Doctor Who The Empress of Mars Review

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Bill Potts, Doctor Who, Doctor Who Series 10, Doctor Who The Empres of Mars, Doctor Who The Empress of Mars, female Ice Warrior, Ice Warriors, Iraxxea, Mark Gatiss, Mars, Matt Lucas, Michelle Gomez, Missy, Nardole, Pearl Mackie, Peter Capaldi, Steven Moffat, TARDIS, The Doctor, Victorian Soldiers, Wayne Yip

Doctor Who The Empress of Mars

Review by Paul Bowler

[Contains Spoilers]

Not all is quite as it sss sseeems when the TARDIS arrives on Mars and the Doctor, Bill, and Nardole gets caught up in the middle of an uncanny conflict between Ice Warriors and Victorian soldiers! It appears that the Earth has somehow invaded Mars. As the Martian forces in the hive awakens, their Ice Queen Iraxxa prepares to lead them to war. Now the Doctor faces an impossible choice. It is the humans, and not the Ice Warriors that are the aggressors this time around, so which side will the Time Lord choose to be on?

The Empress of Mars is written by Mark Gatiss, the writer of several Doctor Who episodes: including The Unquiet Dead (2005), The Idiot’s Lantern (2006), Victory of the Daleks (2010), two episode from 2013’s seventh season, Cold War and The Crimson Horror, along with Robot of Sherwood (2014) from series eight, and 2015‘s Sleep No More. Now, with The Empress of Mars, Mark Gatiss makes a welcome return for series ten with a story which also features the classic Doctor Who monsters – The Ice Warriors!

Stylishly directed by Wayne Yip (The Lie of the Land), The Empress of Mars sees the Doctor Peter Capaldi), Bill (Pearl Mackie), and Nardole (Matt Lucas) gate crash NASA as the Mars probe Valkyrie relays an image from the red planet showing the words “God Save The Queen” etched on the barren Martian surface beneath the polar ice cap. Taking the TARDIS to Mars, in 1881 to investigate, the Doctor and Nardole become separated from Bill when she falls down an underground shaft, but when Nardole returns to the TARDIS to fetch rope the time machine inexplicably dematerialises with him inside. Marooned on Mars, the Doctor and Bill soon discover a group of Victorian soldiers Goodsacre (Anthony Calf), Catchlove (Ferdinand Kingsley), Seargant Major Peach (Glenn Speers), Jackdaw (Ian Beattle), Vincey (Bayo Gbadamosi) and Coolidge), who, along with their servile Ice Warrior survivor Friday (Richard Ashton), are busy excavating on the desolate red planet.

The Ice Warrior “Friday” was so named by the soldiers who found him and his crashed spaceship the middle of the South African veldt on 19^th century Earth because he reminded Colonel Godsacre and Captain Catchlove of Man Friday in Robinson Crusoe. Friday is really a lone guardian, appointed after a brutal civil war when his Ice Queen ordered her warriors into hibernation, he was to guard the Ice Warriors hive and reawaken them when it was safe to rebuild their world. But disaster struck and his ship crashed on Earth instead. Feigning submission and grief at his species apparent demise, Friday promised the soldiers the riches of his homeworld if they helped him return to Mars, and tricked them into using technology from his ship to mine the plant. But when “The Gargantua” cannon breaches the Ice Queen’s Tomb it doesn’t take long before Empress Iraxxa (Adele Lynch).is revived and a disastrous initial meeting with the soldiers causes her to awaken the dormant army of Ice Warriors for battle, and the soon Doctor is faced with the daunting prospect of mediating between the invading Victorian Soldiers and the reptilian Martian warriors as conflict erupts.

Mark Gatiss’ love of the Ice Warriors shines through every aspect of his script for The Empress of Mars. Along with subtle nods to the creatures past, Gatiss continues to explore new facets of their society and culture – though perhaps not quite as successfully he did in Cold War. Peter Capaldi and Pearl Mackie, once again shine in their respective roles, this is a comparatively Nardole-lite episode for Matt Lucas though, but he still plays one particularly significant role in the plot when the TARDIS starts “playing up” and prevents him returning to Mars. Nevertheless, the regular’s performances complement each other perfectly, and this TARDIS trio is now rapidly becoming one of my all time favourites.

The majority of the supporting cast of characters that make up the Victorian soldiers are also good, if a little clichéd, however it is their duplicitously subservient Ice Warrior, Friday, played by Richard Ashton that really stands out – especially in the scenes with the Doctor and Bill. Michelle Gomez also briefly returns in this episode as Missy, the Doctor’s arch Time Lady nemesis and Queen of Evil, when Nardole seeks her help in piloting the TARDIS back to Mars. Having been confined in the Vault she now apparently seeks redemption for her crimes against the universe, Missy’s actions in The Empress of Mars would seem to offer some validity to her new moral stance, and once again Michelle Gomez’s brilliant understated performance proves as utterly compelling as ever.

The Ice Warriors are amongst the classic pantheon of Doctor Who monsters. Ever since the Second Doctor (Patrick Troughton) originally encountered them in The Ice Warriors (1967) and The Seeds of Death (1969), they went on to return in the Third Doctor (Jon Pertwee) stories The Curse of Peladon (1972) and The Monster of Peladon (1974), The Waters of Mars (2009) implied the Ice Warriors had discovered a horrifying force beneath the surface of the Red Planet, and the 11^th Doctor (Matt Smith) was confronted by Grand Marshal Skaldac when the redesigned Ice Warriors made a triumphant return in Cold War (2013).

It’s astonishing to think that in the fifty years since their debut story, we’ve never actually seen the Ice Warriors on their homeworld. Now at last The Empress of Mars finally shows us the Ice Warriors on Mars. Although initially a little bit of a slow burn to begin with, the episode soon kicks into high gear once the Ice Warriors awaken en mass, and they also utilize new and rather gruesome way of killing. Of course, aside from the impressive regular Ice Warriors, there’s also a notable addition to legacy of the Ice Warriors, and indeed the series’ mythology overall, in The Empress of Mars, in that it features the first appearance in the programmes history of the species female Queen, the Empress Iraxxa, played by Adele Lynch. Iraxxa provides a whole new dimension to these classic monsters, and Lynch’s performance is quite good – if a little bit over-the-top at times. Pearl Mackie also continues to impress and show great versatility as Bill really steps up as the Doctor’s companion in this episode, getting some fantastic scenes and verbal exchanges with Empress Iraxxa.

In a fleeting, glimpse-and-you’ll-miss-it moment, we see a portrait of Queen Victoria in the soldier’s underground camp on Mars – or at least the version of her played by Pauline Collins in the 2006 episode Tooth and Claw. Unsurprisingly for the return of the Ice Warriors in The Empress of Mars, Mark Gatiss has pepped his script with fun references to the classic series, but there is one surprise guest appearance few could’ve expected – the return of Alpha Centauri!

Yes, it may only be for a short greeting on a screen, but the wonderful addition of Alpha Centauri – a friend of the Doctor’s and ambassador of the Galactic Federation who originally appeared in the previous classic series Ice Warrior stories The Curse of Peladon (1972) and The Monster of Peladon (1974) which starred Jon Pertwee as the 3^rd Doctor – is a great callback to the classic series that many fans are sure to adore. Its something made all the more special as well because Alpha Centauri’s original voice actor Yasanne Chruchman also returns to deliver the characters dialogue for this scene.

The Empress of Mars races towards a thrilling conclusion, with bloodshed seemingly unavoidable and Iraxxa being held at knifepoint by Captain Catchlove, the disgraced Captain Goodsacre attempts to atone for his past act of desertion by killing Catchlove and offering to die honourably before the Ice Queen in the hope she will spare his men. Impressed by the human’s actions, Iraxxa orders her Ice Warriors to stand down, and accepts the Doctor’s offer to help them send out a signal requesting assistance to help them leave Mars – a signal which is quickly answered by Alpha Centauri from the Galactic Federation. Leaving the Ice Warriors to prepare for their new role in the universe, the Doctor and Bill help Goodsacre leave the message on the surface that will be seen by both the rescue ship coming for the Ice Warriors and the  Valkyrie probe in the present day, and when Nardole returns in the TARDIS to retrieve them the Doctor and Bill are more than a little shocked when they discover Missy onboard…

The Ice Warriors return in The Empress of Mars is without doubt one of the most fan-pleasing moments of series ten so far, so its perhaps no surprise that it also feels like a very old school classic Doctor Who story in many respects. The madcap premise of this bizarre sci-fi mashup of Journey to the Centre of the Earth and Zulu, along with a good pinch of Steampunk thrown in for good measure, makes for a highly atmospheric and entertaining episode. The drama builds from the moment Iraxxa’s sarcophagus is discovered, and the subsequent clash between the Victorian Soldiers and the Ice Warriors presents an extremely interesting dilemma for the Doctor.

Most of the action takes place underground, but there are some nice establishing shots on the surface of Mars, the scene where the hive is activated are superb, and later the way the Ice Warriors emerge from the ground to attack is also very effective. With its great opening set-up, strong performances from Capaldi, Mackie, Lucas, along with the surprise addition of Michelle Gomez as Missy, and of course Alpha Centauri’s special guest appearance, this episode is a fantastic return for the Ice Warriors. Sure, Mark Gatiss’ script is a tad self-indulgent at times, but ultimately The Empress of Mars is still one of the major highlights of series ten!

Check out the Next Time trailer for The Eaters of Light.

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Doctor Who Series 10 Trailer Released!

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12th Doctor, Chris Chibnall, Cybermen, Daleks, Doctor Who, Doctor Who Bill, Doctor Who Series 10, Doctor Who Series 10 trailer, Ice Warriors, Mark Gatiss, Matt Lucas, Mondasian Cybermen, Nardole, Pearl Mackie, Peter Capaldi, Series 11, Steven Moffat, TARDIS

Doctor Who Series 10 Trailer Released!

Check out the awesome new Doctor Who Series 10 trailer! Staring Peter Capaldi as the Doctor, with Pearl Mackie as new companion Bill, along with Matt Lucas as Nardole, Doctor Who Series 10, begins on Saturday 15th April 2017! I think it’s a great looking trailer, lots of locations and monsters, can’t wait for the new series!

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Doctor Who Sleep No More Review

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Clara Oswald, Doctor Who, Doctor Who Series 9, Doctor Who Sleep No More, Doctor Who Sleep No More Review, Jenna Coleman, Justin Molotnikov, Mark Gatiss, Neptuen, Peter Capaldi, Reece Shearsmith, Steven Moffat, TARDIS, The Doctor, The Sandmen, Triton

Sleep No More

Review by Paul Bowler

[Contains Spoilers]

The Doctor and Clara must investigate strange events in the thirty-eighth century in recorded footage is gathered from a rescue mission in space. The footage reveals a disturbing account of inexplicably horrifying events. But there is something evil lurking in this recording, something that is a danger to us all. So, if you value your sanity, the future of your species, your life, and everything that you hold dear, whatever you do, do not watch it…

Sleep No More, the ninth story from Series 9, finds the Doctor and Clara faced with a dark mystery, where the events now unfold in the frightening footage discovered from the deep space rescue mission. This chilling adventure written by Mark Gatiss (The writer of many Doctor Who episodes, including The Unquiet Dead (2005), the Idiot’s Lantern (2006), Victory of the Daleks (2010), as well as two episodes from 2013’s seventh season, Cold War and The Crimson Horror, and Robot of Sherwood (2014) from series eight), brings us a suspenseful found-footage tale, directed by Justin Molotnikov (Da Vinci’s Demons / Atlantis / Merlin).

The recorded events from the Le Verrier Space Station orbiting Neptune holds details of a terrifying story after the data is assembled. But once it has been watched you can never unsee it! Its been about 24 hours since the station went silent, a team from Triton led by Nagata (Elaine Tan) has been sent to investigate, but when the Doctor (Peter Capaldi) and Clara (Jenna Coleman) also get caught up in events they must work together to figure out what happened to the crew on board the orbiting laboratory. After encountering frightening creatures made of sand they gets separated from Deep-Ando, the Doctor, Clara, and the rest of the team find shelter, where Clara becomes trapped briefly inside one of the Morpheus pods before the Doctor rescues her.

It seems the Morpheus machine invented by Professor Rassumussen (Reece Shearsmith), pod-like devices that concentrate nocturnal experiences to enable humanoids to go a whole month without sleep, has the potential to revolutionise the labour force of humanity – but with dire consequences! The Doctor confronts Rassumussen after he’s found hiding in one of the Morpheus pods, his machine might have conquered nature, but in doing so the Professor has also created nightmarish abominations, the Sandmen, and the creatures seem almost unstoppable!

Mark Gatiss exploit’s the “found footage” horror format to the full in Sleep No More, in an episode boasting shocks and scares around every shadowy corner, a sinister take on the 50’s pop song Mr Sandman, and the hideously misshapen Sandmen monsters, this is undoubtedly one of series nines darkest episodes so far. As well as strong performances from Peter Capaldi and Jenna Coelman, Sleep No More also breaks new ground by not having any conventional title sequence (Although some text and letters do flash across the screen early on that momentarily spell the words Doctor Who) whatsoever – a first for Doctor Who – and director Justin Molotnikov uses spooky camerawork and eerily unsettling sounds to great effect over the course of this fabulously tense, atmospheric, and creepy episode. The way the action in this episode is intercut with Rassumussen’s narration to camera is handled well, there are lots of creepy deaths when the Sandmen attack, the sequence where the gravity shields initially fail is also really exciting, and the scenes where the Doctor, Clara, and Commander Nagata hide in the cold store from the Sandmen are especially nerve wracking – especially when the Doctor realises the Sandmen are blind as he leads the escape from the freezer.

Rassumussen is played by Mark Gatiss’ League of Gentlemen pal, Reece Shearsmith, who is excellent in his role as the ambitiously foolish scientist, and there is far more to Rassmussen’s story than meets the eye… Although this is his first appearance in a Doctor Who episode, Reece Shearsmith did play the role of the 2^nd Doctor briefly for the 2013 drama about the programmes origins, An Adventure in Space and Time, which was also written by Mark Gatiss. Sleep No More features a great mix of characters, including Nagata (Elaine Tan), Chopra (Neet Mohan), the clone 477 (Bethany Black), Deep Ando (Paul Courtenary Hyu), the Morpheus Presenter (Zina Badran), and Natasha Patel, Elizabeth Chong, Nikkita Chadha, and Gracie La as the group of hologram singers. Having also played a Zygon in The Zygon Invasion & The Zygon Inversion in Series 9, Tom Wilton returns again, this time making an appearance as one of the Sandmen.

It is a time of great prosperity for the galaxy, the Morpheus machine has made sleep virtually obsolete, thus increasing productivity. Time is money after all! Rassumussen has effectively changed the nature of human existence, but the true cost of his experiments with the latest model of his Morpheus machines on the Le Verrier Space Station are quickly becoming apparent. With the help of the sonic specs the Doctor is eventually able to discern a frightening connection between the sleep dust in the atmosphere and the how the footage is being relayed, it makes what actually happened to the crew of the station seem even more horrible, as those using the Morpheus machines, even for a short time, become infected and consumed from the inside, but the Doctor is confident he can reverse the process in Clara and Nagata once they reach the TARDIS.

The creepy new monsters “The Sandmen” are great hulking creatures, terrifyingly powerful, and they seem virtually unstoppable. Essentially they are life forms created from the sentient acumination of human sleep dust, a side effect of using the Morpheus machines on the station. The Sandmen consumed their human hosts who were using the pods, before hunting down the rest of the crew, and then later the rescue team from Triton. The creatures are immensely strong, but they are also blind, and deactivating the stations gravity shielding can severely affect the cohesion of their bodies. Indeed, with their grotesque form and horrific nature, the Sandmen are a powerful reminder of the sleep that all humans need to save them from the monsters lurking inside.

Mark Gatiss has entwined a number of references from past Doctor Who stories into Sleep No More, Nagata mention of the Space Prates, in a clear not to the 1969 Doctor Who story The Space Pirates, the 12^th Doctor also speaks of the great catastrophe which loosely alludes to Frontios (1984), when Clara names the creatures in Sleep No More as Sandmen, which the Doctor initially contests, it alludes to a similar issue where the Doctor didn’t name the Earth-based reptile species in The Silurians (1970), and their name – presumably it was a human that named them as Silurians – turned out to be somewhat misleading and technically inaccurate. There are links to Greek mythology, specifically Morpheus god of dreams, and some key lines of dialogue from Shakespeare’s Macbeth.

In a frenetic showdown, the Doctor, Clara, and Nagata discover the Sandmen’s creator, Gagen Rassmussen, is actually assisting them! He intends to escape from the Le Verrier station, together with the Morpheus pod containing Patient Zero – the individual that’s been exposed to the Morpheus process the longest – and return to Triton to spread the spores of dust – thus infecting everyone on Triton and eventually all humanity… Fortunately the Doctor, Clara, and Nagata manage to evade the Sandman from the pod that Rassmussen locked them in with, Nagata shoots Rassmussen, and when the Doctor deactivates the gravity shields again they are finally able to reach the TARDIS and escape. However, it seems the story is not quite over, as the final piece of footage from the station holds a chilling message from Rassmussen that reveals the horrifying truth…

Sleep No More uses all the familiar tropes of the “found footage” genre, Mark Gatiss has crafted a highly disturbing concept for this story, and there are moments that genuinely scary. Peter Capaldi and Jenna Coleman are on excellent form, Reece Shearsmith is great as Rassmussen, and the supporting cast – especially Elaine Tan as Nagata, all get a good share of the spooky action. Director Justin Molotnikov builds the brooding menace throughout, and there are plenty of surprises to keep you guessing about what will happen next. While I’m not a big fan of found footage films, I found Sleep No More to be a bold experiment with the format of Doctor Who, and one that actually proved to be a lot more successful than I was expecting it to be.

Here’s a Doctor Who Series 9 Extra where Mark Gatiss, Steven Moffat and the cast discuss creepy new monsters, The Sandmen!

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Doctor Who Robot of Sherwood Review

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Ben Miller, Clara Oswald, Doctor Who, Doctor Who Series 8, Jenna Coleman, Mark Gatiss, Paul Murphy, Peter Capaldi, Robin Hood, Robot of Sherwood, Sheriff of Nottingham, Sherwood Forest, The Doctor, Tom Riley

Robot of Sherwood

Review by Paul Bowler

[CONTAINS SPOILERS]

When the Doctor lets Clara choose what time and place she’d like to go to next, Clara decides that she wants to visit Sherwood Forest in the twelfth century and meet Robin Hood. Even though the Doctor claims there’s no such thing as old-fashioned heroes like Robin Hood, when the TARDIS finally arrives the first person they meet is… Robin Hood! The Doctor makes an alliance with Robin Hood and his Merry Men to thwart the evil schemes of the Sheriff of Nottingham. With all of Nottingham at risk, dark forces awakening from beyond the stars, and robot knights on the rampage, the Doctor must act quickly to discover who is actually real and who is fake – after all Robin Hood was a legend, a made up hero, he couldn’t possibly exist, or could he?

Robot of Sherwood, the third story from series eight, sees the Time Lord and Clara joining forces with Robin Hood, to do battle against the dastardly Sheriff of Nottingham. This fun adventure written by Mark Gatiss (Who also brought us The Unquiet Dead (2005), The Idiot’s Lantern (2006), Victory of the Daleks (2010), and two stories during 2013’s seventh series Cold War and The Crimson Horror) is a glorious blend of humour and legend, directed by Paul Murphy, where the fate of Nottingham and its famous fictional hero becomes inexplicably entwined with the uncanny technological influences that have fallen from the stars that could destroy the world.

From the moment the Doctor steps out of the TARDIS in Robot of Sherwood, he is resolutely set on proving to Clara that the Robin Hood they’ve encountered, is a fake, and Peter Capaldi is brilliant as the grumpy Time Lord. Peter Capaldi’s edgier, less patient incarnation of the Doctor, is an absolute delight to behold in this episode, and its great fun to see how the Time Lord deals with being confounded by the impossibility of Robin’s existence. The fight here between the Doctor and Robin Hood over the river is brilliantly staged. The Doctor even wonders if the TARDIS has materialised inside a Miniscope at one point, a neat reference to the device in 3rd Doctor story Carnival of Monsters (1973) that was used to store miniaturised life forms as exhibits for entertainment. During his fight with Robin Hood, the Doctor also mentions Richard The Lionheart, the 12th Century monarch the 1st Doctor met in the 1965 story, The Crusade.

When the Doctor, Clara, Robin, and the Merry Men attend the Contest for the Golden Arrow hosted at the castle by the Sheriff of Nottingham, the rivalry between the Doctor and Robin continues, with each of them trying to outdo the other by performing the most elaborate shot. After the Sheriff brings the contest to an end it’s revealed that the knights are actually disguised robots, and the Doctor allows them to capture him, together with Clara and Robin, so they can find out what the Sheriff of Nottingham is secretly planning.

Offered a chance to go “anywhere in space and time” Clara’s wish to meet her childhood hero quickly sets up this episodes clever premise, and provides some great moments for Jenna Coleman as the witty script unfolds. Clara makes a stunningly beautiful and resourceful companion as events inadvertently cast her as the stories equivalent of Marian. Clara’s no damsel in distress though; she has to contend with deadly robot knights, act as referee when they are locked in the Dungeon as the Robin and the Doctor constantly bicker, and she cleverly gets herself released so she can trick the Sheriff of Nottingham into revealing his past.

Tom Riley’s Robin Hood embodies all the finest qualities of the Errol Flynn version of the medieval hero: dashingly handsome, honourable, well mannered and jovial, all his scenes with the Doctor are especially fun. At first, the two adventurers bicker constantly as they squabble over who is, and isn’t, real. The Doctor and Robin don’t really like each other at all, and the Time Lord becomes particularly vexed when he’s trying to escape from the dungeon with Robin, but they eventually manage to overcome their differences and it’s great to see these two iconic British heroes fighting side by side. Ben Miller also gives a wonderful scenery chewing performance as the villainous Sheriff of Nottingham, and he makes a great adversary for Robin and the Doctor.

Ever since Doctor Who returned in 2005, the celebrity historical adventure has become something of a mainstay for the new series: so far the Doctor has encountered Charles Dickens, Queen Victoria, Winston Churchill, and Agatha Christie. Whereas these were all adventure in the past, the seventh series saw Queen Nefertiti travelling into the future. Now with Robot of Sherwood we have possibly one of the most interesting takes on this format to date, as the Doctor and Clara become part of the fabled legend of Robin Hood.

Mark Gatiss has ingeniously woven the legend of Robin Hood into this episode of Doctor Who: we have a very traditional style Robin Hood, one that’s free from the angst so inherent to many modern versions, then we have Robin’s band of Merry Men, the fight over the river, sun-dappled glades, an archery contest, a dark dungeon, and exciting swordfights. Gatiss’s excellent script for Robot of Sherwood perfectly balances all these key elements, it’s certainly a more light-hearted episode, and there are some very poignant moments as well that offer a meaningful insight to the value of old-fashioned heroes like Robin Hood.

The Sheriff described to Clara how he witnessed a spaceship crash, discovered its secrets, and began collecting all the gold in the land with the disguised robots to repair the ships circuitry so he can use it to take over the Kingdom and the world. It is only when the Doctor and Robin finally escape from the dungeon that the full extent of the Sheriff’s grand design is finally revealed, when they discover a secret room and learn the castle is actually a disguised spaceship that has fallen back through time. The engines are damaged and the ship has been attempting to blend in by altering itself and the surrounding environment from the data of Earth’s myths stored in its memory banks; inadvertently creating Sherwood Forest and instigating the legend of Robin Hood.

After a dramatic start to the season, we get a break from the darker tone of series eight for this episode. Robot of Sherwood is packed with humour, clichés, lots of puns, and even a hilariously absurd sword / spoon fight between the Prince of Thieves and the Last of the Time Lords, but it’s all brilliant fun too! While all the merriment and mirth won’t appeal to everyone, I think it’s good to have a lighter toned episode like this to balance a season out; otherwise everything can become unrelentingly dark. Mark Gatiss’s script cleverly weaves its magic, making Capaldi’s Doctor all dour and grim (and consequently really funny), while Riley’s outlaw of Sherwood Forest is a thigh-slappingly cheerful Robin Hood, and Miller’s Sheriff of Nottingham serves as a fittingly grandiose pantomime villain. As such, Robot of Sherwood is a marvellously fun run-around for the Doctor and Clara, so much so that at times it almost feels as if this episode is actually daring you not to like it, before winning you over with its cheeky grin and infectious charm.

Even when he is captured again the Doctor quickly realises there is nowhere near enough gold in the area to repair the spaceship properly, and it will almost certainly explode soon after take off. The Doctor instigates a revolt and leads the other prisoners against the robot knights, which, together with the arrival of Clara, Robin Hood, and his men, ensures that the Sheriff’s plans are soon in ruins. Robin’s swordfight with the Sheriff of Nottingham sends the Sheriff plummeting into a vat of molten gold as the remaining robots take off in the ship. Although his arm was injured in his fight with the Sheriff, with the Doctor’s and Clara’s help, Robin manages to fire the golden arrow at the spacecraft, enabling it to safely reach orbit, where it explodes.

With its impressive production values, costumes, and colourful cast of characters including Friar Tuck (Trevor Cooper) Little John (Rusty Goffe), Will Scarlet (Joseph Kennedy), Alan-a-Dale (David Benson), Walter (Adam Jones), Herald (David Benson), Quayle (Roger Ashton-Griffith), and Quayle’s Ward (Sabrina Bartless), together with Paul Murphy’s excellent direction, Robot of Sherwood remains a thoroughly enjoyable affair from beginning to end. While there is no sign of Missy (Michelle Gomez) the bizarre Mary Poppin’s-like character who has been welcoming the recently deceased in previous episodes, the data bank on the robots space ship indicated the vessel was bound for the promised land – the same place the Half-Face Man was searching for in Deep Breath. Fans also got a nice surprise as the Doctor showed the spaceships files to Robin and an image of Patrick Troughton appeared from when he played the title role in the BBC’s 1953 TV production of Robin Hood.

The robot knights are also very impressive, and its clever how their helmets open to reveal their true identity. It’s only really towards the end of the episode, when the robot menace is defeated and everything gets wrapped a little too easily, that Robot of Sherwood becomes a little unstuck. However, minor quibbles aside, this is a great comedic episode, Peter Capaldi is superb, and the final scene as the Doctor says his farewell to Robin is something really special. The Doctor and Clara also appear to be getting along much better now, they seem more comfortable with each other, and the way the legacy of Doctor Who collides with the legend of Robin Hood in Robot of Sherwood gives added weight to the Time Lord’s ongoing mission to rediscover himself and understand the man that he has ultimately become. Robot of Sherwood is a very old-fashioned style of adventure, its always an extra special event when the Doctor meets a historical figure, even more so this time because its a fictional one, and as a stand-alone story it works remarkably well.

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Doctor Who The Crimson Horror : Review

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Catrin Stewart, Dan Starky, Diana Rigg, Doctor Who, Dr Who, Jenna-Louise Coleman, Jenny, Madame Vastra, Mark Gatiss, Matt Smith, Mrs Gillyflower, Neve McIntosh, Rachel Starling, Saul Metzstein, Strax, Sweetvill, The Crimson Horror, Yorkshire

The Crimson Horror

Review by Paul Bowler

[Contains Spoilers]

The Crimson Horror sees the Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) teaming up with their old friends Madam Vastra (Neve McIntosh), Jenny (Catrin Stewart), and Strax (Dan Starky) to investigate Sweetvill in Yorkshire, 1890. It seems like an idyllic place, this enclosed factory community with its happy workforce, but ghastly secrets are concealed here and no one ever leaves. People have come to Sweetvill to work in the factory, where they are offered absolution from their sins, and protection against the imminent apocalypse foretold at The End of Days.

While the streets may be spotlessly clean and the people beautiful, dead bodies covered in red wax are being washed up in the river, and a terrifying secret is brewing behind the doors of the Sweetville Mill run by Mrs Gillyflower (Dame Diana Rigg), along with her blind daughter Ada (Rachel Starling), and their mysterious business partner Mr Sweet. When the Doctor and Clara go missing at the mill Madame Vastra, Jenny, and Strax are informed of the strange goings on at Sweetvill. They set out to investigate, with Jenny infiltrating the shadowy building, where she finds the Doctor locked in a room.

After being captured by Mrs Gillyflower, the Doctor was lowered into the steaming vat that houses the Crimson Horror, but because the Doctor is an alien the process fails. Instead of disposing of his body in the river, Ada took pity on him, and locked him away to keep him for herself. When Jenny finds the Doctor his skin is red and he can hardly move. She helps him reverse the process and rescue Clara, just as Vastra and Strax arrive to fend off Mrs Gillyflower’s henchmen.

It transpires that Vastra knows of the Crimson Horror, she informs the Doctor that it is really the venom of a prehistoric parasite which once affected her own race, the Silurians. The parasite is really Mr Sweet, a slug-like creature that has bonded itself symbiotically to Mrs Gillyflower’s body. She has been milking its venom so she can launch it from a rocket inside the mills chimney stack. The Doctor and his friends must stop Mrs Gillyflower from launching the rocket, or the entire world will be poisoned by the Crimson Horror.

Fortunately the Doctor and Clara are able to save Ada from being shot by her mother, while Vastra and Jenny remove the venom from the rocket before Mrs Gillyflower can launch it. A well timed shot from Strax’s gun sends Mrs Gillyflower tumbling to her doom. The parasite detaches itself and tries to crawl away, but Ada finds it, and swiftly kills the creature. The Doctor and Clara say their goodbyes and he takes Clara back home, where he departs for now, but it would seem that the two children Clara is a nanny to have found out about her time travelling adventures…

This story by Mark Gatiss features the welcome return of Madame Vastra, Jenny, and the Sontaran Strax. These characters became fan favourites after they banded together to help The Doctor and Rory rescue Amy Pond from Madame Kovarian’s base on Demon’s Run  in A Good Man Goes To War (2011), and they returned to help the Doctor and Clara (The Governess) fight the Great Intelligence in the 2012 Christmas Special: The Snowmen. It’s great to see the Silurian Detective Madame Vastra and her loyal companion Jenny solving mysteries again, while Strax is as hilarious as ever and together they make a brilliant team as they explore the Sweetvill Mill.

The Crimson Horror is a comparatively Doctor-Lite episode, with the Time Lord and Clara not really featuring much until the midway point of the story. Instead we discover what is happening in Sweetvill as Vastra, Jenny and Strax carry out their own investigation as they attempt to rescue the Doctor and Clara from the mill. Neve McLntosh gives a sublime performance as the Silurian detective, Catrin Stewart plays a pivotal role in the action as Jenny, and Dan Starkey is absolutely hilarious as Strax. The banter between Vastra, Jenny and Strax is really good, with the Sontaran getting all the best lines. This trio of characters work brilliantly together, at times this episode almost feels like a pilot for their own spin-off series.

Indeed, if the onscreen camaraderie between Vastra and her friends in The Crimson Horror is anything to go by, then as spin-off featuring Vastra, Jenny, and Strax solving mysteries and fighting strange alien menaces in Victorian England would be an absolute delight.

Matt Smith and Jenna-Louise Coleman are really settling into their roles now. The relationship between the Doctor and Clara is really starting to evolve into something very special, they seem to share a unique bond, and this episode really highlights just what a good team they make. With the Doctor wearing a new variation of his costume, sporting a bowler hat, and with Clara dressed in a Victorian outfit reminiscent of the one she wore as the Governess in The Snowmen, their initial role in the story is told mainly through a series of grainy old film-style flashbacks. There is also a nice reference back to one of the Doctor’s pervious companions, Tegan (Janet Fielding), who travelled with the 5^th Doctor (Peter Davison), when the 11^th Doctor talks about Tegan and says to Clara: “Brave heart Clara.” It’s these nice little touches that have really made the second half of the season so special.

The Crimson Horror also has some fantastic guest stars, with Diana Rigg and her daughter Rachel Stirling appearing on screen together here for the first time ever. Incidentally they play mother and daughter as well in The Crimson Horror, with Diana Rigg as the wickedly evil Mrs Gillyflower, the owner of Sweetvill Mill, and Rachel Stirling as Ada, her poor daughter – who was blinded by her mothers cruel experiments. Mark Gatiss’ wonderful script really plays to their strengths, they have some fantastic scenes together, particularly when the truth about Mr Sweet is revealed, and it’s a joy to see Matt Smith and Diana Rigg working together in this episode.

After his fabulous work on The Snowmen, director Saul Metzstein returns to bring the same distinctive gothic atmosphere to The Crimson Horror as he did with the 2012 Christmas Special, having also directed Dinosaurs on a Spaceship and A Town Called Mercy for first half of the seventh season. The attention to the period detail is as impeccable as we have come to expect, as are the costumes, and the blood red venom being created in the mill is a really sinister concept. I like how the deadly wax-like venom turns people into Mrs Gillyflower’s slaves, it’s quite horrific to see the Doctor infected as well, although the parasite creature is strangely cute for something so disgusting.

This episode also marks something of a landmark for Doctor Who, as it is the 100^th episode to be shown since it returned to our screens in 2005. So far Mark Gatiss has written six stories for Doctor Who, and I think his contributions to Season Seven have been some of his best episodes so far. The Crimson Hand is a good old fashioned mystery, with the Doctor’s images captured uncannily in a dead man’s eye, a laboratory full of bubbling test tubes, some brilliant action for the Paternoster Row gang, and a thoroughly macabre sense of fun with plenty of horror clichés thrown in for good measure. The scene with the young street urchin called Thomas Thomas, who gave Strax some very precise directions to the mill, was a really neat twist on Sat Nav by Mark Gatiss. There are some nice references back to The Snowmen as well, especially as the Doctor tries to explain how Clara is still alive to  Vastra and Jenny, and a funny  closing scene where Clara realises that the children she looks after have found out that her secret “boyfriend” is really a time traveller.

The Crimson Horror is another great episode by Mark Gatiss, it’s full of dark humour and cheeky double entendres, and it’s great to see the Doctor working with Vastra, Jenny and Strax again. The plot involving Mrs Gillyflower and her bonneted assistants as they ensnare their unwitting workforce in their scheme is really chilling, transforming them into her mindless puppets, so she can launch a rocket full of the red venom and infect the entire world with the Crimson Horror. The period setting is a bizarre amalgamation of steam punk and fantasy, with some foreboding gothic undertones, that work together with the terrific ensemble cast to make The Crimson Horror one of the most entertaining – if slightly silly – stories of the seventh season.

Doctor Who Cold War : Review

Tags

Clara, Cold War, David Warner, Doctor Who, Douglas Mackinnon, Dr Who, Dr Who Season 7, Ice Warriors, Jenna-Louise Coleman, Liam Cunningham, Mark Gatiss, Mars, Matt Smith, Professor Grisenko, Skaldak, Submarine, TARDIS, The Doctor

Cold War

Review by Paul Bowler

[Contains Spoilers]

The Ice Warriors are amongst the most popular monsters ever seen in Doctor Who. Ever since they first battled the Second Doctor (Patrick Troughton) in The Ice Warriors (1967) and The Seeds of Death (1969), and then later the Third Doctor (Jon Pertwee) in The Curse of Peladon (1972) and The Monster of Peladon (1974), fans have been eagerly awaiting the day when the Martian warriors from Mars would return to menace the Doctor again. Now at long last the Ice Warriors are back, in a fantastic story by Mark Gatiss, to face the Eleventh Doctor (Matt Smith) and his new assistant Clara Oswald (Jenna-Louise Coleman) in the eagerly anticipated episode – Cold War.

When the Doctor and Clara’s trip to Vegas doesn’t go according to plan they suddenly find themselves on a Soviet submarine which is rapidly sinking to the bottom of the ocean at the North Pole. After the TARDIS Hostile Action Displacement System causes the ship to dematerialise, leaving them stranded, the Doctor realises they have arrived during the cold war in 1983, at the height of the tensions between the worlds two power blocks. The submarine and her crew are returning from a top secret expedition to the North Pole where they discovered a creature frozen in the ice; an Ice Warriors that he been dormant for over five thousand years. Now it has escaped and is making its way though the submarine, where it confronts the Doctor, but a crewmember sneaks up behind the Ice Warrior and disabled it with a cattle prod.

Now that the Ice Warrior is chained up the Doctor explains that the Ice Warrior is Grand Marshal Skaldak, one of the greatest warriors of the Martian race. Clara volunteers to negotiate with the Skaldic, but she is horrified when it becomes apparent that the Martian has escaped from its armoured shell, and is now prowling the ship in its natural form! Later when Skaldak attacks Professor Grisenko and Clara, the Doctor and Captain Zhukov rush to help them. But the Martian has used the tense standoff to summon his armour, and once he is back inside it, the Ice Warrior storms the bridge and takes control of the submarines nuclear missiles. Skaldak knows his distress call will never be answered, his people are no more, but he can still avenge his race and bring this planets cold war to a final end…

Clara Oswald’s first adventure into the past is fraught with danger as she has to learn to cope quickly as events begin to spiral out of control on the submarine. This is another important episode for Clara as it helps to clarify her role as the new companion, by placing her in situations that reinforce the programmes basic concepts, such as the TARDIS translation matrix. In fact, this is the third time that writer Mark Gatiss has penned a new companions first adventure in Earth’s past – the first being Rose in The Unquiet Dead (2005), and then Amy in Victory of the Daleks (2010). There are plenty of chances for Jenna-Louise Coleman to shine as Clara has to cope with being stuck on the submarine and running for her life to escape from the Ice Warrior after it emerges from its armour. There are no clues this episode about the ongoing mystery of Clara Oswald’s origins, although there are some great character moments for her. One of Clara’s best scenes is where she becomes trapped with the Ice Warrior, it’s highly reminiscent of Robert Shearman’s 2005 episode Dalek, and it’s a great tension filled moment that has quite an unexpected payoff at the episodes climax.

The submarine sets for Cold War are really dark and claustrophobic, with steam billowing from pipes and water streaming everywhere, director Douglas Mackinnon really builds up the tension as the vessel sinks and the Ice Warrior goes on the rampage. It really is remarkable how the cast and crew managed to film in such conditions, the sets are so convincing, and with all the water and steam gushing through the fractured hull it looks incredibly realistic.

Right from the moment we catch sight of the Ice Warrior frozen in a block of ice, there is a brooding sense of anticipation until it breaks free attacks the crew. The new look Ice Warrior retains many of the classic element of the original monsters design, but with a few slight changes, namely having three fingered hands instead of its predecessors clam-like pincers. What is really remarkable about Skaldak is how fast he moves. The old Ice Warriors were slow and lumbering, but Skaldak (Spencer Wilding) seems to power through the submarine, stomping through the flooded corridors and killing anyone that gets in his way. It goes to show just how successful the original design of the Ice Warrior really was, the creature’s sonic weaponry is still present here, their distinctive rasping voice – provided by Nicholas Briggs – is slightly deeper, but the reptilian hisses are the same. The biggest change is how Grand Marshal Skaldak is capable emerging from his armour, revealing his true form, something that even the Doctor has never seen before. There are some really creepy moments as Skaldak prowls the ship (particularly when he dismembers some of the crew to study human anatomy) once he is outside his cybernetic armour, although we only see his clawed hands, his face is revealed during the closing moments on the Bridge as the Doctor  and Clara try to stop him firing the nuclear missiles..

Mark Gatiss has crafted a superb story, drawing on such classic sci-fi influences as The Thing From Another World and Alien, while setting it on board the cramped environment of the Soviet submarine. Cold War is a clear homage to the classic base under siege stories from the 2^nd Doctor’s era, where the Ice Warriors first appeared in 1967, and Mark Gatiss has done a fantastic job with this thrilling episode for the Ice Warriors return.

I like how Mark Gattis has taken the opportunity to give a greater scope to the Ice Warriors and their culture. The first Ice Warrior the Doctor encountered (Varga) had been entombed in a glacier for thousands of years, later he stopped them from invading Earth and altering the planets atmosphere with deadly seed pods, before encountering them in the distant future on the planet Peladon, and the 10^th Doctor (David Tennant) also mentioned them in The Waters of Mars (2009). There are huge gaps in the mythology of the Ice Warriors which Mark Gatiss hints at here: mentioning different castes and factions, a code of honour, and aspects of their ancient civilization. There is also a very touching moment when Skaldak remembers his family. The space ship at the end that rescues Skaldak is magnificent; there is a wealth of potential here for the Ice Warriors to return in force, so let’s hope they do soon, preferably with Mark Gatiss scripting their next story.

Matt Smith has some great moments as the Doctor in Cold War. He spends most of the episode struggling to contain the threat posed by the Ice Warrior, while also briefing his new companion on the tense political situation they are faced with, knowing that if Skaldak launches the submarines missiles it will start a war that will destroy the world. We lean that Skaldak was a great hero of the Martian race, a powerful warrior, and Matt Smith’s portrayal of the Doctor continues to impress as he tries to persuade the Ice Warrior not to unleash the nuclear warheads and start a war.

David Warner is also exceptional good as the elderly Professor Grisenko; a great character who steals every scene he’s in as he walks the corridors of the submarine, singing pop songs from the 80’s. The grizzled Captain Zhukov is played by Liam Cunningham, and his Lt Stephashin (Tobias Menzies), along with crewmembers Piotr (Josh O’Connor), Onegin (James Norton), and Belevich (Charle Norton) are all a great bunch of characters that makes Cold War a really fun episode filled with some cracking dialogue and brilliant action scenes.

It’s great to see the Ice Warriors back for Doctor Who’s 50^th Anniversary year. Cold War is a brilliant episode by Mark Gatiss, the Ice Warriors scaly armoured form has received a fantastic update for the iconic monsters return, and together with terrific performances by Matt Smith and Jenna-Louise Coleman this is one of the best episodes of season seven.

Dr Who: New Ice Warrior Revealed!

Tags

Doctor Who, Douglas Mackinnon, Dr Who, Dr Who Season 7, Ice Warriors, Mark Gatiss, The Ice Warriors

Doctor Who: New Ice Warrior Revealed!

The new Ice Warrior design was officially unveiled today by SFX Magazine. This stunning new version of the classic monster will debut in the third episode of Doctor Who Series 7B, featuring in a story written by Mark Gatiss and directed by Douglas Mackinnon.  I really like the design of the new Ice Warrior, it remains faithful to the classic design, while giving them a great new look for their spectacular return.

The Ice Warriors to Return in the New Series of Doctor Who!

Tags

David Warner, Doctor Who, Douglas Mackinnon, Dr Who, Dr Who Season 7, Ice Warriors, Jenna-Louise Coleman, Mark Gatiss, Matt Smith, Submarine, The Curse of Peladon, The Ice Warriors, The Monster of Peladon, The Seeds of Death

The Ice Warriors Return to Doctor Who

By Paul Bowler

There are few Sci-Fi TV shows that can match Doctor Who for the sheer diversity of memorable alien monsters that have returned time and again to menace the Doctor over his many adventures in time and space. As we get ready for Doctor Who to return to our screens this Easter, on Saturday 30^th March, news emerged today that Matt Smith and Jenna-Louise Coleman will face one of the Time Lords classic adversaries – the Ice Warriors!

The reptilian creatures who originated from the planet Mars will return in the second half of Series Seven of Doctor Who during the third episode. Written by fan favourite and horror aficionado Mark Gatiss, and directed by Douglas Mackinnon, the episode takes place on a submarine, staring David Warner, and will see the Doctor battling against the Ice Warriors.

Talking exclusively to SFX Magazine executive producer Caro Skinner said: “We’ve got the most fantastic episode by Mark Gatiss, where we bring back the Ice Warriors… on a submarine! It’s a really wonderful kind of ‘bunker’ episode, and a classic monster which Mark has brought his own inimitable twist to. We wanted to bring them back because they are wonderful!” Skinner said, adding. “Mark is an enormous fan of the Ice Warrior stories, and came up with the idea.”

After the return of the Daleks, the Cybermen, the Sontarans, and the Great Intelligence in the 2012 Christmas Special: The Snowmen, it seems only fitting that  the Ice Warriors finally make an appearance in the new series as Doctor Who gets ready to celebrate its 50^th anniversary.

The Martians from the red planet first appeared in 1967 during the programmes fifth season, when Patrick Troughton played the 2^nd Doctor. The Ice Warriors saw the world locked in the grip of a news ice age. The Doctor, Jamie (Frazer Hines), and Victoria (Deborah Watling) arrive as a group of scientists discover a giant figure buried inside a glacier. When the Ice Warrior thaws out it breaks free and captures Victoria, before returning to its spaceship in the ice to revive its crew. Written by Brian Hayles, the Ice Warriors is one of Doctor Who’s all time classic stories.  The Ice Warriors distinctive armoured costumes were designed by Martin Baugh, their rasping voices made them even more sinister, and Director Derek Martinus cast tall actors to play the Ice Warriors – including Bernard Bresslaw (famous for his roles in the Carry On films) as the Martians ruthless leader Varga.

After proving popular with viewers the Ice Warriors returned to fight the 2^nd Doctor again in The Seeds of Death (1969), taking control of a base on the Moon, they used the T-Mat to transport deadly seed pods to Earth in an attempt to terra form the planets atmosphere into one that would be more hospitable for the Martian invaders.  This time Brian Hayles gave the Ice Warriors a new leader, the Ice Lord Slaar (Alan Bennion), and we also get a brief glimpse of his superior the Grand Marshall (Graham Leaman). This time the Doctor and Jamie, along with new companion Zoe (Wendy Padbury), have to find a way to stop the Ice Warriors and prevent the seed pods from destroying Earth’s atmosphere.

The Ice Warriors would be back a few years later to face the 3^rd Doctor (Jon Pertwee), in two more stories also scripted by Brian Hayles: The Curse of Peladon (1972), and The Monster of Peladon (1974).  The Curse of Peladon saw the Doctor and Jo Grant (Katy Manning) visit King Peladon’s (David Troughton) cliff top citadel just as an important delegation is about to decide if his planet should to join the Galactic Federation. Here they encounter a bizarre group of alien delegates: Alpha Centauri, Arcturus, and the Martian Ice Lord Izlyr (Alan Bennion) and his Ice Warrior Ssorg (Sonny Caldinez). Together they must find a way to overcome their differences and prevent a coupe to overthrow the King, led by High Priest Hepesh (Geoffrey Toone), who has used the legend of the Beast of Agaddor to instigate an uprising to prevent Peladon joining the Federation.

What makes The Curse of Peladon so special is the way it depicts the Ice Warriors as diplomatic envoys to Peladon, having joined the Galactic Federation and abandoned their conquering ways. This is a brilliant move by Hayles, as is having Alan Bennion return, this time as the Ice Lord Izlyr. The Ice Warriors look really menacing as they stalk the torch lit halls of the citadel, for once the Doctor is forced into changing his views on an old enemy, and the Ice Warriors themselves are portrayed as a proud and noble race with honourable customs.

The Monster of Peladon (1974) was a direct sequel to The Curse of Peladon, set fifty years later, this time the 3^rd Doctor and Sarah Jane (Elisabeth Sladen) have to help the late King Peladon’s daughter, Queen Thalira (Nina Thomas), solve what is behind the ghostly image of Agador that has been killing people in the planets trisilicate mines. It turns out that a rogue faction of Ice Warriors, led by Lord Azaxyr (played once more by Alan Bennion), want to steal the trisilicate and turn the tide of the Galactic Federations war with Galaxy 5 to their own advantage.

Although the same director (Lennie Mayne) and designer (Gloria Clayton) were appointed to try and replicate the look and feel of The Curse of Peladon, along with the return of Alpha Centauri (played once more by Stuart Fell & voiced by Ysanne Churchman) and Aggedor (with Nick Hobbs reprising his role as the Royal Beast), The Monster of Peladon isn’t as enjoyable as its predecessor. The Ice Warriors are as imposing as ever as they stalk the dark corridors, and Alan Bennion gives a great performance as the villainous Lord Azaxyr.

The Ice Warriors have remained one of Doctor Who’s most popular monsters, going on to appear in a wealth of comic strips, a number of excellent novels  from the Virgin New Adventures and BBC Books range, as well as the immensely popular full cast audio adventures from Big Finish. Mission to Magnus, a story that would have seen the Ice Warriors return to fight the 6^th Doctor (Colin Baker) never went into production when Season 23 was cancelled. This story was later adapted by Target books, and then Big Finish for release as part of their Lost Stories range, which also included Thin Ice, a 7^th Doctor (Sylvester McCoy) story featuring the Ice Warriors that could have formed part of Doctor Who’s 27^th Season if the series hadn’t been cancelled in 1989.

Ever since the 10^th Doctor (David Tennant) mentioned them in The Waters of Mars (2009), fans have been speculating about when the Ice Warriors would be back. Now the Ice Warriors will return in time to be part of  Doctor Who’s 50^th Anniversary celebrations. The Ice Warriors scaly armoured form will no doubt get a fantastic update for the monsters return to our screens, along with their distinctive rasping voices, Series Seven is shaping up to one of the best yet!

Check Out the link to read the full Exclusive article at SFX

http://www.sfx.co.uk/2013/02/11/sfx-exclusive-official-ice-warriors-return-to-doctor-who-this-year/