards his minions — including his new partner in crime Punchline – as he makes his final preparations at ACE chemicals highlights just how determined the Joker has become over the course of Joker War.

With theaters now filling with Gothamites for a movie where the Joker will ultimately kill them all and Clown goons running riot across the city, Batman calls in the Bat-Family for a rooftop meeting to help him form a strategy to retake Gotham. It’s great to see Red Hood, Signal, Orphan, Red Robin, and Batgirl all reunited alongside the Dark Knight. Harley Quinn is also along for the ride, Batwoman and the GCPD are busy having recaptured Wayne Enterprises and saved Lucius Fox (as seen in Detective comics #1025), but of course the biggest highlight is the return of Dick Grayson to the fold. DC Comics have come to their senses and the whole Ric Grayson debacle is finally over at last! Dick has his memories back and is ready to work alongside Batman again to save Gotham, Tynion crafts a fantastic and moving reunion for Dick Grayson and Batman, and while its not quite the big set-piece hinted at on the cover this scene is still easily the standout moment of the whole issue.

Harley Quinn also gets a good share of the action and some wonderfully snappy dialogue. She challenges Batman’s plans, her furious aside to Red Robin is hilarious, and her heartfelt resolve to finish the Joker if the Dark Knight should fail is as touching as it is brutally frank in its examination of the terrifying schism and collateral damage that Batman’s never-ending conflict with the Clown Prince of Crime has wrought over the years. The only complaint I can really level at the issue of Batman is that Punchline is seemingly sidelined by the Joker himself, Clownhunter gets thrown into the mix as just an afterthought, and even Catwoman’s scheme to strike back at the Underwriter feels a little underwhelming by caparison with the bigger events going on in the  rest of the issue. 

Joker War has seen the work of artist Joege Jimenez and colorist Tomeu Morey elevate DC’s flagship Batman title to new heights of visual opulence, and Batman #99 is no exception to that rule. With its burning panoramic vistas of Gotham, the Joker’s bloodthirsty treatment of his Clown thugs, and the Bat-Family reunion are all highlights from this issue, but the star of the show has to be Batman’s arrival at ACE chemicals — beautifully rendered by Jimenez and sumptuously coloured by Morey these scenes in particular are almost cinematic and breathtaking in scale and intensity.

Batman #99 wraps with another nerve jangling cliffhanger and it seems Dick Grayson isn’t the only one who gets a costume change this issue either! The excellent creative team of Tynion, Jimenez, and Morey are on fire with this title, and everything is now set for the momentous 100th issue of Batman and the conclusion of Joker War!

Publisher: DC Comics

Writer: James Tynion IV / Artist Joege Jimenez

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Guillem March & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

First trailer for Denis Villeneuve’s new Dune movie!

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10 Years Of New Doctor Who, Denis Villeneuve, Dune 2020, Dune Trailer, Frank Herbert, New Dune movie

First trailer for Denis Villeneuve’s new Dune movie!

Oscar nominee Denis Villeneuve (“Arrival,” “Blade Runner 2049”) directs Warner Bros. Pictures and Legendary Pictures’ “Dune,” the big-screen adaptation of Frank Herbert’s seminal bestseller of the same name. A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.

Villeneuve’s Dune adaptation of Frank Herbert’s novel will split the book into two movies. Check out the first trailer for the new Dune movie, which features a number of iconic scenes from Frank Herbert’s 1965 novel, including Paul’s prophetic dream,  as well as the Reverend Mother testing Paul before he departs for Arrakis, and the trailer ends with a glimpse of one of Dune‘s iconic Sandworms! I think Villeneuve is a great director, Frank Herbert’s Dune has always been one of my favourite Sci-Fi novels as well, so really excited about this new movie version!

Directed by Denis Villeneuve from a script he also co-wrote with Eric Roth and Jon Spaihts, Legendary Pictures’ Dune stars Timothée Chalamet as Paul Atreides, Zendaya as Chani, Rebecca Ferguson as Lady Jessica, Oscar Isaac as Duke Leto Atreides, Stellan Skarsgård as Baron Vladimir Harkonnen, Javier Bardem as Stilgar, Chang Chen as Dr. Wellington Yueh, Sharon Duncan-Brewster as Dr. Liet Kynes, Charlotte Rampling as Reverend Mother Gaius Helen Mohiam, Dave Bautista Glossu Rabban, David Dastmalchian as Piter De Vries, Jason Momoa as Duncan Idaho, Stephen Henderson as Thufir Hawat, and Josh Brolin as Gurney Halleck.The film is slated to be released in theaters on December 18, 2020.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

Batman #98 Review

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Alfred, Batman, Batman #98, Batman #98 Review, Bruce Wayne, Catwoman, DC Comics, Gotham, Harley Quinn, James Tynion IV, Joker, Joker War, Joker War Part 4, NCBD, oege Jimenez, Penguin, Punchline, Riddler, Scarecrow

Batman #98

Review by Paul Bowler.

Everything stops for tea in Batman #98 as the Dark Knight’s world reels from the chaos of Joker War. Joker has taken everything from Batman, his wealth, his arsenal of vehicles, and now Batman is more vulnerable than ever thanks to a massive overdose of Punchline’s new Joker Toxin. As the Dark Knight wrestles with haunting visions and darkness Harley Quinn must watch over him while he recovers, but Punchline is on her way, and she’s hell bent on killing the Dark Knight!

Writer James Tynion IV continues to weave his magic on DC Comics flagship Batman title with yet another spellbinding, emotional, and action-packed issue. Batman #98 crams so much into this fourth instalment of Joke War its difficult to surmise just how richly crafted and well put together it all is. Tynion has Batman tripping the light fantastic for much of the issue — thanks to a brew cooked up by Harley Quinn in her floral underground hideout to cleanse Punchline’s souped up Joker toxin from his system — and the Dark Knight’s ensuing hallucinogenic tea break with the dearly departed Alfred is both deeply moving and highly insightful. Alfred serves up a unique perspective on the twisted dynamic of the Batman’s and Joker’s eternal conflict. Tynion’s powerful script also manages to salvage a plausible outcome to the devastating fallout caused by Tom King’s idiotically deconstructive run on Batman, essentially turning lead into gold, and making Alfred’s senseless death and Bruce’s inability to face up to that loss seem all the more poignant and credible as a result.

Ding! Ding! Seconds out… because the rest of the issue, as you’ve probably guessed by the cover, is indeed taken up by the face-off between Harley-Quinn and Joker’s new partner, Punchline. If, like me, their first clash left you feeling a bit underwhelmed then you will be pleased to know their showdown in Batman #98 is a real kick-ass fight that finally showcases both characters to their full potential. Tynion ensures the dialogue is as razor sharp as their combat, we also get to understand more about what motivates Punchline, and how she ingratiated herself with the Joker.

This issue features some truly fabulous artwork by Joege Jimenez’s as well. Stylish, overlapping page layouts capture the tone and pace of the story perfectly. Every scene focusing on Bruce’s conversation with the imaginary version of Alfred is beautiful crafted, with characters expressions conveying warmth, depth and unparalleled honesty. Punchline’s fight with Harley Quinn is — by stark contrast — a like ballet of exquisite violence and hate, with no quarter given and none taken. Jimenez’s art is enriched further by the striking tones and hues of colorist Tomeu Morey which makes Bruce’s hallucinogenic state and the stunning backdrop of Harley’s underground hideaway seem to almost leap from the page. Even the brief interludes with Catwoman as she recuperates at Penguin’s secret refuge along with the rest of the Gotham rogues to wait out Joker War are finely realised by Jimenez’s and Morey. 

While this issue doesn’t redact Alfred’s death, it does go a long way to finally making Alfred’s loss feel less senseless than is once did. Finally this issues iconic “I’m Batman” scene is no-doubt the punch-the-air moment that we’ve all been waiting for since Joker War began, and its great to see Bruce putting his old friends advice — imaginary or otherwise — to good use without at moments hesitation.

Batman #98 is another terrific issue from the dynamic creative team of Tynion IV, Jimenez and Morey. They have revitalised the Dark Knight’s world with strong characterisation and striking visuals. Now with the penultimate chapter of Joker War and the landmark Batman #100 on the horizon this series continues to impress on every level, and I for one can’t wait to see how everything turns out.

Publisher: DC Comics

Writer: James Tynion IV / Artist Joege Jimenez

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Guillem March & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook