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Superman #29 Review

09 Tuesday Mar 2021

Posted by Paul Bowler in All, DC Comics

≈ 22 Comments

Tags

Clark Kent, DC Comcis, Future State, Jon Kent, Lois Lane, Metropilis, Philip Kennedy Johnson, Superman, Superman #29, Superman #29 Review

Superman #29

Review by Paul Bowler.

Following his innovative take on the future of the Superman family during Future State, writer Philip Kennedy Johnson takes the helm full-time for Superman #29, for the first in a two-part story that will unfold this month in both Superman and Action Comics. “The Golden Age” presents an insightful and moving character study where Johnathan Kent reflects on his father’s great legacy, just as a new threat strikes from outer space, attacking Clark and almost killing him! The young hero must finally confront the foreknowledge he gained during his time with the Legion of Superheroes in the future about Superman’s fate – one that might soon become a frightening reality…

Much like Philip Kennedy Johnson’s Future State work, his debut issue as lead writer on Superman also focuses more on character than the actual event, more specifically here he throws the spotlight on the complexities of Clark’s relationship with his son after the long time Jon’s spent apart from his parents. The fallout from Brian Michael Bendis’ era is keenly felt. However the “The Golden Age” which Johnson aims for centres on the adolescent belief that our parents are infallible, and the inherent consequences when that unwavering sense of fearlessness crumbles  when Jon witnesses his father falter for the first time in battle. 

Amidst the emotional turmoil of exactly how Jon chooses to have that conversation with his dad about what he discovered thanks to his time with Legion, and Clark’s heartfelt way of getting Jon to open up to him about what’s really worrying him, allows Johnson to explore a rich  emotional narrative that empowers the dynamic between the characters like never before. There’s also the mystery of who-or-what is causing the intergalactic breaches, and with Amanda Walker scheming on the side-lines you can be sure things wont go well for anyone who gets caught in the crossfire. 

The artwork for Superman #29 by penciller Phil Hester and inker Eric Gapstur, with colors by HI-FI provides a distinctly clean and uncluttered visual style and tone for the issue. The standoffishness of Jon’s somber reluctance to talk to his father — sure in the knowledge that Clark died once before and that the Legion of Superheroes told him it could happen again — is also cleverly portrayed through the page-layouts with subtle notes of body language that express Jon’s fears just as strongly as the dialogue. 

In the tales of Metropolis back-up story by Sean Lewis, with art by Sami Basri and colors by Ulies Arreola we see an old fan favourite from the 80’s / 90’s, Bibbo Bibbowski placed front and centre as this hero-of-the-people tackles an alien threat attempting to manipulate the citizens of Metropolis. Its a tale that taps into similar vein as the back-up stories Lewis did for Future State, DC’s Infinite Frontier penchant for back-up stories also offers a chance to showcase totally different — yet just as relevant — adventures and I’m sure there is a wealth of possibilities to explore with this format that will nicely complement the main narrative of Philip Kennedy Johnson’s run.

Overall, Superman #29 is a deeply thought provoking and emotional study of the complex relationship between Clark and Jon; along with their standing in Metropolis and indeed the universe itself. Superman #29 gets Philip Kennedy Johnson’s run off to a great start, with its character driven storyline and solid artwork, it would seem the House of El could not be in safer hands.

Publisher DC Comics

Writer Philip Kennedy Johnson / Pencils Phil Hester

Inks Eric Gapstur / Colorist HI-FI

Letterer Dave Sharpe / Cover Hester, Gapstur and HI-FI

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

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Superman #21 Review

12 Thursday Mar 2020

Posted by Paul Bowler in All, DC Comics

≈ 12 Comments

Tags

Brian Michael Bendis, Clark Kent, DC Comics, Lois Lane, Mongul, Superman, Superman #21, Superman #21 Review, United Planets

Superman #21

Review by Paul Bowler

Mongul Vs the Man of Steel in Superman #21 as the fate of the United Planets hangs in the balance! Supeman faces a devastating showdown with Mongul as the greatest powers of the galaxy look on, Mongul has already fractured their alliance, and if Superman fails to stop him now the United Planets will be over before its even begun…

Superman #21 features a battle royal of sorts as The Truth Part 4 gets underway. On the distant planet Gorfo, Superman confronts Mongul while the forces of the United Planets turn against each other – which has been Mongul’s plan all along! The conflict is truly epic in scope, writer Brian Michael Bendis diligently juggles the big action set-pieces as Superman and Mongul slug it out, while back on Earth the fallout from Superman revealing his secret identity as Clark Kent to the whole world and his presumption to speak for Earth in matters concerning the United Planets continues to sow some potentially far reaching repercussions for the Man of Steel. A fact which is brought sharply into focus where, back on Earth, Lois is confronted by Bethany Snow about her husband’s recent off-world announcement to the United Planets that has subsequently been spun by the media as Superman naming himself as the self proclaimed King of Earth.

Now, I’ve certainly had some issues with the changes Bendis made when he took over writing Superman, namely how he all but reconted virtually everything built up during Peter Tomasi’s excellent run (especially the move that aged Jon Kent up to a teenager during the early days of Bendis’ current tenure), so much so that I quickly stopped reading Superman and Action Comics a while back, however the crossover with Supergirl and the launch of the new Legion of Superheroes got me reading Superman again. I enjoyed this storyline, mainly because it brought the Legion back into the DCU again. But when Bendis went on to have Superman reveal his secret identity as Clark Kent I wasn’t overly impressed. Superman’s life as Clark Kent is an intrinsic, key aspect to the legacy of Superman, and to throw it away in such a banal manner felt almost derogatory to the character – although I suppose one could also argue that in this modern era of comic books the concept of superheroes realistically having and maintaining secret identities is perhaps almost a superfluous concept itself now as well?

In terms of its artwork, though, this issue cannot be faulted in any way. Superman #21 is a blockbusting visual spectacle, with pencils by Ivan Reis, inks by Joe Prado and Oclair Albert and colors by Alex Sinclair. The sheer scale of Superman’s battle with Mongul unfolds via a breathtaking montage of two-page spreads. Their combat is a brutal, no holds barred, earth shattering smack down, and the art team have certainly pulled out all the stops to make this a truly spectacular looking issue of Superman from DC Comics.

As the issue winds down at a surprisingly rapid pace the aftermath of the battle gives everyone concerned some much needed time to ponder over recent events. With the Justice League on hand to help with the clean up, Superman heads home to face the “hurricane” media storm he’s created back on Earth, but the dual cliff-hanger shows there’s something nasty waiting in orbit for Superman and Lois Lane’s day is about to go from bad to worse!

Superman #21 is about as action packed an issue as you could wish for. Seeing the Man of Steel squaring off against Mongul is always a great event. However, it all feels a bit overshadowed by how Bendis undermines the plot with niggling inconsistencies, and emotional beats that fall flat. The way the fledgling United Planets will apparently carry on regardless does seem a tad contrived, especially considering the discourse Mongul’s attack instigated, Clark’s self-righteous view of himself as Earth’s only representative for the United Planets also makes me a little uncomfortable, and the ambush journalism Lois endures in this issue seems little more than a curious afterthought by Bendis at this stage.

Whilst I came back to this title for the relaunch of the Legion of Superheroes, I was willing to give Bendis’ run on Superman another go despite previously finding it to be very hit and miss, but this and the previous few issues of The Truth storyline have seriously tried my patience. Superman #21 is an adequate issue at best. Art wise, Superman is still a great looking book, no question about it, but story wise, unless you are a die hard fan of Bendis’ work there’s sadly little I can find to recommend about reading Superman anymore these days.

Publisher: DC Comics

Writer: Brian Michael Bendis / Pencils: Ivan Reis

Inks: Joe Prado and Oclair Albert

Colors: Alex Sinclair / Letters: Dave Sharpe

Cover / Ivan Reis, Jo Prado, Alex Sinclair

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

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Batman V Superman Dawn of Justice Official Trailer 2!

03 Thursday Dec 2015

Posted by Paul Bowler in All, Trailers & Posters

≈ 6 Comments

Tags

Amy Adams, Batman, Batman V Superman, Batman V Superman Dawn of Justice, Batman V Superman Offficial Teaser Trailer, Ben Affleck, Gal Gadot, Henry Cavill, Jason Momoa, Jesse Eisenberg, Lex Luthor, Lois Lane, Ray Fisher, Superman, Wonder Woman, Zack Snyder

Batman V Superman Dawn of Justice Official Trailer 2

BVS (TRAILER 2)

Check out the awesome Batman V Superman Dawn of Justice Official Trailer 2!

 

Zack Snyder’s BATMAN V SUPERMAN: DAWN OF JUSTICE is in theaters

March 25, 2016.

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Earth 2 #23 Review

07 Wednesday May 2014

Posted by Paul Bowler in All, DC Comics

≈ 2 Comments

Tags

Apokolips, DC Comics, Earth 2, Earth 2 #23, Earth 2 #23 Review, Green Lantern, Lois Lane, Nicola Scott, Parademons, Red Tornado, Superman, The New 52, The New Doctor, Tom Taylor, Trevor Scott

Earth 2 #23

Review by Paul Bowler

Now that Green Lantern has been resurrected, the heroes of Earth 2 gather in the Batcave to plan their offensive against the forces of Apokolips. As soon as Darksied’s herald learned of Val’s existence, the young Kryptoninan was attacked by the evil Superman. While the heroes of Earth 2 come under attack from the Parademon horde of Apokolips, a desperate plan is set in motion as the Red Tornado attempts to stop Superman.

Earth 2 #23 blazes a trail of non stop action right from its opening pages, as The Kryptonian Part 3 finally reunites the Red Tornado / Lois Lane with Superman. Tom Taylor has been building up to this moment ever since Lois was resurrected as the Red Tornado, and it’s certainly been worth the wait. I really like the way that Tom Taylor has made Lois such an integral part of Earth 2 since her return. In the space of only a few issues we’ve seen Lois readjusting to her new life within her android body, as well as coping with her fathers death, she’s also helped Val in overcoming his fears, and seen the return of Superman as Darksied’s crazed herald. Now as Lois bravely confronts Superman to protect Val and Hawkgirl, we get a very surprising resolution to last issue cliff-hanger, and once Lois departs with Superman the destination that the evil Man of Steel chooses brings an added twist to the storyline.

After being resurrected from the ashes of Dherian’s destruction by the green energies of the world last issue, Green Lantern also returns in earnest this issue, arriving at a crucial moment for Val and Hawkgirl as the Parademons close in. While Val’s attempt to protect Hawkgirl and his pacifist stance about the conflict are commendable, it’s a good job Green Lantern arrived when he did, and it’s great to see him unleash the full fury of his powers against the Parademons. This is one royally pissed off Green Lantern and it’s great to him back in action!

Earth 2 #23 (Cover)

When they return with Green Lantern to the Batcave to regroup with the others, it soon becomes clear that Lois had been expecting this moment when she would run into Superman. It is interesting to note as we watch the heroes of Earth 2 eavesdropping on the location where Superman has taken Red Tornado that our heroes are not the only ones monitoring these events, and it quickly becomes apparent they are all in terrible danger.

Nicola Scott’s art for Earth 2 #23 is as superb as ever, which together with inks by Trevor Scott, continually leave me spellbound with every issue. From the panoramic exterior sequences to the dark confines of the Batcave, the attention to detail in every scene is astounding, it makes you want to read the issue right away as soon as you’ve finished it. The emotional scenes between Red Tornado and Superman are brilliant, Nicola Scott excels herself here, the way Lois’ emotions are conveyed on her android face, together with her body language, are simply sublime, and its artistic flourishes like this that constantly makes Earth 2 so compelling for me. The colors by Peter Pantazis are also exceptional, with each location having its own distinct tone, and I really liked the moment where Green Lantern cut loose against he Parademons.

It seems like Dr Fate has been babbling in a corner of the Batcave for ages now, so it was good to see Khalid respond to Green Lantern’s return, and I hope this will help speed Dr Fate’s recovery. We also get another hint from Dr Fate’s prophecies, when Red Arrow’s jibe at Khalid’s ramblings foreshadows a dark twist towards the end of the issue. I think its good how Green Lantern’s return also gives us more insight into his connection with the green energies of the world that gave him his powers. He feels the pain and anger of the planet itself as the Parademons relentless attacks spread around the globe, which in turn brings the necessary impetus they all need to strike back against the forces of Apokolips. Much as I’ve enjoyed this story, we’ve been stuck in the Batcave for a while now, so it feels good to see the heroes of Earth 2 ready to implement their plan and strike back.

As Earth 2 #23 races towards its action packed conclusion, the tension continues to build as the Parademons attack in force. These exciting final moment, with the heroes of Earth 2 battling insurmountable odds, leads to a frenetic race against the clock that will have you on the edge of your seat until the next issue. Earth 2 #23 is another brilliant issue by Tom Taylor and Nicola Scott, I’m enjoying this series so much, and I cannot recommend it enough.

Well, as if all the excitement of Earth 2 #23 wasn’t enough for us, DC Comics announced last month that we will soon have a new weekly Earth 2 series to look forward to as well: “Earth 2 Worlds End,” that will debut in October, featuring the talented writing team of Daniel H Wilson, Tom Taylor, Paul Levits, Marguerite Bernnett, and Mike Johnson, together with artists Eddy Barrows, Jorge Jimenez, Stephen Segovia, Paulo Siqueira, and Tyler Kirkman. I’m really pleased we are getting a weekly Earth 2 series, and the stunning teaser art by Ben Oliver certainly suggests that big changes are on the way for Earth 2 and its heroes!

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Man of Steel Film Review

19 Wednesday Jun 2013

Posted by Paul Bowler in All, Film Reviews

≈ 6 Comments

Tags

Amy Adams, Antje Traue, Ayelet Zurer, Clark Kent, Diane Lane, General Zod, Henry Cavill, Kevin Costner, Lois Lane, Man of Steel, Man of Steel film review, Metropolis, Michael Shannon, Russell Crowe, Smallville, Superman, Zack Snyder

Man of Steel

Review by Paul Bowler

Man of Steel Logo

Over the last thirty five years since DC Comics flagship character was immortalised by Christopher Reeve in Richard Donner’s genre defining film, Superman The Movie (1978), Superman’s comic book adventures have continued to form some of DC Comics best-selling storylines, and his formative years were explored in the TV series Smallville, staring Tom Welling. Bryan Singer brought the character back to the big screen in Superman Returns (2006), in a film which remained faithful to the original film series, and ultimately failed to find its own identity in the process. Now the last son of Krypton is back in Zack Snyder’s eagerly awaited Man of Steel, with Henry Cavill as Superman, in the blockbusting movie event of the year.

With the planet Krypton facing imminent destruction because of its unstable core, a rebel faction led by General Zod (Michael Shannon) and his sadistic second-in-command Faora_Ul (Antje Traue), attempt to wrest control from the ruling council. The scientist Jor-El (Russell Crowe) and his beloved wife Lara (Ayelet Zurer) implant the genetic Codex of Krypton into their newborn son, Kal-El, before sending him to Earth in a spacecraft in order to preserve the future of their race. After his plan fails Zod and his associates are captured and banished to the Phantom Zone, before Krypton is destroyed in a cataclysmic explosion.

The craft carrying Kal-El crash lands in Kansas where he is discovered by Jonathan (Kevin Costner) and Martha Kent (Diane Lane), who then raise the child as their own on their farm. As the young Clark Kent (played by Cooper Timberline and Dylan Sprayberry) grows up in Smallville he struggles to control his powers, feeling increasingly like and outcast, until he finally leaves home in search of his destiny. Clark (now played by Henry Cavill) spends the next few years as a drifter, using his powers only in the most extreme of circumstances, but a chance encounter with intrepid Daily Plant reporter Lois Lane (Amy Adams) sets Clark on the path to discovering his Kryptonian birthright.

Man of Steel Superman

Lois promises to keep Clark’s identity a secret, but after General Zod escapes from the Phantom Zone and his spaceship arrives in orbit, the world becomes aware of his presence when Zod hijacks the planets communication systems and issues an ultimatum to Kal-El, stating that he has twenty four hours to give himself up or the people of Earth will suffer the consequence. Superman has no choice but to surrender himself to the military, where he is interviewed by Lois, before Faora_Ul arrives to take him to General Zod.

Superman is unable to reason with Zod who plans to terra-from the Earth and rebuild the Kryptonian race using the Codex bonded to Kal El’s genetic structure. Superman attacks the General’s forces back on Earth as Zod unleashes the devastating power of the World Engine, leading to a titanic showdown between Superman and Zod in city of Metropolis itself…

Zack Snyder wisely avoids the pitfalls of Bryan Singer’s uninspired misfire Superman Returns (2006) by adopting a completely fresh approach to the character, with Christopher Nolan on board as producer and storyline co-writer, Man of Steel is a reboot that grounds itself in a harder edged reality in much the same way Nolan’s award-winning Dark Knight trilogy. Snyder supplants the basic premise of Superman’s origin, depicting Kal-El more like an extraterrestrial messiah than the superhero he ultimately chooses to become. We follow Kal-El from the moment of his birth, where Krypton faces civil unrest as the planet teeters on the brink of certain destruction. This is a Krypton like no other we have seen before, a stunning mix of Star Wars and Avatar like visuals, blessed with incredible technology and beautiful winged beasts that swoop across gleaming oceans as a ravaged moon hangs in the perpetual twilight of this doomed world.

Man of Steel Zod

In the aftermath of Krypton’s destruction the escape ship carrying baby Kal-El brings him to his adoptive world and into the lives of Jonathan and Martha Kent who raise him as their own son. Flash-Forward to the present day and we meet Henry Cavill as the troubled Clark Kent, a bearded loner who is struggling to find his place in the world. It is at this point that Zack Snyder skilfully begins to refer back to Clark’s childhood at key points throughout the film, were he was bullied and ridiculed as his powers began to manifest themselves, before following Clark into adulthood as the narrative of the present is punctuated by his relationship with his adoptive parents.

Henry Cavill gives a great performance as the outsider from another world; he brings a darker edge to the character, together with an imposing physical presence that helps balance the benevolent side of Superman’s character with the furious rage he later unleashes against Zod. The introduction of Amy Adams as Lois Lane coincides with the moment that leads to Clark discovering his true identity, and he forges a close relationship with the Daily Planet reporter. Like any good reporter worth her salt, Lois Lane is right at the heart of the action, and doesn’t let a dressing down by her editor-in-chief Perry White (Laurence Fishburne) or the impending threat of Zod’s invasion put her off. Amy Adam’s is entirely convincing as Lois Lane, her steely resolve stands her in good stead, and her dedication to keeping Clark’s secret is cauterised by a selfless act of trust. Although they can’t match Christopher Reeve and Margot Kidder’s fabulous onscreen chemistry, Cavill and Adam’s are both superbly cast as Lois and Clark, brining a sense of believability to their blossoming romance, and there is certainly plenty of potential here to explore in the future.

Man of Steel is full of standout performances that really help enhance Snyder’s new take on the mythology of the man of tomorrow, with Russell Crowe giving a stellar performance as Kal-El’s biological father, while Kevin Costner’s Jonathan Kent provides the moral compass that steers Clark along the rocky path to adulthood and the hero he ultimately becomes. Diane Lane is also exceptionally good as Martha Kent; her scenes with Henry Cavill are particularly moving, especially when Clark returns home after discovering who he really is.

Man of Steel Lois

Michael Shannon makes General Zod a force to be reckoned with in Man of Steel, leading a coup against his own people, his return from the Phantom Zone after Krypton’s demise hones the tragedy to a razors edge for Zod. He travels to Earth having scoured the galaxy for the remnants of his people’s technology, finally tracking Kal-El to Earth, where he intends to rebuild his race. Shannon exudes intense evil as Zod, it would seem the misguided General has been driven almost to the brink of madness by loss of his home world, and he will let nothing stand in the way of achieving his goal. He tempers his performance with the same icy menace Terrance Stamp established with Zod in Superman II (1980); to make his armour clad Zod a fearsome engine of destruction. Zod even uses a metaphorical form of Kryptonite against Superman, when the atmosphere on his spaceship drains Kal-El’s powers to make him vulnerable, as the full horror of Zod’s apocalyptic vision becomes apparent.

Zod’s most trusted warrior Faora-Ul is played by Antje Traue, her character seems to delight in her newfound powers, perhaps even more so than Zod. Her strength and skills are used to devastating effect, Traue is brilliant as the Kryptonian warrior, she gets to fight Superman and also ruthlessly cuts a swathe through the military forces sent against her.

Zack Snyder has brought us some of the most visually striking films in recent years, with Sucker Punch, 300, and Watchmen all delivering their fair quota of  big action set-pieces – although sometimes at the expense of style over substance. What sets Man of Steel apart is the way Christopher Nolan’s influence has given the film a much wider scope, allowing the characters a chance to grow and develop, striking just the right balance between Zack Snyder’s earth shattering action sequences and the more emotively charged scenes. There are even a couple of well placed “Easter eggs” that hints towards other characters in the DC universe. However, the story does get a little bogged down at times, especially as Clark has to decide if he should surrender to Zod, and the religious imagery that accompanies much of this clunky exposition is less than subtle.

Man of Steel Poster

We also get a much deeper insight into how Clark’s powers work. The novelty of X-Ray vision and Super-Hearing are quickly dispelled, becoming a horrific assault on the senses, and it is this terrifying experience from his childhood that he uses against Zod during the initial stages of their conflict. The power of flight is also brilliantly portrayed, especially when Superman takes to the sky for the first time, you really get a sense of the raw power and effort it appears to take as Kal-El joyfully soars through the clouds at incredible speed.

The special effects for this $225 million dollar reboot are truly spectacular: Krypton’s death throes are an awesome spectacle to behold, a burning oil rig collapses into the sea, and a young Clark saves his schoolmates when their bus sinks into a river – and that’s just for starters. By the time Clark has discovered his Kryptonian identity, Zod arrives on Earth, soon the World Engine is threatening to tear the Earth apart, leading to a breathtaking finale where Superman battles Zod in Metropolis – where Snyder gives Michael Bay a run for his money in terms of wanton destruction and slavish pyrotechnic chaos. Here we get to see the full extent of their powers, every punch sends the other flying across the screen, buildings topple all around them, and when the dust settles the price of victory is high indeed.

Though its ending may prove to be too much of a step away from what defines the character for some, it still cannot diminish the added depth that Zack Snyder has managed to bring to the mythos of the last son of Krypton with Man of Steel. The films final act remains a breathtaking spectacle, this is the first time we have ever really seen Superman unleash his powers so ferociously on screen, and its made all the more exciting by the groundwork set down earlier in the film that paves the way to this monumental clash of the Kryptonian titans. Man of Steel may not be the perfect film we were hoping for, but it’s definitely a confident step in the right direction.

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