Doctor Who The Pyramid at the End of the World Review

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Bill Potts, Daniel Nettheim, Doctor Who, Doctor Who Monk Trilogy, Doctor Who Monks, Doctor Who Series 10, Doctor Who The Pyramid at the End of the World, Doctor Who The Pyramid at the End of the World review, Matt Lucas, Nardole, Pearl Mackie, Peter Capaldi, Peter Harness, Steven Moffat, TARDIS, The Doctor

Doctor Who The Pyramid at the End of the World

Review by Paul Bowler

[Contains Spoilers]

The Doctor, Bill, and Nardole confront an alien invasion in The Pyramid at the End of the World, but its not like any the Time Lord has ever seen before. There’s a 500 year old pyramid in the middle of a war zone, the Chinese, Russian, and American armies are poised to strike, but the pyramid wasn’t there yesterday… Intrigued by the mystery, the Doctor and his companions must do everything they can to avert the impending disaster, but bizarrely for the conquest of Earth to begin these aliens need the consent of the human race first!

As the seventh episode of series ten, The Pyramid at the End of the World certainly has one of the most intriguing episode titles so far in this new series of Doctor Who, and it reunites the co-writing partnership of Peter Harness and Steven Moffat that brought us The Zygon Inversion! Peter Harness, the writer of Kill The Moon (2014), The Zygon Invasion, and The Zygon Inversion co written with Steven Moffat (2015), now returns with his third story for Doctor Who, The Pyramid at the End of the World, which is also just happens to be directed by The Zygon Invasion / The Zygon Inversion director Daniel Nettheim.

Following the startling revelations in Extremis the Doctor, Bill, and Nardole are now forewarned of the Monks elaborate strategic planning and must stand ready to face their invasion in The Pyramid at the End of the World. As the second part of the “Monk Trilogy” gets underway Bill’s love-life suffers another VIP gatecrasher and the blind Doctor takes to strumming lonesome tunes on his electric guitar in the TARDIS, but when an ancient pyramid suddenly appears in Turmezistan causing an international incident between the Chinese, Russian, and American forces, the UN calls on the Doctor (still hiding the weakness of his blindness from Bill) to act in his capacity as the President of Earth and help them confront the menace of the alien Monks.

When every clock in the world suddenly jumps towards a countdown to doomsday, the Monks offer a terrifying proposition to save humanity from disaster (caused by a deadly biohazard that‘s been unwittingly created by scientists at Agrofuel Research Operations, a bacteria so lethal it will wipe out all like on Earth), but in order to avert Armageddon the human race must willingly consent to become slaves to their would-be alien saviours!

The Pyramid at the End of the World shows Peter Capaldi at his best as the 12^th incarnation of the Time Lord, with Capaldi turning in a terrific performance as the Doctor gradually becomes increasingly desperate in his attempts to stop the invasion of the Monks. The scenes as the Doctor confronts the Monk outside the pyramid crackles with menace, but the visually impaired Time Lord is unaccustomedly hampered by his aliment, and this time the odds seem impossibly stacked against him as he attempts to save the day. Pearl Mackie also excels as Bill Pott’s, who quickly notices something is wrong with the Doctor in this episode when the Time Lord urges the military leaders to coordinate their attacks on the pyramid. Bill gets to see a darker, more war-like side to the Doctor in The Pyramid at the End of the World, and this really shakes up the dynamic between them. Matt Lucas did seem a little sidelined as Nardole in this episode, but his character does lighten the tone a bit during the bleaker moments as the Earth faces impending doom.

The corpse-like red-robed Monks have chosen this exact moment and place to begin their campaign to invade Earth. Having made their debut in Extremis, where it emerged they’d been using advanced virtual reality projections to study the Earth and assess its vulnerabilities, the Monks quickly evolve into a palpable threat to humanity in The Pyramid at the End of the World. They know of the Doctor, yet even though the Time Lord makes it clear that he is the line in the sand they will face, they nevertheless intend to take this world and its people, but like Vampires they will do so only when invited, and they say they will talk to the Doctor again: “At the end of the Earth.”

Jamie Hill reprises his role as the Monk from Extremis for this episode – he also played the Foretold in Mummy on the Orient Express (2014) and appeared as a Silence in series six – and the eerie rasping voice of the Monks is provided by Tim Bentinck. In this episode we discover the Monks chose their undead form to look like us because this is how they perceive humanity. The Monks must also be invited to save the world, stating: “We must be loved,” because “To rule through fear is inefficient.” – which seems to indicate a somewhat unusual conflict of emotion and logic… These mysterious blue skinned creatures are chillingly realized. With their cadaverous bodies and the sinister way they speak with their mouths agape, they cast an extremely powerful presence whenever they appear, and are easily one of the creepiest monsters that we’ve seen so far in series ten.

Along with the strong performances of the three leads, The Pyramid at the End of the World features an impressive supporting cast, which includes Togo Igawa (Secretary General of the UN), Nigel Hastings (The Commander), Eben Young (Colonel Don Barbbit), Rachel Denning (Erica), Daphine Cheung (Captain Xiaolian), Tony Gardner (Dogulas), Andrew Bryon (llya), and Ronke Adekoluejo (Penny). Filming for parts of this story also took place in Tenerife in the Canary Islands, a location previously used to represent the Moon (Kill The Moon), Skaro (The Magician’s Apprentice / The Witch’s Familiar), and Gallifrey (Hell Bent).

The Pyramid at the End of the World sees the Doctor taking charge as the President of Earth, a role which he originally earned in Death in Heaven (2014), giving him special powers to control Earth’s military forces during an alien invasion, a duty he upheld again during The Zygon Inasion / The Zygon Inversion (2015). The Doctor is working alongside the UN in The Pyramid at the End of the World, but UNIT is mentioned fleetingly when he’s trying to locate the research laboratory the Monks are secretly monitoring. The fictional country of Turkmenistan in this episode also featured in The Zygon Inasion / The Zygon Inversion. The doomsday clock is a real concept designed to represent the increments of cataclysmic man-made disasters, the original setting for the clock in 1947 was seven minutes to midnight – midnight being the point of catastrophe. Pyramids have featured regularly in Doctor Who over the years, but perhaps most notably in this instance when the 1^st Doctor (William Hartnell) visited the Great Pyramid of Giza in Part Nine of The Daleks’ Master Plan (1966), where he was also pitted against an adversary known as The Monk (Peter Butterworth)

Having nullified the militaries attacks with ease, the Monks invite the military leaders into they pyramid and use their bizarre future modelling technology to demonstrate Earth’s fate. Needing someone of extreme power to give them formal “consent” and provide the link to invite them to take over the world, the Monks power is revealed when first the UN Secretary General, followed by the three colonels, all fail to offer “pure” consent, and are disintegrated.

While Bill remains at the Pyramid, the Doctor and Nardole use the TARDIS to reach Agrofuel Research Operations, where the Doctor is helped by the scientist Erica (superbly played by Rachel Denning) to contain and destroy the biohazard. A nail biting countdown ensues when the Doctor gets trapped in part of the building that’s about to explode – and with Nardole in the TARDIS suddenly overwhelmed by the affects of the airborne contagion – the Time Lord is forced to confess to Bill that he’s been blind since the events on Chasm Forge. Desperate to save the Doctor at any cost, Bill offers her pure consent to the Monks, pure as she is acting out of love. The Monks restore the Doctor’s sight, enabling him to escape from the room in the laboratory before it explodes, but in return the Monks will now rule the Earth… forever!

Just as they did with The Zygon Inversion, the writing team of Peter Harness and Steven Moffat have crafted an exceptionally good Earth invasion story with The Pyramid at the End of the World. Though the pace of the story is a tad slower than expected, strong themes drive the narrative, and there are distinct hints of Torchwood Children of Earth and the 2016 film Arrival about the episode as well. Peter Capaldi also delivers a great monologue near the start, and later Bill has to make the most important decision since she began her adventures with the Doctor. Daniel Nettheim’s assured direction offers a powerful depiction of the epic scale of events, and delivers some particularly striking visuals featuring the episodes mysterious Pyramid.

One thing’s for sure, the fallout from Bill “executive decision” looks set to cause a major upheaval, especially if that exciting Next Time trailer featuring Missy, Monks, and mass mind control is anything to go by! The Pyramid at the End of the World provides an enthralling and challenging middle segment to the “Monk Trilogy”. The Doctor’s valiant battle to save planet Earth from the fate that’s been so chillingly orchestrated for it by the Monks makes for a tense, edge-of-your-seat adventure, and it skilfully sets everything up for the thrilling conclusion of the trilogy in The Lie of the Land.

Images Belong BBC

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Doctor Who The Zygon Inversion Review

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Clara Oswald, Daniel Nettheim, Doctor Who, Doctor Who Series 9, Doctor Who The Zygon Inversion, Ingrid Oliver, Jemma Redgrave, Jenna Coleman, Kate Stewart, Osgood, Peter Capaldi, Peter Harness, Steven Moffat, The Doctor, The Zygon Inversion, The Zygons, UNIT, Zygons

The Zygon Inversion

Review by Paul Bowler

[Contains Spoilers]

20 million Zygons were granted asylum on Earth by UNIT, they have lived peacefully alongside humanity, unnoticed, but now a breakaway Zygon faction wants to take over the world. The Zygon revolution has begun! The fate of the Earth is sealed inside a Box in the Black Archive, but only the Doctor knows what’s inside. Now with UNIT neutralised and the Zygons in control, Clara cocooned in a Zygon pod and her evil Zygon doppelganger “Bonnie” on the loose, the Doctor and Osgood must reach London at all costs, but nobody can be trusted now. However, there is one last hope, because the box in the Black Archive is a very special box, its Osgood’s Box, and it will decided the fate of this conflict once and for all…

The Zygon Inversion concludes this exciting two-part story from Series 9, written by Peter Harness (Kill The Moon) and Doctor Who show runner Steven Moffat, and directed by Daniel Netteim (Line of Duty / Humans), finds the Doctor, Clara, Kate Stewart, Osgood, and UNIT all in peril as the Zygon revolution begins in earnest.

The Zygon Inversion brilliantly resolves the cliff-hanger from The Zygon Invasion, where Clara’s Zygon double, Bonnie, fired a rocket launcher at the Presidential Aircraft just as the Doctor and Osgood where returning to the UK from Turmezistan. An ingenious plot twist wrong foots us right from the outset, using Clara’s unsettling experience as a “live feed” for her Zygon double to provide us with an entirely different perspective of the events leading up to the cliff-hanger. Following their mid-air escape, the Doctor (whose parachute is remarkably patriotic!) and Osgood (the Zygon “sister” of the human Osgood murdered by Missy in the 2014 series finale Death In Heaven) become fugitives as Bonnie searches the UNIT safe house for the location of the Osgood Box. But when the Doctor receives a surprise text message, Osgood realises the real Clara is “awake”, and the subsequent phone conversation between Dr John Disco and Zygella allows Clara to use a non verbal form of communication to tell the Doctor she’s trapped amongst the Zygon pods in the tunnels beneath the streets of London – where the missing civilians are also being held.

The Doctor and Osgood make a fantastic team in The Zygon Inversion, brilliantly played by Peter Capaldi and Ingrid Oliver, these characters work so well together. The chemistry between them is magical and their banter is sure to bring a wry smile to your face, especially when Osgood gets to wear the Sonic Specs after her own glasses were broken, and it soon become clear that Osgood is undoubtedly a big fan of the Doctor! Kate Stewart also has a key role to play in events in this episode, her character has some fantastic scenes, and Jemma Redgrave gives a strong performance as Kate Stewart faces the most challenging decision of all. Jenna Coleman is also fabulous in her roles as both the real Clara Oswald and her villainous Zygon / human duplicate Bonnie. She gets some great scenes when Clara’s consciousness is in the bizarre dream-like reality of her flat while her body is trapped inside the Zygon pod, particularly when Clara has to find a way to endure Bonnie’s interrogation about the Osgood Box to stay alive, and Coleman is also wickedly evil as Bonnie in her quest to use the Osgood Box to end the ceasefire – no matter what the price of victory.

Bonnie’s sinister plan to unmask her fellow Zygons – whether they want it or not – to provoke fear, paranoia, and ultimately war, becomes even more disturbing when the Doctor and Osgood reach the Fleet Estate Centre, and the tragic fate of Etoine (Nicholas Asbury) makes for some of the episodes most emotive and deeply moving scenes. As Bonnie enters the Black Archive with her Zygon guards and Clara’s pod in tow, the Doctor and Osgood are surprised at the Fleet Estate Centre by the unexpected return of Kate Stewart from New Mexico, and accompanied by two UNIT troops they set out to reach the Zygon Command Centre in the tunnels beneath London, where it soon becomes clear not everyone is quite who they seem…

Ever since the Zygons first appeared in the 4^th Doctor story Terror of the Zygons (1975), they have been amongst the series’ most popular monsters, and their long awaited return in The Day of the Doctor (2013) led to the fragile peace between Zygons and Humans that is now under threat in The Zygon Inversion. The Zygon Invasion and The Zygon Inversion has made the new Zygons (Played by Aidan Cook, Tom Wilton, and Jack Parker and brilliantly voiced by Nicholas Briggs) even more menacing than ever before, and the Zygon transformation in The Zygon Inversion are especially graphic. Their shape-changing abilities no longer require the original body print to refresh the Zygons disguise, they can even adopt the form of your nearest and dearest directly from your mind to use against you, and their hands can emit a lethal electric sting. However, as we see with Clara and Bonnie in this episode, Zygon live links can work both ways and be used against them. The differences between Zygons who want to live in peace on Earth and the splinter Zygon faction from the younger brood that wants to conquer the world are thrown into sharp contrast in The Zygon Inversion, just as Kate’s views and Bonnie’s stance on the Zygon revolution are also called into question, and the powerful script by Peter Harness and Steven Moffat unflinchingly tackles these challenging issues.

The Zygon Inversion builds towards an exciting finale, as the Doctor, Osgood, Kate, and Clara, find themselves locked in a tense stand-off against Bonnie and the Zygons in the Black Archive, where the mystery of the Osgood Box – which the Doctor left on Earth as the final sanction should the Nightmare Scenario occur – and the reason why both the Zygon and Human Osgood’s were needed is finally revealed at last. It sets in motion a deadly game of truth or consequences. Peter Capaldi’s powerful speech here, to break the cycle and broker peace once more between Zygons and Humans, is sure to be heralded one of this series’ defining moments, it’s a truly momentous scene, and Peter Capaldi’s performance is utterly magnificent!

There are a number of nostalgic references in The Zygon Inversion. The 1^st Doctor’s (William Hartnell) portrait is seen again in the UNIT safe house, and we also get another mention of the Z67 Sullivan Gas – a clear link to the 4^th Doctor’s (Tom Baker) companion Naval Surgeon Harry Sullivan (played by Ian Marter). Kate Stewart also gets to use the line “Five rounds rapid!”, a line forever associated with Kate’s father, Brigadier Lethbridge-Stewart (Nicholas Courtney) in the classic 3^rd Doctor story The Daemons (1971). The Doctor also reflects on a time when he was going to press a button in another box, The Moment, during the Time War in The Day of the Doctor. UNIT’s Black Archive also returns, the secret facility played a major role in that story, and eagle eyed viewers will also spot a Mire helmet from The Girl Who Died in the background. The Doctor is also surprised when Osgood admits she doesn’t know what TARDIS stands for as she’s heard there are a couple of different versions of this anachronism. The “D” has been referred to as both “dimension” and “dimensions” at different points in both the classic series and the new series, in An Unearthly Child (1963) the Doctor’s granddaughter, Susan (Carol Ann Ford), claimed she’s made up the name “time and relative dimension in space”, but the Doctor would later go on to tell people the “D” stands for dimensions, when the series returned in 2005 the 9^th Doctor (Christopher Eccleston) explained the name of the TARDIS to Rose (Billie Piper) in her debut adventure but reverted back to “time and relative dimension in space”, and the 12^th Doctor’s ridiculously OTT explanation to Osgood in The Zygon Inversion about what TARDIS really stands for is a fun acknowledgment of Doctor Who’s most unusual quirk in continuity.

With peace finally declared, along with a somewhat convenient mind-wiping re-set switch to restore the post Day of the Doctor status quo between the Zygons and Humans, the wonderful closing scenes with Osgood await us, and what marvellously scripted scenes they are. There are so many fan-pleasing moments in the conclusion of The Zygon Inversion its sure to leave you seeing double, Osgood’s outfit here also takes several elements from seventh Doctor’s (Sylvester McCoy) costume from The Curse of Fenric (1989), and I’m sure that I probably wont be the only one hoping Osgood accepts the Doctor’s offer to travel in the TARDIS one day. Some questions are left unanswered for now, there’s a fun play on first names, and a poignant closing TARDIS interior scene that beautifully judges emotion and time as one and the same.

Proving itself to be anything but the same old same old, The Zygon Inversion is Doctor Who at its very best, and this episode provides an exciting and tense conclusion to this two-part story. The taut script by Peter Harness and Steven Moffat skilfully plays on the issues of identity, trust, and paranoia, while the stories deep philosophical core enables director Daniel Netteim to gradually build this though-provoking episode to a thrilling conclusion. With its strong cast, excellent performances from Peter Capaldi, Ingrid Oliver, Jemma Redgrave, together with Jenna Coleman’s brilliantly acted dual role as Clara and her evil counterpart, and the return of the Zygons for this story, The Zygon Invasion & The Zygon Inversion have all the hallmarks of classic Doctor Who and is without a doubt one of the best two-part stories from Series 9 so far!

And just for fun here’s a clip where actress Ingrid Oliver explains why Osgood turns down the chance of a lifetime at the end of The Zygon Inversion!

Images & Clip Belong: BBC

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Doctor Who The Zygon Invasion Review

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Clara Oswald, Daniel Nettheim, Doctor Who, Doctor Who Series 9, Doctor Who The Zygon Invasion, Ingrid Oliver, Jemma Radgrave, Jenna Coleman, Kate Stewart, Osgood, Peter Capaldi, Peter Harness, Steven Moffat, TARDIS, The Doctor, The Zygon Invasion, The Zygon Inversion, UNIT, Zygons

The Zygon Invasion

Review by Paul Bowler

[Contains Spoilers]

A fragile peace established long ago beneath the Tower of London is in jeopardy. Zygons have been living in peaceful coexistence with humans, undetected, but a rogue faction has begun plotting to overthrow humanity. Joining forces with UNIT to help deal with the global crisis, the Doctor and Clara must stop events spiralling out of control. A message from UNIT scientific officer Osgood issues a chilling warning, but she is supposed to be dead, is this really Osgood, or some Zygon deception? The Doctor, Clara and UNIT must embark on a world-wide adventure to rescue the kidnapped Osgood and stop the Zygon Invasion!

The Zygon Invasion, written by Peter Harness, who also scripted Kill The Moon (2014), begins a two-part story that features the return of the classic Doctor Who monsters, the Zygons, which originally appeared forty years ago in the 4^th Doctor story Terror of the Zygons (1975). The Zygons also played a significant role in the 50^th anniversary story The Day of the Doctor (2013), where Kate Stewart and Osgood from UNIT confronted Zygon duplicates of themselves in the Black Archive below the Tower of London. The Zygon Invasion and The Zygon Inversion, directed by Daniel Nettheim (Line of Duty), returns to address the memory-wiped peace Kate Stewart and Osgood negotiated with their memory-wiped Zygon counterparts, and the challenging issues facing this Zygon-Human coalition when a secret Zygon faction attacks humanity.

Right from the opening moments, The Zygon Invasion hit’s the ground running and the action doesn’t let up for a moment. A fan-pleasing recap of event from The Day of the Doctor sublimely blends into a recording made by both Osgoods in the wake of these events, detailing the covert Operation Double instigated by UNIT that allowed sanctuary to the 20 million Zygons now been living on Earth disguised as humans, who until now have existed unnoticed, in peaceful coexistence alongside humanity. As we ponder the mystery of Osgood’s Box the Doctor’s rousing guitar solo in the TARDIS is interrupted by news of the Nightmare Scenario! “Doctor Disco” returns to Earth, but a Zygon attack on a children’s playground and sinister happening near Clara’s flat, soon reunites the Doctor and Clara with Kate Stewart, Jac, and UNIT at the former Zygon Base inside the Drakeman Junior School in London, where the Zygon Control Polyp has been compromised, and the Doctor and his allies witness as the Zygon High Command – in the form of the kidnapped school girls Claudette (Cleopatra Dickens) and Jemima (Sasha Dickens) – are ruthlessly usurped by the radicalised splinter group from the younger Zygon brood now seeking to take over the world.

The Doctor and Clara are right at the heart of the action in The Zygon Invasion, Peter Capaldi and Jenna Coleman continue to build on the strong relationship between the Time Lord and his travelling companion. Kate Stewart is also back for this adventure, brilliantly played by Jemma Redgrave; she is joined by Jaye Griffiths as Jac. Jemma Redgrave has some great scenes with Peter Capaldi, especially when Kate and the Doctor are at loggerheads about bombing the Zygons, and Kate also gets to investigate a decidedly spooky town in New Mexico – where Gretchen Egolf proves unsettlingly mysterious as Norlander. Clara and Jac also make a good team, and they spend much of the episode working together. The impressive cast also features Rebecca Front (who also co-starred in The Think of It with Peter Capaldi) as Colonel Walsh, her scenes with Capaldi’s Doctor as her forces confront a difficult situation outside a church in Turmezistan are incredibly tense, and the angst-ridden situations UNIT troops Drone Operator Lisa (Jill Winternitz) and Hitchley (Todd Kramer) face delivers some of the most powerful and moving moments in the entire episode.

With Osgood captured by the rogue faction of shape-shifting Zygons, the peace treaty between the Zygons and Humans is now violated. Determined to restore the peace between Zygons and Humans before the ceasefire breakdowns completely, the Doctor takes the Presidential Aircraft to rescue Osgood from a Zygon infested village in Turmezistan, while Kate Stewart sets out to solve a mystery in New Mexico, and in London Clara and Jac call in UNIT reinforcements when they discover something nasty lurking below her block of flats…

The presumed dead, not dead-is-she-really-a-Zygon now, scientist Osgood also returns in The Zygon Invasion, and it’s great to see Ingrid Oliver back as the former bow-tie / scarf wearing Osgood. Ever since the character first appeared alongside the 11^th Doctor in The Day of the Doctor, Osgood soon became a fan-favourite, and her untimely death in the 2014 series finale Death in Heaven – when she was cruelly vaporised by Missy – left us all mourning the loss of our favourite geek / scientist character. Now Ingrid Oliver reprises her role as Osgood in The Zygon Invasion, but is she human this time, or a Zygon disguised as Osgood? Well, this Osgood is indeed the Zygon Osgood, although in many way’s she’s also the human Osgood – as we discover after the Doctor rescues her in Turmezistan. Ingrid Oliver’s scenes with Peter Capaldi are the big highlight of this episode, especially when the Doctor and Osgood travel on the Presidential Aircraft back to the UK, and their movingly frank conversation is undoubtedly one of Series 9’s finest moments so far. The live link the human Osgood and the Zygon Osgood shared makes the Zygon Osgood a hybrid, Human and Zygon at the same time, and she was almost overwrought with grief when her human “sister” was killed as they were the living embodiment of the peace they made between Zygon and Humanity.

The Zygons have always been a popular monster amongst Doctor Who fans, despite having only appeared in one story during the classic series: Terror of the Zygons – where the Zygons wreaked havoc with their pet Loc Ness Monster (A huge cyborg creature called the Skarasen). Their return in The Day of the Doctor was a little overshadowed by all the epic events in that 50^th anniversary story. The Zygon Invasion and The Zygon Inversion finally gives the new revamped Zygons a story that really utilizes them and their abilities to the full. Seeing the Zygons (Aidan Cook & Tom Wilton) attacking humans in such everyday settings as they do here is actually quite unsettling. Their shape-shifting powers are used to great effect in The Zygon Invasion, the new Zygon costumes look more menacing than ever, and they secretly plot in caverns below London were strange pods are growing that hide a terrible secret. The Zygons are chillingly voiced by Nicholas Briggs, and he nails their whispering gurgling voice perfectly. It seems the Zygons have evolved too! The original body print is no longer necessary for the Zygon to maintain its disguise, once they have the information they need, the original can die, they can even take the images of loved ones from your mind and use them against you, and they have a sting-like bio-electric charge which they use to disable or vaporise their enemies.

The Zygon Invasion is chock full of continuity references, the opening flashback from The Day of the Doctor features David Tennant, Matt Smith, and John Hurt as the 10^th, 11^th, and War Doctor respectively, there’s a portrait of the 1^st Doctor (William Hartnell) that adorns the hallway in UNIT’s London safe house HQ, and there’s numerous links to the original invasion in Terror of the Zygons that includes a mention for a certain Naval Surgeon (Harry Sullivan played by Ian Marter) as well. The 12^th Doctor recalls kissing Zygon once (the Zygon / Queen Elizabeth the I) from The Day of the Doctor, and the red question marks on Osgood’s shirt lapels where a key feature that also appeared on the shirt collars of the 4^th Doctor – from the Leisure Hive (1980) onwards, as well as the 5^th and 6^th Doctor’s, and the tank top Osgood wears in this episode is not too dissimilar to the one the 7^th Doctor wore – although his was covered in rows of the familiar question mark symbols.

The Zygon Invasion hurtles towards a thrilling conclusion as the Zygon revolution begins, Kate Stewart makes a horrific discovery in New Mexico, the mystery of what happened to the people who went missing from the lifts and the true contents of the pods in the caves is discovered as treachery strikes, and the Doctor, Osgood, and their Zygon captive on the Presidential Aircraft find themselves locked in the sights of a new enemy… Clara; or more precisely the Zygon duplicate called “Bonnie” who took her place when she went to hep the little boy (played by Abhishek Singh) earlier in the episode! It’s a classic Doctor Who cliff-hanger, with the companion in peril, unconscious in the Zygon Pod in the caves, while her Zygon doppelganger unleashes chaos for UNIT across the world, and Jemma Coleman is fabulous as this wickedly evil version of Clara /Bonnie.

Stylishly directed by Daniel Nettheim, The Zygon Invasion certainly gets this new two-part story off to a great start. Peter Capaldi gives a commanding performance as the Doctor in a story that is like an international sci-fi themed conspiracy thriller, the frenetic pace doesn’t let up for a moment, and Peter Harness’ strong script, with its clear nods to Invasion of the Body Snatchers, also tackles some particularly challenging social and political themes with its depiction of the strained relations between the Zygons and Humans in this episode. Jenna Coleman is excellent when Clara goes evil as “Bonnie”, its great to see Ingrid Oliver again as Osgood as well, the Zygons also make fearsome adversaries in this exciting story, and the jaw-dropping cliff-hanger brilliantly sets everything up for the truth or consequences to be resolved in The Zygon Inversion.

And here’s the Next Time Trailer for The Zygon Inversion!

Images Belong: BBC

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Doctor Who Kill The Moon Review

Tags

12th Doctor, Clara Oswald, Courtney Woods, Danny Pink, Doctor Who, Doctor Who Kill The Moon, Doctor Who Series 8, Ellis George, Jenna Coleman, Kill The Moon, Paul wilmshurst, Peter Capaldi, Peter Harness, Samuel Anderson, TARDIS

Kill the Moon

Review by Paul Bowler

[Contains Spoilers]

After Courtney Woods figured out the Doctor’s secret in The Caretaker, the Time Lord finally grants the Coal Hill School pupil another opportunity to travel in the TARDIS when he offers Courtney the chance to visit the Moon in the future – despite Clara’s reservations. When the TARDIS arrives in 2049 the Doctor, Clara, and Courtney find themselves on a recycled NASA space shuttle with a crew on a suicide mission to blow up the Moon. The shuttle crash lands on the lunar surface, where they discover a derelict mining base full of corpses smothered in webbing. With horrible spider-like creatures scurrying in the darkness, a frightening dilemma must be faced, but when Clara needs the Doctor’s help the most her faith in the Time Lord is severely tested, leaving her wondering if this man she’s trusted so implicitly is really the hero she believed him to be…

Kill the Moon continues the darker, more mysterious tone of series eight, in this exciting seventh episode, from Peter Harness the writer of BBC One’s Wallander and the channels forthcoming adaptation of Jonathan Strange & Mr Norrell, this story transports us to a time where the Moon has become a deadly threat to the Earth. Our nearest neighbour has changed somehow, growing denser, the effect on Earth has been devastating, and giant tidal surges threaten to wash away all of civilisation on the planet. Directed by Paul Wilmhurst (Whose many credits include Silent Witness, Law and Order UK, Strike Back, and DaVinci’s Demons) Kill The Moon is an incredibly tense and darkly atmospheric episode where what began as a straightforward trip into the future to allow Courtney to visit Earth’s satellite suddenly becomes an all-out battle for the survival of the human race.

From its adrenaline fuelled opening, as the space shuttle crash lands on the Moon, the Doctor, Clara, and Courtney are thrown into an uneasy alliance with the ships crew. The base, with its sinister webbed interior and gruesome dead bodies, heightens the tension even further as they explore and something ominous begins to stir in the shadows. Peter Capaldi and Jenna Coleman have built up a brilliant chemistry between the Doctor and Clara, the Time Lord’s friendship with his companion is brought into even sharper focus in Kill the Moon, especially when his actions during this episode give her real cause for concern about her future with the Doctor. Ellis George delivers another impressive performance as Courtney Woods, the Doctor’s newest travelling companion, and her first proper adventure in the TARDIS certainly opens Courtney’s eyes to the sights the universe has to offer – but she also discovers just how dangerous the Doctor’s and Clara’s adventures can become.

After learning the grisly fate of the Mexican crew of the mining base, the Doctor, Clara, Courtney and Lundvik become cornered by one of the creatures inside the base. When trying to evade the spider, Courtney is momentarily separated from the others and uses the antibacterial spray she had in the TARDIS to kill the vicious arachnid. Unnerved by her experience, Courtney wants to go home. The Doctor begrudgingly takes Courtney back to the TARDIS, where she passes the time by posting pictures of the Doctor on Tumblr. However, when Clara suggests to the Doctor they should leave as well because she’s been to the future and knows the Moon isn‘t destroyed, the Time Lord gravely reminds her there are some moments in time that even he cannot see – and this is one such grey area that whatever happens to the Moon hasn’t been decided yet.

The human astronauts are led by Captain Lundvik, played by Hermione Norris (Spooks, Cold Feet, Wire in the Blood, and In the Club), who together with her team: Duke (Tony Osoba, who also appeared as Lan in the 1979 story Destiny of the Daleks, and Kracauer in 1987’s Dragonfire), Henry (Phill Nice), and McKean (Christopher Dane), are determined to complete their mission and destroy the moon using the shuttles payload of nuclear bombs. Even though the Moon is threatening all life on Earth, when the Doctor discovers the secret within the satellites interior it brings him into conflict with Lundvik and Clara. When Courtney decides she wants to help the Doctor instructs her to use a special DVD that will bring the TARDIS to the mining base. As the surface of the Moon starts to break up the horrifying spider creatures swarm to the surface. The Doctor knows the time has come for him to depart in the TARDIS, leaving Clara, Courtney and Lundvik to make this momentous decision alone, even though his actions place them all in terrible danger.

The Moon has been a popular setting for many of the Doctor’s adventures, the second Doctor battled the Cybermen in The Moonbase (1967) and the Ice Warriors in The Seeds of Death (1969), the 3rd Doctor was sent to a penal colony on the Moon in Frontier in Space (1973), and in Smith and Jones (2007) the 10th Doctor and Martha Jones were transported (along with the Royal Hope Hospital) to the lunar surface where they faced the Judoon and a hungry Plasmavore. The production team returned to the scene of an old adventure to film Kill the Moon, travelling to Lanzarote, where the 5th Doctor story Planet of Fire was filmed in 1983, where the island featured as itself and also doubled for the volcanic plant of Sarn. Kill the Moon makes good used of this location, the stark volcanic landscape provides a really effective double for the lunar surface, and the finished result is seamlessly blended with visual effects to create some amazing scenery for the story.

The Doctor also uses a yo-yo to test the local gravity during this story, something the 4th Doctor did on the Nerva space station in The Ark in Space (1975), and he also practiced tricks with one in The Brain of Morbius (1976). Clara’s instance that she knows the Moon isn’t destroyed in the future mirrors a similar quandary raised by Sarah Jane Smith in The Pyramids of Mars (1975), where the journalist is certain Sutekh didn’t destroy the world in 1911 because she’s from 1980, and the 4th Doctor shows her an alternative time where Sutekh has in fact destroyed the world to illustrate why they can’t just leave in the TARDIS.

The spiders in Kill the Moon are a really creepy and menacing. For the most part they actually keep to the shadows, emanating an unsettling clicking sound as they stalk their prey, before suddenly leaping out to attack. After Courtney manages to kill one the Doctor examines the Prokaryotic Unicellular Life form, and when the Time Lord discovers traces of amniotic fluid on the lunar surface, his suspicions are later verified by a scan of the Moon’s interior. The spiders are like a kind of bacteria, and they’ve been living on a much the larger creature that’s been growing and evolving inside the Moon itself. The Moon isn‘t just breaking up, it’s actually hatching, the Moon is a gigantic egg and a new life form is about to be born into the universe.

Clara faces a life-changing situation to make for all humanity when it seems like the Doctor has abandoned them. With Lundvik’s help, Clara manages to send a message to Earth, one that is broadcast worldwide, where she asks everyone on the planet to help them decide – by either turning their lights to off destroy the Moon with the nuclear bombs or keep them on to allow the creature to hatch and survive. When they see the lights go out around the world, Lundvik arms the bombs, but Clara stops the countdown at the last moment. The Doctor returns and takes them back to Earth in the TARDIS, where they witness the Moon break up as the beautiful winged creature emerges – leaving something very special behind for the Earth as it flies off into the depths of space.

The Doctor knew this was a decision that only humanity could make, he couldn’t do it for them, and he was sure Clara would make the right choice in the end. From this point onwards, during the mid 21st century, the events of this day would inspire humanity to reach out to the stars, and they would ultimately set out to explore the universe. After returning Courtney to school, the Doctor is ready to set of on another adventure, but Clara brings the TARDIS to a halt and angrily confronts the Time Lord about what happened. Jenna Coleman is absolutely terrific in this scene, Clara’s furious diatribe even catches the Doctor off guard, and after she’s stormed out of the TARDIS it doesn’t take Danny Pink (Samuel Anderson) long to figure out what’s happened and offer his advise as he knows all too well what she’s going through because of his experiences in the army.

The Doctor’s reasoning for leaving Clara, Courtney and Lundvik on the Moon, telling them it’s their choice, is quite unlike anything we’ve seen the Time Lord do before in this kind of situation. Kill the Moon highlights just how alien and detached this 12th incarnation can be. Peter Capaldi is magnificent in this episode and the Time Lord’s actions here are sure to have long lasting repercussions for the rest of series eight.

Kill the Moon is a dark, thrilling, and emotional roller coaster ride of an episode from Peter Harness. Peter Capaldi, Jenna Coleman, and Ellis George all deliver brilliant performances in this episode, they make a great team, which makes the resolution of the crisis at the heart of this adventure seem all the more bitter sweet as a result. Paul Wilmhurst’s excellent direction masterfully builds the tension and suspense during the first half of the episode. The dark and sinister atmosphere is heightened even further when the spiders emerge, the Doctor’s and Clara’s friendship is tested to breaking point, and Wilmhurst keeps piling on the shocks and scares right up until the climatic final scenes that will leave you wondering where the Doctor and Clara can go from here.

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