Invincible Iron Man #14 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #14, Invincible Iron Man #14 review, Iron Man, Ironheart, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #14

Review by Paul Bowler

Change is in the air in Invincible Iron Man #14 as the dust settles over the recent events of Civil War II, now a young woman, M.I.T student, Riri Williams, must prepare to take over as Iron Man! First though, Tony Stark will have to deal with his own inner turmoil in the wake of Civil War II, before Riri redefines the series as a new direction for Iron Man begins, and it’s going to be unlike anything we’ve seen before…

With the fallout of Rhodey’s death in Civil War II, his failure to make amends with Amara for faking his own death, the destruction of Stark Tower, and with Victor Von Doom doing his level best to become part of Tony Stark’s life over the course of this series, Invincible Iron Man #14 is the culmination of a remarkably intense and trying period in Tony Stark’s life as the Invincible armored Avenger – Iron Man. Though the success of Tony’s wish to find out what Victor Von Doom really wants from him remains somewhat undetermined, Brian Michael Bendis does a terrific job rounding off a number of key plot elements with this issue, deftly juggling the cataclysmic skirmishes of Civil War II whilst simultaneously paving the way for a new era to bring this volume of Invincible Iron Man to a close with a fittingly dramatic and exciting finale.

Indeed, there’s a lot of ground to cover, and some of Invincible Iron Man #14’s most poignant scenes come as Tony and Mary Jane discuss the future in the light of recent events. Tony’s clash with Carol Danvers over the Inhumans and the precognitive Inhuman called Ulysses in Civil War II – by using him to predict and counteract future dangers before they occur – has caused bitter divisions throughout the Marvel Universe. Tony now clearly feels that his demons in a bottle have found some new triggers, and with the future calling – quite literally – he needs to seek out an open meeting to work things out – a fact which is made all the more ironic as Stark is now effectively Carol Danvers sponsor.

It is at this very same open meeting that Tony finds himself faced with some especially pertinent contemporary themes. Bendis skilfully weaves these powerful issues into the narrative of Tony’s current situation, uncannily resonating with and eclipsing his experiences on every level, and in many instances making Civil War II pale into insignificance by comparison.

Ironically Tony’s wish to avoid Carol Danvers proves to be the catalyst that ultimately forces them to confront their different viewpoint head on. These scenes form the basis of this remarkable character driven issue as Tony and Carol address what it is they are really fighting for, what they believe in, Rhodey’s death, and of course Banner’s shocking demise. Some uncomfortable home truths are finally aired; where neither party likes or is really surprised by what they hear, and it’s clear that neither of them is going to back down.

Mike Deodato produces an outstanding issue with artwork that will effortlessly immerse you in the heart of the drama. From the opening collage of media reports overlaying the sombre setting of Stark’s lab, Deodato forges an intense, emotionally charged atmosphere as events unfold across compact and impressively detailed page-layouts. It’s this precise, almost casual simplicity, which makes the issue works so well and gets right in your face – so to speak. The expressions of all the characters are beautifully rendered and you will be hanging on their every word. Color artist Frank Martin’s subtle use of tone and shade also works in perfect harmony with Deodato’s art; matching every emotional beat of Bendis’ script to absolute perfection.

Tony’s final scenes in this issue is the sum total of what this arc has been building towards since the beginning, its marvellous how so much is said by saying so little, and the surprise visitor in the coda heralds a game changing development… I’ve thoroughly enjoyed this volume of Invincible Iron Man. In some ways it’s shame it has to and end as Brian Michael Bendis and Mike Deodato have been such a great team. From the War Machines arc, to the Road to Civil War II, and these recent Civil War II tie-in’s, Bendis and Deodato have done exceptional work with this series and Tony’s character, and their run ends by setting up a very exciting future.

Invincible Iron Man #14 is a brilliant, emotional, and powerfully themed issue. It may mark the end of this run of Invincible Iron Man, with Civil War II and Tony‘s whereabouts still to be resolved, but with Brian Michael Bendis and Stefano Caselli charting Riri Williams adventures as Ironheart in Invincible Iron Man #1, and Bendis reuniting with Alex Maleeve to bring us Doom’s story over in Infamous Iron Man #1, the saga of Iron Man is about to enter a bold new era and I‘m extremely excited for what the future will bring.

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

 Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production

Cover Artists Dale Keown & Jason Keith

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Invincible Iron Man #13 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #13, Invincible Iron Man #13 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #13

Review by Paul Bowler

The end of an era draws nigh in Invincible Iron Man #13 as the ramifications of Civil War II begin to impact drastically on Tony Stark’s life. Rhodey’s death has increased Tony’s rancour with Carol Danvers and the Inhumans over the precognitive new Inhuman called Ulysses. Now recent events have left Stark Tower in ruins. However, the sudden arrival of reformed super-villain Victor Von Doom with an offer to show Stark what to do next could change everything, but will this spell the end of Tony’s company and Iron Man as we know it?

When it comes to a Civil War II tie-in, writer Brian Michael Bendis certainly delivers the goods in spades with Invincible Iron Man #13 as the fallout from the destruction of Stark Tower begins to settle over the Marvel Universe. After Victor Von Doom suddenly turned up to whisk Stark halfway across the world yet again, Tony finally gets to try and apologize to Amara for faking his own death, but it a reunion fraught with tension and hurtful asides that cannot be unsaid.

This is a powerful, moving, and often deeply emotional issue at times, as Brian Michael Bendis gives us a stark portrayal of Tony as he finally addresses his grief over Rhodey’s death head on. Viewing Colonel Carol Danvers worldwide broadcast on behalf of the Ultimates, where she deftly skates around the details of her new peacekeeping campaign to prevent disasters before they happen, only serves to fuel Tony’s simmering mistrust and rage even further.

The artwork by Mike Dedato is as beautifully rich and detailed as ever. Each scene flows seamlessly into the next, with smooth, refined page layouts that complement the narrative pace of Bendis’ story perfectly. From Tony and Amara’s frosty reunion, the flashback to the moment Tony went to see Rhodey’s body after he died is skilfully interspaced with events in the present as he views Carol’s broadcast to the world. The blend of raw emotions, spanning Tony’s heartrending grief, anger, and unwavering conviction, are all sublimely portrayed here by Dedato, and it all culminates in one little panel of silence tucked away in the corner of a page that conveys more than any words could say.

The tones and hues color Artist Frank Martin uses throughout this issue are utterly superb, from the shimmering amber shades of Carol Danvers broadcast, the vivid grandeur of Rhodey‘s memorial service is masterfully juxtaposed with the gloomy scenes in Tony‘s lab, along with Mary Jane’s brief, yet poignant appearance, and the flashbacks featuring Tony and Rhodey are a wonderful example of how story, art, and color can combine to produce a sublime fusion of emotion and nostalgia in the most moving way imaginable.

Ever since this volume of Invincible Iron Man began, the reformed Victor Von Doom has gone out of his way to become part of Tony’s life, usually appearing at moments that allow Victor to capitalize on or influence a given situation. While Victor’s motives remain unclear, this issue makes significant inroads towards the reasons for Victor’s uninvited appearances, and this time it wont be something that he can simply just walk away from either.

Invincible Iron Man #13 is another strong tie-in issue with Civil War II. Although its light on Iron Man action insofar as Civil War II is concerned, this issue is really more about Tony’s and Rhodey’s friendship, and the flashbacks of them in action as Iron Man and War Machine is one of the undoubted highlight of the issue, and it all rounds off with an unexpected face off that is sure to leave someone with some serious explaining to do. Invincible Iron Man #13 is another terrific issue from Brian Michael Bendis and Mike Deodato, with its powerful storyline and striking artwork; this is an engrossing issue that works on every level.

Publisher: Marvel

Writer: Brian Michael Bendis / Art: Mike Deodato / Color Artist: Frank Martin

VC’s Clayton Cowles: Letterer & Production

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #12 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Infamous Iron Man, Inhumans, Invincible Iron Man #12, Invincible Iron Man #12 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Riri Williams, The Avengers, Tony Stark, VC’s Clayton Cowles, Victor Von Doom, War Machine

Invincible Iron Man #12

Review by Paul Bowler

The biggest upheaval in Iron Man’s history begins in Invincible Iron Man #12 as the events of Civil War II start to tear Tony Stark’s world apart. This issue is a major Civil War II tie-in, divisions have formed, and concerns are mounting that Tony is about to go to war with Captain Marvel because of the precognitive Inhuman known as Ulysses! But Tony’s role as Iron Man and the fate of his company will soon hang in the balance, and what has Doctor Doom been planning as all-out Civil War strikes the Marvel Universe?

From the moment you see this issue ominous looking cover by Mike Deodato, featuring a dark figure with an arc reactor stood atop a pile of rubble strewn with the Stark logo, it’s clear that some major upheaval is waiting in the wings for Tony Stark. With the recent announcements from Marvel that 15 year-old MIT student Riri Williams is all set to become the new Invincible Iron Man post Civil War II and that Victor Von Doom will also become the Infamous Iron Man, Tony Stark will soon be replaced by two brand new Iron Men!

The build up to these sweeping changers starts here in Invincible Iron Man #12, as writer Brian Michael Bendis kicks everything off with some pretty cataclysmic developments over at Stark Tower. From here we flashback to a press conference held weeks ago in the same aforementioned building, where Tony Stark apologized to his investors and employees for faking his death so that he could assist S.H.I.E.L.D and the Avengers with the international terrorist threat poised by Techno Golem Tomoe and her biohack ninjas in Japan.

I love the way that Bendis handles the scenes where Tony confronts his board of investors. The dialogue is witty and sharp, some major home truths are aired on both sides, but even with MJ and his AI Friday to back him up, it’s clear the board isn’t going to let this one go without a fight. Mary Jane Watson and Friday also make a great team here, and they certainly keep Tony on his toes! If all that wasn’t enough, Tony also has some making up to do with new love interest Amara as well, something which proves far more elusive to resolve than expected.

Mike Dedato’s brilliant artwork skilfully conveys the emotional depth and narrative of this tautly scripted issue. His work on Invincible Iron Man continues to play to Bendis’ strengths as a writer. This issue features some gorgeously detailed page layouts: the apocalyptic opening scenes amidst the swirling rubble and dust are hauntingly powerful, the press conference and scenes in the lab flow with seamless precision, our first glimpse of Riri Williams home life with her mother in Chicago are another big highlight of the issue, and the raw emotional roller coaster ride of scenes which later follow as Stark’s world begins to come tumbling down around him are magnificently depicted. Color Artist Frank Martin once again excels, velvety earthy tones and dusty greys dominate the early scenes, while the use of dusky shadows and refined hues delicately accentuate the diverse range of emotional beats of that make this issue such a compelling read.

That wonderful first meeting between Riri, her mother, and Tony is certainly a defining moment for everyone involved. It’s great to finally learn more about this 15 year old genius M.I.T student, her mother certainly seems a force to be reckoned with as well, and we also discover something rather poignant about Riri’s name too.

Invincible Iron Man #12 finishes where it begins. It is here that we actually witness the most powerful scenes, as Tony addresses Rhodey’s death – which tragically happened in Civil War II #1 – and his thoughts about Carol Danvers and the Inhumans are revealed to a somewhat shell-shocked audience amidst the ruins of his life – and it is in these moving scenes that Brian Michael Bendis’ stellar writing will leave you hanging on Tony’s every word.

This run on Invincible Iron Man by Brian Michael Bendis and Mike Deodato reaches even greater heights with this issue. While it might be light on actual Iron Man action, the drama, suspense, and impeccable characterization are elevated to a whole new level with this Civil War II tie-in, and the cliff-hanger ending looks like it has the potential to be a real game-changer for the series. Invincible Iron Man #12 branches out into the wider arc of Civil War II with assured confidence and paves the way for even bigger events to come!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production 

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #11 Review

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Brian Michael Bendis, Civil War 2, Civil War II, Colonel Rhodes, comics, Frank Martin, Invincible Iron Man #11, Invincible Iron Man #11 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, The Avengers, The Road to Civil War II, The War Machines, Tokyo, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #11

Review by Paul Bowler

Civil War II steadily advances in Invincible Iron Man #11, as Tony’s undercover mission in Osaka brings him ever closer to infiltrating the Techno Golem Tomoe’s terrorist cell of biohack ninjas. Meanwhile, as Mary Jane Watson attempts to prevent Tony’s company being taken over by the board of investors, Rhodey has been busy developing an Avenging contingency measure of his own, because Iron Man is going to need his allies more than ever as the storm clouds of Civil War II gather on the horizon of the Marvel Universe.

It all kicks off in Invincible Iron Man #11 as the Road to Civil War II marches inexorably on. Writer Brian Michael Bendis skilfully maintains the fine balance between several key plot threads that have been running parallel to each other over the course of The War Machines story-arc, now everything begins to come together, and the net result is a densely plotted issue where the drama, characterization, and action fuse seamlessly as one.

Beginning with a power walk of investors storming into Stark Headquarters to wrest control from Tony’s AI, Friday, they plan to use the criminal, Ghost, to beak into Stark’s lab and gain access to the servers. Fortunately, Friday also has an ace up her digital sleeve, namely, Mary Jane Watson, and the way MJ and Friday collectively defuse the situation with the board of directors is absolutely priceless. Events also took a startling turn last issue when Richard Franco (Tony) finally met Tomoe, and discovered she was an Inhuman with the ability to control live technology. Tony may have elaborately faked his own death to gain access to Tomoe’s organization (by utilizing some nifty facial disguise software to become Ex-S.H.I.E.L.D agent Richard Franco ), but Rhodey, S.H.I.E.LD, and the all-new all-different Avengers have formed a plan of their own – the only question is will they be going to Japan to rescue Tony Stark or to avenge him?

Engaging characterization, though-provoking dialogue, and big action set-pieces are the order of the day in Invincible Iron Man #11, as Brian Michael Bendis interspaces the narrative with some wonderfully crafted moments: primarily a clandestine meeting between Tony and Rhodey where not everything is quite as it seems, and there’s even an interlude with new armored superhero, Riri Williams, as she makes her first foray into being a superhero.

The artwork by Mike Deodato during this story-arc has been astonishingly good; indeed, Invincible Iron Man #11 is arguably one of Deodato’s finest issues on the series so far. Mike Deodato and Brian Michael Bendis make a fantastic team, Deodato intuitively bring every nuance of Bendis’ exemplary storytelling and characterization to life on the page. From the moment that Mary Jane makes that head-turning entrance in the lab, she proves what a worthy addition her character is to this series’ terrific ensemble cast. Likewise, Deodato ramps us the tension with glorious views from Tomoe’s penthouse in Osaka, as the Techno Golem and her trusted right-hand-lady, Zhane, realize that their organizations closely guarded anonymity has been compromised. Frank Martin’s colors are another big highlight of the issue, with sumptuous tones and shades heightening the atmosphere of key scenes, before exploding into vivid hues when the bombastic action kicks into overdrive as War Machine, S.H.I.E.L.D and the Avengers enter the fray.

Invincible Iron Man #11 rapidly builds towards a rousing final act, however, Tony’s undercover identity still has an important role to play, and the powerful coda certainly gives us plenty to ponder over in the final moments. Now that Civil War II is well under way, there are some events during this issue – and indeed throughout the entire arc – which now seem far more poignant and insightful in hindsight given the events of Civil War II #1.

After all the build up and mystery surrounding Tomoe and the biohack ninjas, Invincible Iron Man #11 does feel a little like its racing towards the finish line to catch up with Civil War II, but that’s only a minor quibble, and the conclusion actually proves as equally satisfying is it is ambiguous. Brian Michael Bendis and Mike Deodato have done an amazing job with this issue, The War Machines and Road to Civil War has been a terrific Invincible Iron Man storyline, now everything is set for the next issue, and the first of the Civil War II tie-ins!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production 

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #10 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Invincible Iron Man #10, Invincible Iron Man #10 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Spider-Man, The War Machines, Tokyo, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #10

Review by Paul Bowler

The road to Civil War II continues in Invincible Iron Man #10, with Tony working undercover in Osaka alongside Rhodey to deal with the deadly threat posed by the biohack ninjas, Iron Man needs his allies now more than ever as Civil War ominously encroaches on the horizon of the Marvel Universe. Get ready for an emotional and action-packed issue of Invincible Iron Man as Tony Stark’s world is shaken to the core.

The War Machines story-arc and the Road to Civil War II converge inexorably in Invincible Iron Man #10, as writer Brian Michael Bendis effortlessly builds the suspense, and numerous plot strands are drawn together as Tony’s plan to infiltrate the biohack ninjas led by Techno Golem, Tomoe, enters its next phase. So, when the biohack ninjas come knocking on Mister Richard Franco’s (AKA Tony Stark’s undercover identity recently assumed with the help of some advanced facial disguise software) door in Osaka, it begins to look like Tony might’ve bitten off more than he can chew. Fortunately he‘s got Rhodey to watch his back. Meanwhile, Tony’s A.I, Friday, is managing his company in his absence. But with the board of directors attempting to seize control following news of Stark‘s apparent demise, it now falls to Mary Jane Watson, who recently turned down the job offer to become Tony’s assistant, to make the toughest decision of all.

This is another impressive tightly plotted issue from Brian Michael Bendis. From Tony’s / Franco’s abduction, tinged with hints of colourful language and a hilarious “stinky” mask thrown in just to add insult to injury, the wry humour and banter with Rhodey soon gives way to the brooding menace of Tony’s confrontation with Techno Golem, Tomoe. Its ingenious how Bendis makes the scenes with MJ in New York proved such an equally powerful and poignant contrast with Tony’s mission in Japan, as billboards, a web-swinging cameo, and an unexpected request for help bring MJ to reflect on both her life and career. The AI, Friday, is another character that really shines in this issue, as her role becomes more pivotal than ever.

Mike Deodato’s art work for Invincible Iron continues to impress on every level. With some concise page layouts that are both elegantly structure and packed with detail, the plot unfolds rapidly between Japan and New York, each resonating with the drama and emotional beats of the other in perfect unison. Mike Deodato and Brian Michael Bendis have infused this issue with a mesmerising blend of action and suspense, as story and art fuse seamlessly as one. Gloriously realized two-page spreads punctuate key moment with vivid clarity, as the meeting in Tomoe’s stunning penthouse and a dazzling test of skill and endurance against the biohack ninjas make our jaws hit the floor with the sheer intoxication of their spectacle, while color artist Frank Martin’s exquisite use of tone and shade throughout immerses your imagination in every scene.

The issue juggles a lot of plot threads and delivers just as many revelations as it does unanswered questions. I particularly liked how MJ’s arc is leading the character towards a much stronger role in this series. Mike Deodato and Frank Martin’s fun cover for Invincible Iron Man #10 had me expecting something more frivolous, however, the emotional impact of Mary Jane’s scenes in this issue are handled perfectly, and it is those same quiet, reflective moments – where things remain unspoken and introspective sideways glances melt your heart – which actually reveal far more than words mere could ever hope to describe.

There’s also a brief interlude with new armored superhero, Riri Williams, Tony uncovers a surprising secret about his captors, and Rhodey is standing by jut in case Tony’s plan to infiltrate the techno-terrorists goes pear shaped. Invincible Iron Man #10 is another incredibly strong issue from Brian Michael Bendis and Mike Deodato, with its plethora exciting plot developments, stunning visuals, and awesome surprise final page, this is one issue on the road to Civil War II that you certainly wont want to miss!

Publisher: Marvel / Writer: Brian Michael Bendis /

Art: Mike Deodato / Color Artist: Frank Martin

VC’s Clayton Cowles: Letterer & Production /

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #9 Review

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Brian Michael Bendis, Civil War 2, Colonel Rhodes, comics, Frank Martin, Invincible Iron Man #9, Invincible Iron Man #9 review, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, New Iron Man armor, Spider-Man, The War Machines Part 3, Tokyo, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #9

Review by Paul Bowler

Tony and Rhodey’s friendship is tested to the limit in Marvel’s Invincible Iron Man #9: The War Machines Part 4, as the explosive fallout of the showdown in Japan between Iron Man, Rhodey, and Spider-Man against Tomoe and her biohack ninjas unfolds. This exciting road to Civil War II story will challenge Iron Man and War Machine like never before as new players are revealed and threaten everything they represent…

Iron Man may have called on Spider-Man’s help to find Colonel Rhodey in Japan, but rescuing Rhodey from techno-golem Tomoe and her biohack ninjas didn’t prove quite as straightforward as expected. Tomoe is able to attract and assimilate all forms of technology, including Rhodey’s and Tony’s armor, and even Spider-Man’s web shooters! With Tony’s suits AI, Friday, unable to counteract this new technology, Tomoe initiated a cataclysmic explosion to destroy them all. Now, writer Brian Michael Bendis delivers further action-packed developments as Invincible Iron Man #9 takes The War Machines arc to whole new level of excitement and intrigue.

Invincible Iron Man #9 begins with Tony Stark MIA, shares in his company have plummeted, and that’s just the tip of the iceberg, as Brian Michael Bendis surreptitiously casts a veil of mystery and suspense over what has really happened to Tony Stark. The War Machines Part 4 might not be wall-to-wall action like the previous issue, but it makes up for it with some brilliantly crafted character moments: with Friday dealing with an irate shareholder, an immensely thought provoking interlude with Doctor Amara Perera and the reformed Victor Von Doom, and Rhodey’s return visit to the secret underground nightclub in Osaka to get information about Tony’s whereabouts from its wheelchair bound proprietor – the mysterious Miss Yukio.

The most startling scene is that aforementioned meeting of minds between Victor and Amara, as advancements in her research into Alzheimer’s disease remains elusively beyond her grasp. Its a matter further compounded for her because of Tony’s disappearance, even news reports that Peter Parker has his best people searching for him offers little comfort, but it is the way Doom gains access to her lab that initiates the most fascinating debate of all. The startling juxtaposition between science and magic Bendis strikes in their conversation becomes intermingled with the ethical, moral, and potentially far-reaching consequences that reside in the core of Doctor Amara Perera’s argument with Victor Von Doom, and we are left wondering just how far she is prepared to go to compromise her principles in order to see her research move towards human trials.

Mike Deodato’s artwork for this issue is as captivating as it is dynamic. Deodato’s art brings added emotion and intensity to this densely plotted issue from Bendis, it’s almost as if they instinctively play to each others strengths as writer and artist, and the result is one of the most gripping issues of Invincible Iron Man so far. From the pang of emotion on Friday’s face when she’s asked if Tony is dead, to the frenetic action when Rhodey goes looking for information in the club in Osaka, and the marvellous scene between Amara and Victor, this issue has it all. Color artist Frank Martin is also on fine form, delicate tones and velvety shadows are blended in perfect harmony with every beat of the story, effortlessly drawing us into the narrative, and the Rhodey, War Machine, and biohack ninja scenes are the action-packed highlight of the issue!

Of course, the striking cover for Invincible Iron Man #9 by Mike Deodato reveals the debut of a brand new armored superhero, a woman, and the cover blurb reads: “OK, she doesn’t have a hero name yet – She’s working on it!” It’s certainly going to be the big talking point of this issue, but who is it? I won’t spoil it for you, but rest assured, everything – kind of – is revealed in this issue, it actually links back to scenes from earlier in The War Machines story-arc, and it skilfully sets up some really exciting possibilities for the future!

So, where is Tony Stark? Well, after keeping us – and most of the characters – guessing, that question is indeed answered in this issue, and it’s ingeniously done as well. Invincible Iron Man #9 is a tense, exciting, and thoughtful issue in The War Machines story-arc, Brian Michael Bendis is making Tony Stark’s work more compelling with every issue, it feels like we are building towards a real epic now, and with Mike Deodato’s excellent artwork and Frank Martin’s intricate colors, Invincible Iron Man continues to impress on every level and remains one of Marvel’s best new titles.

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato / Color Artist: Frank Martin

VC’s Clayton Cowles: Letterer & Production

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #8 Review

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Brian Michael Bendis, Colonel Rhodes, comcis, Frank Martin, Invincible Iron Man, Invincible Iron Man #7, Invincible Iron Man #7 review, Iron Man, Japan, Marvel Comcis, Mary Jane Watson, Mike Deodato, Spider-Man, The War Machines Part 3, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #8

Review by Paul Bowler

The search is on in Invincible Iron Man #8: The War Machines Part 3, with Rhodey still missing in Japan after searching for the biohack ninjas that were tracking Madame Masque. Fortunately Tony’s new assistant / life coach Mary Jane Watson just happens to have Peter Parker’s emergency phone number, enabling Stark to call on Parker’s wall crawling bodyguard for assistance. Iron Man and Spider-Man must team-up to rescue War Machine, and somehow find a way to stop a deadly new menace to the Marvel Universe!

Its repulsor rays to maximum power and web-spinning action all the way as Brian Michael Bendis brings two of Marvel’s most iconic characters together in Invincible Iron Man #8, as Iron Man and Spider-Man join forces in Tokyo to find Rhodey. Following a quick flight across the Pacific, Iron Man soon encounters Spider-Man, and together they discover a clue that might lead them to War Machine. Bendis crafts some really fun moments between Iron Man and Spider-Man in this issue. The banter between them is priceless at times, with Tony being all serious – at least initially – in the face of Spidey’s wisecracks, but is not long before the jokes and flip remarks eventually send them on a path to becoming an even funnier superhero double act as they confront Rhodey’s captors.

Tony’s shape-changing Iron Man suits AI, Friday, is also beautifully written by Bendis in this issue, and it feel like she’s really evolving into a major character in her own right now. Friday gets some great lines of dialogue, especially once Iron Man and Spidey team up in Tokyo, and in a brief flashback the AI has an interesting scene with a less than impressed Mary Jane Watson that ends on an especially poignant note.

Having been stripped of his War Machine armor, Rhodey is now a prisoner of Tomoe and her biohack ninjas. Although we don’t learn much more about Tomoe over the course of this issue of Invincible Iron Man, it’s clear that her armor seems able to attract and assimilate all forms of technology, and it also mimics similar shape-shifting aspects of Tony’s armor. However, as Tomoe and the ninjas soon discover, Colonel Rhodes is not someone to be underestimated – even if he has to fight for his life wearing only his underwear!

This is another fabulous looking issue from artist Mike Deodato and colorist Frank Martin. Set against the gleaming Tokyo Skyline and the industrial gloom of Tomoe’s shadowy lair, Mike Deodato has clearly had a blast drawing this exciting team-up between Iron Man and Spider-Man. The level of detail bestowed on the Iron Man armor is astounding, Deodato also draws a great Spider-Man as well, and I love the scene where Spidey’s mask is reflected in Iron Man’s faceplate – you can just imagine the look on Tony’s face underneath. Rhodey’s fight against the ninjas also proves to be a big highlight of the issue as well. Frank Martin lavishes every page with a sumptuous palette of colors, blending vivid tones and inky shadows to bring added intensity and atmosphere to each scene. Deodato and Martin’s work is perfectly in key with the beats of Bendis’ script, balancing the humour and drama perfectly, there is some terrific moments of characterization, and the electrifying face-off between Iron Man, Spider-Man, Rhodey, and Tomoe is brilliant!

Facing jetlag, embarrassing boxers, and a technology that even Friday is unable to counteract, Iron Man, Spider-Man, and Rhodey must risk life and limb as they battle Tomoe and the lethal biohack ninjas that are out for their blood. Invincible Iron Man #8, with its exciting action-packed story by Brian Michael Bendis and excellent art by Mike Deodato, is another hugely impressive issue in The War Machines storyarc, and its thrilling cliff-hanger ending is guaranteed to leave you on the edge of your seat until the next issue.

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / VC’s Clayton Cowles: Letterer & Production

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #7 Review

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Brian Michael Bendis, Colonel Rhodes, comics, Frank Martin, Invincible Iron Man #7, Iron Man, Marvel Comics, Mary Jane Watson, Mike Deodato, ninjas, The War Machines, The War Machines Part 2, Tokyo, Tony Stark, VC’s Clayton Cowles, War Machine

Invincible Iron Man #7

Review by Paul Bowler

Tony Stark deals with the global affairs of his company and War Machine confronts Biohack Ninjas in Tokyo in Invincible Iron Man #7: The War Machines Part 2, as a new threat to the Marvel Universe begins to emerge. Calling on some unexpected assistance from Spider-Man, Iron Man and War Machine must prepare to face a deadly new menace!

Invincible Iron Man #7 continues The War Machines story arc where Tony Stark is already late for a very important meeting. When it becomes clear that Rhodey is missing in Japan, Tony’s armors AI, Friday, is soon on the case, and together with some concise observations and suggestions form new assistant Mary Jane Watson, Tony finds himself calling on an unlikely ally for assistance – Spider-Man! Meanwhile in Japan, Colonel Rhodes is up to his neck in trouble as War Machine after being captured by the Biohack Ninjas.

Brian Michael Bendis cuts right to the chase during second part of The War Machines saga, particularly when it comes to some pretty major issues for Tony Stark and his company. Indeed, the addition of Mary Jane Watson to this series is already proving an inspired move. MJ’s meeting with Tony to discuss her new role at his company is a prime example, she’s also clearly done her homework, puts loyalty to the “sisterhood” before anything else, and its clear right from the outset that Mary Jane is going to be no pushover when it comes to dealing with the eccentricities of Stark‘s way of thinking and shaking up the status-quo.

The characterization and plotting Brian Michael Bendis employs in this issue is superb. His handle on the characters is pitch perfect, the opening scenes alone between Tony, MJ, and Friday, are a sublime mix story and exposition which finely balances the overarching narrative with the action unfolding in Tokyo with War Machine. It’s also great to see Spider-Man in this issue as well. I guess it was inevitable that Tony Stark’s path would eventually cross Peter Parker’s and Parker Industries at some point, especially now they both move in the same business circles. This really allows Bendis to capitalizes on the interesting dynamic already evolving between Tony and MJ, particularly as he doesn’t know everything about her connection to Spider-Man / Peter Parker. I also really liked the scenes where Tony is surprised to learn that Mary Jane has Peter Parker’s emergency number!

The series’ new artist Mike Deodato and colorist Frank Martin continue to make their mark on this title. The impressive décor at Stark gives way to the technological splendour of Tony’s lab / workshop, as Deodato relays Tony’s and MJ’s meeting across a spread of numerous panels; which collectively forms collage-like page layouts of interlocking imagery that seamlessly blends dialogue and movement to hit every emotional mark to perfection. Mike Deodato and Brian Michael Bendis are a brilliant team for Invincible Iron Man, they instinctively know what makes the story and visual work in unison, and the results here are stunning.

Along with his impressive take on both the Iron Man and War Machine armors, Mike Deodato, to coin a phrase, also draws an amazing Spider-Man, and the sight of our friendly neighboured / globetrotting web-spinner set against the gleaming Tokyo skyline at night is absolutely breathtaking. Frank Martin’s colors also really come into their own in this issue, with the soft tones and hues inside Stark’s building giving way to the shadows and glowing instrumentation in the lab, while a subtle noir tone permeates Spidey’s web-swinging across Tokyo, and the ominous gloom of War Machines predicament feels genuinely menacing.

The humour in the issue of Invincible Iron Man is sure to raise many a wry smile or two. Bendis cleverly eschews what was once a very familiar Iron Man trope as Tony sidesteps his green-eyed animosity towards Peter Parker to get his number from MJ, so he in turn can ask Peter to get his “bodyguard” Spider-Man to begin looking for Rhodey while Tony suits up jets over to Tokyo himself. Indeed, Tony’s jibes about his father, real or otherwise, along with Peter’s phone number, and the tracking device in Rhodey’s armor are all key instances that highlight what make this Marvel series and its characters feel so real and the plot so enjoyable.

While the majority of this issue focuses on Tony and Mary Jane, and Spider-Man‘s brief cameo, when we do catch up with War Machine it seems that Rhodey might’ve underestimated the Biohack Ninjas technical capabilities! Invincible Iron Man #7 builds towards a thrilling climax, with Rhodey facing terrible danger, Iron Man flying to the rescue, and at a certain Institute of Technology; someone is busy burning the might night oil…

Invincible Iron Man #7 might be a little light on actual Iron Man action, but the time is well spent developing the new story arc and the relationships between the characters, and it all races towards a triple-edge cliff-hanger of sorts that hones the plots momentum enough to keep up eagerly awaiting the next issue to see how everything is going to knit together. With the excellent writing of Brian Michael Bendis continuing to impress on every level, combined with the superb artwork by Mike Deodato, the high quality of Invincible Iron Man #7 is a sure fire indication that Iron Man’s adventures and The War Machines story line looks set to be one hell of an exciting ride!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

 Color Artist: Frank Martin / VC’s Clayton Cowles Letterer & Production

Cover Artists Mike Deodato & Frank Martin

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Invincible Iron Man #6 Review

Tags

Biohack Ninjas, Brian Michael Bendis, Colonel Rhodes, Frank Martin, Invincible Iron Man, Invincible Iron Man #6, Iron Man, Madame Masque, Marvel Comics, Mary Jane Watson, Mike Deodato, The War Machines, Tokyo, Tony Stark, VC’s Clayton Cowles, Victor Von Doom

Invincible Iron Man #6

Review by Paul Bowler

Invincible Iron Man #6 marks the start of a brand new story line: The War Machines. There’s something afoot in Stark’s global organization, Tony Stark must investigate Madame Masque’s recent spate of worldwide thefts, and establish the connection with the Biohack Ninjas that were following her. Iron Man and War Machine will soon face a deadly new threat, and we get our first hint at some of the major developments ahead for the Marvel Universe!

Marvel’s new Invincible Iron Man title has already seem the debut of Tony Stark’s new shape-changing Iron Man armor with its advanced AI, Friday, as well as an unlikely team-up with a reformed Victor Von Doom to defeat the demonically possessed Madame Masque, and the introduction of Mary Jane Watson into Tony’s life. Now a new chapter begins; one that holds some big game-changing developments for Iron Man!

Invincible Iron Man #6 kicks off The War Machines story arc with Tony’s ongoing investigating into Madame Masque’s break in at the Star Tower in Japan, where it seems the security footage has been inexplicably compromised. However, Tony is in the middle of a very important… project at the moment, so it’s up to Rhodey to be his eyes and ears in the field in Tokyo. As Tony’s relationship with biochemical biologist Amara Perera continues to blossom in the States with breakfast, and waffles at a Diner, a former Alexandre Drumas-style mask-wearing super-villain interrupts to address some potential demonic loose ends concerning Madame Masque, and Colonel Rhodes goes all 007 in Tokyo as he investigates an underground nightclub.

Brian Michael Bendis establishes several new plot lines here while bunching together numerous elements from the first five issues, entwining everything into an intriguing new direction for the series. Each scene that is steeped in mystery is nicely counterbalanced by the lighter, more humorous moments that Bendis always orchestrates so well. Tony’s new relationship with Amara is also developing well, there are some great scenes between them, and we also lean that her research into Alzheimer’s disease has already had extremely promising results. The scenes in the Diner are another big highlight of the issue, especially when their breakfast is unexpectedly interrupted. It’s always fun to see Tony and Rhodey working together, the banter between them is brilliant, and I like how Tony’s AI Friday can also be shared with the War Machine armor.

The War Machines story line also brings the addition of a new artist, Mike Deodato, and colorist Frank Martin, who now join writer Brian Michael Bendis on this title. Mike Deodato has worked with Brian Michael Bendis many times before, and they make a great team for Invincible Iron Man. Brian Michael Bendis intuitively builds the characters and entwines their story arcs, which in turn plays to Mike Deodato’s strengths as an artist, and together they ensure the momentum of the plot gradually unfolds at a natural pace before we get the payoff with some truly epic pages of intense action!

Mike Deodato’s art is excellent throughout, from the gleaming skyline of Tokyo, to the more down to earth scenes in the Diner, and the shadowy world of the underground club, every page encapsulates the mood and pace of the story perfectly, and the atmospheric colors by Frank Martin are stunning! The expressions of the characters are also superb, their emotions are effortlessly conveyed, and Deodato’s take on the War Machine armor is also very impressive.

Although Tony and Rhodey don’t actually use their armor suits all that much over the course of this issue of Invincible Iron Man, their suits are never far from the action, especially in Tony’s case, but when War Machine does swoop into action its all breathtaking high-flying stuff; and it all builds to a highly unexpected ending that could make you lose your head with excitement over the wait to see what happens next issue!

Invincible Iron Man #6 quickly establishes the new story line, events move at a slightly slower pace initially, which really allows the characters to shine, and the cliff-hanger ending is one of the best so far in this new Marvel series. With the assured writing of Brian Michael Bendis this title continues to go from strength to strength, and together with the addition of Mike Deodato striking artwork, it not only makes this issue of Invincible Iron Man a perfect jumping on point for new readers, but an absolute must have for fans of shell-head’s adventures too!

Publisher: Marvel / Writer: Brian Michael Bendis / Art: Mike Deodato

Color Artist: Frank Martin / Letterer & Production VC’s Clayton Cowles

 Cover Artists Mike Deodato & Frank Martin

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