BATMAN #125 REVIEW

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Batman, Batman #125, Batman #125 review, Batmobile, Catwoman, Chip Zdarsky, DC Comics, Failsafe, Jorge Jimenez, Robin, Tomeu Morey

Batman #125

Review by Paul Bowler.

A new era begins for the Dark Knight with Batman #125 and marks the debut of the hotly anticipated creative team of Zdarsky, Jimenez and Morey on DC Comics flagship Batman title. It becomes clearly apparent from the outset that Chip Zdarsky is very much indeed on board for the “long haul” with this run, especially if the catalogue of seismic events in this dark, brooding opening story arc are anything to go by. “Failsafe” sees Bruce Wayne’s life reaching a significant turning point with Bruce haunted by dreams of a tripled Clown Prince of Crime, the Dark Knight must also grapple with a gruesome spate of murders, and the far-reaching mystery behind them. The victims are the billionaires and high-flyers of Gotham, and as Batman starts to uncover the dark connection between them it gradually puts everyone closes to him in mortal danger. 

Chip Zdarsky quickly establishes the new status quo for his era of Batman with Bruce  dealing with the ominous fallout from his unsettling dreams, leading to a poignant interlude as  Bruce briefly touches base with Selena Kyle, before the plot really kicks into high gear. Its really good to see Tim Drake’s Robin working closely alongside Batman once again for this series. Zdarsky brings an entirely fresh energy to this Dynamic Duo, and its great to see them back in action as a team again. We also learn that Bruce has clearly struggled with his unique  work-life balance since loosing the bulk of his fortune. Indeed, it seems Bruce Wayne has  almost become surplice to requirements now in the Dark Knight’s war on crime, something Tim is quick to point out to him. 

Zdarsky skilfully weaves several intricate narrative threads across this issue, some of which involve the Penguin capitalising on the recent murders for his own advantage. But a flurry of curveball plot twists mid-way through the issue soon sets a tragedy of events in motion that reopens old wounds for Batman and leads to the emergence of the brand new horror that is Failsafe.

Artist Jorge Jimenez and colourist Tomeu Morey make a welcome return to this series after seven month away. From the urban gothic of the Bat-Cave to the glitz of the Iceberg  Lounge Jimenez’s gorgeously rendered artwork is always a feast for the eyes, and together with Morey’s richly honed color pallet they harness a vivid noirish tone and style that melds perfectly with Zdarsky’s vision of the Dark Knight’s world. Gotham has never looked better and Batman is more imposing than ever. The level of detail Jimenez packs into every page is quite astonishing, there are some big action-set pieces to die for, and exquisite moments of characterisation that capitalise on all the emotional beats of Zdarsky’s script. 

The backup story by Zdarsky, artist Belen Ortega and colorist Luis Guerrero focuses on the power struggle that has broken out in the criminal underworld of Gotham in light of recent events, with Selina Kyle  caught in the middle! It sets up  a self-contained addendum to the main story line and provides a good showcase for Selina, who might well even make a tidy profit from all the turmoil? While not exactly the highlight of the issue, Two Birds, One Thorne does hold one surprise reveal that I doubt anyone saw coming.

Zdarsky, Jimenez and Morey have certainly got their new six-part “Failsafe” arc off to a confident start here with this giant sized issue. While I enjoyed this issue, I wasn’t quite as blown away by it as I was expecting. That said Batman #125 still has plenty of stand-out moments and shock surprises for fans to enjoy, the exposition gets a bit heavy in places, but overall the break-neck action and fantastic artwork are by far the biggest selling points. An impressive, if somewhat formulaic, start to this new era of the Dark Knight.

Publisher DC Comics

Writer Chip Zdarsky

Artist Jorge Jimenez Colourist Tomeu Morey

Letter Clayton Cowles  Cover Jorge Jimenez

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

The Batman Film Review

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Alfred, Bat Cave, Batmobile, Catwoman, DC Comics, Gotham, Matt Reeves, Penguin, Riddler, Robert Pattinson, The Batman, The Batman film review, The Batman review

The Batman

Review by Paul Bowler

The Caped Crusader is back In director Matt Reeves The Batman, with Twilight’s Robert Pattinson  donning the cape and cowl in what has arguably become one the most hotly anticipated film of the year. The Batman has a dark, crime thriller horror vibe about it, one that often feel more akin to David Fincher’s Seven, and subsequently it elevates this gritty superhero fable into a hugely compelling character study of the Dark Knight. Set against the corrupt backdrop of a crime riddled Gotham City, the gloriously atmospheric film noir aesthetic of this Dark Knight’s world is indeed a cut above anything we’ve seen before in the genre. 

Taking place two decades after the death of Thomas and Martha Wayne, and two years into Bruce Wayne’s all-consuming Bat-fuelled Gotham project, the city is now caught in the grip of a puzzle obsessed serial killer, the Riddler (Paul Dano). He’s a maniac with a penchant for murdering the elite of Gotham along with their reputations, and is just the catalyst Patterson’s emo incarnation of the Batman needs to finally step into the light and assist the GCPD’s James Gordon (Jeffrey Wright) – much to the chagrin of Gordon’s colleagues. 

Matt Reeves and co-writer Peter Craig’s powerful take on Batman’s early career cleverly utilises the oft overlooked trait of Batman being comicdoms worlds greatest detective as the template for one of Batman’s darkest of cinematic outings ever, and the film is all the richer for it. Robert Pattinson’s Dark Knight is an intense, deeply driven vigilante, he may have the bullet proof Bat-suit, but he’s got none of the usual high-tech gadgets and gizmos of his glossier cinematic predecessors. Indeed, Pattinson’s performance as Wayne / Batman is both mesmerising and unflinching as a Batman who is totally focused on his war on crime and hell-bent on instilling fear in criminals. He has yet to earn the trust of Gotham or Gordon, the reclusive Bruce Wayne’s only real ally is his loyal butler Alfred (brilliantly played by Andy Serkis), and this fledgling Batman’s inexperience often sees him taking nearly as much punishment as he dishes out.

Batman’s detective work crucially finds him crossing paths with Zoe Kravitz’s sultry femme fatal Selina Kyle, a.k.a Catwoman, who is conducting her own personal investigation which also brings her into conflict with Batman’s mission to solve the Riddler’s diabolical puzzles. Their tangled love story and alliance of connivence never truly convinces, but the sizzling chemistry between Pattinson and Kravitz is fuelled even further by the intensity of the dynamic between their alter-egos.

The Batman features a number of key villains from the Dark Knight’s ominous rogues gallery, with a virtually unrecognisable Colin Farrell under a mass of prosthetic make up as nightclub boss, the Penguin, Paul Dano’s blood curdling turn as Edward Nashton / the Riddler leads to some truly chilling scenes, and John Turturro proves to be an unexpectedly pivotal player in The Batman’s story as Carmine Falcone.  

Greig Fraser’s stunning cinema photography makes the films grimy rain-swept depiction of Gotham perhaps the biggest scene stealer of all. The spectacle of Wayne Tower and the urban gothic of the new Bat-Cave are just some of the films many standout settings. The city feels almost like a character in its own right here, as Reeves stylish direction brings a graphic novel sense of scale and awe to the production, together with a mix of atmospheric locations and fantastic special effects, to make this noir-infused comic book crime caper come to life on the screen in a way that is as menacing as it is breathtaking. Reeves uses the action sparingly, but in incredibly effective ways. Fight sequences are relentlessly brutal, there’s an incredible car chase featuring the Batmobile and a death defying leap from a skyscraper amongst The Batman’s many blockbusting big-action set-pieces to enjoy.

At just under three hours, this first solo Batman movie in a decade is the longest Batman movie ever made. The hard-boiled noir influences and striking visual style are to die for, as is that new Batmobile, and it is only the somewhat overloaded final act that holds the film back from achieving absolute perfection. Pattinson defies all expectations and totally makes the role of the Dark Knight his own as well. This epic superhero movie may have been beset by pandemic related delays but Matt Reeves The Batman has certainly turned out to be well worth the wait, and is everything you could want from a Batman movie.

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #101 Review

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Batman, Batman #101, Batman #101 review, Bruce Wayne, Catwoman, Clownhunter, DC Comics, Gotham, Guillem March, James Tynion IV, Joker, Joker War, Lucius Fox, Punchline, Robin, Tomeu Morey

Batman #101

Review by Paul Bowler

A new dawn rises over Gotham City in Batman #101 as the dust settles in the aftermath of Joker War. The full impact of the Joker’s reign of terror and the effect its had on the citizens of the city is now realised in the cold light of day. Batman chooses a bold new path for his war on crime as Bruce Wayne’s life is changed forever, and why exactly is Cole Cash – a.k.a.-Grifter, now working for Lucius Fox?

It’s time to ring in the changes as writer James Tynion IV sets out a new direction for the Dark Knight in this somber, emotional and reflective issue of Batman. Joker War might be over but the fallout from what the Clown Prince of Crime did to the city using the Wayne fortune will have long lasting ramifications for Bruce Wayne. Tynion delivers some terrific character moments for Batman and Lucius Fox as they reevaluate their lives in the wake of the traumatic  events they each suffered, both mentally and physically, during Joker War. Fox now has control of the Wayne fortune, the board of Wayne Enterprises want Bruce quietly sidelined from the company, and Batman is going to have to tighten his utility belt with a more cash strapped, low-tech, approach to crime fighting.

Guillem March’s strikingly detailed artwork for Batman #101 brings vivid clarity to the events in this issue. Numerous pages are awash with swapping vistas of Gotham as Batman looks back on simpler times, where Commissioner Gordon always stood by the Bat-Signal, Robin fought by the Dark Knight’s side, and Alfred was ever present in the Bat-Cave to offer advice.  Now all these constants in Batman’s life are gone, March’s artwork beautifully encapsulates these reflective, emotionally charged moments, whilst Tomeu Morey’s subtle colors heightens them perfectly in the Dark Knight’s powerful scenes with Lucius Fox and his tender soul-searching moments with Catwoman. Batman’s no-holds-bared fight with Lucius Fox’s new bodyguard, Grifter, is another highlight as well.

Along with having Bruce relocating his operations as Batman to a more modest location in Gotham, Tynion also acknowledges what Joker War will mean for Bat and the Cat relationship now. Tough decisions need to be made to accommodate the new status quo Bruce has adopted to allow himself to work off the grid as leaner, more self-sufficient Batman, and Catwoman being the number one target of Gotham’s underworld after stealing the Wayne fortune back from the Underwriter isn’t exactly going to make things any easier for them or their relationship going forwards.

Brief mentions of Punchline’s media message and Clownhunter’s vigilante antics also get thrown into the mix to keep those plot lines bubbling away in the background for future issue to explore. Although this issue comes across initially as being rather downbeat after Joker War, there’s a distinct move by Tynion here to really start to place his stamp of the character with a more back-to-basics approach. With its excellent character driven narrative by James Tynion IV and terrific artwork by Guillem March, Batman #101 heralds a new beginning for the Dark Knight – in more way than one!

Publisher: DC Comics

Writer: James Tynion IV / Artist: Guillem March

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Guillem March & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #98 Review

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Alfred, Batman, Batman #98, Batman #98 Review, Bruce Wayne, Catwoman, DC Comics, Gotham, Harley Quinn, James Tynion IV, Joker, Joker War, Joker War Part 4, NCBD, oege Jimenez, Penguin, Punchline, Riddler, Scarecrow

Batman #98

Review by Paul Bowler.

Everything stops for tea in Batman #98 as the Dark Knight’s world reels from the chaos of Joker War. Joker has taken everything from Batman, his wealth, his arsenal of vehicles, and now Batman is more vulnerable than ever thanks to a massive overdose of Punchline’s new Joker Toxin. As the Dark Knight wrestles with haunting visions and darkness Harley Quinn must watch over him while he recovers, but Punchline is on her way, and she’s hell bent on killing the Dark Knight!

Writer James Tynion IV continues to weave his magic on DC Comics flagship Batman title with yet another spellbinding, emotional, and action-packed issue. Batman #98 crams so much into this fourth instalment of Joke War its difficult to surmise just how richly crafted and well put together it all is. Tynion has Batman tripping the light fantastic for much of the issue — thanks to a brew cooked up by Harley Quinn in her floral underground hideout to cleanse Punchline’s souped up Joker toxin from his system — and the Dark Knight’s ensuing hallucinogenic tea break with the dearly departed Alfred is both deeply moving and highly insightful. Alfred serves up a unique perspective on the twisted dynamic of the Batman’s and Joker’s eternal conflict. Tynion’s powerful script also manages to salvage a plausible outcome to the devastating fallout caused by Tom King’s idiotically deconstructive run on Batman, essentially turning lead into gold, and making Alfred’s senseless death and Bruce’s inability to face up to that loss seem all the more poignant and credible as a result.

Ding! Ding! Seconds out… because the rest of the issue, as you’ve probably guessed by the cover, is indeed taken up by the face-off between Harley-Quinn and Joker’s new partner, Punchline. If, like me, their first clash left you feeling a bit underwhelmed then you will be pleased to know their showdown in Batman #98 is a real kick-ass fight that finally showcases both characters to their full potential. Tynion ensures the dialogue is as razor sharp as their combat, we also get to understand more about what motivates Punchline, and how she ingratiated herself with the Joker.

This issue features some truly fabulous artwork by Joege Jimenez’s as well. Stylish, overlapping page layouts capture the tone and pace of the story perfectly. Every scene focusing on Bruce’s conversation with the imaginary version of Alfred is beautiful crafted, with characters expressions conveying warmth, depth and unparalleled honesty. Punchline’s fight with Harley Quinn is — by stark contrast — a like ballet of exquisite violence and hate, with no quarter given and none taken. Jimenez’s art is enriched further by the striking tones and hues of colorist Tomeu Morey which makes Bruce’s hallucinogenic state and the stunning backdrop of Harley’s underground hideaway seem to almost leap from the page. Even the brief interludes with Catwoman as she recuperates at Penguin’s secret refuge along with the rest of the Gotham rogues to wait out Joker War are finely realised by Jimenez’s and Morey. 

While this issue doesn’t redact Alfred’s death, it does go a long way to finally making Alfred’s loss feel less senseless than is once did. Finally this issues iconic “I’m Batman” scene is no-doubt the punch-the-air moment that we’ve all been waiting for since Joker War began, and its great to see Bruce putting his old friends advice — imaginary or otherwise — to good use without at moments hesitation.

Batman #98 is another terrific issue from the dynamic creative team of Tynion IV, Jimenez and Morey. They have revitalised the Dark Knight’s world with strong characterisation and striking visuals. Now with the penultimate chapter of Joker War and the landmark Batman #100 on the horizon this series continues to impress on every level, and I for one can’t wait to see how everything turns out.

Publisher: DC Comics

Writer: James Tynion IV / Artist Joege Jimenez

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Guillem March & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

The Batman DC FanDome Trailer!

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Batman Year Two, Catwoman, Commissioner Gordon, Gotham, Matt Reeves, Riddler, Robert Pattinson, The Batman, The Batman FanDome Trailer, The Batman Trailer

The Batman DC FanDome Trailer!

The Batman writer-director Matt Reeves has unveiled the first trailer for the new Batman film during the final panel for the DC FanDome event on Saturday. This dark, atmospheric teaser trailer, set to Nirvana’s “Something in the Way,” initially focuses  on the  Riddler (Paul Dano), who is leaving a trail of deadly teasers for the Batman and Commissioner Gordon (Jeffery Wright) to solve. There’s also a brief glimpses of Zoë Kravitz as Catwoman, we also get our first full look of Robert Pattinson in the Batsuit and driving the Batmobile, and the trailer highlights Batman’s brutal crime fighting technique as he beats up a thug just to make a point!

In the panel for the film, Reeves explained that “The Batman” won’t be an origin story as such, but it does start in “Year Two” of Batman’s career, in which Batman and several other iconic characters — Catwoman, the Riddler, and the Penguin (Colin Farrell) — are still in the early stages of their lives in Gotham. The story will feature mystery, corruption, murder and even links that stretch right back  to Batman’s past! The  movie also stars John Turturro, Peter Sarsgaard, Jayme Lawson and Andy Serkis.

Check out the awesome trailer for The Batman!

Production on the film was suspended due to the COVID-19 pandemic, Reeves had shot just 25% of the film so far. The Batman is currently in production and is  now scheduled for release in October 2021.

Of all the films and trailers featured during DC FanDome The Batman was the one I was most excited about. I thought it looked great, what were your thoughts on the trailer? One thing’s for sure, Matt Reeves “The Batman” looks set to herald a brave and bold new era for the Batman film franchise!

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

Batman #94 Review

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Bat Cat, Batman, Batman #94, Batman #94 review, Catwoman, DC Comics, Gotham, Guillem March, James Tynion IV, Joker, Joker War

Batman #94

Review By Paul Bowler.

Joker War looms on the horizon in Batman #94 following the fallout from the Designer’s grand scheme. The Dark Knight’s life is in ruins and the ambitious rebuilding of Gotham City has ground to a halt. New forces have risen to shape Gotham’s destiny — and there’s nothing Batman can do to prevent it. Lost, without Alfred or the Bat-Family by his side, and desperate to save the woman he loves Batman now stands alone as he faces the ascension of his greatest foe — the Joker! 

The finale of Their Dark Designs unfolds with a funeral-like dirge of thunder and storm clouds rumbling over Gotham as writer James Tynion IV brings Batman’s world crashing down around him. As the realisation for the Dark Knight, Catwoman and the entirety of Gotham’s rogues  gallery that they’ve all been played by the Joker begins to reverberate across the city, Tynion continues to excel, weaving an insightful flashback to the young Bruce Wayne’s early years of training before he became the Bat into the narrative and the Designer’s machinations to bring everything full circle with Bruce’s encounter with Cassander Wycliffe Baker – the worlds greatest detective.

From there Batman #94 goes into free-fall as the Dark Knight battles back from the brink. Lucius Fox might be on hand to assist after Deathstroke’s attack, but he can’t be the ally Bruce needs right now, especially if they are to have any chance against the Joker who has just seized control of the Wayne fortune. The emotional fallout is equally devastating for Bruce, something that’s powerfully highlighted by the phone conversation between the Bat and the Cat. It’s a heartrending, pivotal moment; and something that could very well strain their relationship to breaking point.

The artistic duties for this issue are shared between Guillem March and Rafael Albuquerque. Their distinct and individual styles complement each other nicely, seamlessly bookending scenes, whilst balance the grim tone and emotional beats of Tynion’s story perfectly, and the rich colors by David Baron bring vivid clarity and tone to every page. Everything from Bruce’s flashback, to the Dark Knight’s steely determination to reach Selina, with a chilling confrontation at the hospital, and the final scenes as Batman looks to the raging heavens above  Gotham for a sign all converge to make this one of the most visually impressive and compelling issues of Batman we’ve seen so far in this run.

All in all, I think James Tynion’s first story arc for Batman has turned out really well. Their Dark Designs has ushered in a powerful, innovative and thoughtful new era for the Dark Knight. Batman #94 is a resounding finale to this saga, it rounds everything off with an emotional rollercoaster ride that will leave the Bat broken by his own design, and brilliantly paves the way for the start of Joker War!

Publisher: DC Comics

Writer: James Tynion IV / Art: Guillem March & Rafael Albuquerque

Colors: David Baron / Letters: Clayton Cowles

Cover: Tony S Daniel & Tommy Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

Batman #93 review

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Batman, Batman #93, Batman #93 Review, Catwoman, DC Comics, Deathstroke, Gotham, Harley Quinn, James Tynion IV, Joker, Joker War, Penguin, Punchline, Riddler, The Underwriter, Their Dark Designs

Batman #93

Review by Paul Bowler.

Batman squares off against the Designer in Batman #93 as Their Dark Designs reaches its thrilling conclusion! In the space of a year the Dark Knight has lost more than he could have ever thought possible, and now he faces a loss so shattering it will change his life beyond all recognition! But an even greater battle awaits. Joker War is on the horizon, and Gotham will never be the same again…

It’s safe to say there’s quite a lot riding on events in Batman #93, as winter Jame’s Tynion IV wraps up his first major story arc on the title, and effectively sets the stage for the imminent Joker War. So, is Batman #93 the culmination of a grand design, or does it completely miss the punchline?

Well, fortunately Tynion succeeds in brining together the numerous tangled plot threads In Their Dark Designs Part 8 to deliver a relatively satisfying finale to the story. There is the usual sparing between villain and Dark Knight as the grand scheme is unpicked and revealed, and their showdown is as deliciously theatrical as it is theatric. We also get to learn a lot more about the mysterious Underbroker and his organisation as he assists Catwoman in completing the greatest heist Gotham has ever seen, while Harley Quinn and the Joker’s new partner, Punchline, face off in spectacular fashion.

I have to say I wasn’t all that impressed with Punchline’s much touted debut last issue. Tynion goes some way to bringing more depth to the character in Batman #93, and her scrap here with Harley Quinn positively crackles with snappy dialogue and razor sharp action. While I still think Punchline comes across like some kind of vamped up version of Gogo from Kill Bill VOL I, her motivations for being with the Joker do at least have some credence to them. I still don’t understand  why there’s been so much hype about Punchline, it all seems a bit gimmicky to me, but hey, who knows, maybe Joker War will see the character continue to evolve and really get a chance to shine?

Batman #93 features some great work  from artists Guillem March and Javier Fernandez, along with colors by Tomeu Morey and David Baron, to ensure that this closing chapter of Their Dark Designs captures the sombre, brooding tone of Tynion’s script perfectly. There’s a wonderful montage of pages that collectively flashback and forwards over events, each one highlighting  a myriad of crucial aspects, narrative threads and potential outcomes. The fight between Batman and the Designer is also equally impressive, as are the highly atmospheric scenes between the Underwriter and Catwoman as Harley Quinn’s and Punchline’s anarchic dance of violence plays out with truly shocking results.

On the whole then, James Tynion IV brings Their Dark Designs to a powerful and surprising end. Batman #93 is an exciting, action-packed issue, it goes for broke, in more ways than one, and I’ve a feeling that by the time Joker War hits the Dark Knight’s world is genuinely going to be turned upside down on all fronts.

Publisher: DC Comics

Writer: James Tynion IV / Artists: Guillem March & Javier Fernandez

Colors: Tomeu Morey & David Baron / Letters: Clayton Cowles

Cover: Tony S. Daniel & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #91 Review

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Batman, Batman #91, Batman #91 review, Bruce Wayne, Catwoman, DC Comics, Deathstroke, Harley Quinn, James Tynion IV, Joker, Penguin, Riddler, The Designer, The Nightclimber

Batman #91

Review by Paul Bowler

The Dark Knight squares off against Deathstroke in Batman #91 as the mysterious Designer’s grand plan begins to overwhelm Gotham. In order to help Batman save the city Catwoman will have to undertake the greatest heist in Gotham’s history. However, with Joker, Penguin and Riddler involved, and with a team of assassins on the loose Catwoman must reluctantly team-up with Harley Quinn while Batman confronts Deathstroke alone…

Writer James Tynion IV gathers numerous plot threads together in Their Dark Designs Part 6, as the pieces of the Designer’s scheme woven from the betrayal of the major players of Gotham’s nefarious Rogues Gallery of villains begins to unfold. Batman #91 starts chillingly enough. Joker has a tale to tell, one where he’s naturally the star of the show of course. It’s a glorious retelling of the Joker’s, Riddler’s, Pernguin’s, and Catwoman’s past encounter with the Designer from last issues flashback to events at Tartarus House, and its frighteningly relayed to the Joker’s captive audience. Add an intriguing phone call, together with the fact that the Joker War storyline is rapidly approaching, and this interlude with Joker clearly lays the groundwork for even darker things to come.

After reigning in Harley Quinn following her brief stint on drone duty, the primary focus of the issue is Batman’s high-octane chase and showdown with Deathstroke, Once again Tynion’s brings some superb characterisation to the fore here as Batman confronts Deathstroke with the Nightclimber, highlighting some striking parallels between them as Batman strives to make his case for saving Gotham City. Likewise, Catwoman and Harley Quinn are thrown together again and have to fight their way out of trouble. There’s a great dynamic between them too which leads to some hilarious asides and observations from Harley Quinn on the whole Bat-Cat relationship!

Batman #91’s artwork is shared between Rafael Albuquerque, Jorge Jimenez, and Carlo Pagulayan. Each of their distinctive artistic styles is perfectly suited to the trio of plot lines they’ve been allotted to render. The varying styles overlap nicely and don’t jar as a result, action sequences flow seamlessly alongside the more character driven moments, and the colors by Tomeu Morey accentuates the dark, brooding atmosphere of the issue perfectly.

Following Batman’s unexpected alliance with a deadly foe, everything builds to an exciting cliff-hanger as another player steps into the fray to take their turn in the Designer’s game. Although the story is starting to feel a little conventional with yet another mysterious villain seemingly knowing the Dark Knight’s every move, Tynion’s excellent writing keeps things engaging enough, the art is also very good, and the action-adventure tone ensures this is another exciting issue.

Publisher: DC Comics

Writer James Tynion IV /

Art: Rafael Albuquerque, Jorge Jimenez, Carlo Pagulayan, and Danny Miki

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Jimenez and Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #86 Review

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Alfred, Batman, Batman #86, Batman #86 review, Brice Wayne, Catwoman, City of Bane, Danny Miki, DC Comics, Deathstroke, Gotham, James Tynion IV, Lucius Fox, Nightclimber, Slade Wilson, Tony S. Daniel

Batman #86

Review by Paul Bowler.

A new era begins in Batman #86, but the Dark Knight’s world has changed forever. Bane is defeated and one of Batman’s oldest allies is dead. Now as Batman begins to rebuild his life and embarks on his bold new vision for Gotham, Deathstroke arrives in town, hired under a deadly new contract that threatens everything Batman is striving to achieve…

New series writer James Tynion IV takes the helm of DC Comics flagship Batman title for this next chapter in the life of the Dark Knight, together with the epic new art team of Tony S. Daniel and Danny Miki, for a story that instantly sets the tone for an entirely new directions as Batman starts to pick up the pieces after Alfred’s death. Their Dark Designs Part 1 gives us poignant insight into Batman’s radical new approach towards Gotham, indeed Alfred Pennyworth’s untimely demise in City of Bane inevitably hangs heavily over this issue, and consequently because of these opening scenes it also resonates just as powerfully in the wake of Batman’s confrontation with Deathstroke as well.

Batman has other allies though who will seem to be just as crucial to the Dark Knight’s designs during Tynion’s run. So, with Catwoman undercover and working a room full of Gotham’s high-fliers at the New Wayne Campus and Lucius Fox crafting Batman new and ever more wonderful toys in an immense subbasement workshop, Batman is free to deal with the lethal contract killers he’s been monitoring. Tynion is clearly going all-out with some new, and inventive technological innovations for the Dark Knight’s arsenal, and this issue sees the debut of the perhaps Batman’s most fearsome vehicle to date – the Nightclimber!

Needless to say the artwork that graces the pages of Batman #86 is little short of phenomenal. The pencils by Tony S. Daniel combined with Danny Miki’s inks are like a match made in heaven, and together with the vibrant colors by Tomeu Morey this issue is a veritable feast for the senses. From the opening rain-swept scenes over Gotham with a contemplative Batman, to witnessing the hired killers gathering in secret, and the deft inter-cutting between Batman’s conversations, first with Catwoman and then Lucius, there is a rich fluidity and consistency to the art that is staggeringly beautiful. Of course, Deathstroke is the one who has been brought in to lead this band of hired killers and the showdown with Slade Wilson – though brief – is still impressively depicted.

Closing things out with an intriguing mystery, a night sky full of memories, and a dark epilogue Batman #86 gets the new creative teams run off to a pretty good start. However, Batman #86 follows what has arguably been one of the most divisive runs in recent times for Batman comics. So is Batman #86 a bold new era or damage control? I honestly cannot decide as this issue felt like a little of both to me. I still feel that Tom King’s run has done immeasurable harm to the legacy of the Dark Knight, but, if anyone can fix things I’m sure James Tynion IV is the man to do it. Fingers crossed, eh?

Publisher: DC Comics Writer: James Tynion IV

Pencils: Tony S. Daniel Inks: Danny Miki Colors: Tomeu Morey

Letterer: Clayton Cowles Cover Tony S Daniel & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Sci-Fi Jubilee My New You Tube Channel Batman Return to Arkham Collection: Arkham City Completed!

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Arkham Asylum, Arkham City, Bane, Batman, Batman Return to Arkham Arkham City Walkthrough, Batman: Return to Arkham Collection, Catwoman, Clayface, Gotham, Harley Quinn, Hugo Strange, Killer Croc, Mr Freeze, PS4, PS4Share, Ra's al Ghul, The Joker, The Mad Hatter, The Penguin, The Riddler, Two Face

Sci-Fi Jubilee My New You Tube Channel Batman Return to Arkham

Arkham City Completed!

Hi, I’d like to say a big thank you to everyone for checking out my YouTube channel while I’ve been playing the Batman Return to Arkham Collection. I’ve completed Arkham City now, well, the main story anyway. Its been great of fun to revisit Arkham City, the storyline is really action packed, there are plenty of side missions to complete, and the game features lots of classic Batman villains including Two Face, Penguin, Solomon Grundy, Bane, The Riddler, Harley Quinn, Mr Freeze, Mad Hatter, Victor Zsasz, Hush, Deadshot, Clayface, Ra’s Al Gul, Talia Al Gul, and of course the Joker! I also played the majority of Arkham City using the Dark Knight Returns version of Batman, so that features in nearly all of the videos I streamed of the game.

　

This video features one of my favourite boss fights, the battle with Mr Freeze in the old GCPD building. It was a bit of a tricky battle as you can only use each form of Batman’s attacks once before Mr Freeze adapts to your tactics. Then it was time to save Vicky Vale after the Joker has her helicopter shot down.

Batman takes the fight to Hugo Strange in his tower lair right at the heart of Arkham City for a final showdown! Took me a few goes to get past all the guards, especially the ones at the entrance. Sorry, I’m a bit rubbish at doing the combos with all the Bat-Gadgets, but I got through and defeated Hugo Strange eventually!

Time for the final showdown between Batman and the Joker in Arkham City! I really enjoyed this part, it was a great finale to the game!

　

The remastered graphics in Arkham City were every bit as good as those in Arkham Asylum. I liked the wider scope of Arkham City, the side quests are good too, and it was fun to play the DLC content as well. The Batman Return to Arkham Collection is the first time I’ve streamed games like this on PS4, usually I’ve just done clips or edited the best bits together, so it was interesting to just play through the games and see how things turned out. It seemed to go down well, becoming a really popular feature on Sci-Fi Jubilee.

Thank you so much for watching and supporting me, its become such a fun addition to Sci-Fi Jubilee as well, especially with all your comments and suggestions. I hope you’ve enjoyed my return to Arkham Asylum and Arkham City as much as I’ve had fun playing these brilliant games again, and please feel free to hit that like button and subscribe if you did. I really appreciate the great feedback you‘ve given me, so keep an eye out for more videos as I might stream more games like this on my YouTube channel in the future.

　

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