The X-Files #17 Review

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Chris Carter, comics, Dana Scully, Fox Mulder, Greg Scott, IDW Publishing, Joe Harris, Menton 3, Mulder, Scully, The Cigarette Smoking Man, The truth is out there, The X-Files, The X-Files #17, The X-Files #17 review, UFO

The X-Files #17

Review by Paul Bowler

Everything comes to a head in The X-Files #17 as the pieces of the epic conspiracy FBI agents Fox Mulder and Dana Scully have faced begin to fall into place. This case has already tested Mulder and Scully to breaking point in their relentless pursuit of the Truth, and now dark forces have infiltrated the highest levels of government…

The X-Files #17 not only concludes the four part Resistance story-arc by the series’ fabulous creative team of Joe Harris, Matthew Dow Smith, and Jordie Bellaire, it also marks the end of IDW Publishing’s thrilling ongoing X-Files comic book series executive produced by the X-Files creator Chris Carter.

Kicking off with one of Menton 3’s gloriously striking covers; an epic season finale feel permeates every aspect of this issue of The X-Files. From here writer Joe Harris quickly builds the tense, brooding atmosphere that’s become so indicative of this story-arc as military forces in the Sea of Japan experience uncanny systems failures east of North Korea, before the scene shifts to Alexandria, Virginia, where Mulder finds Scully. However, recent events have caused them both to question each others judgement, and the fallout from last issues explosive cliff-hanger inevitably leads to some pretty heated exchanges between them!

Harris has deftly woven the X-Files mythology together with pertinent and contemporary issues over the course of the Resistance storyline, and this issues subtexts of the unpredictable nature of a new administration and rising tensions between the Pentagon and North Korea proved an extremely timely backdrop for Mulder and Scully’s quest for the truth. The schism between the Old Ones and the Black Site is also clarified as events bring Mulder, Scully, and Director Skinner to a secret facility where the fate of the mysterious Firas Ben-Brahim and the full scale of the conspiracy with alien forces collide with startling results.

Matthew Dow Smith’s excellent artwork, as always, superbly recreates the look and tone of the TV series. The finer nuances of Joe Harris’ script are also brilliantly realized, Dow Smith’s art captures that unique chemistry between Mulder and Scully perfectly, and together with Skinner as well in this issue we are treated to some truly fantastic scenes between them. The panel layouts are stylish in their simplicity and give a nice flow to the narrative. The colors by Jordie Bellaire infuse every scene with subtle shades and rich tones, with dusky greys and vivid greens in particular all beautifully accentuating the shadowy settings in this issue. From the scene setting opening on the Sea of Japan, to Mulder and Scully’s visit to Peters Mountain, and the spectacular extraterrestrial tinged finale this issue looks every bit at impressive as the powerful story it conveys.

Although I’m sad IDW’s X-Files ongoing series is finishing, as they say, all good things must come to an end… The creative team of Joe Harris, Matthew Dow Smith, and Jordie Bellaire have collectively done some truly outstanding work on the X-Files comics over the last three and a half years, their contribution to the legacy of the X-Files has been unparalleled, and will always be held in high regard. I’ve had the pleasure of reviewing many issues of The X-Files and I’m genuinely going to miss this IDW series. The X-Files #17 may close the comic book files on UFO‘s, the unexplained, and the paranormal for now but its not the end of The X-Files at IDW Publishing, and just like the spookiest of X-Files TV episodes Harris, Smith, and Bellaire leave us wanting more and sure in the knowledge that the Truth is still out there…

Publisher IDW

Writer: Joe Harris / Art: Matthew Dow Smith / Colors: Jordie Bellaire

Letterer: Christa Miensner / Cover: Menton 3

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Amazing Spider-Man #31 Review

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Alex Ross, Amazing Spider-Man #31, Amazing-Sider-Man #31 review, Captain America, comics, Dan Slott, Hydra, Marte Gracia, Marvel, Marvel Comics, Marvel Legacy, Peter Parker, Secret Empire, Spider-Man, Spider-Mobile, Stuart Immonen, Superior Octopus

Amazing Spider-Man #31

Review by Paul Bowler

Spider-Man faces the fight of his life in Amazing Spider-Man #31 as the Superior Octopus, under orders from Captain America and backed by Hydra, returns to reclaim the company Otto Octavius believes is rightfully his. Spider-Man mustered a squad of Spider-Mobiles to make a final stand at the Shanghai branch of Parker Industries, but the Superior Ock managed to override their systems and turned the Spider-Mobiles against Spider-Man!

Dan Slott continues to keep the curve balls coming thick and fast with this issues Secret Empire tie-in. Otto may have built what became Parker Industries way back when he was the Superior Spider-Man, but Peter isn’t going to give up that easily, even though the New York, London, and San Francisco offices of his company have fallen and Otto has programmed Spider-Man’s fleet of Spider-Mobiles to attack him. As you’d expect, the web-spinning action comes at a fast, furious, and ingeniously staged pace by Slott as Spidey and his allies rally themselves against Superior Ock’s underhand scheme to wrest back control and prevent him from getting his grubby Hydra funded tentacles on everything stored inside the Parker Industries mainframe.

Yes, I know I said I wasn’t bothering with ANY big comic book events or tie-in issues this year, but as I read Amazing Spider-Man regularly anyway there’s no avoiding this Secret Empire thing for me with this one really. To be honest, I had been considering dropping this title from my pull-list. Recent storylines hadn’t exactly rocked my boat, and the thought of these Secret Empire tie-in issues didn’t garner much enthusiasm from me either. I have to eat my words a bit though, as this issue has certainly rekindled my interests in all things Spider-Man again.

The fact you don’t need to have bothered with Secret Empire or cared one jot about it, was a big plus in my book. Few tie-in’s mange this, and for that I must applaud Dan Slott’s superior scripting of this issue. Otto’s journey from Superior Spider-Man, to disembodied consciousness inside a robot, and eventual rebirth as the Superior Octopus comes full circle with Amazing Spider-Man #31, it also rounds off one of the most compellingly innovative Spider-Man storylines in years, and in many ways Otto’s arc has at times proved more compelling in some ways than Peter’s own resurrection and ongoing success story with Parker Industries.

The pedal to the metal – or perhaps that should that be to side of the building – action is all stylishly brought to life by Stuart Immonen’s impeccably detailed artwork, the inks by Wade von Grawbader complement Immonen’s work perfectly, and together with colorist Marte Gracia this issue of Amazing Spider-Man looks every bit as rich and vibrant as the exciting plot threads Dan Slott has effortlessly spun into a web of high-drama and adventure. From the vertigo inducing clash with the Spider-Mobiles, to the interludes with Aunt May observing events from street level, right up to Peter’s final solution to repel Otto’s hostile takeover, and Spider-Man‘s battle with the Superior Octopus this issue is a dazzling example of a creative team pulling out all the stops to realize the epic scope, scale and implications of the fallout these events will ultimately have on Peter’s life.

Peter Parker has essentially been an everyman’s Tony Stark for a while now, which has been all well and good, but that concept quickly began to feel a bit of a wrong fit for the character. The battle between Spidey and the Superior Ock is the big highlight of the issue, and in many respects – even though the odds are impossibly stacked against him – it almost feels like Peter has finally managed to double down on that old Parker luck of his and come up trumps for once.

It didn’t make me want to check out Secret Empire, but I love how Amazing Spider-Man #31 effectively frees Peter of all that corporate paraphernalia and puts him back in the traditional red and the blue so to speak – stunning cover by Alex Ross this issue as well! I’ve also enjoyed the recent developments between Spidey and Mockingbird in this series, Peter and Bobbi are so good together – lets hope it lasts. Dan Slott is onto a sure fire winner here, the resolution of this issue and no doubt Marvel’s impending Legacy thingymajig is a great opportunity to really get back to the core essence of what makes the friendly neighbourhood Spider-Man such a wonderful character. Fingers crossed it gets our Spider-Senses tingling in all the right ways again!

Publisher: Marvel

Writer: Dan Slott / Penciler: Stuart Immonen

Inks: Wade von Grawbadger / Colourist: Marte Gracia

Letters: VC’s Joe Caramanga / Cover: Alex Ross

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Old Man Logan #27 Review

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Days of Anger Part 3, Ed Brisson, Frank Martin, Hawkeye, Logan, Marvel, Marvel Comics, Mike Deodato, Old Man Logan, Old Man Logan #27, Old Man Logan #27 review, Old Man Logan Days of Anger, The Hulk Gang, The Maestro, X-Men

Old Man Logan #27

Review by Paul Bowler

Logan takes on the fearsome might of the Hulk gang in Old Man Logan #27, as his quest to rid the present-day world of the Banner offspring he thought he’d killed back in the apocalyptic Wastelands of the future continues. There are more faces from Logan’s uncannily entwined past and future lifetimes to contend with as well. Logan is in for the fight of his life, but an even greater threat plots against humanity in a remote compound in Yurkon territory, Canada, as the Maestro prepares the next stage of his terrifying scheme.

Old Man Logan #27 is a gloriously brutal mix of claws, bullets, and gamma-infused blood splatter as Days of Anger Part 3 from writer Ed Brisson, artist Mike Deodato JR, and colorist Frank Martin, pits Marvel’s grizzled Old Man Logan against the Maestro’s grand vision for global domination. Having been ambushed by the Hulk gang while tracking them across Canada, all seems lost for Logan. The Hulk gang even used this opportunity to deal with one of their own, Billy-Bob, who had recently caused problems for the Maestro.

The brooding menace of Logan and Hawkeye’s time in the Wastelands of the future resonates powerful with Logan’s predicament in the here and now as Ed Brisson sublimely balances this issues heady mix of drama, strong characterization, and violent action set-pieces as Logan awakens finds himself hung out dry in the wilds of Yurkon territory. Outnumbered and outgunned by the Hulk gang, and blasted to kingdom come if he so much as twitches a muscle, Logan must think fast if he is to have any chance of escape.

Brisson also gives us a chilling insight into the Maestro’s plans during his discussion with Cambria as he gets to work in human form on the old Department H weapons back at the secret compound. If anything the Maestro’s human visage proves even more terrifying than his Hulk form, especially when the full scope and scale of the Maestro’s distain and contempt for humanity becomes all too apparent to Cambria. .

From the bleak setting of the farm in the Wastelands, to the simmering fury behind the Maestro’s assesment of mankind’s sell-by-date, Mike Deodato’s stunningly detailed artwork positively explodes from the page as Logan uses his dim-witted enemies’ strength to his advantage. Dedato’s open-framed panel layouts really come into their own here as Logan takes on the Hulk gang, the frenetic urgency and danger of the situation is unflinchingly conveyed, and the fitting payback the Hulk gang receive is depicted is all is visceral glory. The fine nuances of the characters expressions are also top-notch: from that evil glint in the Maestro’s eyes, to the Hulk gang reeling and gawping in shock, and Logan’s bestial fury unleashed all collectively enhance the ominous atmosphere in this issue. Colorist Frank Martin also excels on every level with a blend of exuberant tones and deep shadows accentuating every scene to make this issue a totally riveting experience.

The pace doesn’t let up for a moment as Old Man Logan #27 races to a triple pronged cliff-hanger of sorts, with the Hulk gang and the Maestro betrayed by one of their own, Logan making a crucial discovery, and the return of an old friend… The creative team of Ed Brisson, Mike Deodato JR, and Frank Martin are really delivering the goods with this new story-arc. Packed with insightful character moments, unexpected developments, and more savage action than even the Hulk gang can handle, Old Man Logan #27 and its especially striking cover by cover by Mike Deodato & Frank Martin is another fantastic issue not to be missed!

Publisher Marvel Comics

Writer: Ed Brisson / Art Mike: Deodato JR

Colorist: Frank Martin / Letterer: VC’s Cory Petit

Cover: Mike Deodato JR & Frank Martin

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Green Arrow #28 Review

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Arrow, Benjamin Percy, Black Canary, comics, DC Comics, DC Rebirth, Green Arrow, Green Arrow #28, Green Arrow #28 review, Hard Travelling Hero Part 3, Juan Ferreyra, Lex Luthor, Oliver Queen, Superman, The Flash, The Ninth Circle, Wonder Woman

Green Arrow #28

Review by Paul Bowler

Oliver Queen’s ongoing crusade to bring down the Ninth Circle brings him to Metropolis in Green Arrow #28, where the nefarious secret cabal of financiers have targeted the only person rich and powerful enough to have rejected their ideology: Lex Luthor! Not even Oliver can deal with the scale of this threat alone. Look up in the sky, is it bird, is it plane? Nope, its Superman and Green Arrow, teaming up to save the day!

Lex Luthor finds out there’s no such thing as a glass ceiling when it comes to dealing with the Ninth Circle during his tense face-off with Green Arrow in this issue. The initial exchanges might be heavy on exposition, but with Hard Travelling Hero: Part Three writer Benjamin Percy skilfully sets Oliver’s new outlook since the Ninth Circle destroyed his life on a collision course with Luthor’s ruthless business acumen.

The results are thrilling to say the least, with Luthor going all Sherlock on Green Arrow, before a malicious hack sends Lex’s employees, along with Lexcorps share price, into freefall when the one-percenters that grease the wheels of his all-powerful business empire prove to be the Achilles heel the Ninth Circle have been looking for. Fortunately the Man of Steel is quickly on hand to swoop in to assist Green Arrow with saving those affected, but will Lex Luthor be able to find a way to repel the deadly cyber-attack in time?

The impeccable art and colors by Juan Ferreyra are as impressive as ever. Every page provides a seamless blend of drama and characterization: the brooding atmosphere as Oliver’s and Lex’s vastly opposing ideologies clash is almost palpable, everyday settings that suddenly become infused with chaos are awash with sharp colors and diffused light, and vibrant action is punctuated by Ferreyra’s glorious rendition of the Man of Steel. There’s also a brief interlude as we catch up with Black Canary’s and Emi’s plan hunt down the Underground Men and the Auctioneer, along with an update on the status of Oliver’s impending trial.

We’ve already seen the Oliver team-up with The Flash and Wonder Woman during Hard Travelling Hero, and it’s great to see Green Arrow and Superman working together here. Their scenes towards the end of the issue are the undoubted highlight of this issue. Oliver have evolved so much since his fall from grace at the hand of the Ninth Circle, its been a tough journey back for him, and to hear get praise from Superman is a really defining moment for the character. I’m guessing this story-arc will probably lead to Green Arrow finally being accepted by the Justice League. I certainly hope so anyway, because it feels like it’d be the next natural step for the character to take, and it would really enhance his presence in DC Comics new Rebirth continuity.

It seems Green Arrow has even given Lex Luthor a new perspective on a few things as well, his help provides Oliver’s quest with some new leads, and sets Green Arrow on the road to the darkest city of all… Green Arrow #28 continues this series’ incredibly strong run with another breathtaking paced story from Benjamin Percy and the spellbinding art of Juan Ferreyra. In short, Green Arrow’s road trip through the DCU has turned out to be a real thrill ride and his visit to Metropolis is one issue you don’t want to miss!

Publisher DC Comics

Writer: Benjamin Percy / Art and Color: Juan Ferreyra

Lettering: Nate Piekos of BLAMBOT

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Transformers Lost Light #8 Review

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Anode, Autobots, comics, Cybertron, Cyberutopia, Decepticons, IDW Publishing, James Robers, Joana Lafuente, Lug, Megatron, Nautica, Optimus Prime, Priscilla Tramontano, Rodimus Prime, Tom B. Long, Transformers, Transformers Lost Light, Transformers Lost Light #8, Transformers Lost Light #8 review, Velocity

Transformers Lost Light #8

Review by Paul Bowler

The search continues in Transformers Lost Light #8 following their adventure in the parallel Functionist universe, which culminated with Megatron becoming separated from his crewmates, and Rodiums and Co departing from Necroworld. He’s found some new friends along the way too, including Anode, a blacksmith skilled in facilitating the Cybertronian birthing process, and her trusty sidekick, Lug. Now a trip to the lost property hub of the universe begins a new and ever eventful chapter in the Transformers saga as their quest to uncover the secrets of the Knights of Cybertron brings Nautica, Velocity, Anode, and Lug to the Howling Town…

From the opening flashback to Caminus, one thing that strikes you about this new issue of IDW Publishing’s Transformers Lost Light, is just how well it caters for both long-term Transformers fans and new readers. This skilfully crafted new story-arc by writer James Roberts quickly immerses us in events. Rodimus has dropped Nautica, Velocity, Anode, and Lug off on the planet Troja Major, a bustling intergalactic market-place where they hope to find a replacement map to Cyberutopia. Not everything is quite as Lug remembers it though, and it transpires Troja Major has been rebranded as the bereavement capitol of the galaxy.

While Nautica and Velocity lean some startling facts about clans of the Knights of Cybertron in a Museum of curios, Anode and Lug investigate a strange compound where they discover newly formed Transformers with some rather disturbing alt modes! This is Transformers at its very best. Roberts deftly brings all the strands of the plot together, it’s all deeply engaging and fascinating stuff, and the way that the Transformer characters different personalities all spark off each other as they bungle through their adventures is a joy to behold.

Similarly, the artwork by Priscilla Tramontano proves a delightful complement to James Roberts intricate scripting. The subtleties of the open and overlapping panel layouts effortlessly guide you through events as they unfold, each seamlessly flowing into the next, brooding revelations and frenetic action peppers the narrative at key intervals, and the level of detail Priscilla Tramontano crams into each panel is astonishing – especially in the market place and the museum. The colors by Joana Lafuente are rich and vibrant throughout, with bright shades and bold hues accentuating the finer nuances of Tramontano’s art beautifully, and the Transformers and their surroundings look even more impressive as a result

After a run in with a strange race of creatures packing some serious firepower, Anode and Lug bump into Wipe-Out and take refuge in a local bar where they compare notes, share intriguing new viewpoints, and settle their nerves with a swig or two of Engx. It seems someone has been hunting Blacksmiths, organics are in league with the Black Block Consortia in the middle of a turf war, but why do they need Blacksmiths? Whatever the Consortia’s reason might be, as this issue of Transformers Lost Light draws to a close, it looks like Anode and her friends will soon find out!

Bursting with exposition diligently lettered by Tom B Long, Transformers Lost Light #8 commands your full attention, and it does so with ease as the series continues to build on the rich legacy of insightful characterization and multi-faceted storylines of its illustrious forerunner – Transformers More Than Meets The Eye – with this issues terrific story by James Roberts and stunning art by Priscilla Tramontano. IDW is constantly knocking it out the park with their Transformers titles, Lost Light is another fine addition to the Cybertronian’s mythos, and Transformers Lost Light #8 is one of the most compelling and fun issues so far.

Publisher: IDW

Writer: James Roberts / Art: Priscilla Tramontano

Colors: Joana Lafuente / Letters: Tomb B Long

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