Thanos #6 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Phoenix Egg, Phoenix Force, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #6, Thanos #6 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #6

Review by Paul Bowler

A reunion is on the cards in Thanos #6 as the Mad Titan faces his greatest battle of all in this stellar Marvel Comic series from Jeff Lemire, Mike Deodato, and Frank Martin. Thanos is dying! Defeated as he searched for a cure by the Shi’ar Imperial Guard, he was imprisoned. Now, as Thanos seeks to escape from his interstellar jail, Thane’s secret pact with the mistress Death to kill his father finally nears fruition, and soon two of the most powerful entities in the Marvel Universe face-off as the galaxy trembles before their might!

Yes, the cosmic you-know-what hit’s the proverbial fan in Thanos #6 after that certain “something” Thane’s audacious heist with Starfox, Nebula, and Tryco Slatterus set out to steal from Terrax the Terrible actually turned out to be a Phoenix Egg, and writer Jeff Lemire quickly addresses the grievances that Thane’s allies have about being so grossly misled into doing his dirty work for him. The Phoenix Energy will enable Thane to reclaim everything that he’s lost since his powers were taken from him, but his associates aren’t going to stand idly by and just let him take it either! Meanwhile, Thanos faces an army of jailers, but even with his powers faltering the Mad Titan’s resolve is undiminished, and he confronts his fate as a warrior, a conqueror of worlds, and a God who has even make reality itself cower before his power.

The distinct air of all-pervading doom that closes in around Thanos in this issue is brilliantly offset by his determination to be free of those who have so blatantly disrespected him. Jeff Lemire has skilfully crafted the events around the Mad Titan’s rapidly declining health to a point where you feel like you are right there with Thanos, as every step, every bone-crunching blow, begins to feel weaker and more laboured that the last. Likewise, Thane’s betrayal of his allies is master class in characterization, snappy dialogue crackles with tension, hitting all the emotional beats, before the realization of the ultimate sacrifice that has been made finally becomes frighteningly apparent.

When it comes the depiction of Thanos’ plight in this issue, artist Mike Deodato’s rendition of Thanos’ pure rage and undiluted contempt for the wave after wave of opposition he’s forced to bulldoze his way through to obtain freedom, is stunningly realized with an opaque series of panel layouts that dynamical relay the bone-crunching action. I especially like how Deodato angles the entire page during two key instances to accentuate the drama, giving added credence to Thanos’ waning power and the shock turn of events over on Terrax’s starship. There are some stunning emotional scenes from Dedato as well, the fury of Tryco Slatterus, self styled Champion of the Universe, feels at being betrayed is so palpable in one scene it almost eclipses Thanos‘, and Thane’s anguish at betraying Tryco is so clearly evident its almost heartbreaking. Color artist Frank Martin uses a palette of rich vivid tones to accentuate every scene, even the panel layouts are heightened as they intercut between sold backdrops of burnt orange and stark white hues that uncannily seem to give an almost cinematic quality to the visuals they frame as each scene moves seamlessly into the next.

But it is in the showdown between father and son where Jeff Lemier’s powerful storyline comes full circle. Mistress Death’s machinations have brought everything and everyone in this saga to this point, there is no turning back now, and Mike Dedato and Frank Martin pull out all the stops to ensue that the final scenes in this issue are every bit as breathtaking and jaw-dropping as the journey that has brought Thanos to this fateful moment.

Thanos #6 brings the first chapter in this epic storyline to a shocking close. The fantastic creative team of Jeff Lemir, Mike Deodato, and Frank Martin have done amazing things with this new Marvel Comics series already. The scope and scale has been unparalleled, its been unflinchingly brutal at times, and I’ve been gripped by every twist and turn in the plot since the first issue. Now they’ve set Thanos on a path unlike any he’s walked before and I can’t wait to see what happens next in the aftermath of this issues cataclysmic standoff.

Publisher: Marvel Comics

Writer: Jeff Lemire/ Artist: Mike Deodato / Colorist: Frank Martin /

Letterer: VC’s Clayton Cowles  / Cover: Mike Dedato and Frank Martin

Variant Cover: Jamal Campbell

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Thanos #5 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #5, Thanos #5 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #5

Review by Paul Bowler

Thanos #5 finds the Mad Titan incarcerated in a top secret prison in deep space after his ignominious defeat at the hands of the Shi’ar Imperial Guard; something that would never have been possible but for the startling fact that Thanos is dying! Thanos’ ailing condition and his desperate attempts to find a cure might ultimately prove to be his undoing, but the Shi’ar Empire are not the only ones seeking to destroy him… Thanos’ own son, Thane has forged an alliance with Starfox, Nebula, and Tryco Slatterus to kill Thanos, but non save Thane are aware of the real power behind his dark scheme – the mistress Death herself!

He may be down, but Thanos is certainly not out, and this latest issue of Marvel Comics superb ongoing Thanos series from writer Jeff Lemire, artist Mike Deodato, and color artist Frank Martin illustrates just how abominable and devious the Marvel Universes big bad can be – especially when the stakes are this high.

The space station where Thanos is being held utilizes the highest security and fail-safe measures imaginable, its capable of restraining cosmic-level menaces, and the initial stages of Thanos’ imprisonment have even been overseen personally by the Shi’ar Imperial Guard itself. The ruthless Warden Daak has the utmost confidence in his facility, but despite his weakened state Thanos’ predicament has made him more dangerous than ever, and writer Jeff Lemire quickly builds the nerve-jangling tension as the Mad Titan’s confinement brings dire consequences for those foolish enough to imagine that such a feat could ever be possible.

As Thanos languishes in his interstellar gulag, Thane’s plot to destroy his father takes a new turn when he, along with his uncle Eros, the former Avenger known as Starfox, with the mercenary Nebula, and Tryco The Champion of the Universe set out to steal something from Terrax the Terrible that they need to further their nefarious cause. Of course, Thane’s new allies know nothing of his secret pact with Death, let alone the full extent of the web of deceit he has woven around them to entice their help in acquiring his goal.

Mike Deodato’s artwork stunningly realizes the deep space prison facility where Thanos is being held. This huge impregnable fortress is an imposing sight, suspended in the depths of space, and the detail Deodato lavishes on the oppressively gloomy interiors equally matches the awe-inspiring spectacle of the exterior. Likewise, the scenes on Terrax’s space craft are equally as impressive. The distinctive bold overlaying panel structure Deodato employs perfectly conveys each and every beat of Lemire’s fast-paced script, with some brilliantly crafted character moments, and Thanos’ inevitable breakout being the undoubted highlight of the issue. The colors by Frank Martin accentuate the deep shadows of Thanos’ detention with a vivid contrast of orange and red hues, whilst the dusky metal shades withing Terrax’s ship are offset beautifully by the stealthily progress of Thane’s colourful associates towards the vault deep inside the hulking vessel.

This issue of Thanos has a quirky interstellar a heist movie vibe to it. There is some great banter between Thane’s team as well: with Starfox’s gift for the gab getting their foot in the door, Tryco’s wry observations of Eros’ conversational skills are priceless, whilst Thane continues to play his cards close to his chest, and my favourite bit of the whole escapade comes when Nebular acrobatically steals Tryco’s thunder before he can even finish his sentence! While Thanos himself doesn’t feature quite as much as I would’ve liked, the antics on Terrax’s ship more than makes up for it, and everything builds towards a cliff-hanger so jaw-dropping it will totally blow you away.

Thrilling, brutal, and epic in scale, Thanos #5 elevates this new Marvel comic book series to a whole new level. Jeff Lemir, Mike Deodato, and Frank Martin continue to bring remarkable new aspects and compelling insights into the Mad Titan’s shady world, with Thanos #5 potentially setting up one of the biggest smack downs Thanosthusiasts have ever seen!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato / Colorist: Frank Martin

Letterer: VC’s Clayton Cowles / Cover: Mike Dedato and Frank Martin

Variant Cover: Rob Guillroy

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Thanos #4 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #4, Thanos #4 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #4

Review by Paul Bowler

Thanos #4 delves ever further into the mad Titan’s dark world in Marvel’s new ongoing series from Jeff Lemire, Mike Deodato, and Frank Martin. Thanos’ quest to find a cure for the mysterious aliment that is killing him led to a titanic face-off with Shi’ar Imperial Guard, but shockingly it was a battle that Thanos ultimately lost! Now even Thanos’ own son, Thane, conspires to destroy him. But as we will soon discover, this isn’t the first time that Thane has schemed to seize power from Thanos and claim his birthright…

When it comes to big-bad super-villains, there are few in the Marvel Universe that can match Thanos for his sheer raw power, ambition, and unflinching evil. This new series from writer Jeff Lemire, artist Mike Deodato, and color artist Frank Martin continues to raise the bar with each issue, the sheer scope and scale of the storylines and art constantly impresses, and Thanos #4 is arguably one of their best issue so far.

Following Thanos‘ defeat at the hands of the Imperial Guard on Gilgrath, the spotlight now falls on Thane, and writer Jeff Lemire skilfully uses this issue to explore the series of events that led to Thane’s current scheme to rid himself of Thanos once and for all. Unfolding across a series of intermittently spaced flashbacks Thanos #4 gives us a tantalizing insight into Thane’s previous bid to take control of The Black Quadrant with Ebony Maw, but Corvus Glaive is not to be underestimated, and Thane’s subsequent fall from grace and incarceration proves crushing both mentally and physically for the son of Thanos. The unlikely alliance between Thane and Tryco, The Champion of the Universe, is also explored by Lemire, and it is these scenes that ultimately drive the narrative whilst sublimely filling in their back story and motivations as time progresses.

The panel layouts are beautifully structured by artist Mike Deodato to great effect. The synchronicity that Dedato manages to strike with Jeff Lemire’s character driven script is astonishing, judicious use of compact panel layouts effortlessly draw you into the story, and even the big two-page action scenes have a distinct pace all their own that so indicative of Dedato’s work. There are some truly spectacular scenes too, with Black Order brothers battling, The Coven are also hauntingly realized as they attack Thane, later Tryco the Champion’s wry humour lightens the tone somewhat, but it is Thane’s experiences in solitary confinement that delivers the issues most powerful and disturbing moments. Frank Martin’s colors provide a glorious swath of rich crimson hues for combat, while a blend of cool shades masked in ominous shadows make Thane’s imprisonment feel every bit as cold and dark as Thanos’ heart itself.

With a deal forged in darkness, Thanos #4 seamlessly bookends with the present as Thane’s plan to kill Thanos with the help of his uncle, Eros (the Avenger formerly known as Starfox), the mercenary Nebula, and Tryco The Champion of the Universe, unites their collective fates in the most surprising way imaginable!

Thanos #4 gives us a fascinating, chilling, and increasingly insightful glimpse into the dark machinations that have shapes event in this new Marvel comic book series. Jeff Lemir, Mike Deodato, and Frank Martin have truly excelled themselves again, as Thanos #4, with its engaging multifaceted storyline and fantastic artwork, reaffirms exactly why this series is such a compelling and gratifying sojourn to the darker side of the Marvel Universe.

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin / Variant Cover: Joe Jusko

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Thanos #3 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #3, Thanos #3 Review, Titan, VC’s Clayton Cowles

Thanos #3

Review by Paul Bowler

Thanos #3 finds the mad Titan squaring off against the Shi’ar Imperial Guard, but they aren’t the only ones out for Thanos’ blood! Thanos may have reclaimed leadership of the Black Quadrant, but the unthinkable has happened; Thanos is dying! Having slaughtered his father, Mentor, for failing to find a cure for his God Cancer, Marvel’s big bad must now face the entire Imperial Guard. Meanwhile, Thanos’ son, Thane, has recruited his uncle, Eros (the former Avenger known as Starfox), along with the mercenary Nebula who once claimed to be the granddaughter of Thanos, and Tryco, The Champion of the Universe, to kill Thanos!

Thanos is without doubt the most powerful, ruthless, and fearsome God-like villain to have ever stalked the Marvel Universe. This new Marvel Comics ongoing series from Jeff Lemire, Mike Deodato, and Frank Martin has proved to be revelation, epic in scope, with striking visuals to match, and its brought us a brilliantly dark and insightful glimpse into the mad Titian’s world as his quest to find a cure escalates and his enemies conspire to destroy him.

Having cut a savage path across the galaxies centres of healing in his pursuit of a remedy for his condition, the World Killer must now go toe-to-toe with the Imperial Guard! There’s nothing like a good smack-down between super-powered beings, especially when it’s on such a titanic scale as this, and writer Jeff Lemire goes for all-out blockbuster action as Thanos confronts insurmountable odds on Gilgrath on the fringes of the Shi’ar Empire. Lemire skilfully interspaces the bone-crushing action sequences with a fascinating trio of recollections about Thanos from interviewees that each have their own unique connection to Thanos, these dark vinaigrettes make the issue a compelling read, and the differing viewpoints offer a chilling and disturbing insight into Thanos’ past and his evil deeds in a way that is quite unlike anything we’ve experienced before.

The frenetically paced action is realized to perfection by artist Mike Deodato, with big, bold panel layouts relaying the battle between Thanos and the Imperial Guard in singular detail, there are times you’d swear you can feel every punch and bolt of energy as they simultaneously pound and crackle from the page, while closer knit layouts bring added gravatis to the memories and spectacles of the narrated trilogy of flashbacks. A rich, vivid palette of tones and shades are employed by colorist Frank Martin to great effect, providing an impressive contrast between past and present, and even the darker hues seem to take on a bold vibrancy all their own in the heat of Thanos’ fight with the Imperial Guard, and the stunning cover by Mike Deodato and Frank Martin is another eye-catching snapshot of the epic conflict that unfolds inside this issue.

The issue builds towards an exciting, earth-shattering showdown, as the big guns in this saga go head-to-head for what is possibly the most momentous development in this series so far! Thanos #3 is another excellent issue in this new Marvel comic book series, Jeff Lemir, Mike Deodato, and Frank Martin have taken the scope of the storytelling and the impressive artwork to a whole new level of excellence for this issue!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin

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Thanos #1 Review

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Avengers Infinity War, Civil War II, comics, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Thanos, Thanos #1, Thanos #1 review, Titan, VC’s Clayton Cowles

Thanos #1

Review by Paul Bowler

Thanos #1 marks the return of the most evil, villainous being to have ever stalked the Marvel Universe! Yes, the mad Titan, Thanos is back, and in this new ongoing Marvel Comics series from Jeff Lemire, Mike Deodato, and Frank Martin, Thanos is hell bent on seeking revenge on anyone who stands in his way. Get ready to walk in the shadows as Thanos embarks on a deadly journey, where a reckoning with his own family soon awaits him…

Thanos is a godlike being of almost unimaginable power and he has returned to wreak his own unique brand of devastating wrath against those foolish enough to oppose him. Thanos is arguably the biggest, big bad the Marvel Universe have ever known. He’s left an untold level of destruction and chaos in his wake during his many attempts to conquer the universe, more often than not solely to impress the cosmic embodiment of death herself. Even Thanos’ homeworld, the moon Titan, is now in ruins, and following his most recent battle with the Earth’s mightiest heroes during Civil War II, where, despite their advanced foreknowledge of his scheme provided by the new precognitive Inhuman Ulysses, his enemies still paid a heavy price.

Everybody loves a good villain, and there’s something instantly compelling about them, and its great to see Thanos being explored in a new way in this series. Thanos #1 quickly establishes the new order former stooge Coryus Glaive has forged for himself since Thanos became more concerned with other matters, and under Glaive’s reign, the Black Order has prospered as order superseded chaos. Now the deposed tyrant Thanos has returned, and writer Jeff Lemire instantly presents us with a Thanos who is every bit as powerful and as ruthless as ever, but there is also a sense that something far more ominous is driving the mad Titan’s bid to reclaim his seat of power.

The characterization is absolutely spot on, but as well as capturing the pure malevolence and evil of Thanos, Jeff Lemire also quickly builds the mystery and intrigue in this issue as the self styled Champion of the Universe, Tryco Slatterus, goes in search of Starfox, with an important message and new mission that will in turn herald the ultimate challenge. The dialogue positively sparkles with dark wit at times as the plot begins to take shape under Lemire’s assured guidance, as Thanos returns to power, and these characters who have been circling each other for so long gradually embark on the dark paths that will inevitably bring them into conflict.

Right from its majestic opening in the Black Quadrant, through to Thanos’ titanic show of force to reclaim his throne, and the sweeping scale of the story as it unfolds, artist Mike Deodato ensures Thanos #1 is a blockbusting spectacle in every respect. Concisely structured pages deftly balance the action and character moments, glorious full page layouts dazzle as interlocking panels splice story and characterization seamlessly as one, and Deodato‘s rendering of the characters, especially Thanos, and the numerous locals are stunning. The palette of rich tones and shades from colorist Frank Martin complements Deodato’s art perfectly; sombre hues and deep shadows dominate the relentless advance of Thanos, while cool blue, green, and violet tones reflect the seedy nature of the space station Starfox is frequenting when Tryco Slatterus tracks him down.

Following some poignant reflection on a distant ruined world, the issue is rounded off with an epic secret that is so shocking it could quite possibly become the greatest betrayal of all… Thanos #1 is everything that fans of Marvel’s ultimate evil nemesis to creation itself, Thanos, could’ve wished for, and then some! I swear you can almost feel every thunderous step as Thanos inexorably stomps, blasts, and smashes his way back to reclaiming his throne, and Thanos even offers a deliciously wicked act of mercy too for good measure.

It’s clear from this first issue that we are in for one hell of a journey for Thanos and his extended family. Thanos #1 is a welcome darker themed offering from Marvel, with its great story by Jeff Lemire, superb art by Mike Deodato and colors by Frank Martin, and letters by VC’s Clayton Cowles, this is one Marvel Now title that you won’t want to miss!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin

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Invincible Iron Man #14 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #14, Invincible Iron Man #14 review, Iron Man, Ironheart, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #14

Review by Paul Bowler

Change is in the air in Invincible Iron Man #14 as the dust settles over the recent events of Civil War II, now a young woman, M.I.T student, Riri Williams, must prepare to take over as Iron Man! First though, Tony Stark will have to deal with his own inner turmoil in the wake of Civil War II, before Riri redefines the series as a new direction for Iron Man begins, and it’s going to be unlike anything we’ve seen before…

With the fallout of Rhodey’s death in Civil War II, his failure to make amends with Amara for faking his own death, the destruction of Stark Tower, and with Victor Von Doom doing his level best to become part of Tony Stark’s life over the course of this series, Invincible Iron Man #14 is the culmination of a remarkably intense and trying period in Tony Stark’s life as the Invincible armored Avenger – Iron Man. Though the success of Tony’s wish to find out what Victor Von Doom really wants from him remains somewhat undetermined, Brian Michael Bendis does a terrific job rounding off a number of key plot elements with this issue, deftly juggling the cataclysmic skirmishes of Civil War II whilst simultaneously paving the way for a new era to bring this volume of Invincible Iron Man to a close with a fittingly dramatic and exciting finale.

Indeed, there’s a lot of ground to cover, and some of Invincible Iron Man #14’s most poignant scenes come as Tony and Mary Jane discuss the future in the light of recent events. Tony’s clash with Carol Danvers over the Inhumans and the precognitive Inhuman called Ulysses in Civil War II – by using him to predict and counteract future dangers before they occur – has caused bitter divisions throughout the Marvel Universe. Tony now clearly feels that his demons in a bottle have found some new triggers, and with the future calling – quite literally – he needs to seek out an open meeting to work things out – a fact which is made all the more ironic as Stark is now effectively Carol Danvers sponsor.

It is at this very same open meeting that Tony finds himself faced with some especially pertinent contemporary themes. Bendis skilfully weaves these powerful issues into the narrative of Tony’s current situation, uncannily resonating with and eclipsing his experiences on every level, and in many instances making Civil War II pale into insignificance by comparison.

Ironically Tony’s wish to avoid Carol Danvers proves to be the catalyst that ultimately forces them to confront their different viewpoint head on. These scenes form the basis of this remarkable character driven issue as Tony and Carol address what it is they are really fighting for, what they believe in, Rhodey’s death, and of course Banner’s shocking demise. Some uncomfortable home truths are finally aired; where neither party likes or is really surprised by what they hear, and it’s clear that neither of them is going to back down.

Mike Deodato produces an outstanding issue with artwork that will effortlessly immerse you in the heart of the drama. From the opening collage of media reports overlaying the sombre setting of Stark’s lab, Deodato forges an intense, emotionally charged atmosphere as events unfold across compact and impressively detailed page-layouts. It’s this precise, almost casual simplicity, which makes the issue works so well and gets right in your face – so to speak. The expressions of all the characters are beautifully rendered and you will be hanging on their every word. Color artist Frank Martin’s subtle use of tone and shade also works in perfect harmony with Deodato’s art; matching every emotional beat of Bendis’ script to absolute perfection.

Tony’s final scenes in this issue is the sum total of what this arc has been building towards since the beginning, its marvellous how so much is said by saying so little, and the surprise visitor in the coda heralds a game changing development… I’ve thoroughly enjoyed this volume of Invincible Iron Man. In some ways it’s shame it has to and end as Brian Michael Bendis and Mike Deodato have been such a great team. From the War Machines arc, to the Road to Civil War II, and these recent Civil War II tie-in’s, Bendis and Deodato have done exceptional work with this series and Tony’s character, and their run ends by setting up a very exciting future.

Invincible Iron Man #14 is a brilliant, emotional, and powerfully themed issue. It may mark the end of this run of Invincible Iron Man, with Civil War II and Tony‘s whereabouts still to be resolved, but with Brian Michael Bendis and Stefano Caselli charting Riri Williams adventures as Ironheart in Invincible Iron Man #1, and Bendis reuniting with Alex Maleeve to bring us Doom’s story over in Infamous Iron Man #1, the saga of Iron Man is about to enter a bold new era and I‘m extremely excited for what the future will bring.

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

 Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production

Cover Artists Dale Keown & Jason Keith

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Invincible Iron Man #13 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #13, Invincible Iron Man #13 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #13

Review by Paul Bowler

The end of an era draws nigh in Invincible Iron Man #13 as the ramifications of Civil War II begin to impact drastically on Tony Stark’s life. Rhodey’s death has increased Tony’s rancour with Carol Danvers and the Inhumans over the precognitive new Inhuman called Ulysses. Now recent events have left Stark Tower in ruins. However, the sudden arrival of reformed super-villain Victor Von Doom with an offer to show Stark what to do next could change everything, but will this spell the end of Tony’s company and Iron Man as we know it?

When it comes to a Civil War II tie-in, writer Brian Michael Bendis certainly delivers the goods in spades with Invincible Iron Man #13 as the fallout from the destruction of Stark Tower begins to settle over the Marvel Universe. After Victor Von Doom suddenly turned up to whisk Stark halfway across the world yet again, Tony finally gets to try and apologize to Amara for faking his own death, but it a reunion fraught with tension and hurtful asides that cannot be unsaid.

This is a powerful, moving, and often deeply emotional issue at times, as Brian Michael Bendis gives us a stark portrayal of Tony as he finally addresses his grief over Rhodey’s death head on. Viewing Colonel Carol Danvers worldwide broadcast on behalf of the Ultimates, where she deftly skates around the details of her new peacekeeping campaign to prevent disasters before they happen, only serves to fuel Tony’s simmering mistrust and rage even further.

The artwork by Mike Dedato is as beautifully rich and detailed as ever. Each scene flows seamlessly into the next, with smooth, refined page layouts that complement the narrative pace of Bendis’ story perfectly. From Tony and Amara’s frosty reunion, the flashback to the moment Tony went to see Rhodey’s body after he died is skilfully interspaced with events in the present as he views Carol’s broadcast to the world. The blend of raw emotions, spanning Tony’s heartrending grief, anger, and unwavering conviction, are all sublimely portrayed here by Dedato, and it all culminates in one little panel of silence tucked away in the corner of a page that conveys more than any words could say.

The tones and hues color Artist Frank Martin uses throughout this issue are utterly superb, from the shimmering amber shades of Carol Danvers broadcast, the vivid grandeur of Rhodey‘s memorial service is masterfully juxtaposed with the gloomy scenes in Tony‘s lab, along with Mary Jane’s brief, yet poignant appearance, and the flashbacks featuring Tony and Rhodey are a wonderful example of how story, art, and color can combine to produce a sublime fusion of emotion and nostalgia in the most moving way imaginable.

Ever since this volume of Invincible Iron Man began, the reformed Victor Von Doom has gone out of his way to become part of Tony’s life, usually appearing at moments that allow Victor to capitalize on or influence a given situation. While Victor’s motives remain unclear, this issue makes significant inroads towards the reasons for Victor’s uninvited appearances, and this time it wont be something that he can simply just walk away from either.

Invincible Iron Man #13 is another strong tie-in issue with Civil War II. Although its light on Iron Man action insofar as Civil War II is concerned, this issue is really more about Tony’s and Rhodey’s friendship, and the flashbacks of them in action as Iron Man and War Machine is one of the undoubted highlight of the issue, and it all rounds off with an unexpected face off that is sure to leave someone with some serious explaining to do. Invincible Iron Man #13 is another terrific issue from Brian Michael Bendis and Mike Deodato, with its powerful storyline and striking artwork; this is an engrossing issue that works on every level.

Publisher: Marvel

Writer: Brian Michael Bendis / Art: Mike Deodato / Color Artist: Frank Martin

VC’s Clayton Cowles: Letterer & Production

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #12 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #12, Invincible Iron Man #12 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #12

Review by Paul Bowler

The biggest upheaval in Iron Man’s history begins in Invincible Iron Man #12 as the events of Civil War II start to tear Tony Stark’s world apart. This issue is a major Civil War II tie-in, divisions have formed, and concerns are mounting that Tony is about to go to war with Captain Marvel because of the precognitive Inhuman known as Ulysses! But Tony’s role as Iron Man and the fate of his company will soon hang in the balance, and what has Doctor Doom been planning as all-out Civil War strikes the Marvel Universe?

From the moment you see this issue ominous looking cover by Mike Deodato, featuring a dark figure with an arc reactor stood atop a pile of rubble strewn with the Stark logo, it’s clear that some major upheaval is waiting in the wings for Tony Stark. With the recent announcements from Marvel that 15 year-old MIT student Riri Williams is all set to become the new Invincible Iron Man post Civil War II and that Victor Von Doom will also become the Infamous Iron Man, Tony Stark will soon be replaced by two brand new Iron Men!

The build up to these sweeping changers starts here in Invincible Iron Man #12, as writer Brian Michael Bendis kicks everything off with some pretty cataclysmic developments over at Stark Tower. From here we flashback to a press conference held weeks ago in the same aforementioned building, where Tony Stark apologized to his investors and employees for faking his death so that he could assist S.H.I.E.L.D and the Avengers with the international terrorist threat poised by Techno Golem Tomoe and her biohack ninjas in Japan.

I love the way that Bendis handles the scenes where Tony confronts his board of investors. The dialogue is witty and sharp, some major home truths are aired on both sides, but even with MJ and his AI Friday to back him up, it’s clear the board isn’t going to let this one go without a fight. Mary Jane Watson and Friday also make a great team here, and they certainly keep Tony on his toes! If all that wasn’t enough, Tony also has some making up to do with new love interest Amara as well, something which proves far more elusive to resolve than expected.

Mike Dedato’s brilliant artwork skilfully conveys the emotional depth and narrative of this tautly scripted issue. His work on Invincible Iron Man continues to play to Bendis’ strengths as a writer. This issue features some gorgeously detailed page layouts: the apocalyptic opening scenes amidst the swirling rubble and dust are hauntingly powerful, the press conference and scenes in the lab flow with seamless precision, our first glimpse of Riri Williams home life with her mother in Chicago are another big highlight of the issue, and the raw emotional roller coaster ride of scenes which later follow as Stark’s world begins to come tumbling down around him are magnificently depicted. Color Artist Frank Martin once again excels, velvety earthy tones and dusty greys dominate the early scenes, while the use of dusky shadows and refined hues delicately accentuate the diverse range of emotional beats of that make this issue such a compelling read.

That wonderful first meeting between Riri, her mother, and Tony is certainly a defining moment for everyone involved. It’s great to finally learn more about this 15 year old genius M.I.T student, her mother certainly seems a force to be reckoned with as well, and we also discover something rather poignant about Riri’s name too.

Invincible Iron Man #12 finishes where it begins. It is here that we actually witness the most powerful scenes, as Tony addresses Rhodey’s death – which tragically happened in Civil War II #1 – and his thoughts about Carol Danvers and the Inhumans are revealed to a somewhat shell-shocked audience amidst the ruins of his life – and it is in these moving scenes that Brian Michael Bendis’ stellar writing will leave you hanging on Tony’s every word.

This run on Invincible Iron Man by Brian Michael Bendis and Mike Deodato reaches even greater heights with this issue. While it might be light on actual Iron Man action, the drama, suspense, and impeccable characterization are elevated to a whole new level with this Civil War II tie-in, and the cliff-hanger ending looks like it has the potential to be a real game-changer for the series. Invincible Iron Man #12 branches out into the wider arc of Civil War II with assured confidence and paves the way for even bigger events to come!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production 

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #11 Review

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Brian Michael Bendis, Civil War 2, Civil War II, Colonel Rhodes, comics, Frank Martin, Invincible Iron Man #11, Invincible Iron Man #11 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, The Avengers, The Road to Civil War II, The War Machines, Tokyo, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #11

Review by Paul Bowler

Civil War II steadily advances in Invincible Iron Man #11, as Tony’s undercover mission in Osaka brings him ever closer to infiltrating the Techno Golem Tomoe’s terrorist cell of biohack ninjas. Meanwhile, as Mary Jane Watson attempts to prevent Tony’s company being taken over by the board of investors, Rhodey has been busy developing an Avenging contingency measure of his own, because Iron Man is going to need his allies more than ever as the storm clouds of Civil War II gather on the horizon of the Marvel Universe.

It all kicks off in Invincible Iron Man #11 as the Road to Civil War II marches inexorably on. Writer Brian Michael Bendis skilfully maintains the fine balance between several key plot threads that have been running parallel to each other over the course of The War Machines story-arc, now everything begins to come together, and the net result is a densely plotted issue where the drama, characterization, and action fuse seamlessly as one.

Beginning with a power walk of investors storming into Stark Headquarters to wrest control from Tony’s AI, Friday, they plan to use the criminal, Ghost, to beak into Stark’s lab and gain access to the servers. Fortunately, Friday also has an ace up her digital sleeve, namely, Mary Jane Watson, and the way MJ and Friday collectively defuse the situation with the board of directors is absolutely priceless. Events also took a startling turn last issue when Richard Franco (Tony) finally met Tomoe, and discovered she was an Inhuman with the ability to control live technology. Tony may have elaborately faked his own death to gain access to Tomoe’s organization (by utilizing some nifty facial disguise software to become Ex-S.H.I.E.L.D agent Richard Franco ), but Rhodey, S.H.I.E.LD, and the all-new all-different Avengers have formed a plan of their own – the only question is will they be going to Japan to rescue Tony Stark or to avenge him?

Engaging characterization, though-provoking dialogue, and big action set-pieces are the order of the day in Invincible Iron Man #11, as Brian Michael Bendis interspaces the narrative with some wonderfully crafted moments: primarily a clandestine meeting between Tony and Rhodey where not everything is quite as it seems, and there’s even an interlude with new armored superhero, Riri Williams, as she makes her first foray into being a superhero.

The artwork by Mike Deodato during this story-arc has been astonishingly good; indeed, Invincible Iron Man #11 is arguably one of Deodato’s finest issues on the series so far. Mike Deodato and Brian Michael Bendis make a fantastic team, Deodato intuitively bring every nuance of Bendis’ exemplary storytelling and characterization to life on the page. From the moment that Mary Jane makes that head-turning entrance in the lab, she proves what a worthy addition her character is to this series’ terrific ensemble cast. Likewise, Deodato ramps us the tension with glorious views from Tomoe’s penthouse in Osaka, as the Techno Golem and her trusted right-hand-lady, Zhane, realize that their organizations closely guarded anonymity has been compromised. Frank Martin’s colors are another big highlight of the issue, with sumptuous tones and shades heightening the atmosphere of key scenes, before exploding into vivid hues when the bombastic action kicks into overdrive as War Machine, S.H.I.E.L.D and the Avengers enter the fray.

Invincible Iron Man #11 rapidly builds towards a rousing final act, however, Tony’s undercover identity still has an important role to play, and the powerful coda certainly gives us plenty to ponder over in the final moments. Now that Civil War II is well under way, there are some events during this issue – and indeed throughout the entire arc – which now seem far more poignant and insightful in hindsight given the events of Civil War II #1.

After all the build up and mystery surrounding Tomoe and the biohack ninjas, Invincible Iron Man #11 does feel a little like its racing towards the finish line to catch up with Civil War II, but that’s only a minor quibble, and the conclusion actually proves as equally satisfying is it is ambiguous. Brian Michael Bendis and Mike Deodato have done an amazing job with this issue, The War Machines and Road to Civil War has been a terrific Invincible Iron Man storyline, now everything is set for the next issue, and the first of the Civil War II tie-ins!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production 

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #10 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Invincible Iron Man #10, Invincible Iron Man #10 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Spider-Man, The War Machines, Tokyo, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #10

Review by Paul Bowler

The road to Civil War II continues in Invincible Iron Man #10, with Tony working undercover in Osaka alongside Rhodey to deal with the deadly threat posed by the biohack ninjas, Iron Man needs his allies now more than ever as Civil War ominously encroaches on the horizon of the Marvel Universe. Get ready for an emotional and action-packed issue of Invincible Iron Man as Tony Stark’s world is shaken to the core.

The War Machines story-arc and the Road to Civil War II converge inexorably in Invincible Iron Man #10, as writer Brian Michael Bendis effortlessly builds the suspense, and numerous plot strands are drawn together as Tony’s plan to infiltrate the biohack ninjas led by Techno Golem, Tomoe, enters its next phase. So, when the biohack ninjas come knocking on Mister Richard Franco’s (AKA Tony Stark’s undercover identity recently assumed with the help of some advanced facial disguise software) door in Osaka, it begins to look like Tony might’ve bitten off more than he can chew. Fortunately he‘s got Rhodey to watch his back. Meanwhile, Tony’s A.I, Friday, is managing his company in his absence. But with the board of directors attempting to seize control following news of Stark‘s apparent demise, it now falls to Mary Jane Watson, who recently turned down the job offer to become Tony’s assistant, to make the toughest decision of all.

This is another impressive tightly plotted issue from Brian Michael Bendis. From Tony’s / Franco’s abduction, tinged with hints of colourful language and a hilarious “stinky” mask thrown in just to add insult to injury, the wry humour and banter with Rhodey soon gives way to the brooding menace of Tony’s confrontation with Techno Golem, Tomoe. Its ingenious how Bendis makes the scenes with MJ in New York proved such an equally powerful and poignant contrast with Tony’s mission in Japan, as billboards, a web-swinging cameo, and an unexpected request for help bring MJ to reflect on both her life and career. The AI, Friday, is another character that really shines in this issue, as her role becomes more pivotal than ever.

Mike Deodato’s art work for Invincible Iron continues to impress on every level. With some concise page layouts that are both elegantly structure and packed with detail, the plot unfolds rapidly between Japan and New York, each resonating with the drama and emotional beats of the other in perfect unison. Mike Deodato and Brian Michael Bendis have infused this issue with a mesmerising blend of action and suspense, as story and art fuse seamlessly as one. Gloriously realized two-page spreads punctuate key moment with vivid clarity, as the meeting in Tomoe’s stunning penthouse and a dazzling test of skill and endurance against the biohack ninjas make our jaws hit the floor with the sheer intoxication of their spectacle, while color artist Frank Martin’s exquisite use of tone and shade throughout immerses your imagination in every scene.

The issue juggles a lot of plot threads and delivers just as many revelations as it does unanswered questions. I particularly liked how MJ’s arc is leading the character towards a much stronger role in this series. Mike Deodato and Frank Martin’s fun cover for Invincible Iron Man #10 had me expecting something more frivolous, however, the emotional impact of Mary Jane’s scenes in this issue are handled perfectly, and it is those same quiet, reflective moments – where things remain unspoken and introspective sideways glances melt your heart – which actually reveal far more than words mere could ever hope to describe.

There’s also a brief interlude with new armored superhero, Riri Williams, Tony uncovers a surprising secret about his captors, and Rhodey is standing by jut in case Tony’s plan to infiltrate the techno-terrorists goes pear shaped. Invincible Iron Man #10 is another incredibly strong issue from Brian Michael Bendis and Mike Deodato, with its plethora exciting plot developments, stunning visuals, and awesome surprise final page, this is one issue on the road to Civil War II that you certainly wont want to miss!

Publisher: Marvel / Writer: Brian Michael Bendis /

Art: Mike Deodato / Color Artist: Frank Martin

VC’s Clayton Cowles: Letterer & Production /

Cover Artists Mike Deodato & Frank Martin

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