Invincible Iron Man #593 Review

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Alex Maleev, Avengers, Brian Michael Bendis, Infamous Iron Man, Invincible Iron Man #593, Invincible Iron Man #593 review, Iron Man, Ironheart, Marte Gracia, Marvel Comics, Marvel Legacy, Stefano Caselli, The Invincible Iron Man #593, Tony Stark, VC’s Clayton Cowls

Invincible Iron Man #593

Review by Paul Bowler

A startling new era for Marvel’s armored Avenger begins in Invincible Iron Man #593 as Marvel Legacy gets under way. The comatose body of Tony Stark has vanished! Now it falls to Stark’s friends and foes, those who have overseen his business interests and assumed the mantel of Iron Man since his battle with Captain Marvel during Civil War II left Tony in a medically unexplainable coma, to finally decide who will succeed him as the Invincible Iron Man!

Well, now that we’ve got all the hoo-ha with Secret Empire out of the way, Marvel can concentrate on getting things back on track with Legacy. To be honest, this is bit of a quirky issue of Invincible Iron Man, there is a sense of getting back to basics and core elements of the character, which I guess is what Legacy is meant to be all about, and the return to the series’ original numbering – along with a great cover by Adi Granov – gives you a real sense that you are witnessing the start of something with great potential here.

The issue is positively bursting with insightful character moments and exposition, and writer Brian Michael Bendis keeps Invincible Iron Man #593 on an even keel as he skilfully juggles the numerous plot threads. Tony’s AI, Friday is every present throughout, quickly brining us up to speed with current events: with Tony’s condition in stasis at a Stark Facility, Riri Williams role as Iron heart (whose Armor is run by an AI downloaded from Stark’s consciousness), and Victor Von Doom’s self-proclaimed path to redemption as the Infamous Iron Man.

The Star Expo that opens the issue, overseen by Stark’s Mother, Amanda, and Mary Jane Watson, is a poignant affair tinged with both sadness and hope; despite the dour board of directors resolve to spoil the party. Throw in the mystery of Tony Stark’s body going missing and a tense face-off between the Thing and Victor Von Doom after an incident at Riker’s Island, and you have an issue that poses as many questions as it does answers.

Featuring the work of artists Stefano Caselli and Alex Maleey, with Color Artists Marte Gracia and Alex Maleev, Invincible Iron Man #593 ticks all the boxes visually and stylistically, and the transition between artists and color artists doesn’t impede the overall enjoymenty of reading the issue. The panel layouts are straightforward, nothing fancy, the characters and location are well realized, and there’s a nice jaunt around the Marvel Universe as everyone concerned ponders who ya gonna call when Tony Stark goes missing!?! Although there’s probably enough story in this issue for a couple of issues, for me though, the standout scene was between Victor and The Thing, where some especially scathing home truths are finally aired – and about time too!

Ok, now I’m a big fan of Iron Man / Tony Stark. However, I wasn’t impressed with his fate at the end of Civil War II, Riri Williams was ok as Ironheart, but I didn’t really warm to Doom being the Infamous Iron Man that much, and having skipped Secret Empire completely I’m hoping that The Search For Tony Stark Part 1 sets things up for Tony’s return as the one, true, Iron Man. The question is, is that what’s happening here in this issue?

That’s something this issues surprise ending will certainly leave us guessing about for now. While the story is adequate enough, I was hoping the art would be a bit more spectacular, but it’s still a fairly good issue for fans and newcomers alike. Suffice to say; if Marvel Legacy is all about getting back to the core mechanics, ethos, and distinctive look of Marvel’s most iconic characters, then Invincible Iron Man #593 is definitely a step in the right direction.

Publisher: Marvel Comics

Writer: Brian Michael Bendis / Artist: Stefano Caselli & Alex Maleev

Color Artists: Marte Gracia & Alex Maleev / Letterer: VC’s Clayton Cowls

Cover: Adi Granov

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Infamous Iron Man Review

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Alex Maleev, Brian Michael Bendis, Doctor Doom, Infamous Iron Man, Infamous Iron Man #1, Invamous Iron Man #1 review, Iron Man, Marvel Comics, Marvel Now, Matt Hollingsworth, Tony Stark, Victor Von Doom

Infamous Iron Man #1

Review by Paul Bowler

Marvel’s bold Marvel Now iteration brings us Infamous Iron Man #1, the brand new ongoing series from the acclaimed Eisner Award winning team of Brian Michael Bendis and Alex Maleev. Yes, there’s a new Iron Man, and his name is… Victor Von Doom! That’s right, Doctor Doom, one of Marvel’s greatest villains, has decided to become something new, and to do that he must succeed where Tony Stark failed. But is there more to Doom’s plans, is he really a reformed character, and how will the world react to this new, infamous hero?

Ever since Victor Von Doom started turning up unannounced in Tony Stark’s life during the previous volume of Invincible Iron Man, the tumultuous events of Civil War II have had major consequences for Stark, and now Doom’s mysterious plan continues as he strives to reach even greater heights of power as Iron Man – but for what end?

Infamous Iron Man #1 starts off with a flashback to a shadow meeting of the dark Cabal fronted by Doom, and it’s a scene in which writer Brian Michael Bendis skilfully eschews the narrative via Doom’s POV, offering us an insightful glimpse into Victor’s inner motivations as Bendis seamlessly entwines the new status quo post Civil War II with the intriguing premise of this new series.

From there we are given a taste of the sublime blend of science, sorcery, and dry wit that will no doubt become the hallmark of this series as Victor’s character works towards assuming the mantle of Iron Man. Victor spends most of this issue keeping us, and everyone around him, unsure of his true motives, even when he performs good deeds, such as rescuing a high-ranking S.H.I.E.L.D operative with contemptuous ease from a former adversary, we are left with no doubt that Doom’s actions are still firmly in his own best interests. Its this mix of uncertainty and deceptive charm that makes Victor such a compelling and complex character, the brief interlude with Stark’s former girlfriend, Doctor Amara Perera, is also of note, as it offers some tantalizing snippets about what’s happened to Tony Stark and foreshadows Victor’s interested in Amara and her work.

Alex Maleev’s artwork perfectly encapsulates the mood and tone of Infamous Iron Man, right from the first page we experience the Doom of old, before the scene shifts dramatically into the rescue mission, and it is here that Maleev really excels in these dark shadowy moments as we see Victor confront and beat down a villain with a calculated use of technology and magic. The colors by Matt Hollingsworth bring accentuated flourishes and tone to every moment, picking out striking hues of light and energy that punctuates the darkness. The scenes with Amara and Victor in the University of Cambridge seem bright and breezy by comparison, there’s an ever-loving-blue-eyed special guest appearance to watch out for, and Maleev and Hollingsworth engineer a classy build up to the inevitable moment when Doom finally gets to suit up as Iron Man.

Brian Michael Bendis keeps us guessing almost until the end of Infamous Iron Man #1 before we begin to get more insight into what has happened to Tony Stark, it’s cleverly done too, and turns out to be something that bizarrely manages to be both expected and unexpected all at the same time. If anything, the scenes that lead up to Victor donning his Iron Man armor feels almost underplayed to deliberately keep us on the back foot.

Infamous by name and infamous by nature, as first issues go, Infamous Iron Man #1 gets everything off to a good enough start. I guess maybe I was just expecting Doom’s debut as the Infamous Iron Man to be a little more exciting than it actually turned out to be. Still, that killer surprise ending certainly puts a whole new spin on things, offering up lot of potential, and hopefully the series can be infamous enough to live up to it.

Publisher: Marvel / Writer: Brian Michael Bendis

Art: Alex Maleev / Colors: Matt Hollingsworth

Letterer and Production: VC’s Clayton Cowles

Cover by: Alex Maleev

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Invincible Iron Man #14 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #14, Invincible Iron Man #14 review, Iron Man, Ironheart, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #14

Review by Paul Bowler

Change is in the air in Invincible Iron Man #14 as the dust settles over the recent events of Civil War II, now a young woman, M.I.T student, Riri Williams, must prepare to take over as Iron Man! First though, Tony Stark will have to deal with his own inner turmoil in the wake of Civil War II, before Riri redefines the series as a new direction for Iron Man begins, and it’s going to be unlike anything we’ve seen before…

With the fallout of Rhodey’s death in Civil War II, his failure to make amends with Amara for faking his own death, the destruction of Stark Tower, and with Victor Von Doom doing his level best to become part of Tony Stark’s life over the course of this series, Invincible Iron Man #14 is the culmination of a remarkably intense and trying period in Tony Stark’s life as the Invincible armored Avenger – Iron Man. Though the success of Tony’s wish to find out what Victor Von Doom really wants from him remains somewhat undetermined, Brian Michael Bendis does a terrific job rounding off a number of key plot elements with this issue, deftly juggling the cataclysmic skirmishes of Civil War II whilst simultaneously paving the way for a new era to bring this volume of Invincible Iron Man to a close with a fittingly dramatic and exciting finale.

Indeed, there’s a lot of ground to cover, and some of Invincible Iron Man #14’s most poignant scenes come as Tony and Mary Jane discuss the future in the light of recent events. Tony’s clash with Carol Danvers over the Inhumans and the precognitive Inhuman called Ulysses in Civil War II – by using him to predict and counteract future dangers before they occur – has caused bitter divisions throughout the Marvel Universe. Tony now clearly feels that his demons in a bottle have found some new triggers, and with the future calling – quite literally – he needs to seek out an open meeting to work things out – a fact which is made all the more ironic as Stark is now effectively Carol Danvers sponsor.

It is at this very same open meeting that Tony finds himself faced with some especially pertinent contemporary themes. Bendis skilfully weaves these powerful issues into the narrative of Tony’s current situation, uncannily resonating with and eclipsing his experiences on every level, and in many instances making Civil War II pale into insignificance by comparison.

Ironically Tony’s wish to avoid Carol Danvers proves to be the catalyst that ultimately forces them to confront their different viewpoint head on. These scenes form the basis of this remarkable character driven issue as Tony and Carol address what it is they are really fighting for, what they believe in, Rhodey’s death, and of course Banner’s shocking demise. Some uncomfortable home truths are finally aired; where neither party likes or is really surprised by what they hear, and it’s clear that neither of them is going to back down.

Mike Deodato produces an outstanding issue with artwork that will effortlessly immerse you in the heart of the drama. From the opening collage of media reports overlaying the sombre setting of Stark’s lab, Deodato forges an intense, emotionally charged atmosphere as events unfold across compact and impressively detailed page-layouts. It’s this precise, almost casual simplicity, which makes the issue works so well and gets right in your face – so to speak. The expressions of all the characters are beautifully rendered and you will be hanging on their every word. Color artist Frank Martin’s subtle use of tone and shade also works in perfect harmony with Deodato’s art; matching every emotional beat of Bendis’ script to absolute perfection.

Tony’s final scenes in this issue is the sum total of what this arc has been building towards since the beginning, its marvellous how so much is said by saying so little, and the surprise visitor in the coda heralds a game changing development… I’ve thoroughly enjoyed this volume of Invincible Iron Man. In some ways it’s shame it has to and end as Brian Michael Bendis and Mike Deodato have been such a great team. From the War Machines arc, to the Road to Civil War II, and these recent Civil War II tie-in’s, Bendis and Deodato have done exceptional work with this series and Tony’s character, and their run ends by setting up a very exciting future.

Invincible Iron Man #14 is a brilliant, emotional, and powerfully themed issue. It may mark the end of this run of Invincible Iron Man, with Civil War II and Tony‘s whereabouts still to be resolved, but with Brian Michael Bendis and Stefano Caselli charting Riri Williams adventures as Ironheart in Invincible Iron Man #1, and Bendis reuniting with Alex Maleeve to bring us Doom’s story over in Infamous Iron Man #1, the saga of Iron Man is about to enter a bold new era and I‘m extremely excited for what the future will bring.

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

 Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production

Cover Artists Dale Keown & Jason Keith

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Invincible Iron Man #13 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #13, Invincible Iron Man #13 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #13

Review by Paul Bowler

The end of an era draws nigh in Invincible Iron Man #13 as the ramifications of Civil War II begin to impact drastically on Tony Stark’s life. Rhodey’s death has increased Tony’s rancour with Carol Danvers and the Inhumans over the precognitive new Inhuman called Ulysses. Now recent events have left Stark Tower in ruins. However, the sudden arrival of reformed super-villain Victor Von Doom with an offer to show Stark what to do next could change everything, but will this spell the end of Tony’s company and Iron Man as we know it?

When it comes to a Civil War II tie-in, writer Brian Michael Bendis certainly delivers the goods in spades with Invincible Iron Man #13 as the fallout from the destruction of Stark Tower begins to settle over the Marvel Universe. After Victor Von Doom suddenly turned up to whisk Stark halfway across the world yet again, Tony finally gets to try and apologize to Amara for faking his own death, but it a reunion fraught with tension and hurtful asides that cannot be unsaid.

This is a powerful, moving, and often deeply emotional issue at times, as Brian Michael Bendis gives us a stark portrayal of Tony as he finally addresses his grief over Rhodey’s death head on. Viewing Colonel Carol Danvers worldwide broadcast on behalf of the Ultimates, where she deftly skates around the details of her new peacekeeping campaign to prevent disasters before they happen, only serves to fuel Tony’s simmering mistrust and rage even further.

The artwork by Mike Dedato is as beautifully rich and detailed as ever. Each scene flows seamlessly into the next, with smooth, refined page layouts that complement the narrative pace of Bendis’ story perfectly. From Tony and Amara’s frosty reunion, the flashback to the moment Tony went to see Rhodey’s body after he died is skilfully interspaced with events in the present as he views Carol’s broadcast to the world. The blend of raw emotions, spanning Tony’s heartrending grief, anger, and unwavering conviction, are all sublimely portrayed here by Dedato, and it all culminates in one little panel of silence tucked away in the corner of a page that conveys more than any words could say.

The tones and hues color Artist Frank Martin uses throughout this issue are utterly superb, from the shimmering amber shades of Carol Danvers broadcast, the vivid grandeur of Rhodey‘s memorial service is masterfully juxtaposed with the gloomy scenes in Tony‘s lab, along with Mary Jane’s brief, yet poignant appearance, and the flashbacks featuring Tony and Rhodey are a wonderful example of how story, art, and color can combine to produce a sublime fusion of emotion and nostalgia in the most moving way imaginable.

Ever since this volume of Invincible Iron Man began, the reformed Victor Von Doom has gone out of his way to become part of Tony’s life, usually appearing at moments that allow Victor to capitalize on or influence a given situation. While Victor’s motives remain unclear, this issue makes significant inroads towards the reasons for Victor’s uninvited appearances, and this time it wont be something that he can simply just walk away from either.

Invincible Iron Man #13 is another strong tie-in issue with Civil War II. Although its light on Iron Man action insofar as Civil War II is concerned, this issue is really more about Tony’s and Rhodey’s friendship, and the flashbacks of them in action as Iron Man and War Machine is one of the undoubted highlight of the issue, and it all rounds off with an unexpected face off that is sure to leave someone with some serious explaining to do. Invincible Iron Man #13 is another terrific issue from Brian Michael Bendis and Mike Deodato, with its powerful storyline and striking artwork; this is an engrossing issue that works on every level.

Publisher: Marvel

Writer: Brian Michael Bendis / Art: Mike Deodato / Color Artist: Frank Martin

VC’s Clayton Cowles: Letterer & Production

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #12 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #12, Invincible Iron Man #12 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #12

Review by Paul Bowler

The biggest upheaval in Iron Man’s history begins in Invincible Iron Man #12 as the events of Civil War II start to tear Tony Stark’s world apart. This issue is a major Civil War II tie-in, divisions have formed, and concerns are mounting that Tony is about to go to war with Captain Marvel because of the precognitive Inhuman known as Ulysses! But Tony’s role as Iron Man and the fate of his company will soon hang in the balance, and what has Doctor Doom been planning as all-out Civil War strikes the Marvel Universe?

From the moment you see this issue ominous looking cover by Mike Deodato, featuring a dark figure with an arc reactor stood atop a pile of rubble strewn with the Stark logo, it’s clear that some major upheaval is waiting in the wings for Tony Stark. With the recent announcements from Marvel that 15 year-old MIT student Riri Williams is all set to become the new Invincible Iron Man post Civil War II and that Victor Von Doom will also become the Infamous Iron Man, Tony Stark will soon be replaced by two brand new Iron Men!

The build up to these sweeping changers starts here in Invincible Iron Man #12, as writer Brian Michael Bendis kicks everything off with some pretty cataclysmic developments over at Stark Tower. From here we flashback to a press conference held weeks ago in the same aforementioned building, where Tony Stark apologized to his investors and employees for faking his death so that he could assist S.H.I.E.L.D and the Avengers with the international terrorist threat poised by Techno Golem Tomoe and her biohack ninjas in Japan.

I love the way that Bendis handles the scenes where Tony confronts his board of investors. The dialogue is witty and sharp, some major home truths are aired on both sides, but even with MJ and his AI Friday to back him up, it’s clear the board isn’t going to let this one go without a fight. Mary Jane Watson and Friday also make a great team here, and they certainly keep Tony on his toes! If all that wasn’t enough, Tony also has some making up to do with new love interest Amara as well, something which proves far more elusive to resolve than expected.

Mike Dedato’s brilliant artwork skilfully conveys the emotional depth and narrative of this tautly scripted issue. His work on Invincible Iron Man continues to play to Bendis’ strengths as a writer. This issue features some gorgeously detailed page layouts: the apocalyptic opening scenes amidst the swirling rubble and dust are hauntingly powerful, the press conference and scenes in the lab flow with seamless precision, our first glimpse of Riri Williams home life with her mother in Chicago are another big highlight of the issue, and the raw emotional roller coaster ride of scenes which later follow as Stark’s world begins to come tumbling down around him are magnificently depicted. Color Artist Frank Martin once again excels, velvety earthy tones and dusty greys dominate the early scenes, while the use of dusky shadows and refined hues delicately accentuate the diverse range of emotional beats of that make this issue such a compelling read.

That wonderful first meeting between Riri, her mother, and Tony is certainly a defining moment for everyone involved. It’s great to finally learn more about this 15 year old genius M.I.T student, her mother certainly seems a force to be reckoned with as well, and we also discover something rather poignant about Riri’s name too.

Invincible Iron Man #12 finishes where it begins. It is here that we actually witness the most powerful scenes, as Tony addresses Rhodey’s death – which tragically happened in Civil War II #1 – and his thoughts about Carol Danvers and the Inhumans are revealed to a somewhat shell-shocked audience amidst the ruins of his life – and it is in these moving scenes that Brian Michael Bendis’ stellar writing will leave you hanging on Tony’s every word.

This run on Invincible Iron Man by Brian Michael Bendis and Mike Deodato reaches even greater heights with this issue. While it might be light on actual Iron Man action, the drama, suspense, and impeccable characterization are elevated to a whole new level with this Civil War II tie-in, and the cliff-hanger ending looks like it has the potential to be a real game-changer for the series. Invincible Iron Man #12 branches out into the wider arc of Civil War II with assured confidence and paves the way for even bigger events to come!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production 

Cover Artists Mike Deodato & Frank Martin

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