Doctor Who Kerblam! , The Witchfinders, & It Takes You Away Reviews

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Bradley Walsh, Chris Chibnall, Doctor Who, Doctor Who Series 11, It Takes You Away, It Takes You Away Review, Jodie Whittaker, Kerblam!, Kerblam! Review, Mandip Gill, Mark Tonderai., TARDIS, The 13th Doctor, The Witchfinders, The Witchfinders Review, Tosin Cole

Doctor Who Kerblam, The Witchfinders, & It Takes You Away

Review by Paul Bowler

As you probably know from my last few posts, I’ve recently spent some time in hospital after I fell ill with a chest infection again. Obviously this threw my review schedule out the window. Fortunately my review of The Tsuranqa Conundrum was almost completed before I went into hospital, but even though I’m home resting and recovering now I’m still under Doctor’s orders to take things easy. So, after completing a short Demons of Punjab review I decided to surmise my thoughts on Kerblam!, The Witchfinders, and It Takes You Away in a somewhat more truncated form for this post, and then do a more detailed review of the Series 11 finale The Battle of Ranskoor Av Kolos afterwards in a separate review.

Kerblam!

When the Doctor receives a mysterious message in a package delivered to the TARDIS, it leads the Time Lord and her companions Graham, Yaz and Ryan to a moon base warehouse HQ of the galaxies largest retailer – Kerblam! But as the Doctor and her friends investigate the facility they uncover a much wider, and far-reaching conspiracy than they could’ve possibly imagined…

Kerblam! , written by Peter McTighe and directed by Jennifer Perrott, may have a grammatical first in its title for such a long running series like Doctor Who, but sadly that’s probably just about the only remarkable thing I can think of to say about this episode.

The episode started promisingly enough, considering the high jinks when the Doctor received the fez at the start. Indeed, the Time Lord and her companions investigation into discovering who sent the message for help from the Kerblam! facility had great potential. Sadly the plot revolving around this intergalactic answer to Amazon quickly ran out of steam.

The regular cast do their best with the mundane script, but guest stars Julie Hesmondhalgh (Coronation Street, Boradchurch) and Lee Mack (Not Going Out) seemed wasted in their sketchily developed roles. Even the revelation of who was behind everything that’d been happening at Kerblam! , along with their motives, was signposted a mile off and hardly a big surprise either.

Kerblam! was the second episode I watched during my recent stay in hospital. Perhaps it was because I was really looking forward to going home the following week more than I was about watching Doctor Who that Sunday night, I’m not sure, but I really struggled to like anything about Kerblam!. Cheap and tacky looking, Kerblam! has little to commend it, so I must consign it to mediocrity, bubble wrap and all…

The Witchfinders

The TARDIS brings the Doctor and her companions to 17^th century Lancashire, where, in the shadow of Pendle Hill, the nearby townsfolk of Bilehurst Cragg is in the grip of the infamous Witchtrials. The Doctor becomes embroiled in a frightening mystery when they are unable to prevent young Willa Twiston’s (Tilly Steel) grandmother being condemned as a witch, as sinister magic grips the land, and the sudden arrival of King James I only serves to increase the fervour of the witch hunt!

Now this is more like it! The Witchfinders, written by Joy Wilkinson and directed by Sallie Aprahamian, is my kind of Doctor Who story. Grim, brooding themes, a creepy historical setting and a cleverly thought out alien mystery for the Doctor and her friends to solve. Jodie Whittaker continues to impress as the 13^th Doctor on every level in this story.

For the first time in this series the Doctor’s gender also becomes an issue of sorts for her to contend with, further highlighting the discrimination and prejudices of this era. Even the sonic and psychic paper are used sparingly in this episode; and actually cause more problems for the Doctor than they help solve. There are good scenes for Ryan, Yaz, and Graham as well and I really like how team TARDIS is meshing together so well as a team now as they help the Doctor uncover the truth behind what has reanimated the victims of the trials that now stalk the land.

The Bafta winning, Golden Globe nominated actor, and star of Hollywood and Broadway, Alan Cunningham totally steals the show as King James in the Withcfinders. His performances as the witch-fearing King is deliciously wicked and fun. The King’s initial attitude towards the Doctor is priceless, especially when he appoints Graham as Witchfinder General over her, and King James’ flirting with Ryan is also hilarious. Slobhan Flnneran (Downton Abby, Happy Valley, Clocking Off) also guest stars as the ruthless Becka Savage, a character whose uncompromising zeal for the witch trials ultimately proves her undoing.

Complementing the story perfectly is this weeks monster of the week, the Morax! An ancient alien species imprisoned on Earth for war crimes, these disembodied entities were inadvertently released from their high-tech prison within Pendle Hill when Becka damaged a tree connected to its locking systems. The Morax possessed mud-caked victims of the trials are without doubt one of series 11’s most effective monster yet, and they provide plenty of nightmarish chills throughout the episode.

Sure, the episode got a little bit carried away by its own ambition, but the script and direction were bang on the money. I really enjoyed The Witchfinders. It was a thrillingly dark, atmospheric story, the main cast were all on fine form, the monsters were frighteningly realized on screen, and Alan Cummings was great as King James. Easily my favourite story of series 11 so far!

It Takes You Away

In the penultimate episode of Series 11, The Doctor, Graham, Yaz, and Ryan embark on a decidedly sombre adventure when Team TARDIS arrives in the present day on the edge of Norwegian fjord. In true Scandinavian fashion, the Time Lord and her friends quickly uncover a mystery surrounding an old boarded up cottage, where a young girl desperately needs their help, and a powerful danger will soon strike at them all.

It Takes You Away, written by Ed Hime and directed by Jamie Childs, is a brooding, atmospheric episode. It tells the story of Hanne (played by the blind actress Elle Wallwork, her scary predicament blends chills and sci-fi themes in equal measure, and the path the Doctor and her companions must take in order to save her.

Jodie Whittaker seems to have really settled into her role as the Doctor now. This story gives her, along with Mandip Gill, Tosin Cole and especially Bradley Walsh some terrific character moments – further highlighting just how well this regular cast work collectively as a whole. Elle Wallwork is outstanding as Hanne too. The guest cast also features the actor and comedian, Kevin Eldon, with Christian Rubeck as Erik, and Lisa Stokke as Trine.

Naturally, together with the underlying question of what really happened here, there’s also a monster lurking in the woods near the cottage, and soon the Doctor must confront a terrifying threat. But who, or what, is the frightening Ribbons?

The answers come soon enough as the Scandi-Noir tone of It Takes You Away spins off into Sci-Fi thrills and chills. With the discovery of a mirror without a reflection that leads to an Anti-Zone (a realm created by the universe as a buffer against a catastrophic event) , the Doctor and her friends encounter the treacherous creature known as Ribbons (chillingly portrayed by Kevin Eldon), face deadly flesh eating moths, and eventually flee through another portal back to the house.

It is here where Ed Hime’s script really hits it stride, juggling big concepts, and powerful emotional themes as the Doctor realizes they are in is a parallel dimension (the visual subtleties of its reverse reflective state are also a great touch) created by a sentient universe called The Solitract. It has used its power to construct this environment along with a duplicate of Hanne’s mother Trine to lure her father, Erick, back to this place and keep him there. I love how the direction here by Jamie Childs brings a dream-like quickly to these scenes, especially when Graham’s late wife, Grace (Sharon D Clarke), also appears, and Bradley Walsh’s subsequent performance as the grief stricken Graham proves truly moving when he is almost overwhelmed at seemingly being reunited with her again.

The Doctor also puts everything on the line to save Hanne, her father, and her companions from the unstable dimension. Jodie Whittaker is sublime here as the Doctor faces the uncanny face-off with the true frog form of The Solitact in its own universe. The ensuing meeting of minds here is a wonderful scene and its beautiful played by Whittaker.

There’s even a fun nod to the Pertwee era in this episode as well when Yaz suggests at one point that the Doctor should try reversing the polarity! Having Ryan finally call Graham granddad at the end of the story was also a nice way close the episode. With its great story, beautiful direction, and strong performances from the cast, this one had it all for me. Eerie, bizarre, and more than a little surreal, It Takes You Away was one of the most enjoyable and satisfying episodes of this new series so far!

Sorry to be so short and to the point, but hopefully I got my views across ok, and it was fun to play around with the format of reviewing Doctor Who stories a bit. Let me know, do you like this way of reviewing a whole TV series, more like an overview say, or do you prefer the more detailed, individual episode approach I tend to use, or a mix of both?

Well, I’m all caught up with Doctor Who series 11 now and really looking forward to seeing what the season finale The Battle of Ranskoor Av Kolos will bring!

Check out the trailer for the series 11 finale!

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Demons of the Punjab Review

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Bradley Walsh, Chris Chibnall, Demons of the Punjab, Demons of the Punjab review, Doctor Who, Doctor Who Series 11, Jodie Whittaker, Mandip Gill, Mark Tonderai., TARDIS, The 13th Doctor, Tosin Cole

Doctor Who Demons of the Punjab

Review by Paul Bowler

The adventures of the new TARDIS team continue as the Doctor (Jodie Whittaker) and her companions Graham (Bradley Walsh), Yaz (Mandip Gill) and Ryan (Tosin Cole) arrive in Punjab in 1947, just as Partition is declared in India. Yaz resolves to discover more about her grandmother’s history and the events that led her into keeping a tragic secret; meanwhile the Doctor sets out to confront the sinister demons that have been mysteriously appearing across the land…

Demons of the Punjab, written by Vinay Patel (Murdered by my Fahter) and directed by Jamie Childs, is a deeply moving and tragically dark story. Yaz wants to lean about her families past, so having a friend with a time machine comes in handy, and she persuades the Doctor to take her back in time to the day when her grandmother got married.

It’s not long before the Doctor realises the significance of the world changing events they have inadvertently become involved in. Partition would herald stark divides; the displacement of millions of people, and terrible violence that would change lives forever, and now the Doctor and her fiends must tread softly in the past and let events transpire – despite their foreknowledge of the heartbreaking tragedy Yaz’s nanni with face.

Jodie Whittaker gives one of her finest performances to date as the Doctor. Bradley Walsh and Tosin Cole also acquit themselves well as Graham and Ryan, but it is Mandip Gill as Yaz who really takes centre stage in this episode about her gan’s past. The extensive guest cast which features Leena Dhingra as Nani Umbreen, Amita Suman as Umbreen, Shane Zaza as Prem, Hamza Jeetooa as Manish, Shaheen Khan as Hasna, Shobna Gulati as Najia Khan, Ravin J Gantra as Hakim Khan, Bhavnisa Pramar as Sonya Khanm, and Barbara Fadden as Almak all give strong performances.

Doing history on such a human scale is what Doctor Who does best, never more so than when the drama plays out against the backdrop of such powerful themes and personal issues like this. Obviously being a family show, Partition isn’t realised in a graphic way on screen, but the emotional fallout and sombre tone that builds throughout the episode actually makes the depiction of these events and the way it would shape the life which Yaz’s gran would lead ultimately feels a lot more powerful and poignant as a result.

Naturally, being Doctor Who there are monsters for the Doctor to contend with. Initially thought of as demons by those who’d seen them, these creatures which have been glimpsed as people are about to die alone, are the Thjarians. Once know and feared as the deadliest assassins in the universe, the Thjarians civilization is now gone, and these two lone survivors of their kind now travel endlessly to witness those who will perish alone because they themselves were not there to witness or honour the destruction of their own civilization.

The location filming in Spain gives this episode added scope and scale to bring the story to life as well. I actually watched Demons of Punjab while I was hospital recently. Although I was on a drip at the time and not feeling too good, I thought it was an excellent episode, and one of the most emotional and moving Doctor Who stories I’ve seen in a long time.

I really liked how the sci-fi and historical elements seamlessly merged and that the monsters were not quite what they seemed either. The resolution of the episode was also handled well. There are times when everything in Doctor Who seems to click together just right, Demons of Punjab is a thought-provoking tale, and one of the standout episodes of the 13^th Doctor’s new adventures.

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Doctor Who The Tsuranga Conundrum Review

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Bradley Walsh, Chris Chibnall, Doctor Who, Doctor Who Arachnids in the UK, Doctor Who Series 11, Doctor Who The Tsuranga Conundrum, Doctor Who The Tsuranga Conundrum review, Jodie Whittaker, Mandip Gill, Mark Tonderai., TARDIS, The 13th Doctor, Tosin Co

Doctor Who The Tsuranga Conundrum

Review by Paul Bowler

The new adventures of Team TARDIS become fraught with danger in The Tsuranqa Conundrum, as the Doctor (Jodie Whittaker) and her companions Graham (Bradley Walsh), Yaz (Mandip Gill) and Ryan (Tosin Cole) find themselves injured and marooned in a distant galaxy. But to survive this crisis they must team up with a group of strangers against one of the most bizarre and powerful monsters in the entire universe…

The Tsuranqa Conundrum, written by Chris Chibnall and directed by Jennifer Perrott, finds the Doctor and her new companions stranded in a futuristic medical facility after one of their adventures has gone disastrously wrong on a junkyard planet. Jodie Whittaker’s Doctor is at the heart of the action, quickly discovering they are on board an automated spaceship bound for a medical space-station, but she’s far from the only hero here, and she inspires Graham, Yaz and Ryan to be as resourceful as ever to deal with their current predicament.

Of course, the other patients with them in the facility also have a key role to play. The extensive guest cast for this episode includes Brett Goldstein and Lois Chimimba as the medics Astos and Mabli, actor and stand up comedian Ben Bailley Smith plays Durkas Cicero, and Casualty star Suzanne Packer is Eve Cicero.

Chris Chibnall’s fast paced script hardly pauses for a moment, further heightening the danger faced by the Doctor, her friends, and the other patients in the facility. After the Earth based stories The Tsuranqa Conundrum is a welcome voyage into full on science fiction territory, boasting a glittering universe of sleek spaceships, new cultures, there’s a physics lesson veiled in anitmatter technobabble, and the Doctor and co even get to meet a pregnant male alien. Australian director Jennifer Perrott and director of photography Simon Chapman (who is also Australian), have stylishly crafted this episodes vividly futuristic setting, the scope of it all is highly impressive, and the result is a truly remarkable looking Doctor Who adventure!

The medical space-ships course soon takes the vessel into disputed territory. Before long a dangerous alien threat gets on board, a ferocious Pting (created and named by Tim Price room during series 11‘s early development), and its this diminutive monster that the Doctor encounters in this episode which presents a very new and different kind of threat for the Time Lord and her companions. The Ptng is a tiny, incredibly strong, speedy little beast with razor sharp teeth, toxic skin, and well known throughout the galaxy because of its voracious appetite for devouring all non-organic matter – including energy!

Now… here’s where this review goes off on a slight tangent, because this is the point while preparing this review that I fell ill and got rushed into hospital. It feels a bit strange now, after just over two weeks, looking back over what I’d written about The Tsuranqa Conundrum while trying to gather my thoughts and opinions together in summing up this episode. To be honest my memory of it’s all a bit hazy, so I really need to see it again to judge it properly, but for now I’ll stick with the initial notes I made.

Although exciting and fast paced, I felt that The Tsuranqa Conundrum was crammed almost to bursting point with a lot of good ideas, but sadly few of them were either developed successfully or worked collectively as a whole. The episode certainly put the Doctor and her companions though their paces, delivering strong character moments, but the supporting cast and frenetic plot made The Tsuranqa Conundrum feel overstuffed – a bit like the Pting at the end of the episode! The little Pting was actually The Tsuranqa Conundrum’s saving grace, the monster was a really fun and dangerous menace, and it thankfully brought the scripts lazy fix-all overuse of the Sonic Screwdriver to an abrupt halt – for a little while anyway.

The Tsuranqa Conundrum is far from Chris Chibnall’s strongest script to date in series 11, however, the solid performances from the main cast, together with Jennifer Perrott’s stylish direction, and of course the insanely cute Pting do make up for some of the scripts failings.

Reflecting on seeing The Tsuranqa Conundrum now feels very bizarre to me, especially considering the paradox of actually going into hospital myself after watching this episode. I will probably revisit this story again at some point, but strangely, just like any stay in hospital (no matter how well they look after you, and believe me they certainly did and I‘m immensely grateful for the care I received), its not necessarily something that I want to do again any time soon; and I think that sums up exactly how I feel about The Tsuranqa Conundrum as well. An above average Doctor Who story – but one that oddly felt like it was still a couple of drafts away from reaching its full potential.

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Doctor Who Arachnids in the UK Review

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Arachnids in the UK, Arachnids in the UK review, Bradley Walsh, Chris Chibnall, Doctor Who, Doctor Who Arachnids in the UK, Doctor Who Series 11, Jodie Whittaker, Mandip Gill, Mark Tonderai., TARDIS, The 13th Doctor, Tosin Cole

Doctor Who Arachnids in the UK

Review by Paul Bowler.

Doctor Who goes all eight legged and freaky in Arachnids in the UK as The Doctor (Jodie Whittaker) and her companions Graham (Bradley Walsh), Yaz (Mandip Gill) and Ryan (Tosin Cole ) return to present day Sheffield after their recent adventures. But after everything they’ve been through together, can life back home ever really be the same again? Some big decisions await, but first there’s a creepy infestation of dangerous spiders in Sheffield to deal with…

Continuing the ongoing trend of placing markedly different stories next to one another, the fourth episode of Doctor Who’s eleventh series Arachnids in the UK, written by Chris Chibnall and directed by Sallie Aprahamin, is pure B-Movie fun.

Returning to the present after the modern historical of previous the episode, Rosa, Arachnids in the UK gives the Doctor’s companions a chance to touch base back home and contemplate everything that’s happened to them since the Doctor whisked them away on their adventures in time and space. There’s also more focus on Yaz’s family, and we gain a bit more insight about her home life

Jodie Whittaker continues to impress on every level as the Doctor, Mandip Gill gets more time in the spotlight as Yaz, while Tosin Cole and the brilliant Bradley Walsh also deliver strong performances as Ryan and Graham. Arachnids in the UK also features an impressive guest cast including Chris Noth (famed for his staring roles in Sex and the City and The Good Wife) as hotel the mogul Robertson who is dealing with a very pressing spider problem, Shobana Gulati (Dinnerladies and Coronation Street) plays Yaz’s mum, Najia, and Tanya Fear as the zoologist Dr Jade Mclntyre.

From the spectacular sight of the TARDIS travelling through the time, space vortex, to the beautiful scene where Yaz invites the Doctor and her new friends home for tea, and the emotional scenes as Graham returns home this episode hit’s the ground running and hardly lets up for a moment. Bradley Walsh continues to knock it out the park in this episode, delivering an especially moving performance as Graham confronts his grief, and these moving scenes are made all the more poignant as Sharon D Clarke also reprises her role briefly as Grace O’Brien.

Its only when the Doctor and Ryan meet Dr Jade McIntyre, a zoologist from an arachnid research centre in Sheffield, and discover something nasty under the bed in the flat next door but one to Yaz’s home that the full extent of what’s been happening to the spiders begins to emerge.

After an arachnid encounter at his house, Graham rejoins them, and the Doctor and the gang set off to find Yaz who has gone to meet her mother who has just been fired from her job at the newly constructed luxury hotel by its American owner Jack Robertson – a hotel which the Doctor has identified as the source of the infestation

Naturally the spiders in this episode provide the monster-of-the-week factor. Brining enough scares, chills, and downright ickyness to make your skin craws while providing the Doctor and her companions with a suitably challenging menace for them to deal with. Chibnall’s tautly paced scrip cleverly toys with all the familiar B-Movie tropes, along with our fears, and preconceptions of arachnids to make the eight legged critters – which are also effectively realized – in this episode feel all the more menacing as a result

It transpires that spiders are in fact giant domestic spiders that grew from the offspring of a spider specimen from Dr McIntyre’s lab that was believe to be dead when it was disposed of. Only trouble is, the company put it with the rest of the toxic waste they’ve been dumping in the mining tunnels beneath which Robertson’s new hotel has been built on.

With the creepy crawlies webbed presence cunningly hinted at right from the outset, Arachnids in the UK has spiders under the bed, spider scuttling down dark corridors, and even a giant spider bursting out through a bathtub (my favourite bit in the episode) to snare a hapless victim!

Its not long before the Doctor and her companions, along with Najia, Dr Jade McIntyre and slimy Trumpesque business man Robertson find a way to deal with the bulk of the spider horde, but I wasn’t expecting the tragic fate of the giant spider, and Jodie Whittaker’s Doctor really drives home the powerful themes surrounding the creatures demise with the utmost conviction.

Although I though the plot was a bit sketchy in places, Arachnids in the UK was still a fun, action packed adventure. Chris Chibnall continues to build the bond between the Doctor and her new companions, and the dramatic direction by Sallie Aprahamin makes ensures the scenes with the giant spiders are really exciting. With its distinct Pertwee era vibe, especially The Green Death (1973), and its dash of modern political satire Arachnids in the UK is certainly an eventful episode. Sure, the resolution to the spider menace does get wrapped up a bit too quickly and conveniently, but the final scenes in the TARDIS more than make up for any unresolved plot threads as Graham, Yaz and Ryan decide to continue travelling with the Doctor despite the dangers they might face, and its a wonderful moment for this new “team TARDIS” as they set off to see the universe. together!

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Doctor Who Rosa Review

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Bradley Walsh, Chris Chibnall, Doctor Who, Doctor Who Rosa, Doctor Who Rosa review, Doctor Who Series 11, Jodie Whittaker, Mandip Gill, Mark Tonderai., Rosa Parks, TARDIS, The 13th Doctor, Tosin Cole

Doctor Who Rosa

Review by Paul Bowler

Rosa, the third episode of series 11, sees the Doctor (Jodie Whittaker) and her companions Graham (Bradley Walsh), Yaz (Mandip Gill) and Ryan (Tosin Cole ) take their first sojourn into the past when the TARDIS arrives in Montgomery, Alabama, in 1955 where they encounter someone attempting to rewrite the history of the black civil rights movement.

Written by Malorie Blackman and Chris Chibnall, Rosa is a very new and bold style of historical adventure for Doctor Who. Indeed, this is a powerful, even harrowing, return to Earth for the Doctor’s new companions as they visit the Deep South in 1955 and find themselves in a very different era from the one they live in…

The seamstress, Rosa Parks, superbly played in this episode by Vinette Robinson, became a key figure in the civil rights moment on the day she refused to give up her seat on a buss for a white person. It set in motion a chain of events whereby the actions of this one woman would become a major turning point in history and result in brining far reaching change for the good.

There are strong performances all round in this episode, Bradley Walsh, Mandip Gill and Tosin Cole all brining even grater range to their characters over the course of this story. Jodie Whittaker has an empowering presence here as the Doctor too. You see, someone wants to prevent this monumental moment from happening, someone is determined to alter time to ensure that everything bad stays just the way it, and there’s no what in a million years the Doctor is ever going to let that happen!

That someone is Krasko (Joshua Bowman) a recently paroled convict from Stormcage who has used a vortex manipulator and a temporal weapon to travel back in time and alter history by preventing Rosa Parks from having to give up her seat on the bus. Fortunately Krasko’s actions in this time have left a trail of artron energy, which enables the time travellers to track him to his lair in the bus works. Krasko’s scheme is a significant threat, but the Doctor soon discovers the ex-con has a mental restrictor in his mind preventing him from actually harming anyone – at least directly. So it’s up to the Doctor and her friends to become involved, each playing their own part in events to thwart Krasko’s plan and that ensure history and Rosa’s pivotal moment in time unfolds as it should.

Like the Ghost Monument, Rosa also had location filming in South Africa, and this time Mark Tonderal brings a very different approach to the look and tone of the episode. The challenge of shooting in South Africa and recreating the period setting of the USA 1955 is brilliantly handled. From the clothes, setting, and vehicles the production and design clearly pulled out all the stops to give the episode a distinct quality all its own for series 11’s first voyage into the past.

Featuring great character moments for the ensemble cast along with the assured direction of Mark Tonderal, Rosa marks a dramatic change of pace after the quirky fun of the first two episodes of series 11, and indeed historical stories in Doctor Who as a whole. Co writers Malorie Blackman and Chris Chibnall have taken the task of brining issues of racism, segregation, and the Montgomery buss boycott together in the format of Doctor Who incredibly well.

Rosa builds towards a resounding finale as the closing moments draw near, and the TARDIS crew realize that by thwarting Krasko’s plot they themselves have inadvertently become integral to events on the bus as they witness Rosa Parks getting arrested for violating the segregation laws. With the rousing soundtrack at the end called Rise Up by singer-songwriter Andrea Day, together with the coda where the Doctor takes her companions in the TARDIS to show them how much Rosa Parks actions would influence the future, and become an icon for freedom. Rosa is an emotional and challenging episode that stays with you long after the credits have rolled.

Obviously, the subject matter makes for a powerfully themed episode, but even though Rosa doesn’t have quite the same Doctor Who sci-fi sparkle as previous historically based New Who episodes it’s a resoundingly better story for it. Unflinching, heartrending, and empowering, Rosa is a magnificent addition to this new series, and I for one cant think of any other episode of Doctor Who that has moved me quite as much as this one.

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Doctor Who The Ghost Monument Review

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Bradley Walsh, Chris Chibnall, Doctor Who, Doctor Who Series 11, DoctorWho The Ghost Monument, Jodie Whittaker, Mandip Gill, Mark Tonderai., TARDIS, The 13th Doctor, The Ghost Monument Review, Tosin Cole

Doctor Who

The Ghost Monument

Review by Paul Bowler

Following its ratings smashing premier episode, The Woman Who Fell To Earth, Series 11 of Doctor Who continues with The Ghost Monument, written by Chris Chibnall, and directed by Mark Tonderai (Gotham, Black Lightening, The Five). After being left reeling from their first adventure, the Doctor (Jodie Whittaker), along with her new companions Graham (Bradley Walsh), Yaz (Mandip Gill) and Ryan (Tosin Cole) must now find a way to survive on a hostile alien world as they strive to solve the uncanny mystery of the planet Desolation…

Partly filmed in South Africa, the second episode of series 11 certainly gives an added sense of awe and spectacle to the Doctor’s companion’s first trip to another plant. The BAFTA winning DNEG team responsible for this new season visual effects also continue to work their magic, and The Ghost Monument is an absolutely stunning looking episode as a result.

Jodie Whittaker continues to excel in her role as the new 13^th Doctor, brimming with fun and sound advice, her incarnations traits quickly make you warm to her endearing characterization of the Time Lord. After being marooned in space at the end of the new series premier, the Doctor and her companions are soon scooped from the void by two pilots Angstorm (Susan Lynch) and Epzo (Shaun Dooley) in their old rickety spaceships taking part in an intergalactic race, but after crash-landing on the barren planet with three suns the stranded group encounter the holographic potentate Llin (Art Malik) and the Doctor is shocked to discover that the objective of the race – reaching the mythical Ghost Monument – is actually the TARDIS which has somehow become trapped out of phase on this worlds surface because of the damage it suffered.

Their quest to reach the Ghost Monument involves crossing a sea contaminated by deadly microbes, exploring some ancient ruins while stalked by sniper robots, facing the frightening cloth-like Remnants, and the eventual discover that this entire planet was used by the Stenza to create weapons of mass destruction.

There is a snappy pace to Chris Chibnal’s scrip for The Ghost Monument that really steps things up a gear for the Doctor and her companions. Bradley Walsh, Mandip Gill and Tosin Cole are all excellent in their roles as Graham, Yaz and Ryan respectively, and its great to see their characters gradually adapting to the Doctor’s madcap world over the course of this adventure with only her promise to keep them alive and get them home to really bind them together – relying on their wits and getting to know each other better as a result along the way.

The subtleties in Jodie Whittaker’s performance as the quirkily fun, clever and practical new incarnation Time Lord also really begins to shine though as both she and her companions start to forge strong bonds, with subsequent events illustrating just how great they are as a team when they get caught up in the episodes powerful allegorical themes of disaster, mass-murder, and ethnic cleansing. The Ghost Monument also gives us slightly more insight to the Stenza from the first episode, especially how they used this planet to make weapons, the sniper bots provide some exciting action, and the snaking cloth-like Remnants (chillingly voiced by Ian Gelder) which emerge at night are also quite unsettling as they use their victims fears against them.

The Ghost Monument marks the debut of series 11’s fantastic new title sequence as well! Featuring a stylish amalgamation of classic and new elements the gorgeously swirly new titles complements the fresh, vibrant tone of the new series perfectly, and together with terrific new opening theme by the series’ new composer Segun Akinola this episode feels extra special as a result.

But that not all. After reaching the Ghost Monument, Angstorm and Epzo claim joint victory, and teleport off the planet, apparently leaving the Doctor and her companions stranded. It is here, in a particularly emotional scene for Jodie Whittaker, that the Doctor coaxes the TARDIS to materialise properly at last and we get our first look inside! While the exterior is a lovely throwback to the early Tom Baker years; I feel the interior may divide opinion somewhat, but I personally thought the new TARDIS interior was spectacular! It looks a bit like a crystalline, steam punk, version of the 9^th and 10^th Doctor’s TARDIS interiors, the console is covered in chunky levers, there‘s a little model TARDIS, one section of the console even dispenses custard cream biscuits, and seeing the Doctor and her companions finally enter the elusive time machine for the first time is a defining moment that really makes the 13^th Doctor’s new era feel complete at last.

The Ghost Monument is a continuation of the set-up for the new series, new Doctor and new characters that began with The Woman Who Fell To Earth. Sure, the plot is a bit frenzied at times, but my only real grip was how much the story went so OTT with the sonic screwdriver – yes it’s that old pitfall of the sonic fixing / saving every situation that New Who so often falls into. However, with the episodes dash of Venusian Akido and its tantalizing reference to the “Timeless Child” I’m willing to let them off the overuse of the sonic a bit.

Along with Chris Chibnal’s strong script and Mark Tonderai’s superb direction, The Ghost Monument delivers blockbusting spectacle and action in equal measure. Jodie Whittaker and the new ensemble cast are settling into their roles nicely, all the familiar elements are now in place, and with their inaugural trip first voyage to another planet under their belt its now time for the Doctor and her companions adventurers in time and space to begin in earnest!

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Watch the trailer for the third episode of series 11, Rosa.

Here’s the new Doctor Who title sequence and new theme!

Check out the New TARDIS | Doctor Who: Series 11!

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Doctor Who The Woman Who Fell To Earth Review

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Bradley Walsh, Chris Chibnall, Doctor Who, Doctor Who Series 11, Doctor Who The Woman Who Fell To Earth, Jamie Childs, Jodie Whittaker, Mandip Gill, TARDIS, The 13th Doctor, The Ghost Monument, The Woman Who Fell To Earth Review, Tosin Cole

Doctor Who

The Woman Who Fell To Earth

Review by Paul Bowler

Finally, after the long months of waiting, speculation, and expectation Doctor Who is back! Series 11 kicks off with the hour-long premier episode The Woman Who Fell To Earth, written by Chris Chibnal, directed by Jamie Childs, and staring Jodie Whittaker as the 13^th Doctor, who, along with her new friends Graham (Bradley Walsh), Yaz (Mandip Gill) and Ryan (Tosin Cole ) team up to face a ruthless alien threat in Sheffield.

Last time we saw her the post regenerative Doctor was sent tumbling from the TARDIS in the closing moments of Twice Upon a Time (2017). Now in the present day Ryan Sinclair, Yasmin Khan and Graham O’Brien lives are about to change forever when a mysterious woman suddenly falls from the night sky. Can they really believe this bubbly, unpredictable stranger? She might not be able to remember her own name, but is seems she’s the only person that could be able to help solve the mysterious events unfolding around the city?

Settling into its brand new timeslot on Sunday’s with ease The Woman Who Fell To Earth begins series 11 of Doctor Who in fine style as Jodie Whittaker’s newly regenerated Doctor crashes through the roof of a stranded train to begin her adventures. She might not have the TARDIS or a even a sonic screwdriver to hand, but once the wry nods to the Time Lords new gender are out the way the 13^th Doctor’s fun, and quirky persona quickly shines though as she embarks on the first of this new seasons self-contained adventures.

When people need help, I never refuse.

.Jodie Whittaker’s endearing performance instantly harnesses the quintessential Doctorishness necessary to make you wholeheartedly embrace this new incarnation of our favourite Time Lord. Jodie brings a breathless sense of heroic energy to the role that makes her Doctor feel exciting, dynamic, and fun to be around. Chris Chibnal’s clever scrip weaves all the classic tropes into the narrative for the new Doctor, everything from meeting her new friends after confronting the tentacle strewn alien probe on the train, to making a new sonic screwdriver from scratch, and the brilliant scene where she chooses her new costume all ensure that Jodie Whittaker’s 13th Doctor instantly becomes a version of the Time Lord that fans old and new will quickly take to their hearts.

So, what of the Doctor’s new friends? Bradley Walsh is great as Graham, brining both a sense of fun and emotional depth to his role. Mandip Gill is also excellent as the resourceful Police Officer in training Yaz, as is Tosin Cole as Ryan, a warehouse worker and former school friend of Yaz’s with Dyspraxia who wants to become an engineer. Walsh’s character Graham is also married to Ryan’s gran Grace (Sharon D Clarke), making him Ryan’s step-granddad. Right from the outset Ryan’s moving opening address on his YouTube channel, along with his determination to master riding a bike with the help of Grace and Graham, movingly foreshadows the episodes underlying themes and events as the young man stumbles upon an alien travel pod and inadvertently activates it. There’s a really fun dynamic between the Doctor’s new companions as well. The banter between them and the Doctor feels very natural and warm, the characters are also instantly relatable, grounded in reality, and even at this early stage its clear they have the makings of a great TARDIS team.

While this episode does begin a little differently than expected – we’ll have to wait until the next episode to see the new title sequence and the arrangement of the brilliant new nostalgically pitched opening theme by the series’ new composer Segun Akinola finally brought together as one – once Jodie’s Doctor has had a little nap and a sprinkle of regeneration energy mid-way through the episode its time for the Time Lord to get on the case of the alien mystery in Sheffield. With Jamie Childs glossy direction Chris Chibnal’s script positively fizzes with vibrant action, with an eerie alien pod set to open at any moment, DNA bombs primed to explode, and a fearsome hunter lurking in the dark. There are slight references to the series’ past, but nothing to overload the script as has sometimes been the case in previous seasons, and I feel that this premier episode is all the more refreshing for it.

Of course you can’t have Doctor Who without scares, weird goings on, and… monsters! The 13^th Doctor’s first adventure certainly has a couple of edge of the seat moments, especially with a bizarre probe and a super scary beast stalking the streets, but the reasons why this dual extraterrestrial menace is happening in Sheffield yields even more intriguing surprises for the Doctor and her friends. The special effects are really impressive as well. Its not long before the Doctor realises the probe is really weaponized bio-tech, gathering coils, used to select victims for a hunt – something which it has evidently been responsible for on Earth before – while the pod is actually a transport device for a second alien, an armor suited Stenza warrior who proves to be a rather frozen, toothy threat in more ways than one!

I’m just a traveller. Sometime I see things need fixing, I do what I can.

As the final showdown unfolds on the cranes at the construction site between the Doctor and the Stenza warrior Tzim-Sha hunting the hapless crane operator (who was also on the train with Grace and Graham when the Gathering Coils first arrived and he unwittingly became the target of the aliens hunt), the Doctor finally remembers her name as she steps up to the plate to confront the alien warrior and dispatches it with ease. It’s a brilliantly staged scene and the defining moment where Jodie Whittaker unequivocally becomes the Doctor without a shadow of a doubt.

With its showcasing of the programmes first female lead in the role of the Doctor, a brand new transmission day, and biggest regular cast since the 80’s (although I don’t see where that’s really that big a deal as there’s often been more than one person travelling with the Doctor since the series returned in 2005) Doctor Who returns feeling fresh and reinvigorated. Sure, I had some minor quibbles, I felt the incidental music got a little bit intrusive at times, sadly we didn’t get to see the TARDIS yet either, and while I don’t regard The Woman Who Fell To Earth as one of the strongest first stories for a new Doctor it was certainly one of the most contemporary and revitalising opening episodes for the rebooted series that I’ve enjoyed since 2005’s Rose.

The simplicity and fun sense of adventure in The Woman Who Fell To Earth reinforces show runner Chris Chibnal’s back to basics approach in every conceivable way, and quite possibly makes it one of the most easily accessible episode of Doctor Who ever. You really don’t need to know anything about Doctor Who to enjoy this episode. It’s the perfect jumping on point for new viewers, and there’s plenty here for long term fans to enjoy as well.

Although circumstances and thrilling adventure brought the Doctor and her new friends together, there’s also tragedy for them to contend with in the aftermath of the events in this episode. This really gave the ensemble cast their chance to shine, with powerful emotional beats that resonate long after the credits have rolled, by which time the Doctor, with the help of her friends, has programmed the remains of the Stenza transport pod to lock onto the energy trail of the TARDIS and transport her to the planet where the time machine is supposed to be. However, as the Doctor says her goodbyes she accidentally ends up transporting them all away – leaving them marooned and floating in deep space!

Right, this is going to be fun!

In short, Jodie Whittaker totally nailed it as the new Doctor! The Woman Who Fell To Earth was a fun, exciting, and emotional start to the new series of Doctor Who. So, as this first episode of the new series closes with a cliff-hanger, we are left pondering where the Doctor and her companions adventures will take them next as we are treated to a glimpse of the galaxy of stars appearing in series 11 and a tantalizing trailer for he next episode. I can’t quite remember the last time I enjoyed an episode of new Doctor Who quite this much and known next to nothing about it, or indeed the series itself, before hand, and I think that’s been the key factor in making this new series feel extra special for everyone. We really don’t know what to expect this time around as everything feel so new and different The universe is calling and it looks like we are going to be in for one fun packed ride!

Here’s the Episode Two Trailer | The Ghost Monument | Doctor Who: Series 11

And Coming Soon in Doctor Who: Series 11…

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