Thanos #6 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Phoenix Egg, Phoenix Force, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #6, Thanos #6 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #6

Review by Paul Bowler

A reunion is on the cards in Thanos #6 as the Mad Titan faces his greatest battle of all in this stellar Marvel Comic series from Jeff Lemire, Mike Deodato, and Frank Martin. Thanos is dying! Defeated as he searched for a cure by the Shi’ar Imperial Guard, he was imprisoned. Now, as Thanos seeks to escape from his interstellar jail, Thane’s secret pact with the mistress Death to kill his father finally nears fruition, and soon two of the most powerful entities in the Marvel Universe face-off as the galaxy trembles before their might!

Yes, the cosmic you-know-what hit’s the proverbial fan in Thanos #6 after that certain “something” Thane’s audacious heist with Starfox, Nebula, and Tryco Slatterus set out to steal from Terrax the Terrible actually turned out to be a Phoenix Egg, and writer Jeff Lemire quickly addresses the grievances that Thane’s allies have about being so grossly misled into doing his dirty work for him. The Phoenix Energy will enable Thane to reclaim everything that he’s lost since his powers were taken from him, but his associates aren’t going to stand idly by and just let him take it either! Meanwhile, Thanos faces an army of jailers, but even with his powers faltering the Mad Titan’s resolve is undiminished, and he confronts his fate as a warrior, a conqueror of worlds, and a God who has even make reality itself cower before his power.

The distinct air of all-pervading doom that closes in around Thanos in this issue is brilliantly offset by his determination to be free of those who have so blatantly disrespected him. Jeff Lemire has skilfully crafted the events around the Mad Titan’s rapidly declining health to a point where you feel like you are right there with Thanos, as every step, every bone-crunching blow, begins to feel weaker and more laboured that the last. Likewise, Thane’s betrayal of his allies is master class in characterization, snappy dialogue crackles with tension, hitting all the emotional beats, before the realization of the ultimate sacrifice that has been made finally becomes frighteningly apparent.

When it comes the depiction of Thanos’ plight in this issue, artist Mike Deodato’s rendition of Thanos’ pure rage and undiluted contempt for the wave after wave of opposition he’s forced to bulldoze his way through to obtain freedom, is stunningly realized with an opaque series of panel layouts that dynamical relay the bone-crunching action. I especially like how Deodato angles the entire page during two key instances to accentuate the drama, giving added credence to Thanos’ waning power and the shock turn of events over on Terrax’s starship. There are some stunning emotional scenes from Dedato as well, the fury of Tryco Slatterus, self styled Champion of the Universe, feels at being betrayed is so palpable in one scene it almost eclipses Thanos‘, and Thane’s anguish at betraying Tryco is so clearly evident its almost heartbreaking. Color artist Frank Martin uses a palette of rich vivid tones to accentuate every scene, even the panel layouts are heightened as they intercut between sold backdrops of burnt orange and stark white hues that uncannily seem to give an almost cinematic quality to the visuals they frame as each scene moves seamlessly into the next.

But it is in the showdown between father and son where Jeff Lemier’s powerful storyline comes full circle. Mistress Death’s machinations have brought everything and everyone in this saga to this point, there is no turning back now, and Mike Dedato and Frank Martin pull out all the stops to ensue that the final scenes in this issue are every bit as breathtaking and jaw-dropping as the journey that has brought Thanos to this fateful moment.

Thanos #6 brings the first chapter in this epic storyline to a shocking close. The fantastic creative team of Jeff Lemir, Mike Deodato, and Frank Martin have done amazing things with this new Marvel Comics series already. The scope and scale has been unparalleled, its been unflinchingly brutal at times, and I’ve been gripped by every twist and turn in the plot since the first issue. Now they’ve set Thanos on a path unlike any he’s walked before and I can’t wait to see what happens next in the aftermath of this issues cataclysmic standoff.

Publisher: Marvel Comics

Writer: Jeff Lemire/ Artist: Mike Deodato / Colorist: Frank Martin /

Letterer: VC’s Clayton Cowles  / Cover: Mike Dedato and Frank Martin

Variant Cover: Jamal Campbell

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Thanos #5 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #5, Thanos #5 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #5

Review by Paul Bowler

Thanos #5 finds the Mad Titan incarcerated in a top secret prison in deep space after his ignominious defeat at the hands of the Shi’ar Imperial Guard; something that would never have been possible but for the startling fact that Thanos is dying! Thanos’ ailing condition and his desperate attempts to find a cure might ultimately prove to be his undoing, but the Shi’ar Empire are not the only ones seeking to destroy him… Thanos’ own son, Thane has forged an alliance with Starfox, Nebula, and Tryco Slatterus to kill Thanos, but non save Thane are aware of the real power behind his dark scheme – the mistress Death herself!

He may be down, but Thanos is certainly not out, and this latest issue of Marvel Comics superb ongoing Thanos series from writer Jeff Lemire, artist Mike Deodato, and color artist Frank Martin illustrates just how abominable and devious the Marvel Universes big bad can be – especially when the stakes are this high.

The space station where Thanos is being held utilizes the highest security and fail-safe measures imaginable, its capable of restraining cosmic-level menaces, and the initial stages of Thanos’ imprisonment have even been overseen personally by the Shi’ar Imperial Guard itself. The ruthless Warden Daak has the utmost confidence in his facility, but despite his weakened state Thanos’ predicament has made him more dangerous than ever, and writer Jeff Lemire quickly builds the nerve-jangling tension as the Mad Titan’s confinement brings dire consequences for those foolish enough to imagine that such a feat could ever be possible.

As Thanos languishes in his interstellar gulag, Thane’s plot to destroy his father takes a new turn when he, along with his uncle Eros, the former Avenger known as Starfox, with the mercenary Nebula, and Tryco The Champion of the Universe set out to steal something from Terrax the Terrible that they need to further their nefarious cause. Of course, Thane’s new allies know nothing of his secret pact with Death, let alone the full extent of the web of deceit he has woven around them to entice their help in acquiring his goal.

Mike Deodato’s artwork stunningly realizes the deep space prison facility where Thanos is being held. This huge impregnable fortress is an imposing sight, suspended in the depths of space, and the detail Deodato lavishes on the oppressively gloomy interiors equally matches the awe-inspiring spectacle of the exterior. Likewise, the scenes on Terrax’s space craft are equally as impressive. The distinctive bold overlaying panel structure Deodato employs perfectly conveys each and every beat of Lemire’s fast-paced script, with some brilliantly crafted character moments, and Thanos’ inevitable breakout being the undoubted highlight of the issue. The colors by Frank Martin accentuate the deep shadows of Thanos’ detention with a vivid contrast of orange and red hues, whilst the dusky metal shades withing Terrax’s ship are offset beautifully by the stealthily progress of Thane’s colourful associates towards the vault deep inside the hulking vessel.

This issue of Thanos has a quirky interstellar a heist movie vibe to it. There is some great banter between Thane’s team as well: with Starfox’s gift for the gab getting their foot in the door, Tryco’s wry observations of Eros’ conversational skills are priceless, whilst Thane continues to play his cards close to his chest, and my favourite bit of the whole escapade comes when Nebular acrobatically steals Tryco’s thunder before he can even finish his sentence! While Thanos himself doesn’t feature quite as much as I would’ve liked, the antics on Terrax’s ship more than makes up for it, and everything builds towards a cliff-hanger so jaw-dropping it will totally blow you away.

Thrilling, brutal, and epic in scale, Thanos #5 elevates this new Marvel comic book series to a whole new level. Jeff Lemir, Mike Deodato, and Frank Martin continue to bring remarkable new aspects and compelling insights into the Mad Titan’s shady world, with Thanos #5 potentially setting up one of the biggest smack downs Thanosthusiasts have ever seen!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato / Colorist: Frank Martin

Letterer: VC’s Clayton Cowles / Cover: Mike Dedato and Frank Martin

Variant Cover: Rob Guillroy

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Thanos #4 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Corvus Glaive, Ebony Maw, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #4, Thanos #4 review, The Black Quadrant, Titan, VC’s Clayton Cowles

Thanos #4

Review by Paul Bowler

Thanos #4 delves ever further into the mad Titan’s dark world in Marvel’s new ongoing series from Jeff Lemire, Mike Deodato, and Frank Martin. Thanos’ quest to find a cure for the mysterious aliment that is killing him led to a titanic face-off with Shi’ar Imperial Guard, but shockingly it was a battle that Thanos ultimately lost! Now even Thanos’ own son, Thane, conspires to destroy him. But as we will soon discover, this isn’t the first time that Thane has schemed to seize power from Thanos and claim his birthright…

When it comes to big-bad super-villains, there are few in the Marvel Universe that can match Thanos for his sheer raw power, ambition, and unflinching evil. This new series from writer Jeff Lemire, artist Mike Deodato, and color artist Frank Martin continues to raise the bar with each issue, the sheer scope and scale of the storylines and art constantly impresses, and Thanos #4 is arguably one of their best issue so far.

Following Thanos‘ defeat at the hands of the Imperial Guard on Gilgrath, the spotlight now falls on Thane, and writer Jeff Lemire skilfully uses this issue to explore the series of events that led to Thane’s current scheme to rid himself of Thanos once and for all. Unfolding across a series of intermittently spaced flashbacks Thanos #4 gives us a tantalizing insight into Thane’s previous bid to take control of The Black Quadrant with Ebony Maw, but Corvus Glaive is not to be underestimated, and Thane’s subsequent fall from grace and incarceration proves crushing both mentally and physically for the son of Thanos. The unlikely alliance between Thane and Tryco, The Champion of the Universe, is also explored by Lemire, and it is these scenes that ultimately drive the narrative whilst sublimely filling in their back story and motivations as time progresses.

The panel layouts are beautifully structured by artist Mike Deodato to great effect. The synchronicity that Dedato manages to strike with Jeff Lemire’s character driven script is astonishing, judicious use of compact panel layouts effortlessly draw you into the story, and even the big two-page action scenes have a distinct pace all their own that so indicative of Dedato’s work. There are some truly spectacular scenes too, with Black Order brothers battling, The Coven are also hauntingly realized as they attack Thane, later Tryco the Champion’s wry humour lightens the tone somewhat, but it is Thane’s experiences in solitary confinement that delivers the issues most powerful and disturbing moments. Frank Martin’s colors provide a glorious swath of rich crimson hues for combat, while a blend of cool shades masked in ominous shadows make Thane’s imprisonment feel every bit as cold and dark as Thanos’ heart itself.

With a deal forged in darkness, Thanos #4 seamlessly bookends with the present as Thane’s plan to kill Thanos with the help of his uncle, Eros (the Avenger formerly known as Starfox), the mercenary Nebula, and Tryco The Champion of the Universe, unites their collective fates in the most surprising way imaginable!

Thanos #4 gives us a fascinating, chilling, and increasingly insightful glimpse into the dark machinations that have shapes event in this new Marvel comic book series. Jeff Lemir, Mike Deodato, and Frank Martin have truly excelled themselves again, as Thanos #4, with its engaging multifaceted storyline and fantastic artwork, reaffirms exactly why this series is such a compelling and gratifying sojourn to the darker side of the Marvel Universe.

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin / Variant Cover: Joe Jusko

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Thanos #3 Review

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Avengers Infinity War, Champion of the Universe, Civil War II, comics, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Nebula, Shi’ar Imperial Guard, Starfox, Thane, Thanos, Thanos #3, Thanos #3 Review, Titan, VC’s Clayton Cowles

Thanos #3

Review by Paul Bowler

Thanos #3 finds the mad Titan squaring off against the Shi’ar Imperial Guard, but they aren’t the only ones out for Thanos’ blood! Thanos may have reclaimed leadership of the Black Quadrant, but the unthinkable has happened; Thanos is dying! Having slaughtered his father, Mentor, for failing to find a cure for his God Cancer, Marvel’s big bad must now face the entire Imperial Guard. Meanwhile, Thanos’ son, Thane, has recruited his uncle, Eros (the former Avenger known as Starfox), along with the mercenary Nebula who once claimed to be the granddaughter of Thanos, and Tryco, The Champion of the Universe, to kill Thanos!

Thanos is without doubt the most powerful, ruthless, and fearsome God-like villain to have ever stalked the Marvel Universe. This new Marvel Comics ongoing series from Jeff Lemire, Mike Deodato, and Frank Martin has proved to be revelation, epic in scope, with striking visuals to match, and its brought us a brilliantly dark and insightful glimpse into the mad Titian’s world as his quest to find a cure escalates and his enemies conspire to destroy him.

Having cut a savage path across the galaxies centres of healing in his pursuit of a remedy for his condition, the World Killer must now go toe-to-toe with the Imperial Guard! There’s nothing like a good smack-down between super-powered beings, especially when it’s on such a titanic scale as this, and writer Jeff Lemire goes for all-out blockbuster action as Thanos confronts insurmountable odds on Gilgrath on the fringes of the Shi’ar Empire. Lemire skilfully interspaces the bone-crushing action sequences with a fascinating trio of recollections about Thanos from interviewees that each have their own unique connection to Thanos, these dark vinaigrettes make the issue a compelling read, and the differing viewpoints offer a chilling and disturbing insight into Thanos’ past and his evil deeds in a way that is quite unlike anything we’ve experienced before.

The frenetically paced action is realized to perfection by artist Mike Deodato, with big, bold panel layouts relaying the battle between Thanos and the Imperial Guard in singular detail, there are times you’d swear you can feel every punch and bolt of energy as they simultaneously pound and crackle from the page, while closer knit layouts bring added gravatis to the memories and spectacles of the narrated trilogy of flashbacks. A rich, vivid palette of tones and shades are employed by colorist Frank Martin to great effect, providing an impressive contrast between past and present, and even the darker hues seem to take on a bold vibrancy all their own in the heat of Thanos’ fight with the Imperial Guard, and the stunning cover by Mike Deodato and Frank Martin is another eye-catching snapshot of the epic conflict that unfolds inside this issue.

The issue builds towards an exciting, earth-shattering showdown, as the big guns in this saga go head-to-head for what is possibly the most momentous development in this series so far! Thanos #3 is another excellent issue in this new Marvel comic book series, Jeff Lemir, Mike Deodato, and Frank Martin have taken the scope of the storytelling and the impressive artwork to a whole new level of excellence for this issue!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin

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Thanos #1 Review

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Avengers Infinity War, Civil War II, comics, Frank Martin, Jeff Lemire, Marvel Comics, Marvel Now, Mike Deodato, Thanos, Thanos #1, Thanos #1 review, Titan, VC’s Clayton Cowles

Thanos #1

Review by Paul Bowler

Thanos #1 marks the return of the most evil, villainous being to have ever stalked the Marvel Universe! Yes, the mad Titan, Thanos is back, and in this new ongoing Marvel Comics series from Jeff Lemire, Mike Deodato, and Frank Martin, Thanos is hell bent on seeking revenge on anyone who stands in his way. Get ready to walk in the shadows as Thanos embarks on a deadly journey, where a reckoning with his own family soon awaits him…

Thanos is a godlike being of almost unimaginable power and he has returned to wreak his own unique brand of devastating wrath against those foolish enough to oppose him. Thanos is arguably the biggest, big bad the Marvel Universe have ever known. He’s left an untold level of destruction and chaos in his wake during his many attempts to conquer the universe, more often than not solely to impress the cosmic embodiment of death herself. Even Thanos’ homeworld, the moon Titan, is now in ruins, and following his most recent battle with the Earth’s mightiest heroes during Civil War II, where, despite their advanced foreknowledge of his scheme provided by the new precognitive Inhuman Ulysses, his enemies still paid a heavy price.

Everybody loves a good villain, and there’s something instantly compelling about them, and its great to see Thanos being explored in a new way in this series. Thanos #1 quickly establishes the new order former stooge Coryus Glaive has forged for himself since Thanos became more concerned with other matters, and under Glaive’s reign, the Black Order has prospered as order superseded chaos. Now the deposed tyrant Thanos has returned, and writer Jeff Lemire instantly presents us with a Thanos who is every bit as powerful and as ruthless as ever, but there is also a sense that something far more ominous is driving the mad Titan’s bid to reclaim his seat of power.

The characterization is absolutely spot on, but as well as capturing the pure malevolence and evil of Thanos, Jeff Lemire also quickly builds the mystery and intrigue in this issue as the self styled Champion of the Universe, Tryco Slatterus, goes in search of Starfox, with an important message and new mission that will in turn herald the ultimate challenge. The dialogue positively sparkles with dark wit at times as the plot begins to take shape under Lemire’s assured guidance, as Thanos returns to power, and these characters who have been circling each other for so long gradually embark on the dark paths that will inevitably bring them into conflict.

Right from its majestic opening in the Black Quadrant, through to Thanos’ titanic show of force to reclaim his throne, and the sweeping scale of the story as it unfolds, artist Mike Deodato ensures Thanos #1 is a blockbusting spectacle in every respect. Concisely structured pages deftly balance the action and character moments, glorious full page layouts dazzle as interlocking panels splice story and characterization seamlessly as one, and Deodato‘s rendering of the characters, especially Thanos, and the numerous locals are stunning. The palette of rich tones and shades from colorist Frank Martin complements Deodato’s art perfectly; sombre hues and deep shadows dominate the relentless advance of Thanos, while cool blue, green, and violet tones reflect the seedy nature of the space station Starfox is frequenting when Tryco Slatterus tracks him down.

Following some poignant reflection on a distant ruined world, the issue is rounded off with an epic secret that is so shocking it could quite possibly become the greatest betrayal of all… Thanos #1 is everything that fans of Marvel’s ultimate evil nemesis to creation itself, Thanos, could’ve wished for, and then some! I swear you can almost feel every thunderous step as Thanos inexorably stomps, blasts, and smashes his way back to reclaiming his throne, and Thanos even offers a deliciously wicked act of mercy too for good measure.

It’s clear from this first issue that we are in for one hell of a journey for Thanos and his extended family. Thanos #1 is a welcome darker themed offering from Marvel, with its great story by Jeff Lemire, superb art by Mike Deodato and colors by Frank Martin, and letters by VC’s Clayton Cowles, this is one Marvel Now title that you won’t want to miss!

Publisher: Marvel Comics

Writer: Jeff Lemire / Artist: Mike Deodato

Colorist: Frank Martin / Letterer: VC’s Clayton Cowles

Cover: Mike Dedato and Frank Martin

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Invincible Iron Man #1 Review

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Brian Michael Bendis, Invincible Iron Man #1, Invincible Iron Man #1 Marvel Now, Invincible Iron Man #1 Review, Iron Man, Ironheart, Marvel Comics, Marvel Now, Riri Williams, Stefano Caselli, Tony Stark

Invincible Iron Man #1

Review by Paul Bowler

An exciting new era begins in Marvel Now’s Invincible Iron Man #1 as Riri Williams steps up to become the worlds newest armored superhero! Kitted out in her homemade Iron Man armor, former M.I.T student Riri is ready to rise to the challenges of the Marvel Universe, but the young genius has some pretty big armored boots to fill – especially now that a certain billionaire mega-genius isn’t exactly around much these days…

Yes, there’s a new armored hero on the block in Invincible Iron Man #1, and her name is Riri Williams! Marvel Now continues apace in the wake of Marvel’s Civil War II as Brian Michael Bendis, Stefano Caselli, and Marte Gracia bring us the adventures of Riri Williams, Marvel’s new hero from Chicago, Ironheart!

Having a new character stepping into the role once held by a long-standing character is nothing new in comics. Invincible Iron Man #1 marks the beginning of a new era with Riri Williams taking centre stage after writer Brian Michael Bendis had already firmly established her character in the previous volume of Invincible Iron Man. It is this cleverly constructed groundwork that has made Riri‘s, as well as Victor‘s, gradual integration into Tony Stark’s life, seem all the more believable, and not just another change for change’s sake scenario as the Iron-Mantles are effectively passed to Riri Williams and Doctor Doom respectively.

From the opening video-blogger style credit page opening, Brian Michael Bendis gives us an insightful and moving glimpse into the life and times of Riri Williams. The battle with the rogue monster-spawning mutant Animax fills the prerequisite action quota for Invincible Iron Man #1, with our rookie super genius Iron-heroine quickly realizing the limitations of her cobbled together armor, sans a properly efficient AI, but it is the fascinating glimpse into Riri’s formative years that really forms the backbone of the issue.

Bendis skilfully intercuts the present-day events with some especially moving flashbacks to drive the narrative, highlighting some of the stark parallels and difficulties associated with being a super genius, while the more powerful themes and their heartbreaking aftermath resonates strongly on every level. Even though we’ve known Riri Williams for a while now, this issue really expands our knowledge of the character in ways that few could’ve predicted, and it makes Riri’s debut here feel all the more impressive as she sets out to make her presence felt in the Marvel Universe!

Stefano Caselli’s artwork conveys the finer nuances of Bendis’ script beautifully. Page layouts are keenly structured to match the emotional beats of the story and the characters are all defined in the highest detail. The scene between the young Riri and her new friend Natalie are wonderfully staged. There’s tragedy and heartbreak for Riri too, and Caselli’s art makes you feel like you are there with Riri every step of the way as her life unfolds before you. The fight with Animax is also good, but it is what transpires directly afterwards that probably resonates the most – with its gun crushing finality grittily polarizing the impact of the flashbacks in our minds eye. Color artist Marte Gracia employs bright, vibrant palette of colors throughout, nicely complementing Stefano Caselli’s artwork with a blend of rich shades and tones to bring added highlights to virtually every scene.

The issue rounds off with a great scene between Riri and her mother that effectively brings Riri’s story full circle. As for Tony Stark..? Well, he might not be around anymore, but you know Tony, he has a knack of thinking of contingencies for everything!

I must admit, as much as I love the character of Riri Williams, I was a little sceptical about her taking over as the lead character in Invincible Iron Man. I’m pleased to say that Brian Michael Bendis has won me over once again with his superb storytelling and characterization skills. One thing that shines through is the sheer hope and optimism Riri Williams brings to the title, which considering the events in those flashbacks, shows just what strong and delightfully positive character traits Riri Williams will bring to the Marvel Universe.

Invincible Iron Man #1 revamps the status quo and provides a confident start to Riri’s brand new adventures. Even though I’m sure Tony Stark will return as Iron Man eventually, we can rest assured that the legacy of Iron Man is in safe hands, so here’s hoping that Riri Williams will be around for a long time to come.

Publisher: Marvel

Writer: Brian Michael Bendis / Art: Stefano Caselli

Color Artist Marte Gracia / VC’s Clayton Cowles Letterer

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Infamous Iron Man Review

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Alex Maleev, Brian Michael Bendis, Doctor Doom, Infamous Iron Man, Infamous Iron Man #1, Invamous Iron Man #1 review, Iron Man, Marvel Comics, Marvel Now, Matt Hollingsworth, Tony Stark, Victor Von Doom

Infamous Iron Man #1

Review by Paul Bowler

Marvel’s bold Marvel Now iteration brings us Infamous Iron Man #1, the brand new ongoing series from the acclaimed Eisner Award winning team of Brian Michael Bendis and Alex Maleev. Yes, there’s a new Iron Man, and his name is… Victor Von Doom! That’s right, Doctor Doom, one of Marvel’s greatest villains, has decided to become something new, and to do that he must succeed where Tony Stark failed. But is there more to Doom’s plans, is he really a reformed character, and how will the world react to this new, infamous hero?

Ever since Victor Von Doom started turning up unannounced in Tony Stark’s life during the previous volume of Invincible Iron Man, the tumultuous events of Civil War II have had major consequences for Stark, and now Doom’s mysterious plan continues as he strives to reach even greater heights of power as Iron Man – but for what end?

Infamous Iron Man #1 starts off with a flashback to a shadow meeting of the dark Cabal fronted by Doom, and it’s a scene in which writer Brian Michael Bendis skilfully eschews the narrative via Doom’s POV, offering us an insightful glimpse into Victor’s inner motivations as Bendis seamlessly entwines the new status quo post Civil War II with the intriguing premise of this new series.

From there we are given a taste of the sublime blend of science, sorcery, and dry wit that will no doubt become the hallmark of this series as Victor’s character works towards assuming the mantle of Iron Man. Victor spends most of this issue keeping us, and everyone around him, unsure of his true motives, even when he performs good deeds, such as rescuing a high-ranking S.H.I.E.L.D operative with contemptuous ease from a former adversary, we are left with no doubt that Doom’s actions are still firmly in his own best interests. Its this mix of uncertainty and deceptive charm that makes Victor such a compelling and complex character, the brief interlude with Stark’s former girlfriend, Doctor Amara Perera, is also of note, as it offers some tantalizing snippets about what’s happened to Tony Stark and foreshadows Victor’s interested in Amara and her work.

Alex Maleev’s artwork perfectly encapsulates the mood and tone of Infamous Iron Man, right from the first page we experience the Doom of old, before the scene shifts dramatically into the rescue mission, and it is here that Maleev really excels in these dark shadowy moments as we see Victor confront and beat down a villain with a calculated use of technology and magic. The colors by Matt Hollingsworth bring accentuated flourishes and tone to every moment, picking out striking hues of light and energy that punctuates the darkness. The scenes with Amara and Victor in the University of Cambridge seem bright and breezy by comparison, there’s an ever-loving-blue-eyed special guest appearance to watch out for, and Maleev and Hollingsworth engineer a classy build up to the inevitable moment when Doom finally gets to suit up as Iron Man.

Brian Michael Bendis keeps us guessing almost until the end of Infamous Iron Man #1 before we begin to get more insight into what has happened to Tony Stark, it’s cleverly done too, and turns out to be something that bizarrely manages to be both expected and unexpected all at the same time. If anything, the scenes that lead up to Victor donning his Iron Man armor feels almost underplayed to deliberately keep us on the back foot.

Infamous by name and infamous by nature, as first issues go, Infamous Iron Man #1 gets everything off to a good enough start. I guess maybe I was just expecting Doom’s debut as the Infamous Iron Man to be a little more exciting than it actually turned out to be. Still, that killer surprise ending certainly puts a whole new spin on things, offering up lot of potential, and hopefully the series can be infamous enough to live up to it.

Publisher: Marvel / Writer: Brian Michael Bendis

Art: Alex Maleev / Colors: Matt Hollingsworth

Letterer and Production: VC’s Clayton Cowles

Cover by: Alex Maleev

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All New XMen #10 Review

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All New X-Men, Brian Michael Bendis, Cyclops, Marvel Comics, Marvel Now, Scott Summers, Stuart Immonen, The Beast, The Original X-Men, The Uncanny X-Men, Wolverine, X-Men

All New X-Men #10

Review by Paul Bowler

 

Now that the shape shifting mutant know as Mystique has got Lady Mastermind to join forces with her and Sabertooth, they attack an armoured truck which is about to be used to transfer 18 million dollars in North Carolina. Mystique uses her abilities to take the place of the driver, while Lady Mastermind creates the illusion that Wolverine and the Original X-Men are attacking the truck, leaving Sabertooth free to cut a swathe through the security. Satisfied that their first haul has gone so well, Mystique and her team make plans for more robberies.

Meanwhile the Uncanny X-Men have teleported onto the front lawn of The Jean Grey School of Higher Learning. The modern-day Cyclops tells the X-Men that he has come in peace, revealing how he is building a new school in Xavier’s name, before offering to accept any Mutants who wish to be recruited and trained as part of his mutant revolution.  An uneasy standoff ensues, old friends now stand divided, and the original X-Men are caught in the middle.

After the Uncanny X-Men have teleported away to give the student’s time to consider Scott Summers proposition, Wolverine, Kitty, Storm, Iceman and the Original X-Men gather in the school to discuss their options. They receive a call from Maria Hill telling them about Mystique’s attack on The Raft, warning them that Regan Wyngarde is now free, and working with Mystique and Sabertooth to carry out a bank robbing spree.

Outside the young Scott Summers is waiting on the lawn when Cyclops and the Uncanny X-Men return. He confronts them as the others rush to join him outside the school, but Cyclops is not prepared to listen to his younger self. No one is really surprised when Celeste, “Mindee“, and Phoebe Cuckoo decide to join the Uncanny X-Men, but everyone is shocked by the next person who steps forwards and volunteers to join Cyclops and his mutant revolution…

All New X-Men #10 is another spectacular character driven piece by Brian Michael Bendis and Stuart Immonen. With this issue Bendis really gets to the core issues that surround Scott Summers mutant revolution, delving deep into the morality of his actions, while allowing him to finally make his case to his fellow Mutants in person.

Its interesting how the Beast is held to task for his actions by Cyclops, forcing him to justify his reasons for potentially damaging the space time continuum by allowing the Original X-Men to remain in the present. The young Scott Summers also confronts Beast, saying that he believes he misled them about his reasons for brining them to the future.

Stuart Immonen’s art on All New X-Men #10 is just phenomenal, every page is bursting with detail, and he perfectly captures every nuance of Bendis’ highly emotive story as tensions threaten to boil over between the two teams. All New X-Men continues to remain one of the best X-Titles around, with great storytelling and art, it doesn’t get much better than this.

All New XMen #9 Review

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All New X-Men, Angel, Brian Michael Bendis, Cyclops, Iceman, Jean Grey, Kitty Pryde, Marvel Comics, Marvel Now, Mystique, Original X-Men, Sabertooth, Sentinels, Stuart Immonen, The Beast, X-Men

All New X-Men #9

Review by Paul Bowler

 

After encountering his future self, Warren helped his metal winged counterpart defend Avengers Tower from an attack by Hydra, but after witnessing both Angel’s in action the Avengers decide to return with them to the school where the Beast explains the situation to Captain America. When the Avengers leave Angel breaks into Hank’s lab, determined to return to his own time. The young Jean Grey intervenes, shocking everyone when she uses her newfound telepathic powers to forcibly alter Warren’s mind and make him stay.

The original X-Men face one of their toughest challenges yet in All New X-Men #9 when Kitty decides its time for their first training session in the Danger Room. With the exercise set against the backdrop of Times Square, the young X-Men struggle to cope as they find themselves attacked by the Sentinels. After her students fail to work together as a team, Kitty ends the training programme, and encourages them to discuss how they went wrong.

As they head for their next class, Jean telepathically pries into Scott’s mind, and asks him who Mystique is. Kitty is horrified that Scott didn’t tell them about Mystique, but he refuses to discuss it, and storms out of the room.

Meanwhile a Maria Hill arrives at The Raft by helicopter with a new prisoner for the Ryker’s Maximum Security Installation, the Mutant known as Sabertooth! Once inside the facility Sabertooth breaks free of his shackles and tears the guars apart, leaving Mystique free to sheds the disguise of Maria Hill and release Lady Mastermind from her cell. Mystique has a proposal for Regan, one that involves using their extraordinary powers to get rich!

Back at The Jean Grey School of Higher Learning the young Angel questions the Beast about why there is no sign of the mutant genocide he told them about. Hank explains how hopes the presence of the original X-Men will make this eras Scott Summers see reason, that he brought them here to avert a disaster, not to witness a mutant genocide. However, the school day is suddenly brought to an abrupt end, when some surprise visitors materialise outside…

All New X-Men #9 is another outstanding character driven piece by Brian Michael Bendis. I really like the dynamic that Bendis has built up between Kitty and the original X-Men. She has forged a great relationship with her students, helping them learn from their mistakes, and it’s good to see Kitty addressing the way Jean has been abusing her telepathic powers. When it emerges that Cyclops has been approached by Mystique it leaves everyone stunned, especially as he refuses to talk about it, leaving us wondering exactly what he intends to do next. One of the best aspects of All New X-Men is the way Bendis has taken the time to allow the story to evolve at a natural pace, although it might by a bit too wordy and slow for some, I feel its one of this books strongest points.

We also discover more about Mystique’s plans, and that her agenda involves more than simply manipulating the young Scott Summers doubts about his mission. The way Mystique organizes Lady Mastermind’s escape from The Raft with Sabertooth is brutal in its simplicity, as Sabertooth quickly disposes of the guards, leaving Mystique free to make a deal with Regan that will enable them all to become extremely rich.

It’s also nice to see Angel finally getting to play a more active role, after being effectively sidelined for the most part, his conversation with the Beast in his lab offers us a greater insight into the reasoning behind Hank‘s actions. The way that Beast makes Warren realise how events could unfold if he hadn’t acted is truly inspired. Faced with only two possible outcomes, Hank sought out a third, and in doing so he believes that the shock of seeing original X-Men will bring Scott Summers to his senses and end his call for a mutant revolution.

All New X-Men #9 features the return of Stuart Immonen to the series with some incredible action set-pieces as the original X-Men take on the Sentinels in Times Square. This spectacular sequence is the highlight of the issue, the Sentinels look amazing, and it’s great to see the original X-Men going up against them. Immonen is also equally adept at the quieter moments that punctuate the action, perfectly capturing every emotional beat and facial expression, particularly when Kitty and Jean clash over the way she keeps sneaking a look at everyone’s thoughts.

Together with Bendis’ time warping storyline and Immonen’s stunning art, All New X-Men continues to build on its original premise, and with yet another fantastic cliff-hanger it remains one of my favourite titles from Marvel Now.

All New XMen #8 Review

Tags

All New X-Men, Angel, Avengers, Avengers Tower, Brian Michael Bendis, Cyclops, David Marquez, Hydra, Iceman, Jean Grey, Marvel Comics, Marvel Now, Original X-Men, Scott Summers, The Beast, Warren Worthington III, Wolverine, X-Men

All New X-Men #8

Review by Paul Bowler

 

The adventures of the original X-Men continue to be as enthralling as ever in All New X-Men #8 when the young Warren Worthington III finally encounters his future self. He takes to the sky with this metal winged Angel of the future, trying to keep up with his present day counterpart, but their flight is cut short when they notice Avengers Tower being attack by Hydra. The winged Mutants swoop from the sky to defend Avengers Tower, keeping Hydra’s forces at bay with their combined speed and agility, before the Avengers arrive to lend a hand.

When the Avengers find themselves confronted with the bizarre sight of two Angels, they return with the Mutants to the Jean Grey School of Higher Learning where the Beast does his best to explain to Captain America why the original X-Men are currently residing in the present – even though their presence could be potentially jeopardising to the space time continuum. Before the Beast can finish explaining, the Avengers are left dumfounded when the young Scott Summers intervenes and assures Captain America that he intends to make up for everything his future self has done.

Satisfied that the Beast has the situation under control, Captain America and the Avengers take their leave, but moments later an alarm sound from Hank’s lab. They rush to the lab where the young Angel is trying to activate the Time Cube so he can return to his own time. Warren’s team mates try to get him to calm down, but he refuses and says he wants to leave and go home, unaware that Jean Grey is about to intervene and change his mind for him…

All New X-Men #8 is another amazing issue in Brian Michael Bendis’ time warping saga of the Original X-Men’s exploits in the present day. It’s been a long time coming, but this issue Bendis finally throws the spotlight on Angel, who has had the most difficult time coping with his visit to the future. The way he interacts with his future counterpart is skilfully handled by Bendis, who shows that Angel is just as agile as his future self, and more than capable of handling himself in the fight with Hydra.

The scenes where the two Angels are flying together are beautifully realized by David Marquez, his art captures the glorious freedom that comes with the power of flight, and leaves us giddy with excitement as they swoop in to attack Hydra’s forces. Here the differences between the two Angels becomes even more apparent, with the youthful Warren proving to equally as adept in combat as his metal winged self. Their fighting styles stand in marked contrast to each other, yet together they make a formidable team, and it’s great to see the bemused look on the Avengers faces when they realize they are looking at two Angels from different time zones.

The young Scott Summers also makes a scene stealing entrance when he interrupts Captain America and the Beast, quickly defusing the tension in his own inimitable way, utilizing his natural leaderships skills in a way that gives both teams cause to sit up and take notice – even Wolverine seems impressed.

One of my favourite moments is where Beast is trying to explain what’s happened to Captain America, while just out of earshot, Iceman and Kitty Pryde hilariously mimic the seriousness of their conversation. Iceman’s take on what Captain America might be saying is absolutely hilarious, and as for Kitty’s “blah blah, blah” rendition of Hank McCoy’s incomprehensible techno babble, well, that is simply priceless. It’s writing like this by Brian Michael Bendis that makes All New X-Men so endearing and special.

However, it’s not all played for laughs. The scene were Warren decides to return to his own time is one of the pivotal moments in All New X-Men #8. His angry outburst leaves his team mates reeling when he states that his future would be safer if he had nothing to do with them anymore. It’s a great character moment for Angel. Right from the outset, The Original X-Men have failed to acknowledge any of Warren’s concerns about their trip to the future, it was clear he was having a hard time coping, so it was inevitable something like this was going to happen sooner or later.

What is really astounding about this issue is the way Jean Grey uses telepathy to alter Warren’s thoughts to make him stay. This blatant abuse of Jean’s newfound powers is quite shocking, and it offers a wealth of possibilities for Brian Michael Bendis to explore in the issue ahead. With its engaging plot and superb characterization, All New X-Men #8 is another thrilling issue by Bendis and Marquez, and remains one of the best X-Titles around at the moment.