Bullet Gal #12 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #12, Bullet Gal #12 Review, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Tales to Admonish, Who is Killing the Great Capes of Heropa?

Bullet Gal #12

Review by Paul Bowler

The Reset has been initiated… Bullet Gal #12 brings this 12 issue IF? Commix prequel story arc to a sensational climax as Mitzi, our gun-toting heroine with a taste for wanton destruction and strong espresso, prepares to face Heropa’s newly augmented digital reality alongside her mentor Lee following the Reset. A new era begins with the debut of new super team the Equalizers, but dark forces are already scheming against them. Mitzi still has some old scores to settle, but some will prove far from easy to resolve. Now, with Lee by her side, and her new role with the Equalizers, Heropa’s bright new future awaits…

After the recent release of the Bullet Gal trade paperback collection: It’s Not You It’s Me, this final issue of the 12 part arc with story and pictures from Andrez Bergen, author of the noir-style superhero detective novel Who is Killing the Great Capes of Heropa, IF? Commix series Tales to Admonish, graphic novel Tobacco Stained Mountain Goat, and the novel Depth Charging Planet Goth, wraps Bullet Gal’s prequel story up as the full ramifications of the Reset that Lee #3 (That’s our Bullet Gal’s own Lee, one of the eight identical duplicates spliced from the personality of the man who created Heropa, and he’s also Major Patriot!) has engineered to create an entirely new world for him and Mitzi while vanquishing their enemies in the process.

Bullet Gal #12 possesses an air of nervous anticipation coupled with a somewhat upbeat finality, while loose ends are gathered; characters prepare to step into a new order where the noir-shrouded streets offer untold potential for the future. As this issue of Andrez Bergen’s IF? Commix prequel series brings Mitzi’s early adventures in Heropa to a close; we experience the Reset from a dazzling variety of viewpoints and timeframes. Game changing rules are quickly established as the digital framework of Heropa embraces the embryonic code of the Reset to become a new reality. Lee’s grand design rings in the changes on a vast scale, one entwined within a loop of logic and fate that coalesces the narrative and pizzazz of the imminent press conference at Timely Tower to introduce the new order that will set the foundations of a silver age for tomorrow.

Having survived her recent brush with death, it is perhaps no surprise then that the Reset heralds some fairly significant changes in Mitzi’s life. Even though Bullet Gal now faces the end of all she knows and the beginning of everything she will become, Lee is there with her every step of the way, and the chemistry between them is electric. As for Brigit, the crazed French hit woman who organized the attempt on Bullet Gal’s life, well, it would seem the Reset has wrought the most ruthless and fitting revenge imaginable for our heroines arch nemesis. Mitzi may feel naked without her trademark guns, but her new role and identity as Aerialist more than compensates for any misgivings she has. Indeed, her characters new stance here makes us fall in love with her all over again, her new identity fits her like a glove, and the jetpack is an added bonus!

The distinctive look and tone of Bullet Gal is undoubtedly one of the series’ biggest factors in making it stand out from the crowd. Andrez Bergen has fashioned a striking and bold aesthetic in terms of comic book art with Bullet Gal, with a mix of vivid black and white imagery, digital photomontages, and the sublime fusion of pulp noir themes, Dadaist influences, and throwbacks to the rich history of the comic books of yesteryear, every issue has been stylishly realized. Bullet Gal #12 is the very embodiment of Bergen’s vision: whereby the sprawling code of the Reset gives way to the rain swept streets of Heropa, behind-the-scenes a new team is forged from the ashes of the old, clandestine meetings unfold, we even join an old enemy for tea, a spectacular new tower now graces Heropa’s skyline, Little Nobody also gets to join in the party mood, and villains begin plotting to scratch the sheen from this brave new world. Add in the tantalizing hints of color emerging throughout the pages of this issue, and Bullet Gal #12 rounds the series off in fine style.

With a press conference to introduce The Equalizers to the world, the stage is set, quite literally and figuratively, for the Great White Hope, Milkcrate Man, and the Aerialist to step into the limelight. So, even though it looks like Mitzi has now set aside her late fathers twin polished nickel 9mm Star Model B pistols for good, its clear Mitzi’s bond with Lee is stronger than ever, and with its breathtaking final page delivering a symbolic fresh start all that remains is for us to heed the words of “Sir Omphalos” and enjoy the view as a new era dawns…

Bergen’s phenomenal Bullet Gal prequel series concludes magnificently with Bullet Gal #12. Taken as a whole, the series has been an unqualified success. This hardboiled pulp-style adventure, with its nor-spliced digitally enhanced reality and plethora of subliminal subtexts, has been an exciting and extraordinary journey. The end is near, but the Reset has given Mitzi and Lee a second throw of the dice, and the future is now sublimely entwined in the pages of Bergen’s novel Who is Killing the Great Capes of Heropa? Bullet Gal’s adventures may be over for now, but there’s still plenty to look forward to. With Bergen’s new IF? Commix 70’s style crime-saga homage Trista and Holt Vol 1 (collecting issue 1-6) and a trade paper back collection of Tales To Admonish both due for release in August 2015, with issue #7 of Trista and Holt following in September 2015, and a new novel in the works, Andrez Bergen’s distinct artistic style and storytelling will continue to bring us even more exciting characters and adventures. The future is looking very bright indeed!

Bullet Gal #12 Is Published 1st August 2015 Hard Copy $5 Digital $1 IF? Commix

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

Advertisements

Bullet Gal #11 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #11, Bullet Gal #11 Review, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Trista and Holt, Who is Killing the Great Capes of Heropa?

Bullet Gal #11

Review by Paul Bowler

After the release of the Bullet Gal trade paperback collection: It’s Not You It’s Me, the 12 issue arc by Andrez Bergen continues in Bullet Gal #11, the penultimate issue of this IF? Commix series – available digitally and exclusively published in Australia on July 1st 2015. Bullet Gal #11 sees our heroine, Mitzi, regaining consciousness in hospital after being shot – a hit ordered by crime boss Sol Brodskey and arranged by his personal assassin and lover; the psychotic French femme fatale Brigit. Now, as Mitzi recovers, her mentor, Lee, can finally reveal his plans to deal with his six remaining duplicates. Soon their lives will be changed forever, a new HQ will be founded, and the roll call of Capes surreptitiously altered – but what will the implications of the Reset mean for the noir-inspired pseudo digital reality of Heropa as the end draws near?

Following last issues debut of pint-sized new recruit, Little Nobody, this IF? Commix book prequel series from Australian author Andrez Bergen, writer of the noir-themed superhero detective novel Who is Killing the Great Capes of Heropa, along with IF? Commix series Tales to Admonish, Trista & Holt, the graphic novel Tobacco Stained Mountain Goat, and the new novel Depth Charging Planet Goth, delivers his most intricately structured issue so far with Bullet Gal #11 as the series builds towards its conclusion.

From the moment Mitzi arrived in Heropa, the gutsy 17 year old armed with her late fathers twin polished nickel 9mm Star Model B pistols, her self-styled mission against crime soon earned her a mentor, the enigmatic Lee, a man who has – until now – played his cards very close to his chest. He’s a character who is very much a quandary of his own making. Lee is not only the man who created Heropa, he also moonlights as Major Patriot (The leader of the Crime Crusaders Crew), and he’s one of eight identical doppelgangers which represented the fragmented persona of the man whose angst-ridden agenda to resurrect his wife actually engineered Heropa’s digital reality – Lee Denslow.

The way in which Andrez Bergen weaves the innumerable plot threads together here in this issue is simply sublime. Its spellbinding to watch as mentor and protégé ready themselves to face the uncertain future that will be forged of their own design, especially once the post-op histrionics have been cast aside, and each heartfelt scene between Mitzi and Lee is so intimately moving it will keep you hanging on their every word as the intense chemistry between them shimmers over the page like a haze of twirling cigarette smoke.

This more colourful side to Lee’s character brings even greater diversity to his partnership with Bullet Gal, and it even sees him impersonating one of his own duplicates over the course of this issue. As the pieces of the puzzle begin to fall into place all the grand schemes, organized crime, dark shadowy conspiracies, and even the legacy of Heropa itself are succinctly redefined as Lee explains his plans to Mitzi.

Andrez Bergen’s distinct art has constantly pushed the envelope with this IF? Commix series. Bullet Gal #11 is no exception to that rule: indeed the vivid pulp noir themes, Dadaist influences, and flourishes from the halcyon era of comics are all as prevalent as ever. With his stylish use of bold monochrome imagery, digital manipulation, and exquisite photomontages, Bergen adds an uncanny vibrancy to the cold sterility of Mitzi’s hospital room, while the flash back to Lee #3’s (That’s our Bullet Gal’s Lee) meeting with his cabal of duplicates is categorised more by the infamy of their brooding menace, it is the quieter, more subtle moments where something as simple as a hug, a sidewise glace, and the gentle simplicity of allowing the silence to say everything while Mitzi and Lee gaze out the hospital window at the sprawling metropolis of Heropa that really exemplifies the close emotional bond between these characters and the city they inhabit.

Ironically enough it is the agenda of Lee’s forebear, Heropa’s originator Lee Denslow, that has allowed Lee to ensure that his designs for a new HQ becomes an integral part of the Reset, which together with the help of Great White Hope, Milk Crate Man, and the Big Game Hunter will make certain their “get out of jail free” card will usher in a brave new world in which hope will always tower over crime, violence, and corruption.

Having ensured that anomalies – or “phonies” – like Bullet Gal, honest cop Bob Khan and his partner Irv Forbush, have been introduced to the mix, along with the help of his fellow Capes, and rookie Little Nobody, Lee #3 intends to usher in a new era for Heropa that will outmanoeuvre and defeat their enemies with his audacious gambit whilst also throwing in a wry tip of the hat to the Silver Age of comics just for good measure!

Along with its gorgeous cover by Andrez and Ding, this issue rounds off with a gallery of IF? Comic titles, there’s an edition of Soapbox D’Andrez, together with Post to Pistolero, along with a Bullet Gal Pin Up by Laksanardie, Catch Up image by Nicktribedesign, and a cover design by Martintheworld & Andrez.

With everyone believing that Mitzi is dead and the Reset of Heropa now imminent, this innovative prequel story arc has proven to be one of IF? Commix finest as Bergen steers the multiple events and characters towards Heropa’s augmented virtual future. Bullet Gal #11 establishes a new bar of excellence in terms of storytelling and art for this second to last issue. Indeed, the stage is now set for a thrilling finale to the series, and Mitzi brings Bullet Gal #11 to a close with a killer punch line that knowingly breaks the fourth wall with all her sultry aplomb. After all some rules, especially Heropa’s most cardinal; are made to be broken…

Bullet Gal #11 is available July 1st 2015 digitally ($1) and in print form ($5) by Australia publisher IF?

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

Bullet Gal #10 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #10, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Little Nobody, Major Patriot, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Trista and Holt, Who is Killing the Great Capes of Heropa?

Bullet Gal #10

Review by Paul Bowler

Following the release of the Bullet Gal trade paperback, issue #10 of the 12-issue Bullet Gal arc by Andrez Bergen continues, and will be available digitally and exclusively published in comic book form in Australia. This month Bullet Gal #10 introduces another great character to this IF? Commix series, a new recruit called Little Nobody, who has been given an urgent mission by Major Patriot to find Mitzi’s would-be-killer. However, as Little Nobody quickly discovers, life as a superhero is fraught with oddball dangers and uncannily perilous situations – especially when you are an ant sized newcomer faced with an insanely gigantic world…

After last issues innovatively silent take on Mitzi’s adventures, Bullet Gal #10 brings us the debut of Heropa’s newest hero, the diminutive Little Nobody. This latest issue of the IF? Commix book prequel series from Australian author Andrez Bergen, writer of the acclaimed noir-themed superhero detective novel Who is Killing the Great Capes of Heropa, IF? Commix series Tales to Admonish, Trista & Holt, the graphic novel Tobacco Stained Mountain Goat, and his new novel Depth Charging Planet Goth, brings us his most quirky and off-the-wall adventure yet in Bullet Gal #10 – available May 1st 2015 digitally and in print mediums by Australia publisher IF? Commix.

Right from the get-go Bullet Gal #10 miniaturises us down to pavement level were Little Nobody is facing the thunderous challenge – and snapping mandibles – of a marauding ant. The flashback which follows quickly brings us up to speed, as we learn more about Little Nobody while he’s hanging out with his friends at the Teen Crusaders HQ, before a surprise call from Major Patriot gives our super-hero newbie the chance he’s been waiting for.

With his mission briefing providing only scant clues: the photograph of a beautiful woman, a scribbled pseudonym, and the address for Ray-Man Studios, Little Nobody is ready to set off. Andrez Bergen playfully eschews the characters similarities with Ant Man. Although Little Nobody obviously has the ability to reduce to tiny size, he’s certainly no Hank Pym, he can’t control insects as the antenna on his helmet are purely for show, and even his snazzy looking utility belt holds little more than a few chocolate snack bars. So, when the journey begins Little Nobody soon discovers how everything suddenly feels very small once the world becomes instantly vast and immense around him. The characters inexperience and the haphazard nature of his first mission are what really defines this issue, a simple trip across the city becomes a dangerous urban safari viewed from Little Nobody’s miniaturised perspective, and it is these qualities that make his adventure so engaging and fun.

As the writer and artist of this IF? Commix series, Andrez Bergen has constantly pushed the boundaries of storytelling and art with Bullet Gal, and this issue really highlights Bergen’s ability to fuse story and art in new and refreshing ways. Andrez Bergen’s art blends seamlessly with the clever amalgamations of photomontages and digitally enhanced black and white images, while the distinct noir-infused style of previous issues is defused somewhat, this issue boldly establishes a kinetically refined identity and pace all its own that ingeniously expands the scope of the Bullet Gal series as Little Nobody embarks upon his mission.

The perils and pitfalls of Little Nobody’s journey provide a startling insight into this miniature world. A series of stylish montages and uncanny perspectives catalogue events: from the spinning record that divulges how Little Nobody chose his unusual moniker, we follow his unique trek across Heropa almost as if we were waving a magnifying glass over the page, as scenes shift from the bizarre, to the horrible, and the even pleasantly unexpected. Little Nobody’s battle with the ant is actually quiet unnerving, the latter stages of the mission prove less fraught, and the secret meeting deftly spliced with its allusions towards The Seventh Seal is utterly sublime.

Fortunately the ant would much rather munch on something sweet and chocolaty than the wannabe Cape that’s currently trying to kick its ass; and our tiny hero is soon able to escape from his six legged friend and move on. Little Nobody still has to endure the indignity of being scooped up by a kid with a bug catching net before finally reaching his destination, a death defying acrobatic feat in itself, achieved via the hat of an unsuspecting officer of the law and a billowing line of laundry. After eavesdropping on a clandestine meeting its time to contact Major Patriot, however, finding a telephone to relay what he’s discovered soon proves to be another tall order for Little Nobody to accomplish – it’s a small world after all…

Little Nobody’s adventure in Bullet Gal #10 provides an extraordinary and fresh slant on the events following the attempt on Mizi’s life, it introduces us to a brand new hero, and takes the series in an entirely unexpected direction. Bullet Gal #10 is about as clear a homage to the writers and artists of yesteryear that Andrez Bergen has ever done in any of his works, his admiration for this halcyon era of comics shines though on every page, and this issues somewhat lighter, more off-beat tone, makes it a delight to read.

Along with the release of Bullet Gal #10 in May there’s also latest issue of Bergen’s new IF? Commix 70’s crime series, Trista & Holt #3, to look out for, and the new Bullet Gal trade paperback edition: It’s not you it’s me, which collects the entire 12 issue series, is also available now from IF? And Under Belly Comics. Bullet Gal #10 is another terrific issue in this IF? Commix series. Andrez Bergen raises the bar yet again with this pint-sized Die Hard mash-up with Tales To Astonish. With its hyper-stylish art and visuals, great characters, and strong plots, Bullet Gal is a series that continues to exceed all expectations. Little Nobody may be small but his fun personality is larger than life. His mission turns out to be one of this IF? Commix series’ most unexpected highlights and Little Nobody’s witty observations ensures a wry smile or two will also be had along the way.

Bullet Gal #10 is available May 1st 2015

digitally ($1) and in print form ($5) by Australia publisher IF?

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

Bullet Gal #9 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #9, Bullet Gal It's Not You It's Me, Depth Charging Ice Planet Goth, IF? Commix, Tales to Admonish, The Crime Crusaders Crew, Underbelly Comics, Who is Killing the Great Capes of Heropa?

Bullet Gal #9

Review by Paul Bowler

Silence really is golden; it also comes packing a gold handgun in Bullet Gal #9’s entirely silent issue. This IF? Commix book prequel series from Australian author Andrez Bergen, the writer of the noir-themed superhero detective novel Who is Killing the Great Capes of Heropa, IF? Commix series Tales to Admonish, and the graphic novel Tobacco Stained Mountain Goat, continues Mizi’s enthralling adventures in Bullet Gal #9 – available digitally and in print mediums by Australia publisher IF? Commix at the end of February.

Following the revelations of Heropa’s digitally spliced origins, last issue brought the main story arc back into sharper focus, the honest cop Bob and his partner Irv Forbush were introduced, Bullet Gal’s mentor, Lee, faced the Police investigation, and Mizi still clung to life in hospital after being shot and left for dead by Brigit’s henchmen. With Bullet Gal #9 Andrez Bergen brings us another slightly off beat instalment this month, with this inspired “silent issue”, where despite the absence of words, the ominous tone and stylishly noir-infused narrative proves to be as compelling as ever. Discover more about how events were shaped in previous issues, the influences they had on the characters, their schemes, and the glorious serendipity of Heropa’s star-struck vision of yesterday as we revisit the defining moments of this series from a completely new perspective.

With no speech bubbles to guide the narrative, Bullet Gal #9 is totally dependant on Bergen’s art to drive the plot. It’s a bold move, and one that really plays to Bergen’s strengths as a writer and artist. This issue really showcases his distinctive art and use of digitally enhanced photomontages, mixing striking black and white pictures with bold visual flourishes, this issue speaks volumes without using so much as a single word of dialogue.

Instead events unfold with countless hidden details to enhance the experience. Headlines featuring Major Patriot, the ad hoc leader of the crime crusaders crew, immediately set the tone of this issue from the outset. But whether you choose to read between the lines or merely offer them a fleeting glance, it soon becomes clear that the reality lurking behind the star spangled glamour of the headlines is very different indeed. Mizi’s medical report at Heropa General Hospital gives us further insight into the horrific events that saw her cut down in a hail of bullets and the full extent of her terrible injuries, all counterbalanced by the incongruous presence of a freshly poured mug of coffee that looks so real you’d swear you could reach down and lift it from the page.

Some of the more abstract and emotionally charged scenes actually seem even more intense and dramatic within the context of the silent format. From herein we get a fascinating glimpse of events: Lee, the man with seven identical duplicates, faces the emotional fallout of Mizi’s brush with death, from here we glide dreamily across Heropa’s gleaming skyline, then darkened streets pave the way as Bob and Irv Forbush begin their investigation, before fresh doughnuts and a handwritten note of trust distract and enlighten with delicious intrigue.

It is Mizi’s recovery though, as the light of a brand new day spills in through the window of her Hospital room that is perhaps the most remarkable moment of all. Bullet Gal’s life blooms again just like the vase of fresh flowers at her bedside as she basks in the glory of her resurrection, her eyes turning skyward to greet the message that will complete her journey back from the brink of oblivion. Bergen’s vision balances everything throughout, giving us just enough to keep the underlying narrative on track while allowing our imagination free reign to find added meanings and subtexts as and when they present themselves to us. Simply allow yourself to become immersed in the history and stars of yesteryear, whilst marvelling at the panoramic vistas of Heropa’s skyline, before Mizi’s enemies set out to ensure her demise, where a single cigarette is cast from a window to be crushed under the wheel of a car as someone watches and waits…

This silent issue could so easily have become a case of style obliterating substance. However, I’m pleased that certainly isn’t a factor here, if anything, Bullet Gal #9 is a triumphant noir-shrouded rhapsody of storytelling and characterisation made all the more remarkable for embracing such a bold move at this point in the series.

Following the release of his new novel Depth Charging Planet Goth and the debut of his 70’s hardboiled pulp IF? Commix crime saga Trista & Holt, the new Bullet Gal trade paperback edition: It’s not you it’s me, collecting the entire 12 issue series, will be available from IF? And Under Belly Comics in March. Bullet Gal #9 is another outstanding issue, this IF? Commix series from Andrez Bergen constantly impresses with its striking visuals and great characters, and this silent issue is one of the most daring and inventive so far.

Bullet Gal #9, is published in print form at the end of February 2015 in Australia, along with the digital version, and available direct from the IF? Commix website.

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

 

Bullet Gal #8 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #8, Bullet Gal #8 review, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Mizi, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Who is Killing the Great Capes of Heropa?

Bullet Gal #8

Review by Paul Bowler

After ringing in the New Year with a psychedelic-techno-induced glimpse into the dark wonderland of Heropa’s origins, Bullet Gal #8 pulls us back from the rabbit hole to relative normality, as Mizi’s life hangs by a thread while two newcomers with vengeance in mind stalk the streets of the noir shrouded metropolis of Heropa. Bullet Gal #8 is the new issue in this prequel IF? Commix book series from Australian author Andrez Bergen, the writer of the critically acclaimed superhero noir-themed detective novel Who is Killing the Great Capes of Heropa? , IF? Commix series Tales to Admonish, and the graphic novel Tobacco Stained Mountain Goat. Following the release of his new novel Depth Charging Planet Goth, Japan based writer and artist Andrez Bergen’s latest offering from IF? Commix, Bullet Gal #8, will be published in print form in January 2015 in Australia.

While last issue led us outside the box to explore the secret digital reality of life in Heropa, think hardboiled pulp-style adventure entwined within an eclectic noir-spliced version of the Matrix films, Bullet Gal #8 returns to the here and now to deliver a brooding tale of revenge and justice while Mizi clings to life in hospital after being gunned down by Brigit’s hoodlums. This issue also introduces two new characters, the honest no-nonsense cop Bob, and his loyal partner Irv Forbush. Meanwhile, Lee, the man with seven identical duplicates, has to deal with the police investigation into recent events, and Mizi’s life slowly ebbs away in hospital at deaths door – or perhaps not?

Blind Side is a deeply evocative and intense issue of Bullet Gal from Andrez Bergen. The introduction of one-eyed cop, Bob Hahn, finds the dedicated law enforcer tracking down and dealing with the hoods that ambushed Bullet Gal – cutting her down in a hail of bullets and leaving her for dead in the gutter while the Police turned a blind eye. Bob Hahn’s lone trek through Heropa’s dark streets, taking in cruel graffiti, gives us a fascinating insight into this character. His world-weary understanding of how this vast metropolis woks, its history, and the justice he ultimately meets out to Mizi’s assailants is honed by a time-worn matter-of-fact simplicity that gets the job done in this city where trust is a currency of little worth for those noble enough to clear up the mess the Capes leave behind.

The clandestine meeting between Lee and Detective Hahn in Heropa’s Memorial Hospital is a stylishly crafted moment between the honourable eye-patched cop and the enigmatic doppelganger. Bob offers Lee a candid report detailing the “felons” demise, however, the detective also managed to gain information about the person behind the hit; the French “Femme Diabolique” Brigit, the lover and personal assassin of the ruthless crime boss Sol Brodsky. The tension between Lee and Bob is almost palpable, it seem to hang in their air like a cloud of cigarette smoke, and the uncanny symbiosis of their professions is portrayed as a necessary – though clearly unpalatable – alliance between those who must walk this blurred line of the law in order to bring justice to Heropa’s streets.

Detective Hahn’s assumption, that Birgit is the real driving force behind Sol’s empire, is also bang on the money, and reinforces the deadly Femme Fatales position as a major player in the shady echelons of Heropa’s underworld. We also get to see Detective Bob Hahn’s partner, Irv Forbush, towards the end of this issue. They clearly share a strong bond, its evident they’ve worked together for a long time, and Forbush’s wry sense of humour polarises his view of Capes like Lee while simultaneously ribbing his boss over his visual impairment and lack of business acumen. Bob and Irv are a great double act, their banter is snappy, and their introduction here certainly makes them a welcome additions to this IF? Commix titles diverse cast of characters.

Andrez Bergen’s art for Bullet Gal #8 continues to push this series striking visuals to a whole new level of excellence. The stunning use of bold black and white imagery, a haunting blend of stylish photomontage and subtle digital enhancements, makes this one of the most impressive issues of Bullet Gal to date. With its Dadaist influences and diverse pulp-noir themes Bergen’s work continues to impress on all levels. The bird feather that tumbles softly down the front cover exemplifies this, coaxing the imagination, it delicately passes unseen through the finer subtexts of the issue, before drifting back into view in time for the beautiful postscript that elegantly embodies Bergen’s artistic vision in the gleaming aesthetic of a single teardrop on the cusp of death.

This issue wraps things up with a quick round-up of the reviews this innovative IF? Commix series has received, along with a reminder of where it all began – the cover for the novel Who Is Killing the Great Capes of Heropa? Finally there’s also Post To Pistolero, along some words from the writer and artist himself, Andrez Bergen, in Soapbox D’Andrez, a Bullet Gal pin-up by artist Joe Badon, and great back cover by L .@ .K.art. 2015 has already gotten off to a great start for Andrez Bergen with Bullet Gal #8, and with the 340 page Bullet Gal trade paperback collecting the entire series, It’s Not You It’s Me, from North American publisher Underbelly already in the works, there’s never been a better time to check out Bullet Gal’s thrilling prequel series from IF? Commix.

Bullet Gal #8, is published in print form in January 2015 in Australia, along with the digital version, and available direct from the IF? Commix website.

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

 

Bullet Gal #6 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #6, Bullet Gal #6 Review, comics, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Mizi, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Who is Killing the Great Capes of Heropa?

Bullet Gal #6

Review by Paul Bowler

Bullet Gal #6 continues the prequel IF? Commix book series from Australian author Andrez Bergen, the writer of the acclaimed superhero noir-styled detective novel Who is Killing the Great Capes of Heropa? , and IF? Commix series Tales to Admonish. Following the release of his graphic novel Tobacco Stained Mountain Goat and the new novel Depth Charging Planet Goth, Japan based writer and artist Andrez Bergen’s latest IF? Commix issue, Bullet Gal #6 will be published in print form in December 2014 in Australia.

Last issue featured the origin of the deadly French hit-girl Brigit, girlfriend and personal assassin of the powerful crime boss Sol, in a disturbing tale that explored the psychotic femme fatales squalid upbringing on the outskirts of Paris and charted her infamous blood-strewn rise to power in Heropa at Sol’s side. Bullet Gal #6 finds Mizi still reeling after her personal battle against crime in Heropa took a startling new twist. Having discovered that her murdered mentor, Lee, really had seven identical doppelgangers, Mizi was then approached by one of his remaining doubles who offered her a mask and the chance to become one of the Crime Crusaders Crew. It may be Christmas time in the sprawling metropolis of Heropa, but there will be little seasonal cheer for Mizi this year, ambushed by Brigit’s gun-totting henchmen, Bullet Gal’s battle for survival is taken to whole new level as the world around her suddenly becomes the greatest lie of all…

The Prolonged Adios follows on directly from Mizi’s encounter in the bar with the other version of Lee, the serious one as she calls him, after he reveals that “her” Lee’s body has been exhumed and stolen from the graveyard. The revelations continue as the new Lee quickly brings Mizi up to speed about the city of Heropa, divulging a secret that effectively turns her life, and world, upside down in space of a few distinctly sobering heartbeats.

Inter-cutting flashbacks in the bar with the brutal opening moments after Bullet Gal has been shot, Andrez Bergen skilfully ramps up the tension, sending Mizi’s guilt-ridden memories on a delirious trip down the rabbit hole while her lifeblood drains away into the gutter – a crimson penance she almost seems to welcome as payment in kind for her past deeds and letting her guard down at this crucial juncture.

Bergen’s noir-infused art, with its striking use of painting, digitally enhanced photomontages, and bold symbolic imagery brings the hyper-stylised world of Heropa to life on the page with an intoxicating clarity that completely immerses you in the situations unfolding on the page. At some points it almost feels like you are there with Mizi: sharing her bewilderment at Lee’s statements, you will accompany her down that dark lonely street, her anger and resentment washing over you every step of the way, before you too are sent tumbling to the pavement and left questioning reality itself as you watch Mizi’s life gradually ebbing away. The psychedelic nature of what Mizi experiences as she teeters on the brink of death is another tour-de-force from Bergen, and it is this pixelated fusion of reality and fiction that masterfully engineers one of the most audacious plot twists we’ve seen so far over the course of this IF? Commix series.

Bullet Gal #6 also contains an intriguing Epilogue to the main story featuring the Cabal of Lee duplicates, and it seem that sinister plans are afoot following the disclosure that one of their number has been compromised. Then we have the IF? Commix Mini-Feature: The Milkcrate Man, there is a great Bullet Girl poster by artist Claudia Everest, and the issue rounds off with another fun edition of Dejavu at the Neon Bullpen.

With the news that Andrez Bergen has now completed issue 12 of Bullet Gal (scheduled to be published in June 2015) and that the entire 12 issue run of the series has been signed to North American publisher Underbelly, to be released as a 340 page Bullet Gal trade paperback – It’s Not You It’s Me – featuring cover art by edgy pop/pulp artist Niagara Detroit, there has never been a better time to become acquainted with the adventures of Bullet Gal. (Check Out the Under Belly presents If? Commix production Kickstarter they have recently launched for the project here http://kck.st/1wOk7Ab  )

Bullet Gal #6 rounds off with a thrilling double-edged cliff-hanger as Mizi clings desperately to life, while somewhere behind the façade of an innocuous looking shop front, mademoiselle Brigit ruthlessly enforces her late “mere’s” sound advice to deal with a subordinates failure and bring Bullet Gal’s crime fighting days to an end. Bullet Gal #6 takes the series in an entirely new and unexpected direction, with its innovative story and art by Andrez Bergen, this outstanding pulp noir saga continues to impress on every front.

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

Bullet Gal #5 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #5, comics, Depth Charging Ice Planet Goth, Heropa, IF? Commix, Mizi, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Who is Killing the Great Capes of Heropa?

Bullet Gal #5

Review by Paul Bowler

Since Mizi’s arrival in Heropa, her personal vendetta against organised crime has made her many enemies. Bullet Gal #5 is the new issue of the IF? Commix book series by Australian author Andrez Bergen, writer of the noir-inspired detective novel Who is Killing the Grat Capes of Heropa? , IF? Commix book series Tales to Admonish, and his new novel Depth Charging Ice Planet Goth and the graphic novel Tobacco Stained Mountain Goat. Now in Bullet Gal #5 we discover the origin of Mizi’s latest adversary, the psychotic French hit-girl Brigit, who also happens to be the girlfriend and personal assassin of the powerful crime boss Sol.

Following the shocking events of last issue, where Bullet Gal was unable to prevent Lee’s death, Mizi was approached by one of Lee’s seven remaining doppelgangers who offered her a mask and a chance to join the Crime Crusaders Crew, Bullet Gal #5 takes a break from the adventures of our series heroine Mizi as the spotlight shifts to the underworlds voluptuous French assassin Brigit. Bullet Gal #5 charts Brigit’s origins from the poverty stricken backstreets of Paris to the gleaming metropolis of Heropa, where the blond bombshell consolidated her reputation at Sol’s side to become one of the most feared and dangerous women in Heropa.

From her impoverished upbringing on the outskirts of Paris, Brigit’s origin in Bullet Gal #5 reveals how her mother killed her father and quickly won over the Gendarme investigating the case, leading to a hastily arranged marriage – the second of many that would follow. Brigit’s school life was a torturous experience for her, fuelling her ruthless nature while her mother went on to marry five more times, each time to wealthy men who all shared remarkably short lifespans. As Brigit reached adulthood her mother’s accumulated wealth became too tantalising for her to resist, murder and faux tears ensued, and soon Brigit was on a clipper plane with a several million francs in her luggage and a new life ready for the taking in a brand new city called Heropa.

Birgit met the love of her life, Sol, in Heropa on the day the crime lord’s driver rear-ended the derriere of her prized Jaguar E type, earning him the wrath of her blade. Sol hired Brigit immediately, soon she’d established her reputation as Heropa’s deadliest assassin, dealing with Sol’s rivals, and ensuring the successful expansion of his business empire. Everything was going so well, until the arrival of “La Competition”, Bullet Gal!

Bullet Gal #5 provides a fascinating insight into Brigit’s character, who has been covertly observing Mizi’s every move for some time now, as she recollects moments from her past while preparing for her impending showdown with Bullet Gal. We learn the events that shaped her life, the darkness that twisted her soul, why she despises any rendition of ‘La Marseillaise’ – and discover how patient and fastidious she’s become at practicing her murderous trade. The story and art by Andrez Bergen effortlessly blends the events in this IF? Commix prequel series with flashbacks to Brigit’s past, offering an entirely new perspective on this bona fide femme fatale and her unpredictable psychotic tendencies as Brigit takes centre stage for this special issue.

Bergen’s striking art, with its noir-inspired visuals, a beautiful fusion of painting, digital enhancement, and enticingly stylised photomontage imagery, weaves a compelling, and dark tapestry from the defining moments of Brigit’s life. Bullet Gal #5 is a near perfect symbiotic fusion of story and art, one filled with a dark, disturbing, and almost sensual depiction of Brigit’s unflinching dedication to the work that she does so well. The scene where Brigit plans her strategy while examining her tried and trusted weapons of choice in the most private of moments, is as unnerving as is enticing, and the context of this scene in reflection of what has gone before sublimely entwines the twisted psyche of Heropa’s most famed assassin in our imagination.

Bullet Gal #5 also features an intriguing back-up story, featuring a bizarre exhumation in the twilight hours at Heropa General Cemetery, then we have a stunning pin-up of Brigit by artist Zamurai, and other fun edition of Dejavu at the Neon Bullpen. With its razor sharp characterisation, imaginatively conceived noir inspired world, and nods to Will Eisner and Brigitte Bardot, this issue of Bullet Gal is a gloriously dark and innovative addition to this excellent series.

Bullet Gal #5, is published in print form in October 2014 in Australia, along with the digital version, and available direct from the IF? Commix website.

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

 

Bullet Gal #4 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #4, Depth Charging Ice Planet Goth, IF? Commix, Mizi, Tales to Admonish, The Crime Crusaders Crew, Tobacco Stained Mountain Goat, Who is Killing the Great Capes of Heropa?

Bullet Gal #4

Review by Paul Bowler

Bullet Gal #4 is the latest issue in the IF? Commix book series from Australian author Andrez Bergen, writer of the superhero noir-themed detective novel Who is Killing the Great Capes of Heropa? , and the IF ? Commix book series Tales to Admonish. With the recent release of his new novel, Depth Charging Ice Planet Goth and the graphic novel Tobacco Stained Mountain Goat, the latest issue of Japan based writer Andrez Bergen’s IF? Commix book series, Bullet Gal #4, will be published in print form in October 2014 in Australia.

Bullet Gal is the popular character that has featured in many of Andrez Bergen’s previous works, this new ongoing prequel series has introduced us to Mizi, the trigger-happy teen armed with two polished nickel, pearl-handled Star 9mm revolvers, who has travelled to Heropa to embark on her personal battle against organised crime. Mizi’s actions brought her to the attention of Lee, a mysterious cape (Super-Powered type), and Mizi later accepted his offer to begin training so she could join The Crime Crusaders Crew.

However, with her appetite for wanton destruction and a double-shot strong espresso, Mizi’s war against crime has affected the rackets of vicious gang leader Sol, who then sent his personal assassin and lover, French femme fatale Brigit, to spy on Bullet Gal while they conspire to destroy her. But when Mitzi discovered Lee actually had seven identical doppelgangers, a sniper called the Big Game Hunter struck as Mitzi confronted Lee in the apartment, a shot rang out, and now Bullet Gal must deal with the aftermath this fateful shooting. With her enemies closing in, Mitzi finally uncovers the truth about the Lee, and soon our heroine will have to decide if she will continue to fly solo or choose another path…

Bullet Gal #4 begins with a shocking tragedy for Mizi, as the real target of Big Game Hunter’s bullet is revealed. It’s a defining moment for Mizi and the series itself, one that ruthlessly dashes our preconceptions, to deliver an audacious twist that few could have expected. Death to the Eighth Degree is a dark, emotional, trek into the clandestine machinations of Bergin’s intricately structured universe, as the ominous rain-swept metropolis of Heropa begins to divulge its secrets in this, Bullet Gal’s darkest hour.

Mizi has witnessed death many times, but this rocks her to the core, so when Mizi encounters another of Lee’s doppelganger’s after the harrowing funeral, she finally gets to vent her anger at being deceived. These scenes in the bar, where Mizi, fuelled by half a dozen glasses of Bollinger, confronts this new dead ringer for Lee (one of the remaining 7 doubles) is a heartfelt mixture of pent up fury and sorrow as Lee explains the stark reality of the subdivision that created both him and his fellow duplicates – along with the individual quirks and personalities of each persona. While this version may not be “her” Lee, he actually seems closer to Mizi’s temperament than his predecessor, possessing a droll demeanour and dry sense of humour, and the way that she sums up the differences between the duplicates is bang on the money.

With its compelling story and art by Andrez Bergen, this issue of Bullet Gal is one of the most emotionally charged instalments to date. Bergen’s distinctive artistic style is really brought to the fore here, as he builds the noir-infused atmosphere within a richly textured a mix of photomontage, painting, and digital techniques: from the aftermath of a bullets trajectory through a window, we feel the heartbreak of a punch line lost on a dying breath, to the bleakness of a funeral, and a bittersweet revelation in a back street bar, Bullet Gal #4’s mesmerising blend of noir crime caper and wry sci-fi punk is utterly sublime.

Bullet Gal #4 features a number of added extras: including a terrific Bullet Gal pin up page from Italian artist Giovanni Ballati, the Bullet Gal story All Fur Coat no Knickers (Written by Andrez Bergen & with art by Matt Kyme) originally presented in Tales To Admonish #2, the poster for the graphic novel Tobacco Stained Mountain Goat, a feature on one of the Lee’s dressed as Major Patriot, and another fun instalment of Dejavu At the Neon Bullpen.

Events move at a brisk pace in this issue, as Mizi discovers the truth about Lee, and has to face the most difficult decision of her life. Everything she’s trained for is about to come to fruition, new allies are found, while old enemies are ready to strike, its time for Mizi to accept her destiny, the question is, will she accept the offer that‘s on the table? Bullet Gal #4 is a stunningly crafted and excellent new issue from Andrez Bergen’s IF? Commix book series. The world Bergen has created here is dark and enticing; making it an uncanny fusion of storyline and art, and this lavish noir style adventure continues to draw us ever further into the shadowy world of Heropa and its fascinating cast of characters.

 

Bullet Gal #4, is published in print form in October 2014 in Australia, along with the digital version, and available direct from the IF? Commix website.

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

Bullet Gal #3 Review

Tags

Andrez Bergen, Bullet Gal, Bullet Gal #3, Bullet Gal #3 Review, Depth Charging Ice Planet Goth, IF? Commix, Tobacco Stained Mountain Goat, Who is Killing the Great Capes of Heropa?

Bullet Gal #3

Review by Paul Bowler

Bullet Gal #3 is the new issue from the Australian author Andrez Bergen, the writer of the noir inspired superhero detective novel Who is Killing the Great Capes of Heropa? , the IF? Commix book series Tales to Admonish, and the stylish anthology Black White. Now, following the release of his new novel, Depth Charging Ice Planet Goth, along with Tales To Admonish #4, and the graphic novel Tobacco Stained Mountain Goat, the latest issue of Japan based writer Andrez Bergen’s IF? Commix book series, Bullet Gal #3, will be published in print form in September 2014 in Australia.

Bullet Gal is a character from Andrez Bergen’s earlier works. This new ongoing series is a prequel that follows the adventures of the young woman, Mizi, a gun-toting teen with a taste for destruction and strong espresso. Her personal crusade against crime has brought her to Heropa, where Mizi began targeting criminals and citizens with connections to the criminal underworld.

After encountering the mysterious Lee, a cape (Super-Powered type), Mizi accepted his offer to begin training so she could join The Crime Crusaders Crew. However, her volatile and unpredictable nature soon brought her into conflict with her new mentor. Mizi’s attacks on the crime rackets in town have also caught the attention of the vicious gang leader Sol and the seductive French femme fatale Brigit, Sol’s lover and personal assassin, who is eager to confront the meddling Bullet Gal and make her pay for what she’s done.

Bullet Gal #3 follows Mizi as she resolves to find some answers about the people she is working for. Her journey across the vast city of Heropa leads her to a rooftop, where, overlooking a dark alley, she observes a secret meeting between eight men, who all incidentally look exactly like Lee, the man who offered to train her for The Crime Crusaders Crew. Feeling shocked and betrayed Mizi sets out to find some answers, unaware gang boss Sol and his deadly assassin Brigit are watching, assessing her skills and abilities. As Mizi returns to the apartment, she is confronted by Lee, but as the truth begins to unfold a new threat prepares to strike.

Rebound is another dark and intriguing issue of Bullet Gal from Andrez Bergen. We get to learn even more about Mizi’s past over the course of this issue as she wanders the streets of Heropa after discovering Lee’s secret, her pain and regret over his apparent betrayal is almost palpable, as is the all pervading sense of paranoia that threatens to consume her.

The scenes were Sal and his French assassin, Brigit, are observing Mizi from the rooftops also enhances the brooding air of tension, and it’s interesting to see how much influence the assassin has over her crime boss lover. Brigit is a really compelling character, seductive and deadly, she effortlessly wraps Sal around her little finger while also reigning in the over zealous henchman Bronco, alluringly honing her lethal art as she plots Mizi’s downfall.

However, one of the most intriguing aspects of Bullet Gal #3 is our insight into Lee’s character, well, one of them anyway. In a brilliantly structured sequence almost as many questions are answered as they have been raised, and the unique strengths and abilities of the “capes” of Heropa become more clearly defined. The ambiguity surrounding which doppelganger Mizi is actually dealing with is another subtle twist, and one that perfectly suits the distinct noir tone. Furthermore, is this version of Lee really the man she first met, and who, if any of them, can really be trusted?

The story and art by Andrez Bergen for Bullet Gal #3 seamlessly splices the series distinct noir style and tone, creating a dark web of intrigue and suspense that encapsulates the reader with its striking visuals and rich narrative. Bergen’s art resonates sublimely with the key aspects from Mizi’s past: from her father’s lucky number in the lens of the binoculars, the raw emotion of betrayal is sprayed like graffiti across her soul, polarizing the past upon the twilight glair of Heropa, as the dark shadows gathering against her in this metropolis prepare to strike. I particularly like how Bergen has infused Bullet Gal’s origin story with the dark hardboiled pulp narrative and style of his other novels and comic books, making it possible to enjoy this prequel series either as a stand alone story, irrespective of any knowledge about the series or characters, prior or otherwise, or as one that also enriches the noir inspired world already crafted in Bergen’s earlier works.

Bullet Gal #3 is another terrific issue in Andrez Bergen’s IF? Commix book series. The stylish noir style of Bergen’s storyline and art effortlessly imbues every level of the narrative with his sweeping vision, drawing you further into the dark world of Heropa and its intriguing characters. This new series continues to go from strength to strength, with its gritty adventure and excellent artwork, Bullet Gal #3 is Bergen’s most assured issue so far.

Bullet Gal #3, is published in print form in September 2014 in Australia, along with the digital version, and available direct from the IF? Commix website.

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

Follow @paul_bowler

 

Bullet Gal #2 Review

Tags

Andrez Bergen, Black White, Bullet Gal, Bullet Gal #2, Bullet Gal #2 Review, Depth Charging Ice Planet Goth, IF? Commix, Tales to Admonish, Tobacco Stained Mountain Goat, Who is Killing the Great Capes of Heropa?

Bullet Gal #2

Review by Paul Bowler

Bullet Gal #2 is the brand new issue from Australian author Andrez Bergen, writer of the acclaimed detective style noir superhero novel Who is Killing the Great Capes of Heropa?, IF? Commix book series Tales to Admonish, and the anthology Black White. Now, along with the upcoming release of his new novel, Depth Charging Ice Planet Goth (July 2014), and graphic novel Tobacco Stained Mountain Goat (Aug 2014), Japan based writer Andrez Bergen’s latest IF? Commix title, Bullet Gal #2 will also be published in print form in August 2014 in Australia.

The Bullet Gal series is a prequel to some of Andrez Bergen’s earlier works, ongoing themes and settings are masterfully drawn into the dark narrative of this new series by Bergan, as he charts the exploits of the young woman, Mizi, who will eventually go on to become Bullet Gal, while seamlessly weaving her origin into the rich tapestry of the noir-style world that he has already established his novels and comic books.

Set in the city of Heropa, the first issue of Bullet Gal saw femme fatale Mizi (her last name is still a mystery) targeting and assassinating citizens of ill-repute. From there we were introduced to the mysterious Lee, who offered Mizi a chance to join a Cape group called The Crime Crusaders Crew, but Lee must also be reign in Mizi’s unpredictable nature so she can be fully accepted into the ranks of the group. But does Mizi really want to be a member of The Crime Crusaders Crew, and can her new mentor be trusted?

Bullet Gal #2 continues to reveal more about Mizi’s past, as we lean about her arrival in Heropa when she was seventeen, with only her duffel bag, twin star model B pistols, a taste for strong espressos, and her steely resolve to meet out her own brand of truth and justice. A month has past since she first met Lee; her training has gone well so far, now she is ready to carry out her first mission.

Gun Happy throws us right into the middle of Mizi’s first assignment, yet even with the target firmly in her sights, and everything going according to plan, Mizi cannot resist overstepping the mark with Lee. Bullet Gal #2 shows how Mizi and Lee struggling to work together, she is still as wild as ever, while he remains as cryptic as he is disciplined, and this issue highlights the fraught, and often tempestuous partnership that makes these characters so compelling.

Meanwhile, on the seedier side of town, we descend down a shadow staircase to a secret meeting with the Gangland leader Sol, who has gathered his associates together to deal with Mizi and the way she has been attacking their rackets all over town. Mizi is causing too much trouble, Sol wants the problem dealt with as quickly as possible, and as chance would have it, it seems like he has found just the right person for the job…

The story and art by Andrez Bergen for Bullet Gal #2 is superb. He gives this noir style, hardboiled pulp romp a very distinctive style artistically, one that perfectly complements his well executed storyline, until it completely immerses you within the dark metropolis of Heropa itself and the stylishly noir infused narrative.

Bullet Gal #2 is going to be available in print-form in Australia in August 2014, but the digital form (available worldwide) is something really special indeed. With its stunning variant cover, the digital version of Bullet Gal #2 will include the entirety of issue #1 at the back of the book, as well as an exclusive preview of Andrez Bergen’s other new project: The Tobacco Stained Mountain Goat graphic novel, that will also be released in August. Bullet Gal #2 is another terrific issue from Andrez Bergen, features great story and art, this finely crafted tale of noir and suspense will be available direct from the IF? Commix website.

FIND OUT MORE FROM IF? COMMIX VIA THEIR SITE:

iffybizness.weebly.com

 Follow @paul_bowler