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Infamous Iron Man Review

27 Thursday Oct 2016

Posted by Paul Bowler in All

≈ 10 Comments

Tags

Alex Maleev, Brian Michael Bendis, Doctor Doom, Infamous Iron Man, Infamous Iron Man #1, Invamous Iron Man #1 review, Iron Man, Marvel Comics, Marvel Now, Matt Hollingsworth, Tony Stark, Victor Von Doom

Infamous Iron Man #1

Review by Paul Bowler

Marvel’s bold Marvel Now iteration brings us Infamous Iron Man #1, the brand new ongoing series from the acclaimed Eisner Award winning team of Brian Michael Bendis and Alex Maleev. Yes, there’s a new Iron Man, and his name is… Victor Von Doom! That’s right, Doctor Doom, one of Marvel’s greatest villains, has decided to become something new, and to do that he must succeed where Tony Stark failed. But is there more to Doom’s plans, is he really a reformed character, and how will the world react to this new, infamous hero?

Ever since Victor Von Doom started turning up unannounced in Tony Stark’s life during the previous volume of Invincible Iron Man, the tumultuous events of Civil War II have had major consequences for Stark, and now Doom’s mysterious plan continues as he strives to reach even greater heights of power as Iron Man – but for what end?

Infamous Iron Man #1 starts off with a flashback to a shadow meeting of the dark Cabal fronted by Doom, and it’s a scene in which writer Brian Michael Bendis skilfully eschews the narrative via Doom’s POV, offering us an insightful glimpse into Victor’s inner motivations as Bendis seamlessly entwines the new status quo post Civil War II with the intriguing premise of this new series.

infamous-iron-man-1-cover

From there we are given a taste of the sublime blend of science, sorcery, and dry wit that will no doubt become the hallmark of this series as Victor’s character works towards assuming the mantle of Iron Man. Victor spends most of this issue keeping us, and everyone around him, unsure of his true motives, even when he performs good deeds, such as rescuing a high-ranking S.H.I.E.L.D operative with contemptuous ease from a former adversary, we are left with no doubt that Doom’s actions are still firmly in his own best interests. Its this mix of uncertainty and deceptive charm that makes Victor such a compelling and complex character, the brief interlude with Stark’s former girlfriend, Doctor Amara Perera, is also of note, as it offers some tantalizing snippets about what’s happened to Tony Stark and foreshadows Victor’s interested in Amara and her work.

Alex Maleev’s artwork perfectly encapsulates the mood and tone of Infamous Iron Man, right from the first page we experience the Doom of old, before the scene shifts dramatically into the rescue mission, and it is here that Maleev really excels in these dark shadowy moments as we see Victor confront and beat down a villain with a calculated use of technology and magic. The colors by Matt Hollingsworth bring accentuated flourishes and tone to every moment, picking out striking hues of light and energy that punctuates the darkness. The scenes with Amara and Victor in the University of Cambridge seem bright and breezy by comparison, there’s an ever-loving-blue-eyed special guest appearance to watch out for, and Maleev and Hollingsworth engineer a classy build up to the inevitable moment when Doom finally gets to suit up as Iron Man.

Brian Michael Bendis keeps us guessing almost until the end of Infamous Iron Man #1 before we begin to get more insight into what has happened to Tony Stark, it’s cleverly done too, and turns out to be something that bizarrely manages to be both expected and unexpected all at the same time. If anything, the scenes that lead up to Victor donning his Iron Man armor feels almost underplayed to deliberately keep us on the back foot.

Infamous by name and infamous by nature, as first issues go, Infamous Iron Man #1 gets everything off to a good enough start. I guess maybe I was just expecting Doom’s debut as the Infamous Iron Man to be a little more exciting than it actually turned out to be. Still, that killer surprise ending certainly puts a whole new spin on things, offering up lot of potential, and hopefully the series can be infamous enough to live up to it.

Publisher: Marvel / Writer: Brian Michael Bendis

Art: Alex Maleev / Colors: Matt Hollingsworth

Letterer and Production: VC’s Clayton Cowles

Cover by: Alex Maleev

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Invincible Iron Man #5 Review

06 Wednesday Jan 2016

Posted by Paul Bowler in All, Marvel Comics

≈ 7 Comments

Tags

Alex Maleev, Brian Michael Bendis, comics, David Marquez, Doctor Doom, Invincible Iron Man #5, Invincible Iron Man #5 Review, Iron Man, Justin Ponsor, Madame Masque, Marvel Comics, Mary Jane Watson, The War Machines, Tony Stark, Victor Von Doom

Invincible Iron Man #5

Review by Paul Bowler

Marvel’s new Iron Man series, written by Brian Michael Bendis, with art by David Marquez, and colors by Justin Ponsor, has ushered in a new era for Tony Stark’s life, and a brand new shape-changing suit of armor with a super efficient new A.I called Friday.

Now the first big story arc concludes in Invincible Iron Man #5, as Madame Masque’s spate of world-wide thefts of magical artefacts concludes in a showdown with Iron Man and Victor Von Doom – the former ruler of Latveria now sporting a sharp suited new look, and his face also restored – in Chicago at the new Jackpot nightclub owned by Mary Jane Watson!

Invincible Iron Man #5

Brian Michael Bendis gathers all the plot threads of the first arc together in this action packed issue as Iron Man and Victor Von Doom confront Madame Masque in Chicago on the opening night of Mary Jane’s new nightclub. The battle is fast and frenetic. This team-up between Iron Man and Doom brings a unique blend of technology and magic to the fight as they square off again Whitney, who is now possessed by demonic forces, and even Mary Jane gets to play a crucial role at a critical turning point in the showdown.

The art by David Marquez is excellent throughout, its bold, the all-out-action unfolds across the dynamic page layouts with blistering speed, and the intensity of the technology and magical energies involved is exquisitely realised by color artist Justin Ponsor. The attention to detail is staggering, especially when things go all Exorcist on us, and the resolution also has a great “facial hair bros” coda as well. Perhaps most surprisingly of all this issue is how well Tony and Victor work together as a team, and it would seem the one time ruler of Latveria may indeed be about to turn over a new leaf, I guess we shall have to wait and see.

Invincible Iron Man #5 brings the first story arc to a close in fine style. I really like the new direction this series is taking, Bendis has done a great job establishing the new status-quo and Iron Man armor, there’s even a job opportunity for Mary Jane, now that will be interesting, and the closing moments set us on course for more action-packed adventures – especially with the all-new story arc The War Machines set to begin next issue!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: David Marquez /Color Artist: Justin Ponsor

VC’s Clayton Cowles: Letterer & Production / Cover Artists David Marquez & Justin Ponsor

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New Fantastic Four Trailer & Poster

20 Monday Apr 2015

Posted by Paul Bowler in All, Trailers & Posters

≈ 11 Comments

Tags

20th Century Fox, American Vampire The Long Raod To Hell, Doctor Doom, Fantastic Four Official Trailer, Jamie Bell, Josh Trank, Kate Mara, Marvel, Michael B Jordan, Miles Teller, Mr Fantastic, New Fantastic Four Trailer, The Fantastic Four, The Thing, Tobey Kebbell

New Fantastic Four Trailer & Poster

Fantasic Four (DOOM)

Well, its certainly been a weekend full of new trailers. Here’s the latest. 20th Century Fox has released a new trailer for the Fantastic Four, and it features a look at the FF’s arch enemy Doctor Doom! Check it out!

And there’s a new poster as well!

Fantastic Four (New Poster)

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All New XMen #36 Review

16 Monday Feb 2015

Posted by Paul Bowler in All, Marvel Comics

≈ 4 Comments

Tags

All New X-Men #36, Angel, Beast, Brian Michael Bendis, Doctor Doom, Iceman, Jean Grey, Mahmud Asrar, Marte Gracia, Marvel Comics, Miles Morales, Original X-Men, Ultimate Spider-Man, Ultimate X-Men, X-23, X-Men

All New X-Men #36

Review by Paul Bowler

The teenage original X-Men’s adventure in the Ultimate Universe draws to a close in All New X-Men #36, as the X-Men from both universes and the Ultimate Spider-Man, Miles Morales, battle Doctor Doom in his Latverian castle. Following the Ultimate Doctor Doom’s devastating counterattack, the X-Men must find a way to strike back against Doom, before the Ultimate X-Men can help the original X-Men return to their own universe.

All New X-Men #36 opens with Doom victorious, with Miles, the original X-Men, and the Ultimate X-Men all knocked unconscious after Doom’s explosive attack. With the announcement that Brian Michael Bendis would soon be ending his run on both of his X-Men titles in May with the renumbered giant-sized Uncanny X-Men #600, together with all of Marvel’s recent Secret Wars news, the original X-Men’s jaunt to the Ultimate Universe in All New X-Men feels even more significant now than when it began. While the plot meandered a bit at first, but Bendis soon got everything back on track, providing us with some great character moments along the way, and he brings this storyline to a relatively satisfying, if somewhat rushed, conclusion with this issue.

All New X-Men #36 (Cover)

Of all the X-Men books, All New X-Men has still constantly remained my favourite. Brian Michael Bendis has such a grasp on all these characters, he writes them perfectly, and this issue is no exception. From the moment Doom’s initial sense of victory begins to crumble after Jean cleverly gives her team-mates time to recover, this issue sees the original X-Men and Ultimate X-Men working together in the most innovative way imaginable to defeat Doom. The battle might be quick, but it’s certainly eventful, and I particularly liked how Beast left a farewell gift for Doctor Doom – especially fitting really considering how Hank was drugged, brainwashed and then forced by Doom to assist with his attempts in discovering a way between the universes.

Mahmud Asrar’s art really brings out the best elements of Bendis’ storyline. The characters and their expressions are all well defined, with virtually all the X-Men and Ultimate X-Men getting a chance to shine. We are treated to some spectacular looking splash pages, the fight with Doctor Doom is handled really well, and our glimpses through the portals into the other dimensions offers some extremely interesting concepts for us to ponder over. Marte Gracia’s colors are excellent; the tones used are bold and striking, enhancing the action as well as the quieter more emotionally driven moments towards the climax of the issue. There are plenty of fun scenes as well: the banter between the two Icemen is great, Miles also discovers how unfair mind-reading can be, and Jean really should’ve known better than to read Tony Stark’s mind.

It is only really during the final stages, where the X-Men have tracked down the young Mutant girl, Carmen that this issue begins to feel a little rushed. When this storyline began the original X-Men were trying to help a new Mutant, the young girl, Carmen, who subsequently lost control of her powers and transported them all to the Ultimate Universe. Now after everything the original X-Men, Miles, and the Ultimate X-Men have been through together, events wrap up very quickly, and the hurried conclusion feels a little bit abrupt as Bendis’ script races towards the finish line to send the original X-Men back to their universe.

So, as All New X-Men #36 concludes the original X-Men’s dimension hopping trip to the Ultimate Universe, we are left with a somewhat ominous coda for the next issue. Overall, this storyline has been quite enjoyable, although not as good as previous arcs, nevertheless All New X-Men #36 still provides a fitting closing chapter for this story, and it will be interesting to see what’s in store next for the original X-Men as Jean Grey’s training continues.

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