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Batman Curse of the White Knight #1 Review

24 Wednesday Jul 2019

Posted by Paul Bowler in All, DC Comics

≈ 14 Comments

Tags

Batman, Batman Curse of the White Knight, Batman Curse of the White Knight #1 Review, Commissioner Gordon, DC Black Label, DC Comics, Gotham, Joker, Matt Hollingsworth, NCBD, Sean Murphy

Batman Curse of the White Knight #1

Review by Paul Bowler

Dark secrets and old scores wait to be settled in Batman Curse of the White Knight #1, the hotly anticipated sequel to the critically acclaimed Batman White Knight, when the Joker sets out to recruit Azrael to his cause to ruin the Wayne legacy and bring chaos to Gotham City once more!

Writer and artist Sean Murphy’s new eight-part mini-series continues to build on the foundations set up during Batman White Knight which established his unique spin on the Dark Knight’s world, one where Joker reclaimed his sanity to become the good guy, while Batman’s increasingly brutal methods effectively painted him as the bad guy. Now in the sequel Curse of the White Knight the Joker is back with an axe to grind, and determined to have the last laugh on Gotham as Batman contemplates his future as the Dark Knight.

From the foreboding flashback to Arkham, 1685, to the Clown Prince of Crimes ingenious escape in the present, right up to Batman and Gordon’s grim discovery, Sean Murphy’s script quickly sets up the premise of this new mini-series and runs with it for all its worth. The warped existential fallout of Joker’s and Jack Naper’s psyche in the aftermath of Batman White Knight allows Murphy to skilfully fuel the chilling narrative via the Joker’s character, and fan the flames of Jean Paul’s equally fractured psyche to bring Azrael to the fore.

Gordon knows Bruce is Batman now, but that doesn’t really seem to have changed the dynamic between them. If anything, their relationship now seems more assured and measured in Curse of the White Night. The mystery they uncover offers up some tantalizing clues early on. However, the big highlights this issue are the character driven Bat-Family moments: such as the powerful scenes between Bruce and Dick Grayson in the Bat-Cave, where Murphy’s blisteringly sharp dialogue shows just how much Bruce’s perceived failure has had on him, there’s some wry humour to defuse the darkness as Batman and Batgirl assess the case evidence so far, and the late Alfred Pennyworth’s deeply moving note is sure to melt even the coldest of hearts.

Sean Murphy’s art is on top form and brings everything to the page that you’ve probably come to expect from this series already. The dark, gritty rendition of this alternative slant on the Dark Knight’s world is swathed in deep shadows and a mesmerising gothic grandeur that seems to encompass even the smallest scene. Arkham is more sinister than ever, Murphy’s grizzled Batman seems even more intimidating this time around, fan boy cinematic flourishes such as the Joker’s gun are an added bonus to enjoy, and the Bat-Cave depicted here is a sweeping vista of Bat-paraphernalia the likes of which feels more like a frame in a movie than a panel in a comic book. Matt Hollingsworth’s colors complements Murphy’s artwork perfectly as you’d expect, with the opaque shades of the earlier scenes giving way to subtle greys and earthier tones as the issue progresses to a fiery denouement. The lettering by AndWorldDesign is crisp and clean – essential in a dialogue heavy issue like this – and together with the sumptuous art and colors you will soon find yourself immersed in the multiple twists and turns of the plot.

Batman Curse of the White Knight #1 gets this new series off a fantastic start. Sean Murphy and Matt Hollingsworth make a fantastic team, the Joker’s plot in Curse of the White Knight is sure to test Batman and his allies to the limit, the introduction of Azrael to their Dark Knight’s mythos is also an intriguing one, and I really like how this storyline follows on from the events of the previous mini-series in so many unexpected and surprising ways. One thing’s for sure, this new chapter in the White Knight saga looks set to shake Gotham to the core!

Publisher DC Comics (DC Black Label)

Writer, Art, & Covers by Sean Murphy

Colors & Cover Colors by Matt Hollingsworth

Letters by AndWorldDesign

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Batman White Knight #6 Review

13 Tuesday Mar 2018

Posted by Paul Bowler in All, DC Comics

≈ 10 Comments

Tags

Batgirl, Batman, Batman White Knight, Batman White Knight #6, Batman White Knight #6 Review, Batmobile, comics, DC Comics, Jim Gordon, Mad Hatter, Matt Hollingsworth, Mr Freeze, NCBD, Neo Joker, Nightwing, Sean Murphy, The Joker

Batman White Knight #6

Review by Paul Bowler

Gotham’s most iconic alliance is shaken to the core in Batman White Knight #6 as Gordon’s trust in Batman reaches breaking point! The Dark Knight’s fall from grace has been orchestrated by the reformed Joker – aka Jack Napier – now seemingly cured of his homicidal madness by therapy and medication. But the drug Jack relies on is gradually loosing its effect, the city is slowly descending into chaos, and with Batman defeated it’s up to Jack to step up to the plate when the Neo Joker finally instigates her grand plan to seize Gotham…

Set in a world that has uncannily turned the Batman into the villain and the Joker into a hero, Batman White Knight, with its story and art by Sean Murphy, and colors by Matt Hollingsworth, continues to go from strength to strength with every successive issue. Napier’s ascension in this mini-series has seem him cured and released from Arkham, from where he’s gone on to expose the corruption that has festered in the GCPD for decades, becoming a champion of the middle-classes, and covertly using an army of super-villains – along with the collateral damage this conflict causes – to discredit the Batman‘s standing in the eyes of Gotham‘s citizens.

Batman White Knight #6 sees this mini-series reach a major turning point, as Murphy’s dark tale brings Batman’s world crashing down. Seeing Gordon resolve to bring Batman in is a powerful, defining moment here, as is Nightwing assisting him by delivering the means for him to do so, and the subsequent fracturing this has on the Bat-Family when Batgirl, aghast at Nightwing’s actions, refuses to have anything to do with the plan.

This book and its starkly grim take on the Bat-Mythos, especially the look and tone of Gotham itself – being more industrial and gothic, and less generically NYC like most of the main Bat-Books – are key elements that really make Batman White Knight stand out from the crowd. Sean Murphy’s edgy, moody artistic style further enhances the grim sense of foreboding in this issue, while Matt Hollingsworth’s richly atmospheric colors bring added gavatis to every scene. The sheer fan boy glee at seeing the Batmobile from the1989 Tim Burton Batman movie Vs the Batman White Knight’s Batmobile in a high-speed chase sequence is undoubtedly one of the big highlights of the issue, however, it is the blood-spattered, bone-churching face-off between Batman and Jack Napier that follows which really steals the show – whilst also vividly illustrating the warped schism Murphy has crafted between the Batman and the Joker in this mini-series.

With Batman facing an ignoble fate in Arkham, its not long before the Neo Joker, having taken control of the villains utilizing Mad Hatter’s technology, seems hell bent on holding the city to ransom after she unleashes a giant freeze cannon on Gotham. Other standout moments that shine in this issue are an especially poignant scene between Mr Freeze and Batgirl, and Harley tires in vain to get through to Jack again as he prepares to face Neo Joker.

This was another thoroughly enjoyable issue. With its intense action, brooding characterization, unexpected plot twists, and striking visuals Sean Murphy and Matt Hollingsworth constantly keep you on your toes in Batman White Knight #6, and as this mini-series enters its final act we are left wondering if the Batman can find possibly find a way back from everything that‘s happened, or will the Joker have the last laugh after all?

Publisher DC Comics

Writer / Artist / Covers / Sean Murphy

Colors & Cover Colors Matt Hollingsworth

Leters Todd Klein

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