PREDATOR #1 (2022) REVIEW

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Day of the Hunter, Ed Brisson, Kev Walker, Marvel Comics, NCBD, Predator, Predator #1, Predator #1 review, Predator comics, Predators, Prey

Predator #1 (2022)

Review by Paul Bowler.

The hunter becomes the hunted in Marvel’s long delayed Predator #1, written by Ed Brisson (Iron Fist, Ghost Rider), and with art by Kev Walker (Dr Strange, Doctor Aphra). Considering the immense legacy of the 1987 classic Predator film directed by John McTienan and the numerous Dark Horse Comics mini-series’ fans have enjoyed over the last thirty years, Disney’s absorption of the licensing agreement has now seen this long-delayed new Predator comics series finally become a reality. Writer Ed Brisson’s Predator #1 certainly has a tough act to follow with this new six-part story: Day of the Hunter. Right from the outset we are reintroduced to these extraterrestrial hunters and the sheer power of their advanced weaponry. However, what initially appears to be a smackdown between two raging Predators on a strange alien world is resolved through a surprise twist of fate that has seen the most formidable hunters in the galaxy becoming the prey. Set in the far future, the narrative is interspaced with flashbacks detailing how a young girl, Theta, witnessed the slaughter of her family during a survey mission on a newly discovered world. She grew up and vowed to hunt down the Predators, using their own armour, weapons and tactics against them… determined to hunt down the Predator that killed her mother in cold blood. 

Now Theta stalks the galaxy in her parents same research vessel, with only its AI for company, and a thirst for revenge against the Predator that changed her life forever. When the native lifeforms  on a planet she’s liberated from a Predator turn against her fearing she is actually one of the hunters themselves, Theta is forced to beat a hasty retreat back to her ship and escape into space.

Fortunately Theta salvaged information from the Predator’s vessel that yields some fresh leads on her target, but her ship is in a dire state, systems are breaking down and food supplies are running short. She has no option but to head for Port Medway, but being an outlaw from the authorities in what is technically a stolen ship now presents Theta with a whole new stack of problems to contend with.

Kev Walker’s art may be a tad conventional, but Walker brings a dynamic sense of motion and energy to the action sequences. The page layouts are straightforward and unfussy, which actually works well to highlight the narrative breaks as we follow Theta hunting in the present and confronting her Predator nemesis in the flashbacks. Colorist Frank D’Armata melds vidid tones and hues to accentuate every scene, and VC’s Clayton Cowles ever dependable lettering makes the exposition heavy sections less of a plod and more engrossing to read. After the initial battle between the Predator and Theta, the alien hunters presence is used sparingly. Its a good move as it helps build the suspense through means of the flashbacks, with the Predator using its high-tech camouflage to enable it to pick off the survey team one-by-one, before we finally get to see one up close and personal in all its glory. 

The issue builds to a nerve jangling climax as Theta’s mission forces her to face her greatest fear, in both the past and the present. Its a heartrending moment, and one that will no doubt set the tone of this series moving forward. After such a long delay I wasn’t honestly expecting much from this new Marvel Comics  Predator series, but I was pleasantly surprised at how good it actually turned out to be. Predator #1 gets off to a cracking good start, Ed Brisson and Kev Walker have ultimately proved to be an inspired creative team for this book, and there’s plenty that fans and newcomers alike will find to enjoy here in their bold new take on the Predator franchise. 

Publisher Marvel Comics

Writer Ed Brisson / Artist Kev Walker

Colorist Frank D’Armata / Letterer VC’s Clayton Cowles

Main Cover Leinnil Francis Yu & Sunny Gho

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Old Man Logan #31 Review

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comics, Ed Brisson, Frank Martin, Gorgon, Hawkeye, Logan, Marvel, Marvel Comics, Mike Deodato, NCBD, Old Man Logan, Old Man Logan #31, Old Man Logan #31 review, Scarlet Samurai!, The Hand, The Maestro

Old Man Logan #31

Review by Paul Bowler

Old Man Logan #31 begins the first major Marvel Legacy adventure for the man formerly known as Wolverine, as he confronts a deadly new threat – the Hand! Upon his return to Tokyo, Old Man Logan becomes drawn into a ferocious conflict involving the Hand, and they are now stronger than ever! In his battle with the feuding clans, Logan will also have to face the mysterious Scarlet Samurai, a lethal adversary like no other he’s faced before…

Friends and foes, both past and present return as the adventures of Marvel Comics grizzled time-displaced alternative dimension version of Logan continues with Scarlet Samurai Part 1, the brand new story arc from writer Ed Brisson, artist Mike Deodato JR, and colorist Frank Martin. Following his run in with the Maestro and the Hulk gang in Canada, Logan’s travels bring him back to Kabukicho, in Tokyo, where his reminiscing about this place he once called home briefly eclipses Logan’s apocalyptic future in the Wastelands.

Violent action, drama, and brooding intrigue permeate every aspect of Ed Brisson’s tautly woven scrip as Old Man Logan’s momentary peace is shattered by a brawl with henchmen from the Crazy Thunder Clan empowered by a new drug that gives them uncanny regenerative abilities. You can’t have a slug-fest like this in Tokyo without the Silver Samurai being involved somehow, and sure enough the Yashida Corporation developed the drug, Regenix, and the mystery of who has been supplying it to the Crazy Thunder Clan is soon ruthlessly uncovered.

From the shadowy, neon lit side streets, to the gleaming vista of the Tokyo skyline, the fantastic work of artist Mike Deodato and colorist Frank Martin effortlessly brings the various locales featured in this issue to life. Dedato’s trademark open-panel style and dramatic use of perspective places you right in the thick of the action. Every scene feel larger than life, especially when Logan tracks down the Crazy Thunder Clan, and the battle which follows – just like their earlier confrontation – is a blood splattered collage of visceral action and severed limbs as Logan’s berserker rage kicks into high gear! Frank Martin’s colors accentuate the action perfectly, with urban grey tones contrasting beautifully with the shiny modern hues of Yashida Corp, while the brutal violence and unflinching detail jostles with ominous shadows amidst the crimson carnage.

As the issue races towards its devastating high-rise cliff-hanger, Logan makes a fortuitous discovery, Gorgon – who has also led the Hand into battle against Wolverine in the past – makes his move, and the Scarlet Samurai finally steps into the fray!

From the moment you see that gorgeous cover by Mukesh Singh, you just know that you are in for something special with this issue of Old Man Logan. The first part of this new saga is a real scene setter. There’s plenty here for long term fans to enjoy, but this issue is also a great jumping on point for new readers too (especially as it also features a brief recap of Old Man Logan’s back story by Robbie Thompson, Andrea Sorrentino, Lee Loughridge). The Tokyo setting is impressively realized, the plot moves along at a blistering pace, and the mystery surrounding the Scarlet Samurai will no doubt prove an intriguing and bloody one for Logan to solve. The creative team of Ed Brisson, Mike Deodato, and Frank Martin are really hitting their stride now, this series continues to go from strength to strength, and Old Man Logan # 31 gets this new story-arc off to a great start!

Publisher Marvel Comics

Writer: Ed Brisson / Art Mike: Deodato JR / Colorist: Frank Martin

Letterer: VC’s Cory Petit  / Cover: Mike Deodato JR & Frank Martin

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Old Man Logan #30 Review

Tags

Alpha Flight, comics, Ed Brisson, Frank Martin, Hawkeye, Logan, Marvel, Marvel Comics, Mike Deodato, NCBD, Old Man Logan, Old Man Logan #30, Old Man Logan #30 review, Old Man Logan Days of Anger, The Hulk Gang, The Maestro, X-Men

Old Man Logan #30

Review by Paul Bowler

Its all blood, claws, and nukes in Old Man Logan #30 as the showdown between the Maestro and Logan reaches its startling climax! In Logan’s quest to avert both his own nightmarish future in the Wastelands and prevent the Maestro and the Hulk gang from unleashing Armageddon in present, his criss-crossed timelines have united Logan with Clint Barton and the female Hulk gang defector, Cambria. Together they pursued the Maestro and the Hulkling children across Yurkon territory, Canada, where Logan’s savage battle with the Maestro now faces the sudden emergence of the most deadly, and unexpected threat of all…

Marvel Comics Old Man Logan series from the creative team of writer Ed Brisson, artist Mike Deodato JR, and colorist Frank Martin continues to soar to new heights of excellence as the thrilling Days of Anger storyline concludes!

The Maestro has been a formidable adversary for Logan, this alternative universe version of Bruce Banner has used the Hulk gang (savage Banner descendants Logan fought back in the Wastelands) to implement his mad scheme and wipe out humanity, but now events have come to a head. Although the Hulk gang and their missiles have been neutralized thanks to Cambria’s intel and Puck’s help on the Alpha Flight space station, the Maestro, Logan, and his unlikely allies now find themselves held to ransom by a child with a nuclear bomb!

Briefly revisiting the bleak future of the Wastelands to finally reveal how the Maestro managed to bring the Hulk gang to this dimension, events quickly spiral back to the present day where opposing sides and loyalties prepare to square off in this riveting issue of Old Man Logan as writer Ed Brisson piles on the tension and suspense at every given opportunity. Each line of dialogue crackles with menace and raw emotion as the youngest member of the Hulk gang, Malakai, threatens to detonate the final active nuke and kill them all.

The nail bitingly dramatic face-off which ensues quickly becomes a battle of wills, but with the Maestro and Logan only compounding the situation further it’s up to Cambria to try and convince the frightened child that the Maestro has been lying to them all along. The frenetic action builds at an astonishing rate form heron in, with Ed Brisson throwing some ingenious plot twists and character beats into the mix along the way, and there are some genuinely shocking moments of jaw-dropping carnage to look out for as well!

Boasting some of the series’ most striking, and emotional scenes to date, artist Mike Deodato’s characteristic borderless panel layouts completely immerse you in the action. Events build at a rapid pace amidst the snow swept landscape of Yukon territory, with characters and their expressions all hauntingly realized by Deodato’s intricate work and lavish attention to the finest details, while colorist Frank Martin utilizes an exquisite fusion of bold hues and subdued tones to further accentuate the unfolding drama with stunning clarity. Every page is a dazzling spectacle of singularly framed and moments: the Maestro’s raw strength and power, Cambria’s defiance, Hawkeye’s valiant stand, and Logan’s berserker rage as he goes toe-to-toe with the Maestro are all just some of the blockbusting highlights that will stay with you long after you’ve finished reading this issue.

A trio of codas are forged in the resolution of Days of Anger that are as powerful as they are emotional, the underlying themes of this story-arc are brought to the fore, and the aftermath ultimately has a profound effects on all of the major players involved. Ed Brisson, Mike Deodato, and Frank Martin have done fantastic work with this series, Old Man Logan #30 rounds off this storyline in fine style, and I’m really looking forward to seeing what this creative team have in store for us with their next arc: The Scarlet Samurai!

Publisher Marvel Comics

Writer: Ed Brisson / Art Mike: Deodato JR / Colorist: Frank Martin

Letterer: VC’s Cory Petit  / Cover: Mike Deodato JR & Frank Martin

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Old Man Logan #29 Review

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Alpha Flight, comics, Ed Brisson, Frank Martin, Hawkeye, Logan, Marvel, Marvel Comics, Mike Deodato, NCBD, Old Man Logan, Old Man Logan #29, Old Man Logan #29 review, Old Man Logan Days of Anger, The Hulk Gang, The Maestro, X-Men

Old Man Logan #29

Review by Paul Bowler

The Maestro’s plan is all set to unleash Armageddon in Old Man Logan #29, as the Hulk gang take to the skies to deploy the stolen nuclear weapons across the continents of the world. In his resolve to prevent his own dark future, Logan’s haphazard timelines converge as he teams up with Clint Barton and Cambria. But with time running out a showdown between Logan and the Maestro in Yurkon territory, Canada awaits…

In this issue of Marvel Comics Old Man Logan from writer Ed Brisson, artist Mike Deodato JR, and colorist Frank Martin, Logan and his unlikely allies embark on a desperate course of action to stop the Maestro’s terrifying scheme to wipe out humanity and transform the world into a nuclear paradise Hulks, but will they be in time?

The penultimate chapter of Days of Anger gets under way with an interlude reflecting on Cambria’s recollections of future events in the Wastelands. This sombre opening from Cambria’s viewpoint affords us a greater insight into how the Maestro (an alternative universe version of Banner) gathered the devastated survivors of this dimensions brutal Hulk gangs Banner descendants together, before brining them to this universe and timeline, and gives added clarity to her reasons for defecting from the Hulk gang to help Logan and Hawkeye. Having tracked the Hulk gang across Canada, the dye is now cast, and in an uncanny twist writer Ed Brisson focuses on the major payers in this saga as they each gradually realise with chilling certainty that all of the Logan’s and Banner’s they’d known have been dealt their fateful demise because of them…

Once again, the superb artwork by Mike Deodato and tallents of colorist Frank Martin makes every heart-stopping moment of Old Man Logan #29 leap from the page. From the barren landscape of the Wastelands, to the earth shattering arrival of the nuke packing members of the Hulk gang at various location around the world, powerful character beats resonate with expressions that often deliver far more than mere words can say, and the bloody, violent, bone crunching face off with the Maestro is all beautifully relayed via Deodato’s trademark open-framed page layouts.

With a nuclear Hulkagedon looming, contingencies plans on both sides become apparent as this issue races towards its blood soaked cliff-hanger, and one crucial unseen factor could well decide everyone’s fate! This series is quite simply one of Marvel Comics best titles right now. Days of Anger has built on events gradually, but the confrontation here between Logan and the Maestro has certainly been worth the wait! Old Man Logan #29 is another brilliant issue, Ed Brisson seamlessly brings all the plot threads together, while Mike Deodato’s art and Frank Martin’s colors place us right in the heart of the action, and everything is now in place for what is sure to be this arcs thrilling conclusion!

Publisher Marvel Comics

Writer: Ed Brisson / Art Mike: Deodato JR / Colorist: Frank Martin

Letterer: VC’s Cory Petit  / Cover: Mike Deodato JR & Frank Martin

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Old Man Logan #28 Review

Tags

comics, Days of Anger Part 4, Ed Brisson, Frank Martin, Hawkeye, Logan, Marvel, Marvel Comics, Mike Deodato, NCBD, Old Man Logan, Old Man Logan #28, Old Man Logan Days of Anger, Old Man Logna #28 review, The Hulk Gang, The Maestro, X-Men

Old Man Logan #28

Review by Paul Bowler

Old Man Logan #28 takes Logan’s mission to save the present from the apocalyptic nightmare of his own future to a whole new level, as Logan finds a new ally – Hawkeye! Teaming up again for the first time in Logan’s miss-matched lifetimes, Clint Barton joins Logan in his quest to defeat the Maestro and the Hulk gang. But as the Maestro’s grand scheme reaches its next phase, they face a race against time to prevent global Armageddon!

Days of Anger Part 4 seriously raises the stakes in this issue of Old Man Logan as the creative team of writer Ed Brisson, artist Mike Deodato JR, and colorist Frank Martin continue their outstanding run of this Marvel Comics series. Beginning with a sombre interlude set in the future Wastelands of Logan’s farm, the uncanny parallels forged across time continue to resonate powerfully with the present in Old Man Logan #28 as Logan prepares to fight back after his latest run-in with the Hulk Gang in Yurkon territory, Canada.

Writer Ed Brisson skilfully brings numerous plot threads together as events quickly begin to escalate. Having learned about the Maestro, the alternative universe Banner that brought the Hulk Gang to conquer this world, Logan and Hawkeye must stop at nothing to prevent the Maestro from unleashing the stolen weapons from Department H and destroying humanity. However, their friendship was forged in the future, where their road trips never end well, and Hawkeye soon learns more about the his destiny than even he bargained for! Meanwhile, the Maestro is forced to step up the schedule of his master plan, and Cambria’s role in the wider scheme of things gradually starts to emerge.

Mike Deodato’s artwork brilliantly captures the dark, brooding tone of this issue. As ever, the level of detail and boldly paced action lavished across each page is all marvellously rendered, and Deodato’s characteristic deconstructed page layouts completely immerse you in the story as numerous elements converge. The intricate palette of tones and shades color artist Frank Martin utilizes brings added gravatis to every scene. From the identity of the poacher targeting Logan’s farm in the Wastelands, to the great character moments between Logan and Hawkeye in the present, and the ruthless way the Maestro quells any challenge to his authority this issue of Old Man Logan is without doubt one of Mike Deodato’s and Frank Martin’s finest looking issues so far in this series.

Unfortunately for Logan and Hawkeye, try as they might, the Maestro and the Hulk Gang are once again two steps ahead of them as this issue builds towards its ominous snow swept cliff-hanger. But fate and the future might just provide the help they need…

With its stunning cover by Mike Deodato and Frank Martin featuring Logan and Hawkeye in action, Old Man Logan #28 is another compelling issue packed with rich characterization, bloodthirsty action, and surprise plot developments. Its great to see Logan and Hawkeye working together as well, Ed Brisson scripts some brilliant scenes for them, and Mike Deodato’s artwork constantly delivers on every level. In short bub, Old Man Logan is easily one of Marvel’s best books right now, and cannot recommend it highly enough.

Publisher Marvel Comics

Writer: Ed Brisson / Art Mike: Deodato JR / Colorist: Frank Martin

Letterer: VC’s Cory Petit  / Cover: Mike Deodato JR & Frank Martin.

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Old Man Logan #27 Review

Tags

Days of Anger Part 3, Ed Brisson, Frank Martin, Hawkeye, Logan, Marvel, Marvel Comics, Mike Deodato, Old Man Logan, Old Man Logan #27, Old Man Logan #27 review, Old Man Logan Days of Anger, The Hulk Gang, The Maestro, X-Men

Old Man Logan #27

Review by Paul Bowler

Logan takes on the fearsome might of the Hulk gang in Old Man Logan #27, as his quest to rid the present-day world of the Banner offspring he thought he’d killed back in the apocalyptic Wastelands of the future continues. There are more faces from Logan’s uncannily entwined past and future lifetimes to contend with as well. Logan is in for the fight of his life, but an even greater threat plots against humanity in a remote compound in Yurkon territory, Canada, as the Maestro prepares the next stage of his terrifying scheme.

Old Man Logan #27 is a gloriously brutal mix of claws, bullets, and gamma-infused blood splatter as Days of Anger Part 3 from writer Ed Brisson, artist Mike Deodato JR, and colorist Frank Martin, pits Marvel’s grizzled Old Man Logan against the Maestro’s grand vision for global domination. Having been ambushed by the Hulk gang while tracking them across Canada, all seems lost for Logan. The Hulk gang even used this opportunity to deal with one of their own, Billy-Bob, who had recently caused problems for the Maestro.

The brooding menace of Logan and Hawkeye’s time in the Wastelands of the future resonates powerful with Logan’s predicament in the here and now as Ed Brisson sublimely balances this issues heady mix of drama, strong characterization, and violent action set-pieces as Logan awakens finds himself hung out dry in the wilds of Yurkon territory. Outnumbered and outgunned by the Hulk gang, and blasted to kingdom come if he so much as twitches a muscle, Logan must think fast if he is to have any chance of escape.

Brisson also gives us a chilling insight into the Maestro’s plans during his discussion with Cambria as he gets to work in human form on the old Department H weapons back at the secret compound. If anything the Maestro’s human visage proves even more terrifying than his Hulk form, especially when the full scope and scale of the Maestro’s distain and contempt for humanity becomes all too apparent to Cambria. .

From the bleak setting of the farm in the Wastelands, to the simmering fury behind the Maestro’s assesment of mankind’s sell-by-date, Mike Deodato’s stunningly detailed artwork positively explodes from the page as Logan uses his dim-witted enemies’ strength to his advantage. Dedato’s open-framed panel layouts really come into their own here as Logan takes on the Hulk gang, the frenetic urgency and danger of the situation is unflinchingly conveyed, and the fitting payback the Hulk gang receive is depicted is all is visceral glory. The fine nuances of the characters expressions are also top-notch: from that evil glint in the Maestro’s eyes, to the Hulk gang reeling and gawping in shock, and Logan’s bestial fury unleashed all collectively enhance the ominous atmosphere in this issue. Colorist Frank Martin also excels on every level with a blend of exuberant tones and deep shadows accentuating every scene to make this issue a totally riveting experience.

The pace doesn’t let up for a moment as Old Man Logan #27 races to a triple pronged cliff-hanger of sorts, with the Hulk gang and the Maestro betrayed by one of their own, Logan making a crucial discovery, and the return of an old friend… The creative team of Ed Brisson, Mike Deodato JR, and Frank Martin are really delivering the goods with this new story-arc. Packed with insightful character moments, unexpected developments, and more savage action than even the Hulk gang can handle, Old Man Logan #27 and its especially striking cover by cover by Mike Deodato & Frank Martin is another fantastic issue not to be missed!

Publisher Marvel Comics

Writer: Ed Brisson / Art Mike: Deodato JR

Colorist: Frank Martin / Letterer: VC’s Cory Petit

Cover: Mike Deodato JR & Frank Martin

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Old Man Logan #26 Review

Tags

Alpha Flight, Days of Anger Part 2, Ed Brisson, Frank Martin, Logan, Marvel, Marvel Comics, Mike Deodato, Old Man Logan, Old Man Logan #26, Old Man Logan #26 review, Old Man Logan Days of Anger, The Hulk Gang, The Maestro, X-Men

Old Man Logan #26

Review by Paul Bowler

The Maestro returns as Logan’s dark future begins catching up with him! Resolved to stop history repeating itself, Logan takes to the road in Old Man Logan #26 as he sets out to hunt down the Hulk gang – the Banner offspring he believed killed back in the Wastelands. He’s going to need help from an old friend to track them though, but the Maestro’s actions creates an opportunity that could soon mean Logan’s downfall…

The outstanding new Days of Anger arc by writer Ed Brisson, artist Mike Deodato JR, and colorist Frank Martin, continues in Marvel’s Old Man Logan #26 as the Maestro’s schemes advance to the next level. Having taken a motorcycle trip to Canada to have some time away from the X-Men, Logan was left reeling when he was ambushed at a diner by the Hulk gang. Old Man Logan #26: Days of Anger Part 2 sees Logan embark on his quest to prevent the Hulk gang from harming this world, a stance writer Ed Brisson powerfully reinforces with this issues glimpse into Logan’s time in the Wastelands, before returning to the present as we catch up with the Maestro making his presence felt at a remote compound in Yukon territory, Canada.

Of course, at the moment Logan believes that its only the Hulk Gang he‘s after, he doesn’t know that the Maestro is also here in the present as well, and it’s this dramatic edge to proceedings which Ed Brisson skilfully builds on as fate inexorably sets Logan and the Maestro on a collision course that’s knee deep in treachery, blood, and violence.

From the sombre opening Mike Deodato’s artwork perfectly encapsulates the dark, gritty tone of this issue. Whilst the Hulk gangs attack on the compound is an unflinchingly brutal spectacle of raw power, Logan’s tracking skills also come to the fore in some especially atmospheric scenes as he uncovers some unsettling clues at an old Department H bunker. Deodato’s use of open integrated panel layouts is not quite as pronounced as usual, but it makes the build up to the Maestro’s scheme to kill two birds with one stone feel all the more effective as a result. Frank Martin’s colours are also superb throughout, the apocalyptically tinted hues of the farm scenes in the Wasteland contrast beautifully with icy greys and sweeping shadows that dominate the scenes at the compound and the bunker, and the Maestro and the Hulk gang look more menacing than ever before.

This issue of Old Man Logan strikes just the right balance between action and brooding plot developments. The characters motivations also become a real focal point, especially when it comes to Logan’s determination to stop the Hulk gang and the Maestro’s ruthlessness to achieve his goal to strike first against humanity. After a brief interlude to contact an old friend from Alpha Flight, Logan is soon back on the road once again as the issue races towards its thrilling cliff-hanger amidst an explosive barrage of bullets and betrayal!

Along with its intricately structure storyline by Ed Brisson and terrific artwork by Mike Deodato JR, Old Man Logan #26 takes this new arc into increasingly dark territory as the Maestro’s grand designs become apparent. Old Man Logan is without doubt one of Marvel’s best books right now, the creative team is firing on all cylinders, and the startling developments in Old Man Logan #26 make it a gripping read from cover to cover.

Publisher Marvel Comics

Writer: Ed Brisson / Art Mike: Deodato JR / Colorist: Frank Martin

Letterer: VC’s Cory Petit  / Cover: Mike Deodato JR & Frank Martin

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Old Man Logan #25 Review

Tags

Days of Anger Part 1, Ed Brisson, Frank Martin, Logan, Marvel, Marvel Comics, Mike Deodato, Old Man Logan, Old Man Logan #25, Old Man Logan Days of Anger, Olf Man Logan #25 review, The Hulk Gang, The Maestro, X-Men

Old Man Logan #25

Review by Paul Bowler

A powerful threat from the past returns in Old Man Logan #25, but seeing how Logan’s past is in fact a brutal dystopian future, that’s bound to spell big trouble and pain for him in the present. Yes, The Maestro is back, having plotted his ultimate revenge, and now its up to Old Man Logan to track him down and stop him!

The brand new arc by the standout writer Ed Brisson and acclaimed fan-favourite artist Mike Deodato JR, and colorist Frank Martin, begins in Marvel’s Old Man Logan #25 with Days of Anger: Part One. Right from its sombre scene setting opening in the Yukon Territory, Canada, Ed Brisson quickly brings us up to speed with Logan’s present day situation as Logan reflects on back at the mansion with the X-Men. Having survived a future existing in the Wastelands, where he lost everything, including his family, Old Man Logan awoke in the present day and resolved to prevent that terrible future reality from ever happening. Now he is gradually finding his place in the world, but in Old Man Logan #25 whilst seeking to escape the confines of the city for a while he visit’s a diner in British Columbia, where something doesn’t smell quite right, and old scores wait to be settled…

Brisson gets this issue and the new arc off to a cracking start. Its moody, atmospheric, and sets the tone perfectly. Old Man Logan #25 hits all the right beats; it’s also an issue that caters for the long-term fans just as much as it does newcomers. You don’t really need to have ever read the title before either, or even any of the other X-Men books for that matter, to quickly get swept along by Brisson’s engaging storytelling style.

Old Man Logan #25 is a gritty, bloody, awe-inspiring visual spectacle too. The art by Mike: Deodato is stunning. Deodato’s trademark multiple open-structured panel layouts make individual scenes feel more like a dozen or so moments crammed into one, with each deconstructed page as rich with detail and keenly tuned as all of Logan’s senses combined. The face-off with The Hulk gang is ruthlessly savage, Deodato doesn’t pull any punches either, depicting every bone jarring, scalding intense, and gut wrenching moment with visceral ease, and this in turn strikes a powerful contrast with the almost restrained menace employed to build towards the Maestro’s appearance. Colorist Frank Martin diligent uses of rich colors and dusky shades also sublimely complements every aspect of Deodato’s art whilst seamlessly reflecting the beats of Brisson’s script.

Its fair to say that even though Deodato and Martin’s awesome cover makes it clear the Maestro has returned, the way the Maestro’s initial appearance in the issue is handled really well, especially as it provides a new slant to the issues initial scenes. However, it is the moment where Logan’s memories of the past close in and our grizzled hero has an epiphany of sorts, which really strikes a powerful emotional cord and ominously sets up the next chapter of Days of Anger.

With its terrifically paced story by Ed Brisson and impressive artwork by Mike Deodato JR, Old Man Logan #25 gets this thrilling new arc off to a great start. This is Old Man Logan at his very best, Marvel have a top notch creative team doing outstanding work on this book, and I can guarantee that Old Man Logan #25 is one issue you wont want to miss bub!

Publisher Marvel Comics

Writer: Ed Brisson /Art Mike: Deodato JR / Colorist: Frank Martin

Letterer: VC’s Cory Petit / Cover: Mike Deodato JR & Frank Martin

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