Avengers Infinity War Film Review

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Avengers Infinity War Film Review

Review by Paul Bowler

Get set for Marvel Studios’ Avengers Infinity War to rock the Marvel Cinematic Universe to its very core as the Avengers and their superhero allies confront the deadly power of Thanos, played with gravely voiced menace by Josh Brolin. Earth’s mightiest heroes must prepare to sacrifice everything in order to prevent Thanos from gathering the Infinity Stones into a gauntlet that could enable him to destroy the universe!

Quintessentially the culmination of everything the Marvel Cinematic Universe has been building towards since its inception way back in 2008 with Iron Man, it now falls to the nineteenth film in Marvel‘s box-office hit-machine franchise to bring this ten year journey across the MCU full circle with Avengers Infinity War.

Although our heroes were left fractured by the events of 2016’s Captain America Civil War, it’s not long before they reunite in the face of the threat posed by Thanos and the mad Titan’s nefarious scheme to wipe out half the universe.

With returning favourites including Iron Man (Robert Downey Jr.) and Captain America (Chris Evans) leading the charge into battle along with Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlet Johansson), Vision (Paul Bettany), Wanda Maximoff (Elizabeth Olse), Falcon (Anthony Mackie), and War Machine (Donn Cheadle), there’s also the welcome addition of Doctor Strange (Benedict Cumberbatch), the Black Panther (Chadwick Boseman), Spider-Man (Tom Holland), and the Guardians of the Galaxy into the mix, along with numerous other characters from the MCU also joining the ranks of the films heroic ensemble cast in the battle against Thanos!

Right from the jaw-dropping opening, it quickly becomes apparent that not everyone will survive either. The two and a half hour running time boasts spectacular action and drama, with its narrative interwoven across four major plot threads, spanning locations across the entire MCU; this epic crossover event is ably handled by the directing duo of the Russo brothers and screenwriters Christopher Markus and Stephen McFreely.

For a film so packed with plotlines and characters the Russo brothers still manage give everyone a moment in the spotlight – however fleeting – and still keep everything and everyone on track. Thanos cuts a swathe of devastation in his quest to acquire all six Infinity Stones, but it quickly becomes a very personal battle for the Avengers because one of the stones is embedded in the Vision’s forehead, making the androids impending plight especially heartrending for his love interest Wanda Maxim off – in scenes movingly played by Elizabeth Olse and Paul Bettany. Chris Evans continues to impress as Captain America, times have been tough for Cap in recent films but the camaraderie between Steve Rogers and Bucky Barnes / White Wolf (Sebastian Stan) shines though here, as does Roger’s great respect for Wakandan king T’Challa / Black Panther. The spiky banter between Robert Downey Jr’s Iron Man / Tony Stark and Benedict Cumberbatch’s Doctor Strange is another highlight, and Tom Holland’s wisecracking Spider-Man is always fun to have around. Chris Hemsworth also gets some great scenes as the vanquished Thor who teams-up with Guardians of the Galaxy Star Lord (Chris Pratt), Gamora (Zoe Saldana), Mantis (Pom Klementieff), Nebula (Karen Gillan), Drax the Destroyer (Dave Bautista), Groot (Vin Diesel), and Rocket (Bradley Cooper) in the fight to stop Thanos.

Avengers Infinity War crams a hell of a lot in but it never feels bloated or gets bogged down in needless exposition. The majority of the characters are well served by the script, key emotional beats really hit the mark, and there are plenty of fun one-liners to enjoy. Infinity War also goes out of its way to firmly establish the giant purple alien Thanos as the ultimate Big-Bad of the Marvel Universe, and the CGI wizardry together with Josk Brolin’s brilliant performance mesh seamlessly to bring us one of the most richly compelling villains to have ever graced the MCU. Although his motivations in Avengers Infinity War diverge slightly from his comic book counterpart, Thanos still remains a towering presence throughout the film, there’s also great pathos to his scenes with Zoe Saldana as his adopted daughter Gamora, and his fearsome lieutenants The Children of Thanos (known as the Black Order in the comics) are an imposing – if rather one-dimensional – addition to the villain’s forces.

Avengers Infinity War is a veritable fangasim of comic book action, packed with mind-boggling special effects and huge action set pieces that dazzle amidst every twist and turn of the plot as events inexorably rumble towards the epic final battle, and its subsequent game-changing conclusion. Once the dust settles the excitement, gut wrenching loss, and unexpected surprises in Avengers Infinity War will leave you reeling as to where the Marvel Cinematic Universe goes from here. Avengers Infinity War doesn’t pull any punches, however with the stakes raised so high in this move it makes you wonder how much of it is set in stone – especially with the continuation already due in next year’s fourth Avengers film – but one things for sure Avengers Infinity War is without doubt one of the most ambitious and breath taking superhero movies ever!

 

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Avengers Infinity War: New Official Trailer Released!

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Avengers Infinity War, Avengers Infinity War Trailer, Benedict Cumberbatch, Benedict Wong, Bradley Cooper, Captain America, Chris Evans, Chris Hemsworth, Chris Pratt, Dave Bautista, Doctor Strange, Elizabeth Olsen, Guardians of the Galaxy, Hulk, Iron Man, Jeremy Renner, Josh Brolin, Jr., Karen Gillan, Mark Ruffalo, New Avengers Infinity War Official Trailer, Paul Bethany, Pom Klementieff, Robert Downey, Scarlett Johansson, Sebastian Stan, Spider-Man, Thanos, The Avengers, Thor, Tom Holland

Avengers Infinity War: New Official Trailer Released!

Check out Marvel Studios’ new Avengers Infinity War official trailer!

Avengers: Infinity War. In theaters April 27th 2018.

Can’t wait for this movie now, looks awesome, what do you think of the trailer?

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Marvel Studios’ Avengers Infinity War Official Trailer Released!

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Avengers Infinity War, Avengers Infinity War first trailer, Avengers Infinity War Teaser Trailer, Avengers Infinity War Trailer, Benedict Cumberbatch, Benedict Wong, Bradley Cooper, Captain America, Chris Evans, Chris Hemsworth, Chris Pratt, Dave Bautista, Doctor Strange, Elizabeth Olsen, Guardians of the Galaxy, Hulk, Iron Man, Jeremy Renner, Josh Brolin, Jr., Karen Gillan, Mark Ruffalo, Paul Bethany, Pom Klementieff, Robert Downey, Scarlett Johansson, Sebastian Stan, Spider-Man, Thanos, The Avengers, Thor, Tom Holland

Avengers Infinity War Official Trailer Released!

Check out the first awesome Avengers Infinity War official trailer!

Avengers: Infinity War. In theaters May 4.

So excited for this movie, what do you think of the trailer?

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Invincible Iron Man #14 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #14, Invincible Iron Man #14 review, Iron Man, Ironheart, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #14

Review by Paul Bowler

Change is in the air in Invincible Iron Man #14 as the dust settles over the recent events of Civil War II, now a young woman, M.I.T student, Riri Williams, must prepare to take over as Iron Man! First though, Tony Stark will have to deal with his own inner turmoil in the wake of Civil War II, before Riri redefines the series as a new direction for Iron Man begins, and it’s going to be unlike anything we’ve seen before…

With the fallout of Rhodey’s death in Civil War II, his failure to make amends with Amara for faking his own death, the destruction of Stark Tower, and with Victor Von Doom doing his level best to become part of Tony Stark’s life over the course of this series, Invincible Iron Man #14 is the culmination of a remarkably intense and trying period in Tony Stark’s life as the Invincible armored Avenger – Iron Man. Though the success of Tony’s wish to find out what Victor Von Doom really wants from him remains somewhat undetermined, Brian Michael Bendis does a terrific job rounding off a number of key plot elements with this issue, deftly juggling the cataclysmic skirmishes of Civil War II whilst simultaneously paving the way for a new era to bring this volume of Invincible Iron Man to a close with a fittingly dramatic and exciting finale.

Indeed, there’s a lot of ground to cover, and some of Invincible Iron Man #14’s most poignant scenes come as Tony and Mary Jane discuss the future in the light of recent events. Tony’s clash with Carol Danvers over the Inhumans and the precognitive Inhuman called Ulysses in Civil War II – by using him to predict and counteract future dangers before they occur – has caused bitter divisions throughout the Marvel Universe. Tony now clearly feels that his demons in a bottle have found some new triggers, and with the future calling – quite literally – he needs to seek out an open meeting to work things out – a fact which is made all the more ironic as Stark is now effectively Carol Danvers sponsor.

It is at this very same open meeting that Tony finds himself faced with some especially pertinent contemporary themes. Bendis skilfully weaves these powerful issues into the narrative of Tony’s current situation, uncannily resonating with and eclipsing his experiences on every level, and in many instances making Civil War II pale into insignificance by comparison.

Ironically Tony’s wish to avoid Carol Danvers proves to be the catalyst that ultimately forces them to confront their different viewpoint head on. These scenes form the basis of this remarkable character driven issue as Tony and Carol address what it is they are really fighting for, what they believe in, Rhodey’s death, and of course Banner’s shocking demise. Some uncomfortable home truths are finally aired; where neither party likes or is really surprised by what they hear, and it’s clear that neither of them is going to back down.

Mike Deodato produces an outstanding issue with artwork that will effortlessly immerse you in the heart of the drama. From the opening collage of media reports overlaying the sombre setting of Stark’s lab, Deodato forges an intense, emotionally charged atmosphere as events unfold across compact and impressively detailed page-layouts. It’s this precise, almost casual simplicity, which makes the issue works so well and gets right in your face – so to speak. The expressions of all the characters are beautifully rendered and you will be hanging on their every word. Color artist Frank Martin’s subtle use of tone and shade also works in perfect harmony with Deodato’s art; matching every emotional beat of Bendis’ script to absolute perfection.

Tony’s final scenes in this issue is the sum total of what this arc has been building towards since the beginning, its marvellous how so much is said by saying so little, and the surprise visitor in the coda heralds a game changing development… I’ve thoroughly enjoyed this volume of Invincible Iron Man. In some ways it’s shame it has to and end as Brian Michael Bendis and Mike Deodato have been such a great team. From the War Machines arc, to the Road to Civil War II, and these recent Civil War II tie-in’s, Bendis and Deodato have done exceptional work with this series and Tony’s character, and their run ends by setting up a very exciting future.

Invincible Iron Man #14 is a brilliant, emotional, and powerfully themed issue. It may mark the end of this run of Invincible Iron Man, with Civil War II and Tony‘s whereabouts still to be resolved, but with Brian Michael Bendis and Stefano Caselli charting Riri Williams adventures as Ironheart in Invincible Iron Man #1, and Bendis reuniting with Alex Maleeve to bring us Doom’s story over in Infamous Iron Man #1, the saga of Iron Man is about to enter a bold new era and I‘m extremely excited for what the future will bring.

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

 Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production

Cover Artists Dale Keown & Jason Keith

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Invincible Iron Man #13 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #13, Invincible Iron Man #13 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #13

Review by Paul Bowler

The end of an era draws nigh in Invincible Iron Man #13 as the ramifications of Civil War II begin to impact drastically on Tony Stark’s life. Rhodey’s death has increased Tony’s rancour with Carol Danvers and the Inhumans over the precognitive new Inhuman called Ulysses. Now recent events have left Stark Tower in ruins. However, the sudden arrival of reformed super-villain Victor Von Doom with an offer to show Stark what to do next could change everything, but will this spell the end of Tony’s company and Iron Man as we know it?

When it comes to a Civil War II tie-in, writer Brian Michael Bendis certainly delivers the goods in spades with Invincible Iron Man #13 as the fallout from the destruction of Stark Tower begins to settle over the Marvel Universe. After Victor Von Doom suddenly turned up to whisk Stark halfway across the world yet again, Tony finally gets to try and apologize to Amara for faking his own death, but it a reunion fraught with tension and hurtful asides that cannot be unsaid.

This is a powerful, moving, and often deeply emotional issue at times, as Brian Michael Bendis gives us a stark portrayal of Tony as he finally addresses his grief over Rhodey’s death head on. Viewing Colonel Carol Danvers worldwide broadcast on behalf of the Ultimates, where she deftly skates around the details of her new peacekeeping campaign to prevent disasters before they happen, only serves to fuel Tony’s simmering mistrust and rage even further.

The artwork by Mike Dedato is as beautifully rich and detailed as ever. Each scene flows seamlessly into the next, with smooth, refined page layouts that complement the narrative pace of Bendis’ story perfectly. From Tony and Amara’s frosty reunion, the flashback to the moment Tony went to see Rhodey’s body after he died is skilfully interspaced with events in the present as he views Carol’s broadcast to the world. The blend of raw emotions, spanning Tony’s heartrending grief, anger, and unwavering conviction, are all sublimely portrayed here by Dedato, and it all culminates in one little panel of silence tucked away in the corner of a page that conveys more than any words could say.

The tones and hues color Artist Frank Martin uses throughout this issue are utterly superb, from the shimmering amber shades of Carol Danvers broadcast, the vivid grandeur of Rhodey‘s memorial service is masterfully juxtaposed with the gloomy scenes in Tony‘s lab, along with Mary Jane’s brief, yet poignant appearance, and the flashbacks featuring Tony and Rhodey are a wonderful example of how story, art, and color can combine to produce a sublime fusion of emotion and nostalgia in the most moving way imaginable.

Ever since this volume of Invincible Iron Man began, the reformed Victor Von Doom has gone out of his way to become part of Tony’s life, usually appearing at moments that allow Victor to capitalize on or influence a given situation. While Victor’s motives remain unclear, this issue makes significant inroads towards the reasons for Victor’s uninvited appearances, and this time it wont be something that he can simply just walk away from either.

Invincible Iron Man #13 is another strong tie-in issue with Civil War II. Although its light on Iron Man action insofar as Civil War II is concerned, this issue is really more about Tony’s and Rhodey’s friendship, and the flashbacks of them in action as Iron Man and War Machine is one of the undoubted highlight of the issue, and it all rounds off with an unexpected face off that is sure to leave someone with some serious explaining to do. Invincible Iron Man #13 is another terrific issue from Brian Michael Bendis and Mike Deodato, with its powerful storyline and striking artwork; this is an engrossing issue that works on every level.

Publisher: Marvel

Writer: Brian Michael Bendis / Art: Mike Deodato / Color Artist: Frank Martin

VC’s Clayton Cowles: Letterer & Production

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #12 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #12, Invincible Iron Man #12 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #12

Review by Paul Bowler

The biggest upheaval in Iron Man’s history begins in Invincible Iron Man #12 as the events of Civil War II start to tear Tony Stark’s world apart. This issue is a major Civil War II tie-in, divisions have formed, and concerns are mounting that Tony is about to go to war with Captain Marvel because of the precognitive Inhuman known as Ulysses! But Tony’s role as Iron Man and the fate of his company will soon hang in the balance, and what has Doctor Doom been planning as all-out Civil War strikes the Marvel Universe?

From the moment you see this issue ominous looking cover by Mike Deodato, featuring a dark figure with an arc reactor stood atop a pile of rubble strewn with the Stark logo, it’s clear that some major upheaval is waiting in the wings for Tony Stark. With the recent announcements from Marvel that 15 year-old MIT student Riri Williams is all set to become the new Invincible Iron Man post Civil War II and that Victor Von Doom will also become the Infamous Iron Man, Tony Stark will soon be replaced by two brand new Iron Men!

The build up to these sweeping changers starts here in Invincible Iron Man #12, as writer Brian Michael Bendis kicks everything off with some pretty cataclysmic developments over at Stark Tower. From here we flashback to a press conference held weeks ago in the same aforementioned building, where Tony Stark apologized to his investors and employees for faking his death so that he could assist S.H.I.E.L.D and the Avengers with the international terrorist threat poised by Techno Golem Tomoe and her biohack ninjas in Japan.

I love the way that Bendis handles the scenes where Tony confronts his board of investors. The dialogue is witty and sharp, some major home truths are aired on both sides, but even with MJ and his AI Friday to back him up, it’s clear the board isn’t going to let this one go without a fight. Mary Jane Watson and Friday also make a great team here, and they certainly keep Tony on his toes! If all that wasn’t enough, Tony also has some making up to do with new love interest Amara as well, something which proves far more elusive to resolve than expected.

Mike Dedato’s brilliant artwork skilfully conveys the emotional depth and narrative of this tautly scripted issue. His work on Invincible Iron Man continues to play to Bendis’ strengths as a writer. This issue features some gorgeously detailed page layouts: the apocalyptic opening scenes amidst the swirling rubble and dust are hauntingly powerful, the press conference and scenes in the lab flow with seamless precision, our first glimpse of Riri Williams home life with her mother in Chicago are another big highlight of the issue, and the raw emotional roller coaster ride of scenes which later follow as Stark’s world begins to come tumbling down around him are magnificently depicted. Color Artist Frank Martin once again excels, velvety earthy tones and dusty greys dominate the early scenes, while the use of dusky shadows and refined hues delicately accentuate the diverse range of emotional beats of that make this issue such a compelling read.

That wonderful first meeting between Riri, her mother, and Tony is certainly a defining moment for everyone involved. It’s great to finally learn more about this 15 year old genius M.I.T student, her mother certainly seems a force to be reckoned with as well, and we also discover something rather poignant about Riri’s name too.

Invincible Iron Man #12 finishes where it begins. It is here that we actually witness the most powerful scenes, as Tony addresses Rhodey’s death – which tragically happened in Civil War II #1 – and his thoughts about Carol Danvers and the Inhumans are revealed to a somewhat shell-shocked audience amidst the ruins of his life – and it is in these moving scenes that Brian Michael Bendis’ stellar writing will leave you hanging on Tony’s every word.

This run on Invincible Iron Man by Brian Michael Bendis and Mike Deodato reaches even greater heights with this issue. While it might be light on actual Iron Man action, the drama, suspense, and impeccable characterization are elevated to a whole new level with this Civil War II tie-in, and the cliff-hanger ending looks like it has the potential to be a real game-changer for the series. Invincible Iron Man #12 branches out into the wider arc of Civil War II with assured confidence and paves the way for even bigger events to come!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production 

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #11 Review

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Brian Michael Bendis, Civil War 2, Civil War II, Colonel Rhodes, comics, Frank Martin, Invincible Iron Man #11, Invincible Iron Man #11 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, The Avengers, The Road to Civil War II, The War Machines, Tokyo, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #11

Review by Paul Bowler

Civil War II steadily advances in Invincible Iron Man #11, as Tony’s undercover mission in Osaka brings him ever closer to infiltrating the Techno Golem Tomoe’s terrorist cell of biohack ninjas. Meanwhile, as Mary Jane Watson attempts to prevent Tony’s company being taken over by the board of investors, Rhodey has been busy developing an Avenging contingency measure of his own, because Iron Man is going to need his allies more than ever as the storm clouds of Civil War II gather on the horizon of the Marvel Universe.

It all kicks off in Invincible Iron Man #11 as the Road to Civil War II marches inexorably on. Writer Brian Michael Bendis skilfully maintains the fine balance between several key plot threads that have been running parallel to each other over the course of The War Machines story-arc, now everything begins to come together, and the net result is a densely plotted issue where the drama, characterization, and action fuse seamlessly as one.

Beginning with a power walk of investors storming into Stark Headquarters to wrest control from Tony’s AI, Friday, they plan to use the criminal, Ghost, to beak into Stark’s lab and gain access to the servers. Fortunately, Friday also has an ace up her digital sleeve, namely, Mary Jane Watson, and the way MJ and Friday collectively defuse the situation with the board of directors is absolutely priceless. Events also took a startling turn last issue when Richard Franco (Tony) finally met Tomoe, and discovered she was an Inhuman with the ability to control live technology. Tony may have elaborately faked his own death to gain access to Tomoe’s organization (by utilizing some nifty facial disguise software to become Ex-S.H.I.E.L.D agent Richard Franco ), but Rhodey, S.H.I.E.LD, and the all-new all-different Avengers have formed a plan of their own – the only question is will they be going to Japan to rescue Tony Stark or to avenge him?

Engaging characterization, though-provoking dialogue, and big action set-pieces are the order of the day in Invincible Iron Man #11, as Brian Michael Bendis interspaces the narrative with some wonderfully crafted moments: primarily a clandestine meeting between Tony and Rhodey where not everything is quite as it seems, and there’s even an interlude with new armored superhero, Riri Williams, as she makes her first foray into being a superhero.

The artwork by Mike Deodato during this story-arc has been astonishingly good; indeed, Invincible Iron Man #11 is arguably one of Deodato’s finest issues on the series so far. Mike Deodato and Brian Michael Bendis make a fantastic team, Deodato intuitively bring every nuance of Bendis’ exemplary storytelling and characterization to life on the page. From the moment that Mary Jane makes that head-turning entrance in the lab, she proves what a worthy addition her character is to this series’ terrific ensemble cast. Likewise, Deodato ramps us the tension with glorious views from Tomoe’s penthouse in Osaka, as the Techno Golem and her trusted right-hand-lady, Zhane, realize that their organizations closely guarded anonymity has been compromised. Frank Martin’s colors are another big highlight of the issue, with sumptuous tones and shades heightening the atmosphere of key scenes, before exploding into vivid hues when the bombastic action kicks into overdrive as War Machine, S.H.I.E.L.D and the Avengers enter the fray.

Invincible Iron Man #11 rapidly builds towards a rousing final act, however, Tony’s undercover identity still has an important role to play, and the powerful coda certainly gives us plenty to ponder over in the final moments. Now that Civil War II is well under way, there are some events during this issue – and indeed throughout the entire arc – which now seem far more poignant and insightful in hindsight given the events of Civil War II #1.

After all the build up and mystery surrounding Tomoe and the biohack ninjas, Invincible Iron Man #11 does feel a little like its racing towards the finish line to catch up with Civil War II, but that’s only a minor quibble, and the conclusion actually proves as equally satisfying is it is ambiguous. Brian Michael Bendis and Mike Deodato have done an amazing job with this issue, The War Machines and Road to Civil War has been a terrific Invincible Iron Man storyline, now everything is set for the next issue, and the first of the Civil War II tie-ins!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production 

Cover Artists Mike Deodato & Frank Martin

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Superior Spiderman #25 Review

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Christos Gage, Dan Slott, Green Goblin, Hobgoblin, Humberto Ramos, Marvel Comics, Otto Octavius, Spiderman, Superior Spiderman, Superior Spiderman #25, The Avengers, Venom, Victor Olazaba

Superior Spiderman #25

Review by Paul Bowler

The hype surrounding the return of Peter Parker has made the build up to Superior Spiderman #25 all the more exciting, with Spidey (Otto Octavius) having wrested control of the Venom symbiote from Flash Thompson, MJ called in the Avengers who soon arrived to deal with the threat posed by the new Superior Venom. While Otto attempts to control the symbiote and fights the Avengers, Flash Thompson must find a way to be rejoined with the symbiote if he is to survive, and as the Hobgoblin’s conflict the Green Goblin escalates, a new Goblin is born.

Dan Slott and Christos Gage keep this action packed issue rattling along at a cracking pace. The Avengers are soon locked in battle with the Superior Venom, with Captain America and even Thor unable to contain the enraged Otto-Venom. It’s a good job the conclusion of Darkest Hours is a giant sized 25^th issue of Superior Spiderman, as there is so much plot to cram in, especially with Norman Osborn’s plans also taking shape, Carlie Cooper’s shocking transformation, and the Hobgoblin preparing to strike back against the Green Goblin.

Humberto Ramos does a great job of all brining all the big action sequences together. The fight between Superior Venom and the Avengers is full on, with Otto’s strength and intellect proving to be more than a match for them. While Cardiac and Flash recover in hospital, a surprise visitor arrives with a plan to help Corporal Thompson. The general public have also grown tired of Spiderman’s recent actions, it seems that watching him battling against the Avengers is the last straw, and they begin to turn against his robotic spies.

Superior Spiderman #25 builds to an exciting conclusion, as the Hobgoblin’s operatives are faced with a new Goblin, Dan Slott and Christos Gage also throw in a great surprise as the Avengers attempt to free Superior Spiderman from the Venom symbiote – one that is sure to have very significant implications for the future.

This has been one of my favourite issues so far. Now with Otto retuning to his scheming ways, things are set to get even more complicated, especially as suspicions have been roused amongst those closest to him. Although I’m looking forward to Peter Parker’s return in April, I have really enjoyed Superior Spiderman as well. It’s been a great title, and I’m looking forward to what Slott has in store as the Goblin Wars begin!

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