Detective Comics #968 Review

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A Lonley Place of Living, Alfred, Alvaro Martinez, Azeral, Batcave, Batman, Batwing, Batwoman, Cassandra, Clayface, Damian, DC Comics, DC Comics Rebirth, Detective Comics, Detective Comics #968, Detective Comics #968 review, James Tynion IV, Nightwing, Raul Fernandez, Red Hood, Red Robin, Tim Drake, Tomeu Morey

Detective Comics #968

Review by Paul Bowler

A Lonely Place of Living reaches its astounding conclusion in Detective Comics #968, with Tim Drake now back on Earth, but he’s also brought a fearsome menace back with him – a future version of himself that has been tragically moulded by fate to become the Batman! This misguided Batman is determined to complete his mission to kill Batwoman and change the future, not even the Dark Knight and his allies can stand against him, and now Red Robin must fight to save everything that he’s ever fought and died for…

Suffice to say, Detective Comics #968 is not only one hell of an action packed issue, its also probably writer James Tynion’s finest story arc so far during his run on Detective Comics. With its throwbacks to A Lonely Place of Dying and nebulous links to the Mr Oz storyline going on over in Action Comics, this storyline with its timey wimey narrative has made for compelling reading, and effectively brought Tim Drake‘s story full circle as he returns to the fold in a battle royal with his future self who now wears the mantel of the Bat!

Tynion skilfully balances the cast of Bat-characters in this issue, with Batman, Red Robin, Nightwing, Damian, Red Hood, and Alfred squaring off against the future Tim / Batman in the Batcave, while Batwoman, Azeral, Cassandra, Batwing, and Clayface bravely confront a lethal attack from hacked Colony drones at the Belfrey. Everyone in the Bat-Family gets a moment to shine in the spotlight, the dialogue and banter positively crackles from the page, and the team dynamic that makes this book so strong will no doubt be made all the richer by the dramatic far-reaching implication of the events that unfold over the course of this issue.

Detective Comics #968 also dazzles with some especially striking artwork, with pencils by Alvaro Martinez, inks by Raul Fernandez, and colors Tomeu Morey, the bold, free flowing page layouts and panoramic double page spreads exquisitely relay the frenetic action and emotional beats in vivid detail; while the concise letting by Sal Cipriano ensures the dialogue seamlessly blends the narrative across each and every panel. From the face-off in the Batcave to the showdown in the Belfrey, the extensive cast of characters are all impressively rendered, dynamic perspectives give each location a distinct tone, and the temporal effect that intermittently manifests around the future Tim / Batman also provides an interesting visual flourish.

This story-arc has been nothing short of brilliant, and James Tynion IV has excelled once himself again with this issue. Detective Comics 968 delivers an extremely satisfying, powerful, and moving conclusion to A Lonely Place of Living. It’s great to finally have Tim Drake back after his apparent demise in the battle with the Colony and his subsequent incarceration outside of time by Mr Oz. A Lonely Place of Living has offered us an intriguing glimpse into the future (or at last one possible future), it will be fascinating to what happens now that Tim has returned to the Bat-family, and I can’t wait to see what Tynion and Co have in store for this team next!

Publisher DC Comics.

Writer James Tynion IV / Pencils Alvaro Martinez / Inks Raul Fernandez

Colors Tomeu Morey / Letters Sal Cipriano

Cover Eddy Barrows, Eber Ferreira, & Adriano Lucas

Varian Cover Rafael Albuquerque

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Batman and Robin Eternal #1 Review

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Batman, Batman and Robin Eternal #1, Batman and Robin Eternal #1 review, Bluebird, Bruce Wayne, Cassandra Cain, DC Comics, Dick Grayson, Gotham City, James Tynion IV, Jason Todd, Mother, Red Hood, Red Robin, Robin, Scarecrow, Scott Snyder, The Orphan, Tim Drake, Tony S. Daniel

Batman and Robin Eternal #1

Review by Paul Bowler

DC Comics new weekly comic series Batman and Robin Eternal #1 is finally here! This sequel to the hugely successful weekly series Batman Eternal will focus on Robin and the many characters that have been involved in the Dark Knights legacy as Robins, and will form a major Bat-Family story event to celebrate Robin’s 75^th Anniversary!

Years ago, Batman and Robin tackled one of the most unsettling cases of their careers, when they brought down a secret organization run by a ruthless human trafficker – a mysterious woman known as Mother. Although Dick Grayson never fully appreciated the true scale of the case back then, those dark secrets from the past are returning to haunt him and everyone who ever worked alongside Batman. Now Bruce Wayne is no longer Batman, Dick Grayson and his allies must deal with the menace without him. But who can really be trusted, is someone amongst them not quite who they seem, and who is the silent – yet extremely deadly – young woman swathed in black who has recently arrived in Gotham City in search of Batman?

Batman and Robin Eternal will feature a wealth of characters, villains, international intrigue, plot twists, and a few new additions to the saga of Batman and Robin along the way over the next six months in this new weekly blockbusting DC Comics series from lead writer James Tynion IV, together with Batman writer Scott Snyder, and co-writers Tim Seeley, Steve Orlando, Genevieve Valentine, Ed Brisson, and Jackson Lanzing and Collin Kelly, with lead artist Tony S. Daniel fronting an art team which includes Paul Pelletier, Scott Eaton, and Francis Manapul.

Being the 75^th anniversary of Robin the boy wonder, and of course the character of Dick Grayson, the original Robin, this 26 issue weekly series gets off to a exciting start with Batman and Robin Eternal #1, featuring story by James Tynion V & Scott Snyder, script by James Tynion V, with art from Tony Daniel’s, together with inks by Sandu Florea, colors by Tomeu Morey, and letters by Tom Napolitano, we plunge right into the heart of the action as three time lines converge as one. Years ago in Cairo, Egypt, a hooded figure guns down a young boys parents, while Batman and Robin patrol the Gotham skyline in the then, and in present-day Gotham Spryal agent Dick Grayson’s return to the city (see Grayson #12) finds him engaged in a motorbike chase with drugged-up weapons designer. Grayson gets some backup from Red Hood and Red Robin, and soon the action-packed chase is over and the trio quickly capture the high-tech weapons dealer.

I really like the strong dynamic between Dick Grayson, Jason Todd, and Tim Drake. They make a great team, there’s some fun banter between them as well, and working in a Gotham where Bruce is no longer Batman has clearly strengthened the bond between them. While Dick sets off to deal with some official super-spy business, Red Hood’s opinion of Gotham’s new Dark Knight is brought into sharper focus when Bluebird has a run in with the new Batman, and it seems Harper’s no pushover when it come to dealing with Bat-Bots!

Even though the weekly series takes place in the present-day setting of Gotham, where Bruce Wayne is no long Batman and Jim Gordon has taken over as the new robo-suited Dark Knight, Bruce still have a key role to play. The story revolves around a mystery from the past from back when Dick Grayson was Robin, and Bruce Wayne was the Batman, and involves Mother during Robin’s first globe trotting adventure. Flashbacks to these past events featuring Batman / Bruce Wayne and Robin / Dick Grayson are fleeting in this first issue, but when Grayson’s mission at the reopening of a Gotham University in the present reminds him of his first encounter with Scarecrow when he was Robin, it sets in motion a deadly chain of events that could unleash danger and betrayal on all sides as an unknown figure from the past returns.

It’s also good to see Tony Daniel returning to Gotham City. Tony Daniel’s spent over five years writing drawing Batman comic books and more than three years writing them, so it’s fantastic to see Tony Daniel’s art in Batman and Robin Eternal. Since moving on from Detective Comics in 2012 the writer / artist has worked on a number of projects, including writing and drawing the recent run of Deathstroke. As we might’ve expected, Batman and Robin Eternal provides a welcome reunion for Daniel’s with these iconic characters, and his brilliant artwork on this first issue quickly sets the tone and style of this weekly series. The inks by Sandu Florea are also excellent, highlighting every aspect of Daniel’s art, and the rich colors by Tomeu Morey make this issue look absolutely stunning. Needless to say, the cover for Batman and Robin Eternal #1 by Tony Daniel, Sandu Florea, and Tomeu Morey, is superb, and probably one of the most impressive covers for a new series that I’ve seen in a long time! (There is also a great variant cover by Mikel Janin.)

It’s no secret that the all new, silent and deadly version, of Cassandra Cain makes her welcome debut to the New 52 in Batman and Robin Eternal, and it’s clear her role will be a key factor that drives the narrative of this weekly series. Let’s just say that her appearance during this issue comes at a most unexpected moment, actually it completely wrong-foots you, and it’s a brilliantly handled scene that illustrates her fighting skills perfectly. I’ve always liked Cassandra Cain, she’s a terrific character, and I’m looking forward to discovering more about her role in the events of Batman and Robin Eternal in the weeks ahead.

There are also some good scenes featuring Harper and her brother, Cullen, their bond is as strong as ever, however, it seems Steph isn’t too happy about being left on the sidelines again while Bluebird hit’s the streets. Harper Row is another worthy addition to the Bat-Family, she’s evolved into such a pivotal character since her introduction, and I’m sure Batman and Robin Eternal will give the character a chance really to shine.

Dark secrets wait in the shadows, there’s a message from the past for Dick Grayson, and who is the mysterious Orphan? James Tynion V and Scott Snyder have worked their magic on Batman and Robin Eternal #1, Tynion’s engaging multi-layered script sets a high benchmark for the series, as the story weaves seamlessly between timelines, and the art by Tony Daniel’s is stunning! Batman and Robin Eternal #1 delivers a cracking start to the series, packed from cover to cover with full-throttle action, great characterization, and one of the most jaw-dropping final pages ever its clear we are going to be in for one hell of a ride!

Publisher: DC Comics

Story by James Tynion V & Scott Snyder

Script by James Tynion V

Art: Tony Daniel

Inks: Sandu Florea

Colors: Tomeu Morey

Letters: Tom Napolitano

Cover: Tony Daniel, Sandu Florea, and Tomeu Morey / variant cover: Mikel Janin

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Batman Eternal #41 Review

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Batgirl, Batman, Batman Eternal #41, Batman Eternal #41 review, comics, Gotham, Harper Row, James Tynion IV, Joe Quinones, Kelsey Shannon, Kyle Higgins, Ray Fawkes, Red Hood, Red Robin, Scott Snyder, Tim Seeley

Batman Eternal #41

Review by Paul Bowler

A new threat menaces Gotham in Batman Eternal #41, as the children infected by the nano-swarm are drawn to a warehouse, where assembly has begun on a giant transmitter. It’s up to Red Robin, Batgirl, Red Hood, and Harper Row to investigate and stop whoever is controlling the nano-controlled teens before the device can be activated.

With Batman busy dealing with the Riddler, Batman Eternal #41, finds Red Robin and his allies tackling the threat posed by the nano-tech virus in this fast-paced story from writers Scott Snyder and James Tynion IV, with script by Kyle Higgins, and consulting writers Ray Fawkes, and Tim Seeley. From its chilling opening moments, the terrible power of the nano-swarm is finally revealed, and even Gotham’s protectors are unaware of the terrible danger they now face.

The spotlight falls on Red Robin, Batgirl, Red Hood, and Harper Row this issue as events focus on the victims of the nano-virus and the way they are being manipulated into building a strange device in an old warehouse. I really liked these opening scenes as Red Robin takes charge, he even keeps Batgirl and Red Hood in line, but it is the moments between Red Robin and Harper Row that really shine here. Harper is understandably worried her brother, Cullen, is also affected and inside the building. The way Red Robin persuades Harper to remain on the roof and monitor the situation is handled really well, and the advice Red Robin offers Harper is especially heartfelt and poignant.

Though initially I felt the art by Joe Quinones with colors by Kelsey Shannon seemed a little too bright and breezy, after a few pages Quinones’s bold lines and sharp attention to detail soon won me over, and together with Shannon’s vivid colors, this issues art actually really suited the nano-tech slant and themes of the story perfectly. This issue features some really inventive panel layouts as well: the stakeout merges seamlessly with the view from Red Robin’s binoculars, the brief interlude with Spoiler was also exciting, and the battle in the warehouse were Red Robin, Batgirl and Red Hood make a valiant stand against impossible odds is a kinetic flurry of dynamic angles and inter-cutting perspectives.

The Swarm also features the surprise appearance of a Bat-Villain, one whose there to see the nano-tech is used to its full potential, and someone that also coincidentally has a tenuous connection to the technology used to hypnotize Jim Gordon. Its clever how these throwaway remarks all tie into the major events that kicked off Batman Eternal, the ongoing sub-plot with the nano-swarm now makes a lot more sense as well, especially now that we are beginning to see how it actually slots into the overall scheme of things.

While I’m not entirely sure Batman would approve of Red Hood going all ballistic during the fight inside the warehouse given the age of the targets, despite the fact he uses rubber bullets, this issue of Batman Eternal is an action-packed spectacle that still finds time to squeeze in one last big surprise. With the nanites set to tear the Narrows of Gotham apart, a life changing decision will be made, and a new hero will rise to defend Gotham City. Batman Eternal #41 is a cracking issue of this weekly DC Comics series, with great story, art, and lots of surprises, it’s certainly an issue not to be missed.

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Batman Eternal #15 Review

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Arkham Asylum, Batgirl, Batman, Batman Eternal, Batman Eternal #15, Batwing, Batwoman, DC Comics, Derek Fridolfs, Dustin Nguyn, Harper Row, James Tynion IV, Jason Kalisz, Jim Corrigan, John Layman, Ray Fawkes, Red Hood, Red Robin, Scott Snyder, Tim Seeley

Batman Eternal #15

Review by Paul Bowler

Gotham’s gang war is over following the blood soaked showdown between Penguin and Carmine Falcone. While Jim Gordon had to make a decision that could alter his life forever, Lieutenant Bard and Batman reached a new understanding after tackling the corruption within the GCPD, leading to the arrest of Commissioner Forbes and the Mayor. Batman Eternal #15 follows Red Robin’s mission to Tokyo, while Batgirl and Red Hood run into Batwoman in Rio. Plus, as Batman and Bard deal with the remaining gangs in Gotham, we return to Arkham Asylum, where Batwing and Jim Corrigan must confront the hellish forces which have been unleashed there.

Batman Eternal #15 juggles multiple pot strands, building successfully on the aftermath of the gang war, while also giving the rest of Batman’s globe trotting allies’ time in the spotlight, as well as the sinister events in Arkham Asylum. With its fast paced story by writers Scott Snyder and James Tynion IV, script by Ray Fawkes, along with consulting writers John Layman, and Tim Seeley, Batman Eternal #15 makes good use of all the characters and finely hones each aspect of the multiple plot threads that have been gradually building over the course of this weekly series.

The Common Limit sees Red Robin pilot his aircraft to Tokyo, having uncovered the stowaway Harper Row en route, who is determined to find out who is behind the nanotech that is slowly killing her brother. There are some really fun moments between Red Robin and Harper during these early scenes, the banter between them is excellent as well, especially when Harper gets his name wrong and dons a makeshift mask, something that nicely links into the Bluebird crime-fighting persona we know she will eventually adopt (as we saw in Batman #28) to fight alongside Batman.

As Batwing and Jim Corrigan explore Arkham the full extent of what has been happening begins to become apparent. While they may seem an unlikely team, the combination of Batwing’s hi-tech suit and Corrigan’s in-depth knowledge of occult forces, actually works really well, and the characters seem to have stuck up a very natural bond. Their descent into the lower levels of the Asylum is quite unsettling, we catch sight of Riddler’s cell, a shadowy stairwell finds an inmate babbling with all kinds of madness, and the Scarecrow’s fate is almost as disturbing as the bizarre manifestations in his cell.

Two further interludes, one involving Batman and Lieutenant Bard as they round up the remaining gangs members, the other with Batgirl, who has reluctantly teamed up with the Red Hood, on her mission in Rio to find evidence to clear her father of causing the Gotham train crash, although brief, ensure that both subplots are kept bubbling away in the background. I really like the dynamic between Batman and Bard, it’s very different to the one the Dark Knight had with Gordon, and I look forward to seeing how it develops over time. Batgirl and the Red Hood also had some intense scenes, and it was good to see Batwoman show up as well.

Dustin Nguyn’s art for this issue of Batman Eternal is excellent, together with Derek Fridolfs inks, the various locations and extensive cast of characters are all handled really well. Nguyn’s art brings a real sense of kinetic action to every scene, especially the segments in Arkham, with its sinister supernatural elements and hordes of raving lunatics lurking down in the Asylums shadowy depths. The colors by Jason Kalisz also gives each section of the story its own distinct tone: from the crimson hues inside Red Robin’s aircraft, the greys and blacks of Gotham are in stark contrast to the purple neon glow over a back street in Rio, while the horrors of Arkham are cloaked in mixture of deep shadows and ghoulish magic as Batwing and Jim Corrigan explore its secrets.

Batman #15 rounds everything off with a thrilling double edged cliff-hanger, one that will see Batwing’s reliance on the technology of his armoured suit pushed to the limit, while in Arkham’s basement Corrigan must face a new terror waiting in the darkness. I really enjoyed this issue, the various plot elements all meshed together well, and I also liked how we finally got to return to the storyline in Arkham as well. All in all then, I’d have to say Batman Eternal #15 was a good solid issue, the story and art were really impressive, and I look forward seeing how the intriguing global adventures with Batman’s allies and the supernatural storyline in Arkham pans out, as well as the impact they’ll have on future events in Batman Eternal.

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Batman #21 Review

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Batman, Batman #21, Bruce Wayne, Danny Miki, DC Comics, FCO Plascencia, Greg Capullo, James Tynion IV, Rafael Albuquerque, Red Hood, Scott Snyder, The New 52, Zero Year

Batman #21

Review by Paul Bowler

Origins are something of a holy grail when it comes to comic books. They define what we know about a character, often forming the backbone for a continuity that can endure across countless decades, and only the most brave and the bold possess the skill to tamper with such a legacy – let alone even attempt to retell such a momentous event. Batman #21 marks the beginning of one of the biggest comic book storylines of 2013: Zero Year, the epic eleven part recasting of Batman’s origin by Scott Snyder and Greg Capullo.

The legendary origin of Batman begins anew with Zero Year: Batman #21 six years ago when Gotham City was ruled by The Red Hood Gang, a sophisticated group of anonymous Gothamites – the Red Hood’s – who are always ready respond to the call of their mysterious leader. The young Bruce Wayne has chosen this moment to return to Gotham, having been declared legally dead in his long absence, he arrives to reclaim the city from this new criminal mastermind. With Alfred’s help Bruce begins to form a profile on the Red Hood, collating the data as he continues training.  Bruce’s uncle – Philip Kane – now acts as his advisor at Wayne Industries, but are his plans really in the best interest of the heir to the Wayne Empire? It falls to Bruce to tackle the menace of the Red Hood’s, but he must do so alone, and without the cape and cowl of the Dark Knight.

The Red Hood and his gang featured prominently in last years Batman #0 issue, where Bruce Wayne attempted to infiltrate the gang in an undercover operation, but unfortunately Bruce underestimated his adversary and the Red Hood quickly saw through his disguise. The Red Hood gang look set to play a big role in Zero Year, as we learn more about these individuals who wear opaque red masks to hide their identities, and discover more about their leader – the Red Hood. When he was introduced in 1951 in Detective Comics #168 the Red Hood eventually turned out to be the Joker; revealing the story of his transformation into the Clown Prince of Crime. As ever Scott Snyder brings a fresh perspective to the character, updating the original storyline while preserving the mystery of his identity, perhaps indicating that he may not turn out to be quite who we are expecting.

Batman #21 opens with an intriguing glimpse of things to come before we rejoin Bruce as he faces his next encounter with the Red Hood gang. The tense standoff sees Bruce rescuing the gang’s hostages, but he is unable to capture the Red Hood, and his identity remains a mystery. Bruce returns to his base of operations to discuss the situation with Alfred, it seems that each gang member is blackmailed into working for the Red Hood. Bruce has yet to announce his return to Gotham, but when his uncle, Philip Kane, turns up on his doorstep, Bruce goes with him to see the new Wayne Enterprises building. With his life spinning like a penny before him, Bruce listens as Kane explains his vision for the company, but Bruce has returned for reasons of his own.

Secret City: Part One not only sets up another exciting encounter with the Red Hood gang, it also sees Bruce Wayne take his first step into announcing his return to Gotham City. There are some wonderful scenes between Bruce and Alfred in Batman #21, whether they are gathering data on the Red Hood gang or addressing the “mission” that Bruce is dedicating his life to, Snyder’s brilliant dialogue makes these small moments shine. Greg Capullo’s art transports us back in time, showing us just how different Gotham City was during this dark period. You almost feel like you are returning to Gotham yourself, seeing everything through Bruce’s eyes, as the past converges with the present to foreshadow the legacy of the bat in the very buildings themselves. Batman #21 is full of potent symbols which only scratch the surface of what we can expect from Zero Year, interspaced with scenes from Bruce’s childhood, and a surprise ending that few of us could have expected.

Snyder and Capullo have masterfully managed to encapsulate the essence of what made Year One by Frank Miller and David Mazzucchelli so riveting, but Zero Year also has a deep respect for this unrivalled masterpiece. It is clear from this first instalment in Batman #21 that Zero Year has the same gritty realism and bearing on the character as Year One. This is no attempt to overshadow what has gone before, instead it aims to complement the past by revisiting the story in a brand new way, making Batman and Gotham real and current to readers today. In taking this approach Snyder and Capullo ensure that Zero Year has a very distinct identity of its own, brining it right back to the beginning when that tragic night in the alley created an orphan who would rise on the dark wings of fate, shaping his life – his city – in a way that few of us could ever have imagined possible.

The backup stories for Zero Year by Scott Snyder, James Tynion IV, and Rafael Albuquerque, detail the trials that Bruce Wayne faced as he set out on his quest to hone his skills in preparation for his crime fighting career. In this first glimpse into Bruce Wayne’s youth – Where the Hell Did He Learn to Drive? – we meet the nineteen year old Bruce in Rio De Janeiro, where he is learning the finer points of getaway driving from Don Miguel as they try to outrace the authorities. This exciting glimpse into Bruce‘s formative years sees him at the wheel of a luxury sports car, while Don Miguel prepares to use their stolen weapons against the Police. It an interesting concept, to see Bruce learning from criminals, and then using the skill he gains against them. This story also features some terrific art by Rafael Albuquerque, who captures every moment of the high-octane car chase, which culminates with a fitting end for the cop-killing car thief.

DC Comics has also launched Zero Year with a stylish cover for Batman #21 by Greg Capullo and Plascencia, and there is also a fantastic variant by Jock. Batman #21 gets Zero Year off to a fantastic start, drawing us into Snyder and Capullo’s new approach to Batman’s origin, and setting up plenty of intriguing plot threads that will lead towards Bruce Wayne’s ultimate destiny. The art by Greg Capullo is absolutely stunning, perfectly realising Snyder’s vision, along with the superb inks by Danny Miki, colours by FCO Plascencia and letters by Nick Napolitano to effortlessly transport us back to this momentous era that shaped Gotham City as Bruce Wayne prepared to become the Dark Knight

Batman #21 is the beginning of an epic. Zero Year may prove divisive for some, inevitably it will be judged by what has gone before, but as this issue clearly demonstrates Zero Year is no simple retread of the past just to shoehorn Batman’s origin into the framework of The New 52. Scott Snyder and Greg Capullo have poured their heart and soul into this project, every page of Batman #21 stands as a  testament  to their utmost dedication to the character, and I have every faith that Zero Year will live up to everything they have promised it to be.