Future State Swamp Thing #2 Review

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DC Comics, Future State, Future State Swamp Thing, Future State Swamp Thing #2, Future State Swamp Thing #2 review, June Chung, Mike Perkins, NCBD, Ram V, Swamp Thing, Swamp Thing #2

Future State Swamp Thing #2

Review by Paul Bowler

Humanity strikes back in Future State Swamp Thing #2 to reclaim the world the new Swamp Thing avatar has nurtured and forged in his own image. Duped by Woodrue Wilson’s quest for power and revenge, a lone group of survivors have hatched a terrible plan that will plunge the world into darkness. Yet for all his enemies insidious deceptions Swamp Thing also harbours a terrible secret of his own, one that will call for the ultimate sacrifice lest the green be lost from the world forever…

As we move into the second month of DC Comics Future State comic book event, one depicting a possible future for the DCU in the aftermath of Death Metal, few have embraced this opportunity for such creative free licence like writer Ram V and artist Mike Perkins with their dark, apocalyptic Future State Swamp Thing. 

In Future State, Swamp Thing is now the Green Father overseer of the world, sheer loneliness led to him creating offshoots of his own species blessed with his memories of humanity, and though he believed mankind was lost Swamp Thing’s encounter with a human survivor has finally led him to a desolate S.T.A.R labs facility in the frozen north. Now in this second, concluding issue writer Ram V explores the dark visions of the mysterious Undying Man, the gnarled Jason Woodrue: the Floronic Man! He has captured the hero who was once known as Obsidian and convinced the  leader of this last bastion of humanity that by harnessing his powers they can save the world. Swamp Thing must lead his own kind and the last ragtag band of human resistance against Woodrue, but will humanities last sapling of hope survive to see the dawn of a new world?

Mike Perkins artwork renders every nuance of Swamp Thing’s determination to reach his goal in striking, almost visceral detail. Swamp Thing is quite literally prepared to walk through the fires of Hell to reach his goal. The depiction of the horrifically disfigured Woodrue is also vividly realised, with his seething ambition and desire for revenge at being rejected by the green fuelling his deranged scheme. The juxtaposition between Swamp Thing and Woodrue’s motivations are the backbone to this story. Neither have been all that honest with those who follow and trust them either. The dramatic line Ram V establishes between saviour and destroyer is masterfully blurred, with Perkin’s art sumptuously cultivating a lush spectacle of apocalypse and rebirth, while the intricate use of color by June Chung beautifully seeds the narratives rich emotional undercurrents as they flourish and bloom.

The powerful closing scenes are deeply heartrending as Swamp Thing confronts the enormity of what he has wrought upon the world, himself, and the constructs he’s crafted from his inner self and feelings. Future State Swamp Thing #2 is a magical, visceral and emotional addition to the legacy of Swamp Thing. When this event started I must admit I dismissed it, believing Future State would be just a rehash of DC’s abortive 5G event, instead Future State  has proven a great showcase for new talent and creative teams, and I couldn’t be more pleased to have been proven wrong about my misgivings. Future State Swamp Thing has been the evergreen jewel in the crown of DC’s Future State event, like all good stories it leaves you wanting more, and more we shall have when the new 10 issue maxi-series by Ram V and Mike Perkins, with colors by Mike Spicer, debuts in March!

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Publisher DC Comics

Writer Ram V / Artist Mike Perkins

Colors June Chung

Letters Aditya Bidikar

Cover Mike Perkins and June Chung 

Batman #9 Review

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Arkham Asylum, Batman, Batman #8, Batman #9 review, Batman I Am Suicide, Batman I Am Suicide Part 1, comics, Commissioner Gordon, DC Comics, DC Rebirth, Gotham, Gotham City, June Chung, Mikel Janin, Tom King

Batman #9

Review by Paul Bowler

It’s a case of better the devil you know in Batman #9 as the Dark Knight embarks on a mission to return Psycho Pirate to Gotham so he can save Gotham Girl. Recruiting a team from the bowels of Arkham’s most deranged and dangerous to break into an impregnable prison in order to take something from one of his deadliest enemies, there’s no doubt that Batman has had some crazy ideas in his time, but this could be suicide!

Tom King really begins to stamp his mark on the series with this issue of Batman. I Am Suicide Part 1 is a wonderfully brooding and menacing opening to this new story arc. King brings us a frighteningly graphic and nightmarish glimpse into Bane’s psyche forged in brutality right from the outset, one that’s chilling in the extreme, and it makes Bane‘s presence feel all the more formidable and ominous as a result. Psycho Pirate is also something of a revelation here; and his role is potentially the most intriguing one of all.

The embellishments King waves into the narrative are sublime, there’s a wonderful scene with Alfred, and a nostalgic tip of the hat to the Batman TV series, but ultimately it is Batman’s decision to accept Amanda Walker’s proposition that brings him to Arkham, and that’s were the issue really notches up the suspense. The Dark Knight’s recruitment drive is uncompromising, calculated, and full of surprises. There’s a host of familiar faces here, some old, some newer, some unexpected, and King is clearly relishing every moment here as Batman’s makes his way through this ghoulish pick-and-mix of madness and mayhem to form his team.

Mikel Janin’s excellent pencils and inks on this issue gloriously flesh out the powerful nuances and subtexts within every scene, matching the beats of King’s tautly scripted plot perfectly, and the result is stunning. The psychological horror and revulsion of that opening scene alone nearly drowns you in terror, Janin’s rendition of Bane is as mesmerising as it is intimidating, this makes the contrast with the tender emotional scenes with Gotham Girl all the more striking, and if ever there was a money shot in comics then our glimpse of the Dark Knight standing outside the gates of Arkham in this issue will totally blow you away. June Chung’s colors are equally magnificent, with deep shadows, aquatic hues, and hazy dread dominating early scenes, while Arkham’s interior with its red railings and opaque off-white walls, and resplendent atmospheric gloom are just some of the many visual highlights that fires the imagination as the issue unfolds.

Indeed, there’s a legion of foreshadowing to enjoy, and hints that several things are going to spin out from the issue. The final addition to Batman’s team brokers no argument as this issue draws to a closes in fine style. I’ve been enjoying Tom King’s run since he took over on Batman. Sure, I had a few misgivings and some slight niggles with the early issues, but those gradually ironed out. His approach to Batman has ushered in a fresh new era and simultaneously widened the scope of Batman‘s world and has made him even more integral to the rest of the DCU overall. It takes time to get used to a new creative team sometimes, I Am Gotham got things off to a good start post Rebirth, Night of the Monster Men had its moments, but I feel that with Batman #9 Tom King is really hitting his stride now and bang on the money with this first instalment of I Am Suicide.

Publisher: DC Comics

Writer: Tom King / Pencils & Inks: Mikel Janin

Colors: June Chung / Clayton Cowles: Letters

Cover: Mikel Janin / Variant Cover: Tim Sale and Rico Renzi

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Batman Rebirth #1 Review

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Batman Rebirth #1, Batman Rebirth #1 review, Calendar Man, comics, DC Comics, DC Comics Rebirth, Evil 356, June Chung, Mikel Janin, Scott Snyder, Tom King

Batman Rebirth #1

Review by Paul Bowler

This season’s major DC Comics event continues to unfold in Batman Rebirth #1, from Eisner Award winning Batman writer Scott Snyder and new Batman scribe Tom King, and featuring art by Mikel Janin, this special issue finds the Dark Knight detective facing a new challenge as of Calendar Man menaces Gotham City!

Well, now that DC Universe Rebirth #1 has set the ball rolling, its time for the rest of the DCU titles to follow suit. Batman Rebirth #1 builds on the events of that landmark 80 page one-shot Rebirth issue, with a rejuvenated Bruce Wayne / Batman, who is also now restored to the peak of his mental and physical prowess. This issue marks another rebirth of sorts for DC’s main Batman title, with Tom King (Grayson, Omega Men) now taking over writing duties on Batman from Scott Snyder (Although Snyder does co-write this issue with King), and together they kick-start a whole new era for the Dark Knight detective.

Batman Rebirth #1 throws us right into the thick of the action, the narrative unfolds across the accelerated seasons, with Batman dealing with a dire threat to Gotham, while Duke Thomas makes a major decision, and Lucius Fox has a poignant meeting with Bruce Wayne. I like how the issue embraces the concept of Rebirth wholeheartedly to bring a us fresh perspective to many of the established elements in the Bat-Books, there’s almost a sense of passing the baton so to speak, as we begin to move on from Scott Snyder and Greg Capullo’s run and Tom King starts to bring his vision for the character into sharper focus. The story meanders in a timey-wimey fashion somewhat, but that’s probably to be expected when the main antagonist in this issue Calendar Man.

Calendar Man might seem a like strange choice of villain for this Rebirth issue, especially as he’s not exactly from the higher echelons of Batman’s rogue gallery, but he actually turns out to be a perfectly fitting choice for this story and Batman Rebirth overall, and his scheme here presents Batman with a major challenge. This version of the Calendar Man arguably takes the seasonal themes on which his crimes are always based to a whole new level, it was something I wasn’t expecting, and the character gets a much needed overhaul that effectively sees Calendar Man reborn in the most unique and unsettling way over the course of the story as well.

With its striking cover and impressive artwork by Mikel Janin, and fine colors by June Chung, Batman Rebirth #1 is certainly an eye-catching issue. There are some truly stunning set-pieces, especially those involving Batman’s confrontation with Calendar Man, a vertigo inducing work out, some intense underwater action, and Duke’s inauguration into Batman’s world continues to offer up something entirely new and unexpected. Seriously, the Bat-Cave looks stunning in this issue, the scene with Lucius Fox is also especially moving, and there’s a terrific bond that’s developing between Bruce and Duke as well that is sure to bring a whole new dynamic to the Dark Knights world.

Batman Rebirth #1 is an action-packed, emotional, and thoughtful issue. We now begin to get a greater sense of how DC Rebirth will resonate through the legacies of all the major DC characters, and if the rest of the Rebirth issues are half as good as this, the DCU is well on the way to reinvigorating their characters in fine style.

In short, I’d recommend Batman Rebirth #1, and I’m really looking forward to what Tom King and David Finch have in store for the Dark Knight even more now. Featuring a solid storyline, powerful and emotional scenes, a new role for Duke Thomas, and Calendar Man’s stomach churning – sure to make you recall a certain forth season X-Files episode – rejuvenation, Batman Rebirth #1 heralds a promising new chapter for the Dark Knight. One thing’s for sure though, no matter what the future might hold, the word can’t is still something that will never, ever exist in Batman’s vocabulary!

Publisher: DC Comics / Writers: Scott Snyder and Tom King

Art: Mikel Jenin / Colors: June Chung

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Batman Eternal #51 Review

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Alvaro Martinze, Batman, Batman Eternal, Batman Eternal #51, Cluemaster, comics, DC Comcis, James Tynion IV, June Chung, Kyle Higgins, Raul Fernandez, Ray Fawkes, Scott Snyder, Tim Seeley

Batman Eternal #51

Review by Paul Bowler

Gotham City is burning. The crisis is spiralling out of control, villains are running wild, even the Dark Knights allies are struggling to cope. As the GCPD plan their next move, Catwoman reinforces her authority as Gotham’s Kingpin of crime. Batman raced to the Beacon Tower to confront the mastermind behind it all – the Cluemaster! Now, beaten and tied to the shattered Bat-Signal, it would seem that Batman has been completely outwitted and utterly defeated by Cluemaster. But is Cluemaster really the master criminal, or is there another waiting to be revealed..?

Cluemaster has emerged from the shadows as the major antagonist of Batman Eternal! Now the fallout from last issues cliff-hanger unfolds in Batman Eternal #51, in this story from writers Scott Snyder and James Tynion IV, featuring a great script also by James Tynion IV, and consulting writers Ray Fawkes, Kyle Higgins and Tim Seeley, as the year long weekly Batman series’ penultimate issue delvers its most shocking twist of all!

Bound to the Bat-Signal, Batman must endure yet more hardship as his identity is callously stripped away, it echoes the opening moments from Batman Eternal #1, and Cluemaster is certainly not messing about either. While he basks in the glory of his apparent victory, we learn how Cluemaster set about brining his grand scheme together. Its ingenious to say the least, it seem the misdirection it caused worked both ways, and its staggering to think what this second-rate Riddler-knock off has managed to achieve.

Meanwhile, the Bat-Family do what they can to help the citizens of Gotham, but they cannot be everywhere at once. As Catwoman cracks the whip to keep the crime families in line, over at the GCPD, the situation looks grim, and its up to Jim Gordon to inspire Commissioner Bard to step up to the plate and be the commissioner the city needs. The brief interlude featuring Bluebird and Spoiler is a great moment for both characters, Harper’s exchange with Stephanie is rooted in the very essence of everything Batman stands for, and it’s a great defining moment for Bluebird – and its one that makes me like the character more than ever.

The art by Alvaro Martinze is stunning, every scene from Tynion’s exciting script is stylishly rendered, and the action flows seamlessly along at a cracking pace. The opening scenes are ablaze with high-drama, with the cape and cowl fluttering down into the flaming streets, before events shift between Catwoman’s nightclub, the GCPD, and finally Harper’s confrontation with Spoiler. Alvaro Martinze’s superbly conveys the flashbacks detailing Cluemaster’s scheme with his cohorts, and the ferocity of Bruce’s battle with Cluemaster is also really intense and brutal. Raul Fernandez’s inks enhance every detail, and the colors by June Chung are really bold and striking.

Of course the Bat is never defeated is he? As we might have expected Batman manages to get free and give Cluemaster a good kicking, but in his weakened state even the Dark Knight struggles, his punches lack power, and the moment Cluemaster has been waiting for is finally here. So, is the Cluemaster really the big-bad of Batman Eternal, or has this been just another red herring to keep us all guessing? Well, although he may have brought Batman to the brink of his greatest defeat, let’s just say that Cluemaster soon finds out just how cutthroat and unpredictable things can get when you attempt to step up into the big league of the major villains!

The year-long Bat-Epic is almost over! Batman Eternal #51 is terrific issue, by the final, shocking page, this issue will have sunk its claws in deep, and you will be left reeling by another shocking surprise cliff-hanger!

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Batman Eternal #50 Review

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Alvaro Martinze, Bane, Batman, Batman Eternal, Batman Eternal #50, DC Comics, James Tynion IV, June Chung, Kyle Higgins, Ray Fawkes, Reul Fernandez, Scott Snyder, The New 52, Tim Seeley

Batman Eternal #50

Review by Paul Bowler

Gotham is in turmoil, the Penguin has instigated a riot in Blackgate, and villains are running amok in the city. Hush escaped and corrupted the Bat-Tec but Alfred managed to defeat him. Batman and his allies must coordinate their efforts to save Gotham City as Commissioner Bard leads a team from GCPD to rescue Gordon from Blackgate. Now, as the city burns, the Dark Knight must prepare to confront the mastermind behind it all…

Its non-stop action all the way in Batman Eternal #50, in this story from writers Scott Snyder and James Tynion IV, with script also by James Tynion IV, and consulting writers Ray Fawkes, Kyle Higgins and Tim Seeley, as this year long Bat-Epic nears its conclusion.

As the dust settle over last issues Robo-Suit-Bane Vs. Batman-In-A-Jet Fighter cliff-hanger, Batman gets a quick update of the situation in Gotham via Penny One in the Bat-Cave and Penny Two in Robin’s Nest, before setting out to end the chaos and deal with the Rogue’s Galley of villains currently giving the Bat-Family a run for their money after Hush disable their Bat-Tec. Batman isn’t messing about either, he goes up against the Scarecrow, Mr Freeze, and Clayface, using highly effective and even brutal methods to bring them down.

Commissioner Bard shouldn’t have worried so much about Gordon either. Jim’s more than capable of looking after himself, after all he’s weathered far worse things than this riot in Blackgate in his time, and it seems his marine training and the well heeded advice of an old friend has served him very well indeed here.

This is one hell of a fast-paced issue. Alvaro Martinze’s art really conveys the intense pace as events unfold in quick succession: we’ve the aftermath of Batman’s confrontation with Bane, the riot in Blackgate, showdowns with the Dark Knights deadliest foes, and Martinez also get to pack in some pretty spectacular scenes of carnage as well – especial when another villain with a penchant for fire takes to the skies as Gotham burns! Raul Fernandez’s inks also highlight the finer details in every scene, and the colors by June Chung are rich and vibrant throughout.

The refitted Wayne-Tec drones Penny One and Penny Two use to bring Batman a citywide update of the situation may have allowed the Dark Knight to help his allies, but the identity of who is actually behind everything that’s happened in Gotham remains a frustratingly elusive quandary for Batman. Its not often we see the Dark Knight like this, exhausted, worn down, and angry as hell, he becomes as ruthlessly efficient at dealing with his enemies in this issue as he does at barking out orders to the rest of the Bat-Family. There are some lighter moments though. Red Hood’s quip after Bane is defeated is fun, as is Red Robin’s comment about being offline, and Batgirl gets to show off because she didn’t need any help to defeat her opponent.

Batman Eternal #50 delivers this weekly series’ most shocking surprise of all during its closing moments. It is here, as the final pieces of the puzzle begin to fall into place, that Batman races to Beacon Tower for a confrontation with the hidden nemesis that has been responsible for all the events in Batman Eternal. The fact this moments takes place in front of the shattered Bat-Signal makes it all the more powerful and symbolic. This is an absolutely cracking issue of Batman Eternal. The clues have indeed been there right from the beginning and with only two issues remaining everything is now in place for a stunning finale to this weekly series!

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