Batman #50 Review

Tags

Bat Bot, Batman, Batman #50, Batman #50 Review, Bruce Wayne, comics, Danny Miki, DC Comics, FCO Plascencia, Gotham City, Greg Capullo, Jim Gordon, Mr Bloom, Nathan Fairbairn, Scott Snyder, Superheavy Part 10, The New 52, Yanick Paquette

Batman #50

Review by Paul Bowler

The Dark Knight returns to Gotham City in the extra sized Batman #50 for the thrilling conclusion of Snyder and Capullo’s epic Superheavy story-arc! Bruce Wayne has regained his memories and reclaimed the mantel of the Bat to join Jim Gordon in the battle against Mr Bloom and save the city they have sworn to protect.

Batman #50 sees the return of Bruce Wayne to the cape and cowl as Mr Bloom and his super-powered-seed army lays siege to all of Gotham. With the city reeling from Mr Bloom’s onslaught, Batman, Jim Gordon, and Powers Internationals army of GCPD Bat-Bots unite against Gotham’s towering new super villain, and the fate of the city will be decided as Batman’s showdown with Mr Bloom reaches its thrilling conclusion!

Scott Snyder’s and Greg Capullo’s Superheavy arc saw Jim Gordon step up as Gotham’s new Bat-Bot suited Dark Knight following Batman’s apparent demise in Endgame while Bruce Wayne – now without his memories of being Batman – forged a new life with his old flame Julie Madison. Jim became the Batman the city needed at this dark time, but Bruce’s past wouldn’t rest easily, the Joker also survived Endgame, albeit radically changed by the experience, and now Mr Bloom’s rise to power has forced Bruce to sacrifice his newfound life to become the Batman again. Superheavy Part 10 stands as the total culmination of everything Snyder and Capullo have achieved with this story-arc, and it is only now that we can begin to fully appreciate the immense scope and scale of this game-changing storyline as it races towards its city shaking finale!

The beard may be no more, but Bruce Wayne is well and truly back in Batman #50 all kitted out in a new Bat-Suit and ready to give the citizens of Gotham a Batman they’ve never seen before – the Dark Knight they’ve deserved all along. Meanwhile, it’s all going to hell in Gotham as Mr Bloom and his seed-powered minions go on the rampage, while Julia Pennyworth tries to get the injured Jim Gordon to safety, and the Robo-Bat-Suited Commissioner Sawyer leads Gotham’s robo-suited Finest in the fight against Mr Bloom.

Just when it seems that all is lost, the one, true Dark Knight finally returns, rising from the shattered vestiges of Gotham’s most iconic symbol. It’s the rousing moment we’ve all been waiting for since Superheavy began and Snyder delivers it with a series of fan-pleasing moments, revitalized by the Dionesium and with Penny One to welcome him back, its clear Batman is relishing every moment of being back in the cape and cowl. This issue, perhaps more so than any before, exemplifies everything that Snyder and Capullo have done during their tenure on Batman. Sure, Batman #50 is packed with city smashing drama, but as fun and exciting as all the Bat-Bot action is, it is instead the emotionally charged character moments Snyder uses to punctuate the drama at key moments that really strike a chord, especially the moving reunion between Batman and Gordon, we also discover what happened to Duke Thomas’ parents, and there’s a bizarre connection amidst some recently acquired evidence that provides a sinister and unexpected connection to Mr Bloom’s origin.

Greg Capullo has well and truly surpassed all our expectations with his artwork on this issue. It looks absolutely stunning! Every page will have you mesmerised by the way Capullo maintains the fluidity and pace of the plot, infusing every scene with a staggering level of detail that almost defies description, to make Batman #50 one of his finest issues ever. From the symbolic moment of Bruce choosing of a new costume, to its eventual reveal, the nail biting tension in the Bat-Blimp high over Gotham, though to Gordon’s resolve to find another way to get the job done, and the bombastic smack down between Batman and Mr Bloom, Capullo pulls out all the stops here, along with Danny Miki’s brilliant inks, and FCO’s glorious colors, to deliver the rousing finale for the conclusion of Snyder’s epic Superheavy storyline. If this issue was a gym session, then suffice to say it’s probably the most extreme work out of Capullo’s artistic talents we’ve ever seen.!

The redesign of the Bat-Suit is both subtle and effective, with some classic embellishments – one in particular being a symbolic fusion of the old and the new in a way that I‘m really pleased to see carry over from Gordon‘s EVA Bat Suit – along with new gloves and cape, but despite all the upgrades and tech its still good to see that some things never change; especially when it comes to Batman getting the boot in during a fight!

In the build up towards its climatic moments, Batman #50 finds all the players in place for the final fight against Mr Bloom. With the Collider kicking off like Soundgarden’s Black Hole Sun all over Gotham, Batman and Mr Bloom going toe to toe in scenes that makes Man of Steel look positively tame by comparison, a daring rescue that will grab you by the scruff of the neck and leave you punching the air with glee, and Gordon calling on his Rookie one last time to bring us to possibly the biggest moment of the entire arc as the fate of Gotham City teeters on a superconductive event horizon that burns with hope for a better tomorrow…

Batman #50 also features an eight page coda, written by Scott Snyder, and featuring terrific artwork by Yanick Prouette and colors by Nathan Fairbairn As epilogues go, this little interlude actually proves to be just as powerful and as moving as the main bulk of the story in the issue. The initial focuse is on Jim Gordon, there are some wonderful scenes here, lots of familiar faces, and it seems that there are going to be some pretty major changes at the GCPD as well. Of course it’s when Jim and Batman finally discuss everything that happened since Endgame as they survey the wounded city before them that are really this codas finest moments, and there’s even time for a reconciliation between Duke and Bruce, and some poignant reflection for Julie Madison.

Well… here we are. Yes, as we now know, Batman #50 is indeed Scott Snyder’s and Greg Capullo’s penultimate issue of Batman. Their run on this series has been a tremendous achievement; and its brought us so many incredible stories and iconic moments. Snyder and Capullo have redefined the mythology of the Bat itself, and then some! Having announced their tenure will conclude next issue with Batman #51, Snyder and Capullo have been saying for a while now that they plan to reunite on another project in the near future. In the interim, Batman #52, by James Tvnion IV and Rafael Alberque will bring this current volume to an end before Batman relaunches in June with a new creative team as part of DC’s forthcoming Rebirth event.

I will look to the future with a mixture of sadness, trepidation, and anticipation for the future of this title, along with Rebirth and the changes it brings to DC Comics, and excitement for what Snyder and Capullo will do next. For now though, let’s not dwell on goodbyes, or what the future might hold just yet. Instead, we should celebrate this incredible giant-sized 50^th issue of Batman, along with the momentous accomplishments that Scott Snyder and Greg Capullo have achieved on this title together with Danny Miki and FCO Plascencia. What a team! Batman #50 is a full-on epic issue in every sense of the word, the story and art will blow you away, and you will be left with an overwhelming sense that you have just read one of the greatest Batman issues ever made.

Publisher DC Comics

Writer: Scott Snyder / Art: Greg Capullo

Inks: Danny Miki / Colors: FCO Plascencia / Letters: Steve Wands

Epilogue Art Yanick Parquette / Epilogue Colors: Nathan Fairbairn

Cover: Capullo / Miki / FCO

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Batman #49 Review

Tags

Alfred Pennyworth, Batman, Batman #49 review, Bruce Wayne, comics, James Tynion IV, Jim Gordon, Mr Bloom, Nathan Fairbairn, Scott Snyder, Superheavy, Superheavy pat 9, The Bat-Cave, The New 52, Yanick Paquette

Batman #49

Review by Paul Bowler

With the chaos unleashed by Mr Bloom engulfing Gotham, the time has finally come for Bruce Wayne to reclaim his past in Batman #49, as he descends into the Bat-Cave to face his destiny. But can Bruce truly find it in himself to sacrifice his new life free of the shadow of the bat that easily? Can he embrace the legacy of the Bat again, to confront the past and become one with all the horror, madness, and violence that consumed him before as Gotham’s Dark Knight Protector. Now, in this special issue the fates of Bruce Wayne and Batman converge once more, and the Dark Knight’s world will never be the same again…

Last issue saw Gotham’s new Batman, Jim Gordon, captured by the gargantuan Mr Bloom, while the new super-villains super-powered-seed army emerged to wreak havoc. Meanwhile, Bruce Wayne, having begun to recover the memories of his former life as Batman, suddenly encountered the Joker, whose memories of his past life as the Clown Prince of Crime have also seemingly been wiped away like Bruce’s were after their violent showdown in Endgame. Now in Batman #49, part nine of the Superheavy arc reaches a major turning point, as writer Scott Snyder and co-writer James Tynion IV, together with artist Yanick Paquette, and colorist Nathan Fairbairn, bring us Bruce’s darkest, most challenging ordeal so far as he prepares to risk everything to become the Dark Knight once more…

It has all been building towards this moment, now its here at last! Alfred is now all that stands in the way of Bruce Wayne rediscovering the full knowledge of who he really is in Batman #49, as Scott Snyder and co-write James Tynion IV steer Bruce on a journey that will encompasses a myriad of infinite possibilities which will test his resolve, willpower, and perhaps even his sanity, as an inexorable date with destiny looms.

The copious multi-layered aspects of Bruce’s life that Snyder and Tynion IV have spliced into the ongoing narrative of the Supeheavy arc in this issue are mind bogglingly sublime. At times it almost feels as if we’ve sidestepped into the Martrix, with all the fragments all jostling for our attention, before two clear junctures in Bruce’s life slowly begin to run parallel to one another… Alfred is now all that stands in the way of Bruce Wayne rediscovering the knowledge of who he really is in Batman #49, unfolding at Wayne Tower and Wayne Manor as time itself simultaneously becomes a portal to save the future and the last barrier to lock away the past. Its heartrending stuff, the scenes between Bruce and Alfred are truly moving, but with the machinery that will restore Bruce’s mind in such a dire state of disrepair, the key to Bruce’s resurrection rests with what is perhaps the most unexpected – yet ironically obvious – act of trust and foresight of all.

With Greg Capullo busy getting ahead with Batman #50, Yanick Paquette (Wolverine, Batman, Swamp Thing, Wonder Woman) and colorist Nathan Fairbairn (Batman INC, Multiversity, Wonder Woman: The Trial of Diana Prince) take over the artistic duties for Batman #49, and what an awesome looking issue it is! I really like how Yanick Paquette alternates the more futuristic scenes with those in the present day, with the multiple projections of Bruce’s lineage often coalescing like temporal thought bubbles, and the uncanny symmetry between the dual entrances into the cave are both magnificently epic and ominously foreboding.

Yanick Paquette brings this gloriously mined seam of craziness that Scott Snyder’s and James Tynion IV have created to life with such vivid detail, the sheer power of the emotional scenes will take your breath away, while the stunning rendering of Bruce’s struggle across fracturing realities unfolds over numerous two-page spreads that will simply blow you away with the sheer scope and scale of it all. Batman #49 also features some of the very best Nathan Fairbairn colors you can possibly imagine, Nathan Fairbairn makes every scene come alive in exquisite detail, utilizing a rich pallet of colors that complement the story perfectly.

The final moments are heartbreaking in the extreme. Although we all knew this moment was coming, now that we are finally here, the reality of Bruce’s struggle, along with the sacrifice he’s prepared to make, are really hammered home. This is no mere sci-fi cliché resolution either. Scott Snyder has kept us guessing every step of the way with the Superhavy arc, we’ve had a glimpse of the man Bruce might’ve been if he’d never set foot in crime alley as a child, but now the time has come to pull the trigger on that new found life and happiness, and the way in which this point is finally reached is guaranteed to break everyone’s heart.

Batman #49 is a superb issue from Scott Snyder and James Tynion VI. It’s one that mixes truths and consequences, where raw emotion and devotion cascade towards the memorial waterfall of a time immemorial, until we reach the threshold of the one line that even the Batman cannot cross… The haunting cover by Yanick Paquette and Nathan Fairbairn is like a Bat version of The Scream with a side order of Nosferatu to send a chill down your spine, lets hope they do a poster or print of this stunning cover one day, its brilliant, and there’s also a terrific Neal Adams variant cover to look out for as well. Batman #49 is a fantastic instalment of the Superhavy arc; everything is now set up for the momentous 50^th issue. Hell yeah, its time to go to work!

Publisher: DC Comics / Writer: Scott Snyder & James Tynion IV

Artist: Yanick Paquette / Colors: Nathan Fairbairn / Letterer: Steve Wands

Cover: Yanick Paquette & Nathan Fairbairn / Variant Cover: Neal Adams

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