BLACK PANTHER: WAKANDA FOREVER FILM REVIEW

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Black Panther, Black Panther Wakanda Forever, Black Panther Wakanda Forever Review, Chadwick Boseman, Ironheart, Letitia Wright, Marvel, MCU, Namor, Ryan Coogler, Wakanda, Wakanda Forever review

Black Panther: Wakanda Forever

Review by Paul Bowler

The tragic loss of lead actor Chadwick Boseman, who died of cancer in August 2020 aged just 43, brings an added sense of poignancy to Marvel Studios’ Black Panther: Wakanda Forever. Writer-director Ryan Coogler’s sequel to his 2018 smash hit Black Panther is both a sombre tribute to the death of the Oscar nominated star and an epic-scale superhero movie that builds on the original film’s powerful themes of colonisation, vengeance and forgiveness. 

Ryan Coogler’s screenplay co-written with Joe Robert Cole (who also co-wrote Black Panther with Coogler), makes the passing of Chadwick Boseman an integral part of Wakanda Forever. Opening with the heart-rending death of Chadwick’s King T’ Challa unfolding off-screen while his scientist sister Shuri (Letitia Wright) desperately seeks a cure for the unnamed malady that has struck him down, the raw emotion conveyed by Wright’s performance and Shuri mother Queen Ramonda (Angela Bassett) in these tragic moments are deeply heart-felt and movingly real. Following the emotive funeral sequence, events return to Wakanda a year later.

However, Wakanda is now a nation adrift without either its king or his iconic alter ego Black Panther, and the Wakandans must find a way to embrace the next chapter of their great nation. As Shuri and Queen Ranonda struggle with their grief, M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje (including Florence Kasumba) unite as the world powers set their gaze on Wakanda for a share in the nations rights to their precious metal resource vibranium following King T’Challa’s death. With the interventions of War Dog Nakia (Lupita Nyong’o), Everett Ross (Martin Freeman), Dominique Thorn as MIT student Riri Williams/Ironheart and Michaela Coel as Wakandan warrior Aneka a new path slowly begins to emerge for the kingdom of Wakanda.

The political turmoil and intrigue is stoked further by the introduction a flying Mayan merman called Namor (Tenoch Huerta) who emerges from the ocean depths of his kingdom to wage war on the surface world. Much like Wakanda, Namor’s civilisation has its own rich culture and technologies built on the previous recourse vibranium. He fears the forces the surface world will seek to overthrow and colonise his people as the Spanish conquistadors did his ancestors. Namor then proposes an ultimatum for Ramonda and Shuri, to either join him in his war against the surface dwellers or Wakanda will become his enemy. 

It is this moral conflict and quandary that drives the narrative of Wakanda Forever and places Shuri front and centre at the heart of the action. Given the film has a veritable plethora of main and supporting characters, Letitia Wright very much takes the lead here in Wakanda Forever  and gives an outstanding performance as Shuri. The film does feel a tad overlong though, the pace drags a tad in the mid-section, but things soon pick up once Namor make his presence felt and everything builds to a satisfying showdown on barge in the Atlantic.

While not quite in the same league as the original film, Black Panther: Wakanda Forever manages to respectfully address the passing of Chadwick Boseman and weave some intriguing foreshadowing into what future the MCU may hold. Amidst all the action, spectacle and world building at its core it is Basset’s and Wright’s standout performances that really ground the film and keep everything on an even keel. Black Panther: Wakanda Forever may not be the most spectacular Marvel movie, but it is certainly a deeply moving one on which to close Phase Four of the MCU.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Invincible Iron Man #593 Review

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Alex Maleev, Avengers, Brian Michael Bendis, Infamous Iron Man, Invincible Iron Man #593, Invincible Iron Man #593 review, Iron Man, Ironheart, Marte Gracia, Marvel Comics, Marvel Legacy, Stefano Caselli, The Invincible Iron Man #593, Tony Stark, VC’s Clayton Cowls

Invincible Iron Man #593

Review by Paul Bowler

A startling new era for Marvel’s armored Avenger begins in Invincible Iron Man #593 as Marvel Legacy gets under way. The comatose body of Tony Stark has vanished! Now it falls to Stark’s friends and foes, those who have overseen his business interests and assumed the mantel of Iron Man since his battle with Captain Marvel during Civil War II left Tony in a medically unexplainable coma, to finally decide who will succeed him as the Invincible Iron Man!

Well, now that we’ve got all the hoo-ha with Secret Empire out of the way, Marvel can concentrate on getting things back on track with Legacy. To be honest, this is bit of a quirky issue of Invincible Iron Man, there is a sense of getting back to basics and core elements of the character, which I guess is what Legacy is meant to be all about, and the return to the series’ original numbering – along with a great cover by Adi Granov – gives you a real sense that you are witnessing the start of something with great potential here.

The issue is positively bursting with insightful character moments and exposition, and writer Brian Michael Bendis keeps Invincible Iron Man #593 on an even keel as he skilfully juggles the numerous plot threads. Tony’s AI, Friday is every present throughout, quickly brining us up to speed with current events: with Tony’s condition in stasis at a Stark Facility, Riri Williams role as Iron heart (whose Armor is run by an AI downloaded from Stark’s consciousness), and Victor Von Doom’s self-proclaimed path to redemption as the Infamous Iron Man.

The Star Expo that opens the issue, overseen by Stark’s Mother, Amanda, and Mary Jane Watson, is a poignant affair tinged with both sadness and hope; despite the dour board of directors resolve to spoil the party. Throw in the mystery of Tony Stark’s body going missing and a tense face-off between the Thing and Victor Von Doom after an incident at Riker’s Island, and you have an issue that poses as many questions as it does answers.

Featuring the work of artists Stefano Caselli and Alex Maleey, with Color Artists Marte Gracia and Alex Maleev, Invincible Iron Man #593 ticks all the boxes visually and stylistically, and the transition between artists and color artists doesn’t impede the overall enjoymenty of reading the issue. The panel layouts are straightforward, nothing fancy, the characters and location are well realized, and there’s a nice jaunt around the Marvel Universe as everyone concerned ponders who ya gonna call when Tony Stark goes missing!?! Although there’s probably enough story in this issue for a couple of issues, for me though, the standout scene was between Victor and The Thing, where some especially scathing home truths are finally aired – and about time too!

Ok, now I’m a big fan of Iron Man / Tony Stark. However, I wasn’t impressed with his fate at the end of Civil War II, Riri Williams was ok as Ironheart, but I didn’t really warm to Doom being the Infamous Iron Man that much, and having skipped Secret Empire completely I’m hoping that The Search For Tony Stark Part 1 sets things up for Tony’s return as the one, true, Iron Man. The question is, is that what’s happening here in this issue?

That’s something this issues surprise ending will certainly leave us guessing about for now. While the story is adequate enough, I was hoping the art would be a bit more spectacular, but it’s still a fairly good issue for fans and newcomers alike. Suffice to say; if Marvel Legacy is all about getting back to the core mechanics, ethos, and distinctive look of Marvel’s most iconic characters, then Invincible Iron Man #593 is definitely a step in the right direction.

Publisher: Marvel Comics

Writer: Brian Michael Bendis / Artist: Stefano Caselli & Alex Maleev

Color Artists: Marte Gracia & Alex Maleev / Letterer: VC’s Clayton Cowls

Cover: Adi Granov

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Invincible Iron Man #1 Review

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Brian Michael Bendis, Invincible Iron Man #1, Invincible Iron Man #1 Marvel Now, Invincible Iron Man #1 Review, Iron Man, Ironheart, Marvel Comics, Marvel Now, Riri Williams, Stefano Caselli, Tony Stark

Invincible Iron Man #1

Review by Paul Bowler

An exciting new era begins in Marvel Now’s Invincible Iron Man #1 as Riri Williams steps up to become the worlds newest armored superhero! Kitted out in her homemade Iron Man armor, former M.I.T student Riri is ready to rise to the challenges of the Marvel Universe, but the young genius has some pretty big armored boots to fill – especially now that a certain billionaire mega-genius isn’t exactly around much these days…

Yes, there’s a new armored hero on the block in Invincible Iron Man #1, and her name is Riri Williams! Marvel Now continues apace in the wake of Marvel’s Civil War II as Brian Michael Bendis, Stefano Caselli, and Marte Gracia bring us the adventures of Riri Williams, Marvel’s new hero from Chicago, Ironheart!

Having a new character stepping into the role once held by a long-standing character is nothing new in comics. Invincible Iron Man #1 marks the beginning of a new era with Riri Williams taking centre stage after writer Brian Michael Bendis had already firmly established her character in the previous volume of Invincible Iron Man. It is this cleverly constructed groundwork that has made Riri‘s, as well as Victor‘s, gradual integration into Tony Stark’s life, seem all the more believable, and not just another change for change’s sake scenario as the Iron-Mantles are effectively passed to Riri Williams and Doctor Doom respectively.

From the opening video-blogger style credit page opening, Brian Michael Bendis gives us an insightful and moving glimpse into the life and times of Riri Williams. The battle with the rogue monster-spawning mutant Animax fills the prerequisite action quota for Invincible Iron Man #1, with our rookie super genius Iron-heroine quickly realizing the limitations of her cobbled together armor, sans a properly efficient AI, but it is the fascinating glimpse into Riri’s formative years that really forms the backbone of the issue.

Bendis skilfully intercuts the present-day events with some especially moving flashbacks to drive the narrative, highlighting some of the stark parallels and difficulties associated with being a super genius, while the more powerful themes and their heartbreaking aftermath resonates strongly on every level. Even though we’ve known Riri Williams for a while now, this issue really expands our knowledge of the character in ways that few could’ve predicted, and it makes Riri’s debut here feel all the more impressive as she sets out to make her presence felt in the Marvel Universe!

Stefano Caselli’s artwork conveys the finer nuances of Bendis’ script beautifully. Page layouts are keenly structured to match the emotional beats of the story and the characters are all defined in the highest detail. The scene between the young Riri and her new friend Natalie are wonderfully staged. There’s tragedy and heartbreak for Riri too, and Caselli’s art makes you feel like you are there with Riri every step of the way as her life unfolds before you. The fight with Animax is also good, but it is what transpires directly afterwards that probably resonates the most – with its gun crushing finality grittily polarizing the impact of the flashbacks in our minds eye. Color artist Marte Gracia employs bright, vibrant palette of colors throughout, nicely complementing Stefano Caselli’s artwork with a blend of rich shades and tones to bring added highlights to virtually every scene.

The issue rounds off with a great scene between Riri and her mother that effectively brings Riri’s story full circle. As for Tony Stark..? Well, he might not be around anymore, but you know Tony, he has a knack of thinking of contingencies for everything!

I must admit, as much as I love the character of Riri Williams, I was a little sceptical about her taking over as the lead character in Invincible Iron Man. I’m pleased to say that Brian Michael Bendis has won me over once again with his superb storytelling and characterization skills. One thing that shines through is the sheer hope and optimism Riri Williams brings to the title, which considering the events in those flashbacks, shows just what strong and delightfully positive character traits Riri Williams will bring to the Marvel Universe.

Invincible Iron Man #1 revamps the status quo and provides a confident start to Riri’s brand new adventures. Even though I’m sure Tony Stark will return as Iron Man eventually, we can rest assured that the legacy of Iron Man is in safe hands, so here’s hoping that Riri Williams will be around for a long time to come.

Publisher: Marvel

Writer: Brian Michael Bendis / Art: Stefano Caselli

Color Artist Marte Gracia / VC’s Clayton Cowles Letterer

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Invincible Iron Man #14 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #14, Invincible Iron Man #14 review, Iron Man, Ironheart, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #14

Review by Paul Bowler

Change is in the air in Invincible Iron Man #14 as the dust settles over the recent events of Civil War II, now a young woman, M.I.T student, Riri Williams, must prepare to take over as Iron Man! First though, Tony Stark will have to deal with his own inner turmoil in the wake of Civil War II, before Riri redefines the series as a new direction for Iron Man begins, and it’s going to be unlike anything we’ve seen before…

With the fallout of Rhodey’s death in Civil War II, his failure to make amends with Amara for faking his own death, the destruction of Stark Tower, and with Victor Von Doom doing his level best to become part of Tony Stark’s life over the course of this series, Invincible Iron Man #14 is the culmination of a remarkably intense and trying period in Tony Stark’s life as the Invincible armored Avenger – Iron Man. Though the success of Tony’s wish to find out what Victor Von Doom really wants from him remains somewhat undetermined, Brian Michael Bendis does a terrific job rounding off a number of key plot elements with this issue, deftly juggling the cataclysmic skirmishes of Civil War II whilst simultaneously paving the way for a new era to bring this volume of Invincible Iron Man to a close with a fittingly dramatic and exciting finale.

Indeed, there’s a lot of ground to cover, and some of Invincible Iron Man #14’s most poignant scenes come as Tony and Mary Jane discuss the future in the light of recent events. Tony’s clash with Carol Danvers over the Inhumans and the precognitive Inhuman called Ulysses in Civil War II – by using him to predict and counteract future dangers before they occur – has caused bitter divisions throughout the Marvel Universe. Tony now clearly feels that his demons in a bottle have found some new triggers, and with the future calling – quite literally – he needs to seek out an open meeting to work things out – a fact which is made all the more ironic as Stark is now effectively Carol Danvers sponsor.

It is at this very same open meeting that Tony finds himself faced with some especially pertinent contemporary themes. Bendis skilfully weaves these powerful issues into the narrative of Tony’s current situation, uncannily resonating with and eclipsing his experiences on every level, and in many instances making Civil War II pale into insignificance by comparison.

Ironically Tony’s wish to avoid Carol Danvers proves to be the catalyst that ultimately forces them to confront their different viewpoint head on. These scenes form the basis of this remarkable character driven issue as Tony and Carol address what it is they are really fighting for, what they believe in, Rhodey’s death, and of course Banner’s shocking demise. Some uncomfortable home truths are finally aired; where neither party likes or is really surprised by what they hear, and it’s clear that neither of them is going to back down.

Mike Deodato produces an outstanding issue with artwork that will effortlessly immerse you in the heart of the drama. From the opening collage of media reports overlaying the sombre setting of Stark’s lab, Deodato forges an intense, emotionally charged atmosphere as events unfold across compact and impressively detailed page-layouts. It’s this precise, almost casual simplicity, which makes the issue works so well and gets right in your face – so to speak. The expressions of all the characters are beautifully rendered and you will be hanging on their every word. Color artist Frank Martin’s subtle use of tone and shade also works in perfect harmony with Deodato’s art; matching every emotional beat of Bendis’ script to absolute perfection.

Tony’s final scenes in this issue is the sum total of what this arc has been building towards since the beginning, its marvellous how so much is said by saying so little, and the surprise visitor in the coda heralds a game changing development… I’ve thoroughly enjoyed this volume of Invincible Iron Man. In some ways it’s shame it has to and end as Brian Michael Bendis and Mike Deodato have been such a great team. From the War Machines arc, to the Road to Civil War II, and these recent Civil War II tie-in’s, Bendis and Deodato have done exceptional work with this series and Tony’s character, and their run ends by setting up a very exciting future.

Invincible Iron Man #14 is a brilliant, emotional, and powerfully themed issue. It may mark the end of this run of Invincible Iron Man, with Civil War II and Tony‘s whereabouts still to be resolved, but with Brian Michael Bendis and Stefano Caselli charting Riri Williams adventures as Ironheart in Invincible Iron Man #1, and Bendis reuniting with Alex Maleeve to bring us Doom’s story over in Infamous Iron Man #1, the saga of Iron Man is about to enter a bold new era and I‘m extremely excited for what the future will bring.

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

 Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production

Cover Artists Dale Keown & Jason Keith

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