The Batman Film Review

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Alfred, Bat Cave, Batmobile, Catwoman, DC Comics, Gotham, Matt Reeves, Penguin, Riddler, Robert Pattinson, The Batman, The Batman film review, The Batman review

The Batman

Review by Paul Bowler

The Caped Crusader is back In director Matt Reeves The Batman, with Twilight’s Robert Pattinson  donning the cape and cowl in what has arguably become one the most hotly anticipated film of the year. The Batman has a dark, crime thriller horror vibe about it, one that often feel more akin to David Fincher’s Seven, and subsequently it elevates this gritty superhero fable into a hugely compelling character study of the Dark Knight. Set against the corrupt backdrop of a crime riddled Gotham City, the gloriously atmospheric film noir aesthetic of this Dark Knight’s world is indeed a cut above anything we’ve seen before in the genre. 

Taking place two decades after the death of Thomas and Martha Wayne, and two years into Bruce Wayne’s all-consuming Bat-fuelled Gotham project, the city is now caught in the grip of a puzzle obsessed serial killer, the Riddler (Paul Dano). He’s a maniac with a penchant for murdering the elite of Gotham along with their reputations, and is just the catalyst Patterson’s emo incarnation of the Batman needs to finally step into the light and assist the GCPD’s James Gordon (Jeffrey Wright) – much to the chagrin of Gordon’s colleagues. 

Matt Reeves and co-writer Peter Craig’s powerful take on Batman’s early career cleverly utilises the oft overlooked trait of Batman being comicdoms worlds greatest detective as the template for one of Batman’s darkest of cinematic outings ever, and the film is all the richer for it. Robert Pattinson’s Dark Knight is an intense, deeply driven vigilante, he may have the bullet proof Bat-suit, but he’s got none of the usual high-tech gadgets and gizmos of his glossier cinematic predecessors. Indeed, Pattinson’s performance as Wayne / Batman is both mesmerising and unflinching as a Batman who is totally focused on his war on crime and hell-bent on instilling fear in criminals. He has yet to earn the trust of Gotham or Gordon, the reclusive Bruce Wayne’s only real ally is his loyal butler Alfred (brilliantly played by Andy Serkis), and this fledgling Batman’s inexperience often sees him taking nearly as much punishment as he dishes out.

Batman’s detective work crucially finds him crossing paths with Zoe Kravitz’s sultry femme fatal Selina Kyle, a.k.a Catwoman, who is conducting her own personal investigation which also brings her into conflict with Batman’s mission to solve the Riddler’s diabolical puzzles. Their tangled love story and alliance of connivence never truly convinces, but the sizzling chemistry between Pattinson and Kravitz is fuelled even further by the intensity of the dynamic between their alter-egos.

The Batman features a number of key villains from the Dark Knight’s ominous rogues gallery, with a virtually unrecognisable Colin Farrell under a mass of prosthetic make up as nightclub boss, the Penguin, Paul Dano’s blood curdling turn as Edward Nashton / the Riddler leads to some truly chilling scenes, and John Turturro proves to be an unexpectedly pivotal player in The Batman’s story as Carmine Falcone.  

Greig Fraser’s stunning cinema photography makes the films grimy rain-swept depiction of Gotham perhaps the biggest scene stealer of all. The spectacle of Wayne Tower and the urban gothic of the new Bat-Cave are just some of the films many standout settings. The city feels almost like a character in its own right here, as Reeves stylish direction brings a graphic novel sense of scale and awe to the production, together with a mix of atmospheric locations and fantastic special effects, to make this noir-infused comic book crime caper come to life on the screen in a way that is as menacing as it is breathtaking. Reeves uses the action sparingly, but in incredibly effective ways. Fight sequences are relentlessly brutal, there’s an incredible car chase featuring the Batmobile and a death defying leap from a skyscraper amongst The Batman’s many blockbusting big-action set-pieces to enjoy.

At just under three hours, this first solo Batman movie in a decade is the longest Batman movie ever made. The hard-boiled noir influences and striking visual style are to die for, as is that new Batmobile, and it is only the somewhat overloaded final act that holds the film back from achieving absolute perfection. Pattinson defies all expectations and totally makes the role of the Dark Knight his own as well. This epic superhero movie may have been beset by pandemic related delays but Matt Reeves The Batman has certainly turned out to be well worth the wait, and is everything you could want from a Batman movie.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #98 Review

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Alfred, Batman, Batman #98, Batman #98 Review, Bruce Wayne, Catwoman, DC Comics, Gotham, Harley Quinn, James Tynion IV, Joker, Joker War, Joker War Part 4, NCBD, oege Jimenez, Penguin, Punchline, Riddler, Scarecrow

Batman #98

Review by Paul Bowler.

Everything stops for tea in Batman #98 as the Dark Knight’s world reels from the chaos of Joker War. Joker has taken everything from Batman, his wealth, his arsenal of vehicles, and now Batman is more vulnerable than ever thanks to a massive overdose of Punchline’s new Joker Toxin. As the Dark Knight wrestles with haunting visions and darkness Harley Quinn must watch over him while he recovers, but Punchline is on her way, and she’s hell bent on killing the Dark Knight!

Writer James Tynion IV continues to weave his magic on DC Comics flagship Batman title with yet another spellbinding, emotional, and action-packed issue. Batman #98 crams so much into this fourth instalment of Joke War its difficult to surmise just how richly crafted and well put together it all is. Tynion has Batman tripping the light fantastic for much of the issue — thanks to a brew cooked up by Harley Quinn in her floral underground hideout to cleanse Punchline’s souped up Joker toxin from his system — and the Dark Knight’s ensuing hallucinogenic tea break with the dearly departed Alfred is both deeply moving and highly insightful. Alfred serves up a unique perspective on the twisted dynamic of the Batman’s and Joker’s eternal conflict. Tynion’s powerful script also manages to salvage a plausible outcome to the devastating fallout caused by Tom King’s idiotically deconstructive run on Batman, essentially turning lead into gold, and making Alfred’s senseless death and Bruce’s inability to face up to that loss seem all the more poignant and credible as a result.

Ding! Ding! Seconds out… because the rest of the issue, as you’ve probably guessed by the cover, is indeed taken up by the face-off between Harley-Quinn and Joker’s new partner, Punchline. If, like me, their first clash left you feeling a bit underwhelmed then you will be pleased to know their showdown in Batman #98 is a real kick-ass fight that finally showcases both characters to their full potential. Tynion ensures the dialogue is as razor sharp as their combat, we also get to understand more about what motivates Punchline, and how she ingratiated herself with the Joker.

This issue features some truly fabulous artwork by Joege Jimenez’s as well. Stylish, overlapping page layouts capture the tone and pace of the story perfectly. Every scene focusing on Bruce’s conversation with the imaginary version of Alfred is beautiful crafted, with characters expressions conveying warmth, depth and unparalleled honesty. Punchline’s fight with Harley Quinn is — by stark contrast — a like ballet of exquisite violence and hate, with no quarter given and none taken. Jimenez’s art is enriched further by the striking tones and hues of colorist Tomeu Morey which makes Bruce’s hallucinogenic state and the stunning backdrop of Harley’s underground hideaway seem to almost leap from the page. Even the brief interludes with Catwoman as she recuperates at Penguin’s secret refuge along with the rest of the Gotham rogues to wait out Joker War are finely realised by Jimenez’s and Morey. 

While this issue doesn’t redact Alfred’s death, it does go a long way to finally making Alfred’s loss feel less senseless than is once did. Finally this issues iconic “I’m Batman” scene is no-doubt the punch-the-air moment that we’ve all been waiting for since Joker War began, and its great to see Bruce putting his old friends advice — imaginary or otherwise — to good use without at moments hesitation.

Batman #98 is another terrific issue from the dynamic creative team of Tynion IV, Jimenez and Morey. They have revitalised the Dark Knight’s world with strong characterisation and striking visuals. Now with the penultimate chapter of Joker War and the landmark Batman #100 on the horizon this series continues to impress on every level, and I for one can’t wait to see how everything turns out.

Publisher: DC Comics

Writer: James Tynion IV / Artist Joege Jimenez

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Guillem March & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

The Batman DC FanDome Trailer!

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Batman Year Two, Catwoman, Commissioner Gordon, Gotham, Matt Reeves, Riddler, Robert Pattinson, The Batman, The Batman FanDome Trailer, The Batman Trailer

The Batman DC FanDome Trailer!

The Batman writer-director Matt Reeves has unveiled the first trailer for the new Batman film during the final panel for the DC FanDome event on Saturday. This dark, atmospheric teaser trailer, set to Nirvana’s “Something in the Way,” initially focuses  on the  Riddler (Paul Dano), who is leaving a trail of deadly teasers for the Batman and Commissioner Gordon (Jeffery Wright) to solve. There’s also a brief glimpses of Zoë Kravitz as Catwoman, we also get our first full look of Robert Pattinson in the Batsuit and driving the Batmobile, and the trailer highlights Batman’s brutal crime fighting technique as he beats up a thug just to make a point!

In the panel for the film, Reeves explained that “The Batman” won’t be an origin story as such, but it does start in “Year Two” of Batman’s career, in which Batman and several other iconic characters — Catwoman, the Riddler, and the Penguin (Colin Farrell) — are still in the early stages of their lives in Gotham. The story will feature mystery, corruption, murder and even links that stretch right back  to Batman’s past! The  movie also stars John Turturro, Peter Sarsgaard, Jayme Lawson and Andy Serkis.

Check out the awesome trailer for The Batman!

Production on the film was suspended due to the COVID-19 pandemic, Reeves had shot just 25% of the film so far. The Batman is currently in production and is  now scheduled for release in October 2021.

Of all the films and trailers featured during DC FanDome The Batman was the one I was most excited about. I thought it looked great, what were your thoughts on the trailer? One thing’s for sure, Matt Reeves “The Batman” looks set to herald a brave and bold new era for the Batman film franchise!

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

Batman #93 review

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Batman, Batman #93, Batman #93 Review, Catwoman, DC Comics, Deathstroke, Gotham, Harley Quinn, James Tynion IV, Joker, Joker War, Penguin, Punchline, Riddler, The Underwriter, Their Dark Designs

Batman #93

Review by Paul Bowler.

Batman squares off against the Designer in Batman #93 as Their Dark Designs reaches its thrilling conclusion! In the space of a year the Dark Knight has lost more than he could have ever thought possible, and now he faces a loss so shattering it will change his life beyond all recognition! But an even greater battle awaits. Joker War is on the horizon, and Gotham will never be the same again…

It’s safe to say there’s quite a lot riding on events in Batman #93, as winter Jame’s Tynion IV wraps up his first major story arc on the title, and effectively sets the stage for the imminent Joker War. So, is Batman #93 the culmination of a grand design, or does it completely miss the punchline?

Well, fortunately Tynion succeeds in brining together the numerous tangled plot threads In Their Dark Designs Part 8 to deliver a relatively satisfying finale to the story. There is the usual sparing between villain and Dark Knight as the grand scheme is unpicked and revealed, and their showdown is as deliciously theatrical as it is theatric. We also get to learn a lot more about the mysterious Underbroker and his organisation as he assists Catwoman in completing the greatest heist Gotham has ever seen, while Harley Quinn and the Joker’s new partner, Punchline, face off in spectacular fashion.

I have to say I wasn’t all that impressed with Punchline’s much touted debut last issue. Tynion goes some way to bringing more depth to the character in Batman #93, and her scrap here with Harley Quinn positively crackles with snappy dialogue and razor sharp action. While I still think Punchline comes across like some kind of vamped up version of Gogo from Kill Bill VOL I, her motivations for being with the Joker do at least have some credence to them. I still don’t understand  why there’s been so much hype about Punchline, it all seems a bit gimmicky to me, but hey, who knows, maybe Joker War will see the character continue to evolve and really get a chance to shine?

Batman #93 features some great work  from artists Guillem March and Javier Fernandez, along with colors by Tomeu Morey and David Baron, to ensure that this closing chapter of Their Dark Designs captures the sombre, brooding tone of Tynion’s script perfectly. There’s a wonderful montage of pages that collectively flashback and forwards over events, each one highlighting  a myriad of crucial aspects, narrative threads and potential outcomes. The fight between Batman and the Designer is also equally impressive, as are the highly atmospheric scenes between the Underwriter and Catwoman as Harley Quinn’s and Punchline’s anarchic dance of violence plays out with truly shocking results.

On the whole then, James Tynion IV brings Their Dark Designs to a powerful and surprising end. Batman #93 is an exciting, action-packed issue, it goes for broke, in more ways than one, and I’ve a feeling that by the time Joker War hits the Dark Knight’s world is genuinely going to be turned upside down on all fronts.

Publisher: DC Comics

Writer: James Tynion IV / Artists: Guillem March & Javier Fernandez

Colors: Tomeu Morey & David Baron / Letters: Clayton Cowles

Cover: Tony S. Daniel & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #91 Review

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Batman, Batman #91, Batman #91 review, Bruce Wayne, Catwoman, DC Comics, Deathstroke, Harley Quinn, James Tynion IV, Joker, Penguin, Riddler, The Designer, The Nightclimber

Batman #91

Review by Paul Bowler

The Dark Knight squares off against Deathstroke in Batman #91 as the mysterious Designer’s grand plan begins to overwhelm Gotham. In order to help Batman save the city Catwoman will have to undertake the greatest heist in Gotham’s history. However, with Joker, Penguin and Riddler involved, and with a team of assassins on the loose Catwoman must reluctantly team-up with Harley Quinn while Batman confronts Deathstroke alone…

Writer James Tynion IV gathers numerous plot threads together in Their Dark Designs Part 6, as the pieces of the Designer’s scheme woven from the betrayal of the major players of Gotham’s nefarious Rogues Gallery of villains begins to unfold. Batman #91 starts chillingly enough. Joker has a tale to tell, one where he’s naturally the star of the show of course. It’s a glorious retelling of the Joker’s, Riddler’s, Pernguin’s, and Catwoman’s past encounter with the Designer from last issues flashback to events at Tartarus House, and its frighteningly relayed to the Joker’s captive audience. Add an intriguing phone call, together with the fact that the Joker War storyline is rapidly approaching, and this interlude with Joker clearly lays the groundwork for even darker things to come.

After reigning in Harley Quinn following her brief stint on drone duty, the primary focus of the issue is Batman’s high-octane chase and showdown with Deathstroke, Once again Tynion’s brings some superb characterisation to the fore here as Batman confronts Deathstroke with the Nightclimber, highlighting some striking parallels between them as Batman strives to make his case for saving Gotham City. Likewise, Catwoman and Harley Quinn are thrown together again and have to fight their way out of trouble. There’s a great dynamic between them too which leads to some hilarious asides and observations from Harley Quinn on the whole Bat-Cat relationship!

Batman #91’s artwork is shared between Rafael Albuquerque, Jorge Jimenez, and Carlo Pagulayan. Each of their distinctive artistic styles is perfectly suited to the trio of plot lines they’ve been allotted to render. The varying styles overlap nicely and don’t jar as a result, action sequences flow seamlessly alongside the more character driven moments, and the colors by Tomeu Morey accentuates the dark, brooding atmosphere of the issue perfectly.

Following Batman’s unexpected alliance with a deadly foe, everything builds to an exciting cliff-hanger as another player steps into the fray to take their turn in the Designer’s game. Although the story is starting to feel a little conventional with yet another mysterious villain seemingly knowing the Dark Knight’s every move, Tynion’s excellent writing keeps things engaging enough, the art is also very good, and the action-adventure tone ensures this is another exciting issue.

Publisher: DC Comics

Writer James Tynion IV /

Art: Rafael Albuquerque, Jorge Jimenez, Carlo Pagulayan, and Danny Miki

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Jimenez and Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #33 Review

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Batman, Batman #33, Batman 75, Batman Day, Bruce Wayne, Danny Miki, DC Comics, FCO Plascencia, Greg Capullo, Riddler, Savage City, Scott Snyder, The New 52, Zero Year

Batman #33

Review by Paul Bowler

It’s the showdown that will decide the fate of Gotham City, as Batman confronts the Riddler in Batman #33, the special extra-sized finale of Zero Year! Following the terrible destruction unleashed by the Riddler’s actions during the superstorm, the city was transformed into a flooded post-apocalyptic urban wilderness. Batman survived and returned to free Gotham from the Riddler with the help of Lieutenant Gordon and Lucius Fox. Batman set out alone to find the Riddler in his secret lair. Now, with a military air strike on the way, the Dark Knight must solve the greatest challenge of his early career to save Gotham City and defeat the Riddler.

Batman #33 marks the conclusion of the epic Zero Year storyline by Eisner Award-winning writer Scott Snyder and artist Greg Capullo. Their bold re-imagining of Batman’s origin has offered us an entirely fresh perspective, one that has remained eminently respectful to the character, and skilfully redefined it within the context of DC Comics’ New 52 continuity.

The final countdown has begun, fighter jets have been scrambled from Fort Robbins, but the Riddler intends to misdirect the air strike towards a series of strategically placed explosives that will detonate and sinks the entire city. While Batman faces the Riddler’s challenge in the museum, the Dark Knight’s new allies, Lieutenant Gordon and Lucius Fox, together with the Special Ops Seals, must find a way to delay the air strike. This final part of Savage City brings a complex, thrilling, and fittingly cerebral edge to Batman’s showdown with the Riddler, as the Dark Knight tackles the complexities of Nygma’s deadly high-tech version of the circular Oroboros game – first seen in Batman #22 when Bruce originally encountered Nygma in the museums Egyptian exhibit.

With the Sphinx looming over them, this setting – so ingeniously hidden in plain sight all along and masterfully revealed last issue – not only provides a fitting backdrop for their final battle, it also links back though virtually every aspect of Zero Year itself. The way Scott Synder brings everything together in Batman #33 is staggeringly brilliant, and it is this total summation of everything that Zero Year stands for which now ultimately culminates with a gripping battle of intellects between the Dark Knight and the Riddler.

The Riddler and his web of puzzles and schemes have been an intrinsic part of Zero Year, yet it perhaps only now, as we approach the climax of this storyline, that we can fully appreciate how masterfully Snyder and Capullo have not only woven the character into the narrative of Batman’s origin, but also re-defined this classic villain in a way that has made him infinitely more compelling than ever before. Nygma and his ego-driven narcissistic designs for Gotham has given a fascinating insight into the psychology of the Riddler, believing himself slighted by the world around him, Nygma has basked in the chaos and destruction he’s unleashed in order to prove his point to the city while challenging the Dark Knight and the citizens of Gotham to evolve and defeat him. Batman #33 is a veritable showcase of Edward Nygma’s uncanny ingenuity and cunning as Batman races against time to solve each of the twelve mind-bending historical riddles entwined in the games lethal web of lasers.

Over the course of Zero Year, Scott Snyder and Greg Capullo have explored many facets of the Dark Knight’s origin. The flashback sequences have often proved to be the most compelling aspects of all and with Batman #33 Snyder and Capullo continue to explore the psychological trauma caused by the murder of Bruce’s parents during his teenage years. We see his life beginning to take a dark, and self-destructive path, and it is only through the events in Batman #33 that we learn the full extent of Bruce Wayne’s struggle with depression, as well as the lengths he was prepared to go to erase his pain, and the resolve that gave him the strength to fight his way back through the darkness with a decision that would see him leave Gotham City and begin the journey that would ultimately set him on the path to becoming Batman.

Greg Capullo’s incredible art work never ceases to amaze me. Batman #33 is easily one of Capullo’s finest issues to date, the level of detail on every page is staggering, and I guarantee when you’ve finished this issue you will be reading it again right away to savour each and every panel Greg Capullo has crafted for this Zero Year finale. Danny Miki’s inks and FCO Plascencia’s colors are superb, the shading, details, and rich color pallet is a joy to behold, and the amazing work of this artistic team on Batman #33 has, quite literally, blown me away. As well as Capullo’s, Miki’s, and FCO’s stunning cover (Great to see FCO also credited on the cover now as well), Batman #33 also has two excellent variant covers by Bryan Hitch and Paolo Rivera.

The intellectual battle between Batman and Riddler is just one of the many highlights this issue, as fate spins like penny, Gordon and Lucius also get their moment in the spotlight. Greg Capullo is the absolute master of conveying the characters emotions, their expressions, their stance, everything just works together so perfectly. Seeing the Riddler and Batman face to face, with Nygma finally seeing Batman as a worthy adversary, transcends their battle of wits to a whole new level. Incidentally, they are both wearing purple gloves, another nice touch that makes Zero Year’s reworking of Batman’s origin feel so special. Likewise, the scenes between Alfred and Bruce, and the way that Bruce’s past strikes a deeply moving, and emotionally charged symmetry with the Riddler’s grand design for Gotham, and its subsequent aftermath, will I’m sure, leave a warm smile on your face.

Scott Snyder concludes Zero Year with a brilliant coda that personifies his love and respect for the character of Batman, and through his deeply personal, and emotive re-envisioning of Batman’s origin, Snyder has ensured that Zero Year delivered everything he promised, and then some. Gothamites are made of strong stuff, the city will rebuild, and Bruce’s speech at Wayne Enterprises, and the announcement he makes on this day heralds the dawn of a new age, and the simple gesture of a surprise gift heals a rift with a bond of life-long friendship. Above all though, it is the final, closing scenes of Zero Year that are the most magnificent of all, and the clarity of this moment is one that will remain with you long after you’ve turned the final page.

Batman #33 is a stunning finale to Zero Year, as Batman’s confrontation with the Riddler concludes the third arc: Savage City. Scott Snyder’s and Greg Capullo’s epic twelve issue re-imagining of Bruce Wayne’s early crime fighting career has encompassed the classic elements of the Dark Knights origin, modernising and redefining many of the iconic cornerstones that have defined the character over he last seventy five years. I think Scott Snyder, Greg Capullo, Danny Miki, and FCO Plascencia have done tremendous work on Batman, I’ve enjoyed all the storylines, and I think Zero Year in particular has been their most outstanding achievement of all!

So what’s next for the Dark Knight? Well, in August, Batman #34, and the Batman issues which follow, will be jumping forward in time, to coincide with the events and continuity that takes place directly after DC’s current weekly series, Batman Eternal. Batman #34 will be a stand-alone story, co written by Gerry Duggan (Who is also writing this October’s new series Batman Arkham Manor), is a spooky detective story, with art by Matteo Scalera. This will lead into Snyder and Capullo’s next Batman story arc, Endgame, which begins in October’s Batman #35, Endgame, is also set in the same continuity as Batman #34 and both take place right after the ending of Batman Eternal.

Batman Endgame will be a six part storyline, and it promises to be Scott Snyder’s and Greg Capullo’s most exciting story yet. Endgame is Snyder’s and Capullo’s big story for Batman’s 75th anniversary, boasting an extensive cast of characters and thrilling cataclysmic events. Each issue will also feature back-up stories that link into the main arc of Endgame, co written by Scott Snyder and James Tynion IV, with the artists changing monthly.

Batman #33 is extra special in many ways, not only because it’s the final issue of Zero Year, it also happens to be released on Wednesday, July 23rd, as part of DC Comics international Batman Day celebrations for the 75th Anniversary of Batman. So, enjoy Batman #33 and have a happy Batman Day Batfans!

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