Trista & Holt #15 Review

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Andrez Bergen, Black Sails, comics, Disco Inferno novelisation, Film Noir, IF? Commix, Magpie, Tobacco Stained Mountain Goat, Trista & Holt #15, Trista & Holt #15 Review, Trista and Holt #15, Tristan and Iseult, Who is Killing the Great Capes of Heropa?

Trista & Holt #15

Review by Paul Bowler

Heartache, despair, and sweet revenge await in Trista and Holt #15, following Trista’s shocking treatment at Black Sails sanatorium. But is their tragic love affair really over? Issy must now struggle back from the brink of despair, fending off suicidal thoughts and his inner demons, to return to Black Sails and save Trista. In this powerful and moving series finale, Trista and Holt seek to escape from their warring families forever, but can their love ever truly survive now after everything that‘s be done to tear their lives apart..?

Trista and Holt #15 brings Andrez Bergen’s (writer / artist of Tales to Admonish, Bullet Gal, and author of Who is Killing the Great Capes of Heropa?) IF? Commix crime-riddled, pulp-noir, dada influenced take on the medieval story of Tristan and Iseult spruced up with modern digital sensibilities, hardboiled violence, passion, and disco, to a sensational conclusion. Following the success of his Bullet Gal series, Magpie, and with the Black Sails, Disco Inferno novelisation just released (which also retells the classic romance of Trista and Iseult in a 70’s style pulp/noir world), Andrez Bergen’s innovative storytelling and distinct artistic style ensures Trista and Holt #15 rounds off his latest IF? Commix series in fine style.

Right from the outset, Trista and Holt #15: In The End, plunges us deep into the shadowy, nightmarish abyss of Issy’s suicidal despair as we flashback six days to find him broken hearted, despondent, and resigned to ending his own life. Having discovered the truth about his father and Trista’s aunt Marcella, and after learning what happened to Trista at Black Sails sanatorium, Issy has spiralled into a twisted game of Russian Roulette in which his own emotional ruin will seemingly provides the ammunition Issy needs to end his pain.

Andrez Bergen sends us on a roller coaster ride of emotions as the narrative unfolds, with Izzy facing his darkest hours, before finally emerging from his frenzied stupor without a bullet in his brain and the epiphany that will ultimately drive him – quite literally – in his dad’s cherished Jaguar D-Type to reach Black Sails and rescue Trista from the fate engineered by those whose machinations have conspired to destroy them. The dark opening themes gradually melt away during the heartrending reunion in the gardens of Black Sails, it’s a beautiful yet tragic moment for our erstwhile lovers, punctuated with dreams, recollections and melancholy as birds circle in the overcast sky above, Trista and Holt will make one last ditch bid for freedom that’s every bit as ingeniously bitter-sweet as it is barbed with revenge for those that have wronged them.

Andrez Bergen’s art for Trista and Holt #15 is arguably some his finest work ever: from the stark despair of Issy’s dalliance with suicidal thoughts, through to the windswept journey to Black Sails relayed via a collage of striking imagery and surreal montages, the digital cut-ups and collages of dreams and fantasy splice seamlessly with the emotional resonance of Trista and Holt’s reunion, and the bold white infused splash pages that sear away the shadows provide a vivid contrast with the intoxicatingly sombre, yet exquisitely upbeat and sensual tone of this impressive double-sized issue as the series concludes in the most unexpected way imaginable.

This series finale certainly delivers on every level and rewards long-term readers in the most sublime way. Trista’s haunting dream is a visual tour de force of storytelling and art from Andrez Bergen, the characterization is beautifully handled in this issue, and you will almost feel like you have been drawn into every scene as this mesmerising saga approaches its end. As a cry of rage rings out in the bowels of Tintagel, the build up towards Trista and Holt’s final scenes are simply stunning, and accentuated with the merest splash of color to mark the occasion and make that parting moment all the more poignant. Trista and Holt has been one of Andrez Bergen’s most outstanding IF? Comic series’ so far, this final issue is superb, and Trista and Holt #15 is guaranteed to make you cry, smile, and take your breath away all at the same time…

Publisher: IF? Commix / Writer: Andrez Bergen / Art: Andrez Bergen

Trista & Holt #15 is available 1^st Jube 2016 / Hard Copy $5 & Digital $1

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If you enjoyed Trista and Holt, then be sure to check out Andrez Bergen’s brand new Black Sails, Disco Inferno novelisation (with Renee Asher Pickup) based on his Trista and Holt  IF? Commix series. The paperback is available now via Amazon USA and Amazon UK and Amazon Canada, while the eBook can be picked up at Amazon USA, Amazon Australia, Amazon France, and Amazon Japan.

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Trista & Holt #14 Review

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Andrez Bergen, comics, Film Noir, IF? Commix, Magpie, Tobacco Stained Mountain Goat, Trista & Holt, Trista & Holt #14, Trista & Holt #14 review, Tristan and Iseult, Who is Killing the Great Capes of Heropa?

Trista and Holt #14

Review by Paul Bowler

April Fool’s Day is no joke in Trista and Holt #14, especially for Trista, as she’s been abducted by unknown criminal henchman and will soon discover the horrific secret of Black Sails – while Issy learns the truth about his father and Trista’s aunt Marcella. Meanwhile, the most clandestine proceedings unfold via the feline gaze and narration of Issy’s cat, Andred, in a sublime throwback to Japanese classic ‘I Am a Cat’ by Natsume Soseki.

Trista and Holt #14 is the penultimate issue of IF? Commix hardboiled, pulp noir, and dada inspired homage to the medieval story of Tristan and Iseult, spruced up with modern digital flourishes and infused with a crime-riddled blend of bullets, passion, and disco from Andrez Bengen, the writer / artist of Bullet Gal, Tobacco Stained Mountain Goat, Magpie, and the author of Who is Killing the Great Capes of Heropa? The Trista and Holt IF? Commix series has recently been licensed to Project Nerd Publishing in the U.S., and is soon to become a novel as well.

Following the ambush at the Amusement Park, Trista is being driven by Geoffrey’s men along a dusty side road to Carhaix, her thoughts turn to the mysterious Norwegian who was gunned down as she was captured and what she learned from him. Andrez Bergen gets right under the skin of all the characters in this issue, keeping the tension simmering right from the outset, as Trista is delivered to Black Sails, before the scene – and narrative – is transplanted to the viewpoint of Tintagel’s feline resident; Andred the cat.

Bergen’s ingenious drawing of inspiration from Natsume Soseki’s satirical novel ‘I Am a Cat’ is a sublime masterstroke here. Intercut with Trista’s journey with her new friends, Andred cat’s-eye view of the world explores the shady dealings of Marcella and Isidor Holt SR’s insidious plots and machinations, and uncovers who has taken care of Trista for them and the horrific fate to which she is shortly to be condemned to. Andred’s journey through the house also gives witness to untold treasures, an unexpected meal, and eventually solace with Issy who is glued to the ambling, meaningless, and often mundane preamble of the monkey box.

The art for Trista and Holt #14 features some of the most stylish use of imagery and digital montages that Andrez Bergen has utilized so far during this IF? Commix series’ run. The digital cut-ups and collages are somewhat less prominent this issue, instead we have softer, less cluttered layout, with bolder imagery and splash pages which feel far more in keeping with the brooding and more sombre tone of this issue. With a dizzying opening monologue that spools out along a dusty back road, the brooding menace of Tintagel, to a world seen though Andred’s feline gaze, and the chilling realization of what awaits Trista in Black Sails sanatorium collectively adds up to make this issue one of the undoubted highlights of the entire series.

Space: 1999 will have to wait, when a newsflash and a telephone call brings the issue to a frightening and heartrending cliff-hanger… Andrez Bergen has excelled himself with this issue, as he brings all the threads of the saga together via a series of game-changing events, which ultimately sets the stage for the final issue. Trista and Holt #14 is a stylish, nerve-jangling, and mesmerising issue that leaves the main characters of this IF? Commix series in an extremely grim place as this tale of love, tragedy, and betrayal approaches its final issue.

Publisher: IF? Commix / Writer: Andrez Bergen / Art: Andrez Bergen

Trista & Holt #13 is available 1^st March 2016 / Hard Copy $5 & Digital $1

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Trista & Holt #13 Review

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Andrez Bergen, comics, IF? Commix, indi comics, Small Change, Tobacco Stained Mountain Goat, Trista & Holt, Trista & Holt #13, Trista & Holt #13 review, Who is Killing the Great Capes of Heropa?

Trista and Holt #13

Review by Paul Bowler

With just two issues remaining, Andrez Bergen’s hardboiled, crime-ridden homage to the old school medieval legend of Tristan and Iseult fused with classic pulp noir themes and dada-inspired overtones, continues in Trista and Holt #13 as the saga builds towards its conclusion. Trista and Holt must now come to terms with married life, but not with each other, and Trista will discover the actual fate of Governal and the true menace lurking behind the chaos from the mysterious Norwegian – and nothing will be the same every again…

Featuring the mesmerizing story and art by Andrez Bergen, author of the acclaimed superhero noir-detective novel Who is Killing the Great Capes of Heropa? , along with the new novel, Small Change, and the debut of Bergen’s new superhero story Magpie featuring art by veteran Aussie artist Frank Kantor in the pages of Australian comic magazine Oi Oi Oi #7, Andrez Bergen’s latest IF? Commix release Trista & Holt #13 sees further layers of the bullet-riddled pulp noir world of Trista and Holt begin to unfold amidst a sensual disco infused narrative of spellbinding mystery, overflowing with shady schemes, double dealings, and cruel brutality.

Andrez Bergen has woven an intricately textured issue, one bursting with more characterization than most series cram into an entire story arc, and the results is a sublime fusion of story and art that is almost intoxicating in its intensity. With passions running high for Trista and Holt this issue opens with a moment that is both beautiful and sensual, yet also tragically marred by the circumstances that have brought them together. The Governal’s funeral is over, but there is unfinished business to be dealt with. An unconsummated marriage bed lingers as little more than a shallow afterthought, secrets and lies wait in the rambling rooms of a mansion, and the lines between passion and agenda become increasingly blurred for erstwhile lovers Trista and Holt.

The art for Trista and Holt #13 contains some of the most innovative art and imagery that Andrez Bergen has employed so far during this IF? Commix series. The delicate, almost haunting blend of art, photographs, striking digital imagery, and dada-inspired cut-ups on a grand scale collectively brings this unique issue to life. The erotically charged opening scenes alone make the adrenaline surging examination of the all-encompassing mystery, lust, grief, and plethora of revelations which follow seem all the more involving because we have become so completely invested in their embrace from the outset without even realizing it. Bergen revs the self-styled noir tones so synonymous with work into maximum overdrive for this issue: from the vast shadows and hidden corners of Tintage mansion, to a disturbing find in an underground cellar, across the hazy, flighty, so-right-yet-its-so-wrong tangents of unbridled passion and heartache which Trista and Holt’s individual story arcs begin to take, before a sheen of raw negative filmic imagery and a tumbling cigarette unite as violence erupts. In short, this issue of Trista and Holt brings several plot strands together and successfully sets the stage for what is sure to be an epic finale!

Answering an unexpected call Trista goes to an old amusement park to meet the notorious Norwegian. This place holds some very special memories for Trista, but the past and the present are set to collide here in the most shocking way imaginable once harsh truths are exposed and the bullets start flying… Trista and Holt #13 is another superb issue from Andrez Bergen, with its incredible cover, brilliant story and art, this one has it all – and there’s also a stunning bonus Trista and Holt pin-up by Thomas Tung as well. With its blood-soaked last exit to nowhere cliff-hanger, Trista and Holt #13 is passion fuelled, noir-drenched extravaganza of the highest order that will captivate your imagination and entice you with every page.

Trista & Holt #13 is available 1^st March 2016 / Hard Copy $5 & Digital $1

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Publisher: IF? Commix / Writer: Andrez Bergen / Art: Andrez Bergen

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Trista & Holt #12 Review

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Andrez Bergen, Bullet Gal, IF? Commix, Magpie #1, Small Change, Trista & Holt, Trista & Holt #12, Trista and Holt, Tristan and Iseult, Who is Killing the Great Capes of Heropa?

Trista & Holt #12

Review by Paul Bowler

Hot on the heels of the widely acclaimed Bullet Gal prequel series from IF? Commix and the imminent debut of MAGPIE, the newest release from IF? Commix is Trista & Holt #12, a hardboiled crime saga that mixes a wild disco-infused narrative with the old school medieval legend of Tristan and Iseult. Featuring story and art by Andrez Bergen, author of the superhero noir-detective novel Who is Killing the Great Capes of Heropa? , the graphic novel Tobacco Stained Mountain Goat, and new novel, Small Change, Bergen’s distinct vision continues to break new ground in Trista & Holt #12 as this modern homage of Trista and Holt’s crime-riddled pulp noir world spins a trippy mix of passion, violence, and intrigue.

Andrez Bergen’s Trista and Holt series is a heady blend of action, compelling characters, and stark noir-inspired atmosphere, one that provides an intoxicating throwback to the pulp legacy of yesteryear and splices it with modern sensibilities. Romance is in the air in Trista and Holt #12, and things are certainly hotting up for our erstwhile lovers, but the mood is soon tarnished when Trista learns about the Governal’s murder. There will be wedding bells to counterbalance the abundance of funerals that have rocked their world, but will that be enough, and we are left wondering if these nuptials are for the right people at the right time.

Trista and Holt #12 features some of the most striking art and imagery that Andrez Bergen has used on this IF? Commix series to date. The unique fusion of art, photos, digital imagery, and dada-inspired collage cut-ups which Bergen employs here is every bit as mesmerising and eye-catching as we’ve come to expect from his work. This issue really sees Bergen elevate the visuals in Trista and Holt to whole new level of sublime ingenuity. From the beautiful close up of an unblinking eye that mixes grief, retribution, and revenge, the smoky, often dream-like quality of the narrative unfolds translucently with the eventual wedding itself, and there is a brooding, almost sensual air of dread which builds to an absolute killer of an ending.

So, as Issy endures another death in his family and Trista mourns her mentor – they still find solace together – while Brangien encounters an unexpected twist of fate… Trista and Holt #12 is another fantastic issue in this IF? Commix series from Andrez Bergen. This outstanding pulp-noir saga effortlessly combines its moody visuals with the legacy of Tristan and Iseult, spattering the crime-ridden brutality with raw emotion to a punchy disco beat that will hone the senses and fire the imagination like nothing you’ve experienced before.

Trista & Holt #12 is available 1^st February 2016 / Hard Copy $5 & Digital $1

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Publisher: IF Commix

Writer: Andrez Bergen

Artist: Andrez Bergen

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Bullet Gal #12 Review

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Andrez Bergen, Bullet Gal, Bullet Gal #12, Bullet Gal #12 Review, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Tales to Admonish, Who is Killing the Great Capes of Heropa?

Bullet Gal #12

Review by Paul Bowler

The Reset has been initiated… Bullet Gal #12 brings this 12 issue IF? Commix prequel story arc to a sensational climax as Mitzi, our gun-toting heroine with a taste for wanton destruction and strong espresso, prepares to face Heropa’s newly augmented digital reality alongside her mentor Lee following the Reset. A new era begins with the debut of new super team the Equalizers, but dark forces are already scheming against them. Mitzi still has some old scores to settle, but some will prove far from easy to resolve. Now, with Lee by her side, and her new role with the Equalizers, Heropa’s bright new future awaits…

After the recent release of the Bullet Gal trade paperback collection: It’s Not You It’s Me, this final issue of the 12 part arc with story and pictures from Andrez Bergen, author of the noir-style superhero detective novel Who is Killing the Great Capes of Heropa, IF? Commix series Tales to Admonish, graphic novel Tobacco Stained Mountain Goat, and the novel Depth Charging Planet Goth, wraps Bullet Gal’s prequel story up as the full ramifications of the Reset that Lee #3 (That’s our Bullet Gal’s own Lee, one of the eight identical duplicates spliced from the personality of the man who created Heropa, and he’s also Major Patriot!) has engineered to create an entirely new world for him and Mitzi while vanquishing their enemies in the process.

Bullet Gal #12 possesses an air of nervous anticipation coupled with a somewhat upbeat finality, while loose ends are gathered; characters prepare to step into a new order where the noir-shrouded streets offer untold potential for the future. As this issue of Andrez Bergen’s IF? Commix prequel series brings Mitzi’s early adventures in Heropa to a close; we experience the Reset from a dazzling variety of viewpoints and timeframes. Game changing rules are quickly established as the digital framework of Heropa embraces the embryonic code of the Reset to become a new reality. Lee’s grand design rings in the changes on a vast scale, one entwined within a loop of logic and fate that coalesces the narrative and pizzazz of the imminent press conference at Timely Tower to introduce the new order that will set the foundations of a silver age for tomorrow.

Having survived her recent brush with death, it is perhaps no surprise then that the Reset heralds some fairly significant changes in Mitzi’s life. Even though Bullet Gal now faces the end of all she knows and the beginning of everything she will become, Lee is there with her every step of the way, and the chemistry between them is electric. As for Brigit, the crazed French hit woman who organized the attempt on Bullet Gal’s life, well, it would seem the Reset has wrought the most ruthless and fitting revenge imaginable for our heroines arch nemesis. Mitzi may feel naked without her trademark guns, but her new role and identity as Aerialist more than compensates for any misgivings she has. Indeed, her characters new stance here makes us fall in love with her all over again, her new identity fits her like a glove, and the jetpack is an added bonus!

The distinctive look and tone of Bullet Gal is undoubtedly one of the series’ biggest factors in making it stand out from the crowd. Andrez Bergen has fashioned a striking and bold aesthetic in terms of comic book art with Bullet Gal, with a mix of vivid black and white imagery, digital photomontages, and the sublime fusion of pulp noir themes, Dadaist influences, and throwbacks to the rich history of the comic books of yesteryear, every issue has been stylishly realized. Bullet Gal #12 is the very embodiment of Bergen’s vision: whereby the sprawling code of the Reset gives way to the rain swept streets of Heropa, behind-the-scenes a new team is forged from the ashes of the old, clandestine meetings unfold, we even join an old enemy for tea, a spectacular new tower now graces Heropa’s skyline, Little Nobody also gets to join in the party mood, and villains begin plotting to scratch the sheen from this brave new world. Add in the tantalizing hints of color emerging throughout the pages of this issue, and Bullet Gal #12 rounds the series off in fine style.

With a press conference to introduce The Equalizers to the world, the stage is set, quite literally and figuratively, for the Great White Hope, Milkcrate Man, and the Aerialist to step into the limelight. So, even though it looks like Mitzi has now set aside her late fathers twin polished nickel 9mm Star Model B pistols for good, its clear Mitzi’s bond with Lee is stronger than ever, and with its breathtaking final page delivering a symbolic fresh start all that remains is for us to heed the words of “Sir Omphalos” and enjoy the view as a new era dawns…

Bergen’s phenomenal Bullet Gal prequel series concludes magnificently with Bullet Gal #12. Taken as a whole, the series has been an unqualified success. This hardboiled pulp-style adventure, with its nor-spliced digitally enhanced reality and plethora of subliminal subtexts, has been an exciting and extraordinary journey. The end is near, but the Reset has given Mitzi and Lee a second throw of the dice, and the future is now sublimely entwined in the pages of Bergen’s novel Who is Killing the Great Capes of Heropa? Bullet Gal’s adventures may be over for now, but there’s still plenty to look forward to. With Bergen’s new IF? Commix 70’s style crime-saga homage Trista and Holt Vol 1 (collecting issue 1-6) and a trade paper back collection of Tales To Admonish both due for release in August 2015, with issue #7 of Trista and Holt following in September 2015, and a new novel in the works, Andrez Bergen’s distinct artistic style and storytelling will continue to bring us even more exciting characters and adventures. The future is looking very bright indeed!

Bullet Gal #12 Is Published 1st August 2015 Hard Copy $5 Digital $1 IF? Commix

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Bullet Gal #11 Review

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Andrez Bergen, Bullet Gal, Bullet Gal #11, Bullet Gal #11 Review, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Trista and Holt, Who is Killing the Great Capes of Heropa?

Bullet Gal #11

Review by Paul Bowler

After the release of the Bullet Gal trade paperback collection: It’s Not You It’s Me, the 12 issue arc by Andrez Bergen continues in Bullet Gal #11, the penultimate issue of this IF? Commix series – available digitally and exclusively published in Australia on July 1st 2015. Bullet Gal #11 sees our heroine, Mitzi, regaining consciousness in hospital after being shot – a hit ordered by crime boss Sol Brodskey and arranged by his personal assassin and lover; the psychotic French femme fatale Brigit. Now, as Mitzi recovers, her mentor, Lee, can finally reveal his plans to deal with his six remaining duplicates. Soon their lives will be changed forever, a new HQ will be founded, and the roll call of Capes surreptitiously altered – but what will the implications of the Reset mean for the noir-inspired pseudo digital reality of Heropa as the end draws near?

Following last issues debut of pint-sized new recruit, Little Nobody, this IF? Commix book prequel series from Australian author Andrez Bergen, writer of the noir-themed superhero detective novel Who is Killing the Great Capes of Heropa, along with IF? Commix series Tales to Admonish, Trista & Holt, the graphic novel Tobacco Stained Mountain Goat, and the new novel Depth Charging Planet Goth, delivers his most intricately structured issue so far with Bullet Gal #11 as the series builds towards its conclusion.

From the moment Mitzi arrived in Heropa, the gutsy 17 year old armed with her late fathers twin polished nickel 9mm Star Model B pistols, her self-styled mission against crime soon earned her a mentor, the enigmatic Lee, a man who has – until now – played his cards very close to his chest. He’s a character who is very much a quandary of his own making. Lee is not only the man who created Heropa, he also moonlights as Major Patriot (The leader of the Crime Crusaders Crew), and he’s one of eight identical doppelgangers which represented the fragmented persona of the man whose angst-ridden agenda to resurrect his wife actually engineered Heropa’s digital reality – Lee Denslow.

The way in which Andrez Bergen weaves the innumerable plot threads together here in this issue is simply sublime. Its spellbinding to watch as mentor and protégé ready themselves to face the uncertain future that will be forged of their own design, especially once the post-op histrionics have been cast aside, and each heartfelt scene between Mitzi and Lee is so intimately moving it will keep you hanging on their every word as the intense chemistry between them shimmers over the page like a haze of twirling cigarette smoke.

This more colourful side to Lee’s character brings even greater diversity to his partnership with Bullet Gal, and it even sees him impersonating one of his own duplicates over the course of this issue. As the pieces of the puzzle begin to fall into place all the grand schemes, organized crime, dark shadowy conspiracies, and even the legacy of Heropa itself are succinctly redefined as Lee explains his plans to Mitzi.

Andrez Bergen’s distinct art has constantly pushed the envelope with this IF? Commix series. Bullet Gal #11 is no exception to that rule: indeed the vivid pulp noir themes, Dadaist influences, and flourishes from the halcyon era of comics are all as prevalent as ever. With his stylish use of bold monochrome imagery, digital manipulation, and exquisite photomontages, Bergen adds an uncanny vibrancy to the cold sterility of Mitzi’s hospital room, while the flash back to Lee #3’s (That’s our Bullet Gal’s Lee) meeting with his cabal of duplicates is categorised more by the infamy of their brooding menace, it is the quieter, more subtle moments where something as simple as a hug, a sidewise glace, and the gentle simplicity of allowing the silence to say everything while Mitzi and Lee gaze out the hospital window at the sprawling metropolis of Heropa that really exemplifies the close emotional bond between these characters and the city they inhabit.

Ironically enough it is the agenda of Lee’s forebear, Heropa’s originator Lee Denslow, that has allowed Lee to ensure that his designs for a new HQ becomes an integral part of the Reset, which together with the help of Great White Hope, Milk Crate Man, and the Big Game Hunter will make certain their “get out of jail free” card will usher in a brave new world in which hope will always tower over crime, violence, and corruption.

Having ensured that anomalies – or “phonies” – like Bullet Gal, honest cop Bob Khan and his partner Irv Forbush, have been introduced to the mix, along with the help of his fellow Capes, and rookie Little Nobody, Lee #3 intends to usher in a new era for Heropa that will outmanoeuvre and defeat their enemies with his audacious gambit whilst also throwing in a wry tip of the hat to the Silver Age of comics just for good measure!

Along with its gorgeous cover by Andrez and Ding, this issue rounds off with a gallery of IF? Comic titles, there’s an edition of Soapbox D’Andrez, together with Post to Pistolero, along with a Bullet Gal Pin Up by Laksanardie, Catch Up image by Nicktribedesign, and a cover design by Martintheworld & Andrez.

With everyone believing that Mitzi is dead and the Reset of Heropa now imminent, this innovative prequel story arc has proven to be one of IF? Commix finest as Bergen steers the multiple events and characters towards Heropa’s augmented virtual future. Bullet Gal #11 establishes a new bar of excellence in terms of storytelling and art for this second to last issue. Indeed, the stage is now set for a thrilling finale to the series, and Mitzi brings Bullet Gal #11 to a close with a killer punch line that knowingly breaks the fourth wall with all her sultry aplomb. After all some rules, especially Heropa’s most cardinal; are made to be broken…

Bullet Gal #11 is available July 1st 2015 digitally ($1) and in print form ($5) by Australia publisher IF?

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Bullet Gal #10 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #10, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Little Nobody, Major Patriot, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Trista and Holt, Who is Killing the Great Capes of Heropa?

Bullet Gal #10

Review by Paul Bowler

Following the release of the Bullet Gal trade paperback, issue #10 of the 12-issue Bullet Gal arc by Andrez Bergen continues, and will be available digitally and exclusively published in comic book form in Australia. This month Bullet Gal #10 introduces another great character to this IF? Commix series, a new recruit called Little Nobody, who has been given an urgent mission by Major Patriot to find Mitzi’s would-be-killer. However, as Little Nobody quickly discovers, life as a superhero is fraught with oddball dangers and uncannily perilous situations – especially when you are an ant sized newcomer faced with an insanely gigantic world…

After last issues innovatively silent take on Mitzi’s adventures, Bullet Gal #10 brings us the debut of Heropa’s newest hero, the diminutive Little Nobody. This latest issue of the IF? Commix book prequel series from Australian author Andrez Bergen, writer of the acclaimed noir-themed superhero detective novel Who is Killing the Great Capes of Heropa, IF? Commix series Tales to Admonish, Trista & Holt, the graphic novel Tobacco Stained Mountain Goat, and his new novel Depth Charging Planet Goth, brings us his most quirky and off-the-wall adventure yet in Bullet Gal #10 – available May 1st 2015 digitally and in print mediums by Australia publisher IF? Commix.

Right from the get-go Bullet Gal #10 miniaturises us down to pavement level were Little Nobody is facing the thunderous challenge – and snapping mandibles – of a marauding ant. The flashback which follows quickly brings us up to speed, as we learn more about Little Nobody while he’s hanging out with his friends at the Teen Crusaders HQ, before a surprise call from Major Patriot gives our super-hero newbie the chance he’s been waiting for.

With his mission briefing providing only scant clues: the photograph of a beautiful woman, a scribbled pseudonym, and the address for Ray-Man Studios, Little Nobody is ready to set off. Andrez Bergen playfully eschews the characters similarities with Ant Man. Although Little Nobody obviously has the ability to reduce to tiny size, he’s certainly no Hank Pym, he can’t control insects as the antenna on his helmet are purely for show, and even his snazzy looking utility belt holds little more than a few chocolate snack bars. So, when the journey begins Little Nobody soon discovers how everything suddenly feels very small once the world becomes instantly vast and immense around him. The characters inexperience and the haphazard nature of his first mission are what really defines this issue, a simple trip across the city becomes a dangerous urban safari viewed from Little Nobody’s miniaturised perspective, and it is these qualities that make his adventure so engaging and fun.

As the writer and artist of this IF? Commix series, Andrez Bergen has constantly pushed the boundaries of storytelling and art with Bullet Gal, and this issue really highlights Bergen’s ability to fuse story and art in new and refreshing ways. Andrez Bergen’s art blends seamlessly with the clever amalgamations of photomontages and digitally enhanced black and white images, while the distinct noir-infused style of previous issues is defused somewhat, this issue boldly establishes a kinetically refined identity and pace all its own that ingeniously expands the scope of the Bullet Gal series as Little Nobody embarks upon his mission.

The perils and pitfalls of Little Nobody’s journey provide a startling insight into this miniature world. A series of stylish montages and uncanny perspectives catalogue events: from the spinning record that divulges how Little Nobody chose his unusual moniker, we follow his unique trek across Heropa almost as if we were waving a magnifying glass over the page, as scenes shift from the bizarre, to the horrible, and the even pleasantly unexpected. Little Nobody’s battle with the ant is actually quiet unnerving, the latter stages of the mission prove less fraught, and the secret meeting deftly spliced with its allusions towards The Seventh Seal is utterly sublime.

Fortunately the ant would much rather munch on something sweet and chocolaty than the wannabe Cape that’s currently trying to kick its ass; and our tiny hero is soon able to escape from his six legged friend and move on. Little Nobody still has to endure the indignity of being scooped up by a kid with a bug catching net before finally reaching his destination, a death defying acrobatic feat in itself, achieved via the hat of an unsuspecting officer of the law and a billowing line of laundry. After eavesdropping on a clandestine meeting its time to contact Major Patriot, however, finding a telephone to relay what he’s discovered soon proves to be another tall order for Little Nobody to accomplish – it’s a small world after all…

Little Nobody’s adventure in Bullet Gal #10 provides an extraordinary and fresh slant on the events following the attempt on Mizi’s life, it introduces us to a brand new hero, and takes the series in an entirely unexpected direction. Bullet Gal #10 is about as clear a homage to the writers and artists of yesteryear that Andrez Bergen has ever done in any of his works, his admiration for this halcyon era of comics shines though on every page, and this issues somewhat lighter, more off-beat tone, makes it a delight to read.

Along with the release of Bullet Gal #10 in May there’s also latest issue of Bergen’s new IF? Commix 70’s crime series, Trista & Holt #3, to look out for, and the new Bullet Gal trade paperback edition: It’s not you it’s me, which collects the entire 12 issue series, is also available now from IF? And Under Belly Comics. Bullet Gal #10 is another terrific issue in this IF? Commix series. Andrez Bergen raises the bar yet again with this pint-sized Die Hard mash-up with Tales To Astonish. With its hyper-stylish art and visuals, great characters, and strong plots, Bullet Gal is a series that continues to exceed all expectations. Little Nobody may be small but his fun personality is larger than life. His mission turns out to be one of this IF? Commix series’ most unexpected highlights and Little Nobody’s witty observations ensures a wry smile or two will also be had along the way.

Bullet Gal #10 is available May 1st 2015

digitally ($1) and in print form ($5) by Australia publisher IF?

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Bullet Gal #9 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #9, Bullet Gal It's Not You It's Me, Depth Charging Ice Planet Goth, IF? Commix, Tales to Admonish, The Crime Crusaders Crew, Underbelly Comics, Who is Killing the Great Capes of Heropa?

Bullet Gal #9

Review by Paul Bowler

Silence really is golden; it also comes packing a gold handgun in Bullet Gal #9’s entirely silent issue. This IF? Commix book prequel series from Australian author Andrez Bergen, the writer of the noir-themed superhero detective novel Who is Killing the Great Capes of Heropa, IF? Commix series Tales to Admonish, and the graphic novel Tobacco Stained Mountain Goat, continues Mizi’s enthralling adventures in Bullet Gal #9 – available digitally and in print mediums by Australia publisher IF? Commix at the end of February.

Following the revelations of Heropa’s digitally spliced origins, last issue brought the main story arc back into sharper focus, the honest cop Bob and his partner Irv Forbush were introduced, Bullet Gal’s mentor, Lee, faced the Police investigation, and Mizi still clung to life in hospital after being shot and left for dead by Brigit’s henchmen. With Bullet Gal #9 Andrez Bergen brings us another slightly off beat instalment this month, with this inspired “silent issue”, where despite the absence of words, the ominous tone and stylishly noir-infused narrative proves to be as compelling as ever. Discover more about how events were shaped in previous issues, the influences they had on the characters, their schemes, and the glorious serendipity of Heropa’s star-struck vision of yesterday as we revisit the defining moments of this series from a completely new perspective.

With no speech bubbles to guide the narrative, Bullet Gal #9 is totally dependant on Bergen’s art to drive the plot. It’s a bold move, and one that really plays to Bergen’s strengths as a writer and artist. This issue really showcases his distinctive art and use of digitally enhanced photomontages, mixing striking black and white pictures with bold visual flourishes, this issue speaks volumes without using so much as a single word of dialogue.

Instead events unfold with countless hidden details to enhance the experience. Headlines featuring Major Patriot, the ad hoc leader of the crime crusaders crew, immediately set the tone of this issue from the outset. But whether you choose to read between the lines or merely offer them a fleeting glance, it soon becomes clear that the reality lurking behind the star spangled glamour of the headlines is very different indeed. Mizi’s medical report at Heropa General Hospital gives us further insight into the horrific events that saw her cut down in a hail of bullets and the full extent of her terrible injuries, all counterbalanced by the incongruous presence of a freshly poured mug of coffee that looks so real you’d swear you could reach down and lift it from the page.

Some of the more abstract and emotionally charged scenes actually seem even more intense and dramatic within the context of the silent format. From herein we get a fascinating glimpse of events: Lee, the man with seven identical duplicates, faces the emotional fallout of Mizi’s brush with death, from here we glide dreamily across Heropa’s gleaming skyline, then darkened streets pave the way as Bob and Irv Forbush begin their investigation, before fresh doughnuts and a handwritten note of trust distract and enlighten with delicious intrigue.

It is Mizi’s recovery though, as the light of a brand new day spills in through the window of her Hospital room that is perhaps the most remarkable moment of all. Bullet Gal’s life blooms again just like the vase of fresh flowers at her bedside as she basks in the glory of her resurrection, her eyes turning skyward to greet the message that will complete her journey back from the brink of oblivion. Bergen’s vision balances everything throughout, giving us just enough to keep the underlying narrative on track while allowing our imagination free reign to find added meanings and subtexts as and when they present themselves to us. Simply allow yourself to become immersed in the history and stars of yesteryear, whilst marvelling at the panoramic vistas of Heropa’s skyline, before Mizi’s enemies set out to ensure her demise, where a single cigarette is cast from a window to be crushed under the wheel of a car as someone watches and waits…

This silent issue could so easily have become a case of style obliterating substance. However, I’m pleased that certainly isn’t a factor here, if anything, Bullet Gal #9 is a triumphant noir-shrouded rhapsody of storytelling and characterisation made all the more remarkable for embracing such a bold move at this point in the series.

Following the release of his new novel Depth Charging Planet Goth and the debut of his 70’s hardboiled pulp IF? Commix crime saga Trista & Holt, the new Bullet Gal trade paperback edition: It’s not you it’s me, collecting the entire 12 issue series, will be available from IF? And Under Belly Comics in March. Bullet Gal #9 is another outstanding issue, this IF? Commix series from Andrez Bergen constantly impresses with its striking visuals and great characters, and this silent issue is one of the most daring and inventive so far.

Bullet Gal #9, is published in print form at the end of February 2015 in Australia, along with the digital version, and available direct from the IF? Commix website.

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Bullet Gal #8 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #8, Bullet Gal #8 review, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Mizi, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Who is Killing the Great Capes of Heropa?

Bullet Gal #8

Review by Paul Bowler

After ringing in the New Year with a psychedelic-techno-induced glimpse into the dark wonderland of Heropa’s origins, Bullet Gal #8 pulls us back from the rabbit hole to relative normality, as Mizi’s life hangs by a thread while two newcomers with vengeance in mind stalk the streets of the noir shrouded metropolis of Heropa. Bullet Gal #8 is the new issue in this prequel IF? Commix book series from Australian author Andrez Bergen, the writer of the critically acclaimed superhero noir-themed detective novel Who is Killing the Great Capes of Heropa? , IF? Commix series Tales to Admonish, and the graphic novel Tobacco Stained Mountain Goat. Following the release of his new novel Depth Charging Planet Goth, Japan based writer and artist Andrez Bergen’s latest offering from IF? Commix, Bullet Gal #8, will be published in print form in January 2015 in Australia.

While last issue led us outside the box to explore the secret digital reality of life in Heropa, think hardboiled pulp-style adventure entwined within an eclectic noir-spliced version of the Matrix films, Bullet Gal #8 returns to the here and now to deliver a brooding tale of revenge and justice while Mizi clings to life in hospital after being gunned down by Brigit’s hoodlums. This issue also introduces two new characters, the honest no-nonsense cop Bob, and his loyal partner Irv Forbush. Meanwhile, Lee, the man with seven identical duplicates, has to deal with the police investigation into recent events, and Mizi’s life slowly ebbs away in hospital at deaths door – or perhaps not?

Blind Side is a deeply evocative and intense issue of Bullet Gal from Andrez Bergen. The introduction of one-eyed cop, Bob Hahn, finds the dedicated law enforcer tracking down and dealing with the hoods that ambushed Bullet Gal – cutting her down in a hail of bullets and leaving her for dead in the gutter while the Police turned a blind eye. Bob Hahn’s lone trek through Heropa’s dark streets, taking in cruel graffiti, gives us a fascinating insight into this character. His world-weary understanding of how this vast metropolis woks, its history, and the justice he ultimately meets out to Mizi’s assailants is honed by a time-worn matter-of-fact simplicity that gets the job done in this city where trust is a currency of little worth for those noble enough to clear up the mess the Capes leave behind.

The clandestine meeting between Lee and Detective Hahn in Heropa’s Memorial Hospital is a stylishly crafted moment between the honourable eye-patched cop and the enigmatic doppelganger. Bob offers Lee a candid report detailing the “felons” demise, however, the detective also managed to gain information about the person behind the hit; the French “Femme Diabolique” Brigit, the lover and personal assassin of the ruthless crime boss Sol Brodsky. The tension between Lee and Bob is almost palpable, it seem to hang in their air like a cloud of cigarette smoke, and the uncanny symbiosis of their professions is portrayed as a necessary – though clearly unpalatable – alliance between those who must walk this blurred line of the law in order to bring justice to Heropa’s streets.

Detective Hahn’s assumption, that Birgit is the real driving force behind Sol’s empire, is also bang on the money, and reinforces the deadly Femme Fatales position as a major player in the shady echelons of Heropa’s underworld. We also get to see Detective Bob Hahn’s partner, Irv Forbush, towards the end of this issue. They clearly share a strong bond, its evident they’ve worked together for a long time, and Forbush’s wry sense of humour polarises his view of Capes like Lee while simultaneously ribbing his boss over his visual impairment and lack of business acumen. Bob and Irv are a great double act, their banter is snappy, and their introduction here certainly makes them a welcome additions to this IF? Commix titles diverse cast of characters.

Andrez Bergen’s art for Bullet Gal #8 continues to push this series striking visuals to a whole new level of excellence. The stunning use of bold black and white imagery, a haunting blend of stylish photomontage and subtle digital enhancements, makes this one of the most impressive issues of Bullet Gal to date. With its Dadaist influences and diverse pulp-noir themes Bergen’s work continues to impress on all levels. The bird feather that tumbles softly down the front cover exemplifies this, coaxing the imagination, it delicately passes unseen through the finer subtexts of the issue, before drifting back into view in time for the beautiful postscript that elegantly embodies Bergen’s artistic vision in the gleaming aesthetic of a single teardrop on the cusp of death.

This issue wraps things up with a quick round-up of the reviews this innovative IF? Commix series has received, along with a reminder of where it all began – the cover for the novel Who Is Killing the Great Capes of Heropa? Finally there’s also Post To Pistolero, along some words from the writer and artist himself, Andrez Bergen, in Soapbox D’Andrez, a Bullet Gal pin-up by artist Joe Badon, and great back cover by L .@ .K.art. 2015 has already gotten off to a great start for Andrez Bergen with Bullet Gal #8, and with the 340 page Bullet Gal trade paperback collecting the entire series, It’s Not You It’s Me, from North American publisher Underbelly already in the works, there’s never been a better time to check out Bullet Gal’s thrilling prequel series from IF? Commix.

Bullet Gal #8, is published in print form in January 2015 in Australia, along with the digital version, and available direct from the IF? Commix website.

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

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Bullet Gal #6 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #6, Bullet Gal #6 Review, comics, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Mizi, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Who is Killing the Great Capes of Heropa?

Bullet Gal #6

Review by Paul Bowler

Bullet Gal #6 continues the prequel IF? Commix book series from Australian author Andrez Bergen, the writer of the acclaimed superhero noir-styled detective novel Who is Killing the Great Capes of Heropa? , and IF? Commix series Tales to Admonish. Following the release of his graphic novel Tobacco Stained Mountain Goat and the new novel Depth Charging Planet Goth, Japan based writer and artist Andrez Bergen’s latest IF? Commix issue, Bullet Gal #6 will be published in print form in December 2014 in Australia.

Last issue featured the origin of the deadly French hit-girl Brigit, girlfriend and personal assassin of the powerful crime boss Sol, in a disturbing tale that explored the psychotic femme fatales squalid upbringing on the outskirts of Paris and charted her infamous blood-strewn rise to power in Heropa at Sol’s side. Bullet Gal #6 finds Mizi still reeling after her personal battle against crime in Heropa took a startling new twist. Having discovered that her murdered mentor, Lee, really had seven identical doppelgangers, Mizi was then approached by one of his remaining doubles who offered her a mask and the chance to become one of the Crime Crusaders Crew. It may be Christmas time in the sprawling metropolis of Heropa, but there will be little seasonal cheer for Mizi this year, ambushed by Brigit’s gun-totting henchmen, Bullet Gal’s battle for survival is taken to whole new level as the world around her suddenly becomes the greatest lie of all…

The Prolonged Adios follows on directly from Mizi’s encounter in the bar with the other version of Lee, the serious one as she calls him, after he reveals that “her” Lee’s body has been exhumed and stolen from the graveyard. The revelations continue as the new Lee quickly brings Mizi up to speed about the city of Heropa, divulging a secret that effectively turns her life, and world, upside down in space of a few distinctly sobering heartbeats.

Inter-cutting flashbacks in the bar with the brutal opening moments after Bullet Gal has been shot, Andrez Bergen skilfully ramps up the tension, sending Mizi’s guilt-ridden memories on a delirious trip down the rabbit hole while her lifeblood drains away into the gutter – a crimson penance she almost seems to welcome as payment in kind for her past deeds and letting her guard down at this crucial juncture.

Bergen’s noir-infused art, with its striking use of painting, digitally enhanced photomontages, and bold symbolic imagery brings the hyper-stylised world of Heropa to life on the page with an intoxicating clarity that completely immerses you in the situations unfolding on the page. At some points it almost feels like you are there with Mizi: sharing her bewilderment at Lee’s statements, you will accompany her down that dark lonely street, her anger and resentment washing over you every step of the way, before you too are sent tumbling to the pavement and left questioning reality itself as you watch Mizi’s life gradually ebbing away. The psychedelic nature of what Mizi experiences as she teeters on the brink of death is another tour-de-force from Bergen, and it is this pixelated fusion of reality and fiction that masterfully engineers one of the most audacious plot twists we’ve seen so far over the course of this IF? Commix series.

Bullet Gal #6 also contains an intriguing Epilogue to the main story featuring the Cabal of Lee duplicates, and it seem that sinister plans are afoot following the disclosure that one of their number has been compromised. Then we have the IF? Commix Mini-Feature: The Milkcrate Man, there is a great Bullet Girl poster by artist Claudia Everest, and the issue rounds off with another fun edition of Dejavu at the Neon Bullpen.

With the news that Andrez Bergen has now completed issue 12 of Bullet Gal (scheduled to be published in June 2015) and that the entire 12 issue run of the series has been signed to North American publisher Underbelly, to be released as a 340 page Bullet Gal trade paperback – It’s Not You It’s Me – featuring cover art by edgy pop/pulp artist Niagara Detroit, there has never been a better time to become acquainted with the adventures of Bullet Gal. (Check Out the Under Belly presents If? Commix production Kickstarter they have recently launched for the project here http://kck.st/1wOk7Ab  )

Bullet Gal #6 rounds off with a thrilling double-edged cliff-hanger as Mizi clings desperately to life, while somewhere behind the façade of an innocuous looking shop front, mademoiselle Brigit ruthlessly enforces her late “mere’s” sound advice to deal with a subordinates failure and bring Bullet Gal’s crime fighting days to an end. Bullet Gal #6 takes the series in an entirely new and unexpected direction, with its innovative story and art by Andrez Bergen, this outstanding pulp noir saga continues to impress on every front.

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