Detective Comics #1047 Review

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Arkham Asylum, Arkham Tower, Batman, Batwoman, DC Comcis, Detective Comics, Detective Comics 1047, Detective Comics 1047 review, Gotham, Ivan Reis, Mariko Tarmaki, Shadows of the Bat

Detective Comics #1047

Review by Paul Bowler

Arkham Tower looms over Gotham in Detective Comics #1047 like a dark ominous shroud. Yet beneath its gleaming high-tech facade and promises of new therapies from the mysterious Dr Wear, a terrifying darkness is waiting to be unleashed. But with Batman taking a break from Gotham City following the events of Fear State, the Bat-Family’s supporting heroes must step-up in the Dark Knights absence. If, like me, the solicitations for this issue made you think another year, another ‘Bat-Event,’ then you’d be wise you to think again as you may find yourself pleasantly surprised. The Tower: Part 1 kicks off a 12-part weekly Detective Comics event, Shadows of the Bat, written by Mariko Tarmaki, and the first chapter of its engaging and mysterious storyline draws you in right from the outset. 

Arkham Asylum has fallen and been replaced by Arkham Tower; a new facility built in the heart of Gotham itself and run by the enigmatic Dr Weir together with Dr Chase Meridian – a consultant appointed by Mayor Nakano. The issue is something of a slow burn to begin with,  as Tamaki builds the tension with scene setting flashbacks that shift between the Towers opening, Batwoman’s investigation of the new Arkham’s therapies, and a chilling portent within the pages of a hand made tarot scrapbook before plunging us full throttle into the carnage the Bat-Family must confront in the present-day when the inevitable riot break out in Arkham Tower. Tamaki weaves grim, action-packed descent into chaos for the Bat-Family, with action divided between characters either rushing to the scene while others are missing, or trapped inside the tower in dire peril. 

Featuring pencils by Ivan Reis and Inks by Danny Miki, Detective Comics #1047 looks absolutely stunning. Every panel is awash with rich detail and steadily gathering menace. The panel layouts are dynamically structured, moving from free-flowing to chaotically haphazard, all in perfect sync with the beats of the story. There’s intense close up drama, horror, and high-rise shocks cleverly interspaced with the Bat-Family’s interactions against the backdrop of Gotham and the terror unfolding within the tower itself. The vivid colors employed by Brad Anderson stylishly accentuates the mood and pace as the drama unfolds, and letterer Ariana Maher also does a fantastic job of making this surprisingly dialogue heavy issue a throughly engrossing and gripping read.

Batman may be out of town but he still plays a major role in this issues backup story: House of Gotham by Matthew Rosenberg. Its a dark, unsettling glimpse into the not-too-distant past, with an unflinching tale of the horrifying cracks in Gotham’s mental health system that one poor unfortunately soul could soon fall through. Featuring art by Fernando Blanco and colors by Jordie Bellaire, this bleak foreshadowing of the main storyline unfolding in Shadows of the Bat looks set to be every bit thrilling.

Detective Comics #1047 is like a gloriously dark and sinister mash-up of One Flew Over the Cuckoos  and The Towering Inferno. As comic book events go this one has certainly gotten off to a compelling start with its taut scraping and impressive artwork. Detective Comics #1047 is a terrific set up for Shadows of the Bat that poses just as many question as it does answers, let’s hope Tamaki can sustain the pace and keep the narrative on track for the duration of this immense storyline. 

Publisher DC Comics

Writer Mariko Tamaki

Pencils Ivan Reis / Inks Danny Miki

Colors Brad Anderson / Letters Ariana Maher 

Cover Irvin Rodriguez

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

Batman #99 Review

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Alfred Pennyworth, Batgirl, Batman, Batman #99, Batman #99 Review, Batwoman, Bruce Wayne, Clownhunter, DC Comics, Dick Grayson, Gotham, Harley Quinn, James Tynion IV, Joker War, Joker War Part 5, NCBD, Nightwing, Orphan, Punchline, Red Hood, Red Robin, Signal, The Joker

Batman #99

Review by Paul Bowler.

The endgame of Joker War looms in Batman #99 as the Dark Knight and the Joker prepare for the ultimate showdown. Batman knows he cannot win this war alone. He’s going to need the whole of the Bat-Family to help him reclaim Gotham. It’s time for a reunion with the first Robin, Dick Grayson, but is he ready and willing to return as Nightwing so soon after reclaiming his lost memories?

Everyone is in place as the penultimate chapter of Joker War unfolds, writer James Tynion IV delivers his most thrilling issue of Batman to date, and the rich level of characterisation he employs is mind-blowing in the extreme. We are treated to a frightening insight to the Joker’s twisted psyche and his anarchic vision of Gotham. Equally chilling is his warped use of the Wayne fortune, enjoying his luxurious new Jokermobile as he surveys the carnage he’s unleashed, and his ruthless demeanour towards his minions — including his new partner in crime Punchline – as he makes his final preparations at ACE chemicals highlights just how determined the Joker has become over the course of Joker War.

With theaters now filling with Gothamites for a movie where the Joker will ultimately kill them all and Clown goons running riot across the city, Batman calls in the Bat-Family for a rooftop meeting to help him form a strategy to retake Gotham. It’s great to see Red Hood, Signal, Orphan, Red Robin, and Batgirl all reunited alongside the Dark Knight. Harley Quinn is also along for the ride, Batwoman and the GCPD are busy having recaptured Wayne Enterprises and saved Lucius Fox (as seen in Detective comics #1025), but of course the biggest highlight is the return of Dick Grayson to the fold. DC Comics have come to their senses and the whole Ric Grayson debacle is finally over at last! Dick has his memories back and is ready to work alongside Batman again to save Gotham, Tynion crafts a fantastic and moving reunion for Dick Grayson and Batman, and while its not quite the big set-piece hinted at on the cover this scene is still easily the standout moment of the whole issue.

Harley Quinn also gets a good share of the action and some wonderfully snappy dialogue. She challenges Batman’s plans, her furious aside to Red Robin is hilarious, and her heartfelt resolve to finish the Joker if the Dark Knight should fail is as touching as it is brutally frank in its examination of the terrifying schism and collateral damage that Batman’s never-ending conflict with the Clown Prince of Crime has wrought over the years. The only complaint I can really level at the issue of Batman is that Punchline is seemingly sidelined by the Joker himself, Clownhunter gets thrown into the mix as just an afterthought, and even Catwoman’s scheme to strike back at the Underwriter feels a little underwhelming by caparison with the bigger events going on in the  rest of the issue. 

Joker War has seen the work of artist Joege Jimenez and colorist Tomeu Morey elevate DC’s flagship Batman title to new heights of visual opulence, and Batman #99 is no exception to that rule. With its burning panoramic vistas of Gotham, the Joker’s bloodthirsty treatment of his Clown thugs, and the Bat-Family reunion are all highlights from this issue, but the star of the show has to be Batman’s arrival at ACE chemicals — beautifully rendered by Jimenez and sumptuously coloured by Morey these scenes in particular are almost cinematic and breathtaking in scale and intensity.

Batman #99 wraps with another nerve jangling cliffhanger and it seems Dick Grayson isn’t the only one who gets a costume change this issue either! The excellent creative team of Tynion, Jimenez, and Morey are on fire with this title, and everything is now set for the momentous 100th issue of Batman and the conclusion of Joker War!

Publisher: DC Comics

Writer: James Tynion IV / Artist Joege Jimenez

Colors: Tomeu Morey / Letters: Clayton Cowles

Cover: Guillem March & Tomeu Morey

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

Detective Comics #1025 Review

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Batman, Batwoman, DC Comics, Detective Comics, Detective Comics #1025, Detective Comics #1025 review, Gotham, Joker, Joker War, Joker War Tie In, Peter J. Tomasi, Wayne Enterprises

Detective Comics #1025

Review by Paul Bowler.

Joker War rages across Gotham in Detective Comics #1025 doubles down on in his ruthless campaign against the Dark Knight. Joker and his clown-masked goons have unleashed the arsenal they’ve plundered from the sub levels of the Waynetech R&D department. Lucius Fox is also a hostage. Now Batman and Batwoman must set aside their differences and work together to rescue Fox!

After the dark, ominous tone of the previous issues leading up to Joker War, the action ramps up to eleven and beyond in Detective Comics #1025 with Batman and Batwoman teaming up to save Lucius Fox from the Joker’s clutches. Tales From The Joker War: Attack on Wayne Enterprises is of course a collateral damage tie-in to the main events of Joker War. Opening with a firefight that has Commissioner Bullock and the GCPD pinned down in a Gotham cemetery by the Joker’s henchmen, writer Peter J. Tomasi deftly engineers the circumstances to finally get Batman and Batwoman to work together again. 

I really liked the dynamic between Bullock and Batwoman in this issue as well. The two of them make a surprisingly good, no-nonsense team, albeit only briefly for this issue. Tomasi is always spot on when it comes to balancing characterisation and plot, and this action-packed issue is no exception to that rule —  with the palpable tension between Batman and Batwoman melding seamlessly with the actions as it unfolds. Their banter is a lot of fun though and the Dark Knight is even forced to take a back seat when it comes to the driving! Lucius Fox also continues to prove his worth as one of Batman’s most trusted allies in the wake of Alfred’s untimely death, despite being drugged up to the eyeball on Joker toxin, he still attempts to resit his brainwashing and shut down the 3D weapons printers assembly line at Wayne Enterprises.

The artwork by new series artist Kenneth Rocafort is good too, with overlapping panel layouts nicely accentuating the pace and flow of the action, characters are all clearly defined, and the overall look of the issue makes for a very pleasing read. Rocafort’s art and colorist Dan Brown’s use of bold tones and hues  also works exceptionally well together. Highlights included the battle in the cemetery, the fleet of Joker drones, and a tank-busting assault on Wayne Enterprises to save Lucius Fox.

Its been a long while since we’ve seen Batman and Batwoman working together (Detective Comics #981 to be precise), so it was great to see them team-up like this for Joker War. However, although they are willing to collaborate by the end of the issue, clearly they are still far from being on the same page as to their methods. I must admit I really enjoyed Detective Comics #1025 a lot more than I expected. Normally I’d avoid tie-in issues like the plague, but I’m pleased to say that this issue with its non-stop-action and strong characterisation was just the ticket — no doubt thanks to having a writer of Peter J. Tomasi’s caliber at the helm. I still feel that Tomasi’s run on Detective Comics has been held back slightly by having to accommodate so many DC Comics events and tie-in’s, but Detective Comics #1025 is certainly a key chapter in Joker War and well worth checking out.

Publisher: DC Comics

Writer: Peter J Tomasi / Artist: Kenneth Rocafort 

Colorist: Dan Brown / Letters: Rob Leigh

Cover: Kennith Rocafort

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About The Author

Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook

 

Detective Comics #968 Review

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A Lonley Place of Living, Alfred, Alvaro Martinez, Azeral, Batcave, Batman, Batwing, Batwoman, Cassandra, Clayface, Damian, DC Comics, DC Comics Rebirth, Detective Comics, Detective Comics #968, Detective Comics #968 review, James Tynion IV, Nightwing, Raul Fernandez, Red Hood, Red Robin, Tim Drake, Tomeu Morey

Detective Comics #968

Review by Paul Bowler

A Lonely Place of Living reaches its astounding conclusion in Detective Comics #968, with Tim Drake now back on Earth, but he’s also brought a fearsome menace back with him – a future version of himself that has been tragically moulded by fate to become the Batman! This misguided Batman is determined to complete his mission to kill Batwoman and change the future, not even the Dark Knight and his allies can stand against him, and now Red Robin must fight to save everything that he’s ever fought and died for…

Suffice to say, Detective Comics #968 is not only one hell of an action packed issue, its also probably writer James Tynion’s finest story arc so far during his run on Detective Comics. With its throwbacks to A Lonely Place of Dying and nebulous links to the Mr Oz storyline going on over in Action Comics, this storyline with its timey wimey narrative has made for compelling reading, and effectively brought Tim Drake‘s story full circle as he returns to the fold in a battle royal with his future self who now wears the mantel of the Bat!

Tynion skilfully balances the cast of Bat-characters in this issue, with Batman, Red Robin, Nightwing, Damian, Red Hood, and Alfred squaring off against the future Tim / Batman in the Batcave, while Batwoman, Azeral, Cassandra, Batwing, and Clayface bravely confront a lethal attack from hacked Colony drones at the Belfrey. Everyone in the Bat-Family gets a moment to shine in the spotlight, the dialogue and banter positively crackles from the page, and the team dynamic that makes this book so strong will no doubt be made all the richer by the dramatic far-reaching implication of the events that unfold over the course of this issue.

Detective Comics #968 also dazzles with some especially striking artwork, with pencils by Alvaro Martinez, inks by Raul Fernandez, and colors Tomeu Morey, the bold, free flowing page layouts and panoramic double page spreads exquisitely relay the frenetic action and emotional beats in vivid detail; while the concise letting by Sal Cipriano ensures the dialogue seamlessly blends the narrative across each and every panel. From the face-off in the Batcave to the showdown in the Belfrey, the extensive cast of characters are all impressively rendered, dynamic perspectives give each location a distinct tone, and the temporal effect that intermittently manifests around the future Tim / Batman also provides an interesting visual flourish.

This story-arc has been nothing short of brilliant, and James Tynion IV has excelled once himself again with this issue. Detective Comics 968 delivers an extremely satisfying, powerful, and moving conclusion to A Lonely Place of Living. It’s great to finally have Tim Drake back after his apparent demise in the battle with the Colony and his subsequent incarceration outside of time by Mr Oz. A Lonely Place of Living has offered us an intriguing glimpse into the future (or at last one possible future), it will be fascinating to what happens now that Tim has returned to the Bat-family, and I can’t wait to see what Tynion and Co have in store for this team next!

Publisher DC Comics.

Writer James Tynion IV / Pencils Alvaro Martinez / Inks Raul Fernandez

Colors Tomeu Morey / Letters Sal Cipriano

Cover Eddy Barrows, Eber Ferreira, & Adriano Lucas

Varian Cover Rafael Albuquerque

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Detective Comics #940 Review

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Batman, Batwoman, Brad Anderson, Cassandra Cain, Clayface, comics, DC Comics, DC Rebirth, Detective Comics #940, Detective Comics #940 review, Eber Ferreira, Eddy Barrows, Gotham, Gotham City, Jacob Kane, James Tynion IV, Orphan, Rafael Albuquerque, Raul Fernandez, Red Robin, Rise of the Batmen, Spoiler, The Colony

Detective Comics #940

Review by Paul Bowler

Batwoman confronts her father and Red Robin battles against impossible odds as the epic showdown with the Colony reaches its thrilling climax in Detective Comics #940, and it’s an issue destined to rock The Dark Knight’s world to the core. Batman, Batwoman and their new team of young heroes will soon face the chilling reality that, no matter the outcome, this battle to save Gotham may have already been lost…

For me, Detective Comics, with Batman and Batwoman fronting the team consisting of Spoiler, Red Robin, Orphan (Cassandra Cain), and super-villain seeking redemption Clayface, has been the highlight of DC Comics Rebirth and the new Bat-Books in general. From the moment it was announced, this titles concept and team structure, along with the inclusion of Clayface, captivated my imagination, and I love the dynamic that’s evolved between this fledgling superhero team as its evolved and learned to work together under Batwoman’s stewardship.

James Tynion IV ensures that Rise of the Batmen: Part 7 delivers a powerful finale for this first arc. I really like how Tynion has developed the bond between Bruce and Kate over the course of this storyline. Now they are forced to face the most challenging and difficult of circumstances, with Batwoman finally confronting her father’s treachery, as leader of the Colony and the one responsible for unleashing this army of Batmen and drone on Gotham, while Batman faces a desperate race against time to reach Tim at the old Wayne Tower.

Eddy Barrows gorgeous artwork for this issue of Detective Comics elevates the drama and tension to the max, with dynamic, almost cinematic page layouts. The scenes on and around the Colony Airship are spectacular, Barrows dazzles us with smashing action-packed moments of high drama as Batwoman’s fury spills over, but it is the moments where – having made himself the sole target of the drones – Red Robin makes his stand against this ultimate no-win-scenario that will truly have you on the edge of your seat. Eber Ferreira’s inks complement Barrows’ art brilliantly, enhancing the finer details and nuances of every scene, and the colors by Adriano Lucas meld with sublime grace to reflect the action and emotional beats of the story perfectly.

Detective Comics #940 is good, frustratingly good in fact, because to say more would completely spoil it. Suffice to say, James Tynion IV that pulled out all the stops for this one, its a master class in storytelling, plotting, and characterization. This issue has some of most powerful and emotional scenes that we’ve seen for a long time in a Batman comic. Barrows, Ferreira, and Lucas have also made this one of their most visually impressive issues so far. The emotional fallout from the cataclysmic events in Detective Comics #940 are conveyed in the most heartrending way, its moving stuff, and, needless to say, the ending will completely blow you away.

Rise of the Batmen has been a terrific start to Tynion’s run on Detective Comics. If this arc is anything to go by, I‘m sure Detective Comics will have become a must read Bat-Title for many fans, and now with the Night of the Monster Men crossover event about to begin, I can’t wait to see what Tynion and the whole creative team on Detective Comics have in store for us next!

Publisher: DC Comics / James Tynion IV

Art: Eddy Barrows / Inks: Eber Ferreira / Colors: Adriano Lucas

Letters: Marilyn Patrizio

Cover by: Barrows, Ferreira & Lucas

Variant Cover: Rafael Albuquerque

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Detective Comics #936 Review

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Alvaro Martinez, Batman, Batwoman, Brad Anderson, Cassandra Cain, Clayface, comics, DC Comics, DC Rebirth, Detective Comics #936, Detective Comics #936 Review, Gotham, Gotham City, James Tynion IV, Orphan, Rafael Albuquerque, Raul Fernandez, Red Robin, Rise of the Batmen, Spoiler, The Colony

Detective Comics #936

Review by Paul Bowler

A new threat is rising in Gotham City. Batman and Batwoman have assembled a new generation of heroes against this secret army of the Colony and their extreme tactics. Now, in Detective Comics #936, Batman is missing, and the time has come for Batwoman to take charge. But will she able to make Spoiler, Red Robin, Orphan (Cassandra Cain), and erratic super-villain seeking redemption Clayface work together as a team?

Rise of the Batmen Part 3: Army of Shadows, continues the brand new story-arc by James Tynion IV, where Batman and Batwoman have begun training a new strike force of young heroes to face the soldiers of the Colony that have modelled themselves on the Dark Knight and begun scouring the city, ruthlessly dealing with anything perceived as potential a threat – including it now seems, even Batman himself!

Tynion deftly builds on the series’ new direction and concept with Detective Comics #936, as Kate Kane confronts her doubts about training Batman’s team over a drink with former love interest Renee Montoya (she was also the Question), who makes a long awaited return here after being absent from the DC Universe – for the most part – since the New 52 reboot. It is a powerful, moving, and insightful scene for both characters. However, Montoya can easily see though Kate’s tough façade, and her parting words of advice are tinged with bittersweet sincerity for them both. From there an emergency call brings Batwoman to the teams new Belfry HQ, where Red Robin presents Kate with the news that Batman has been ambushed by the Colony, and that its now up to her to must decide what they do next.

This issue rattles along at a cracking pace. Batwoman quickly ascertains the Colony forces have military form, but it is Red Robin who really helps Kate to address her issues concerning Batman and her ability as a leader. It’s a great scene for both characters, and it offers a fascinating insight into how they both perceive Batman and feel they’ve earned his trust. The time has come for Batwoman and Red Robin to summon Spoiler, Orphan, and Clayface to the Belfry and to bring them up to speed with their mission, together with some expert advice from Kate’s father, to prepare them for what they must face with Batman now MIA.

Detective Comics #936 is a mighty fine looking issue, with pencils by Alvaro Martinez and inks by Raul Fernandez, every scene flows seamlessly into the next, and the staggering level of detail on every page skilfully accentuates the many subtleties and nuances of Tynion’s excellent scrip. From Kate’s musings on her past reflected in a her own beer glass during a quiet drink in a bar with Renee Montoya, to the dual functionality and visual spectacle of the Belfry’s huge window, this issue also delivers its fair share of big-action set–pieces as well. The colors by Brad Anderson are another major highlight of this issue of Detective Comics, with glorious tones and rich shades enhancing ever scene, especially those set in the Belfry.

James Tynion IV has done a fantastic job with this issue; it’s packed from cover to cover with action, suspense, and great characterization. Everything builds to a thrilling cliff-hanger in Detective Comics #936, a hidden agenda is revealed, the Belfry comes under attack, Clayface’s unpredictable abilities prove crucial, and Batwoman finally learns that she has what it takes to be the leader that Batman trusted her to be.

Of all the new comics that I’ve been reading recently, Detective Comics has easily been the standout new Bat-title from DC’s Rebirth event for me. Everything from the writing, the art, and its exciting cast of characters just seemed to click together right from the start. This creative team have really raised the bar with Detective Comics, its fresh, different, and TEC #936 is another excellent issue in this new story-arc.

Publisher: DC Comics / Writer: James Tynion IV / Pencils: Alvaro Martinez

Inks: Raul Fernandez / Colors: Brad Anderson / Letters: Marilyn Patrizio

Cover by: Martinez, Fernandez & Morely

Variant Cover: Rafael Albuquerque

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Detective Comics #934 Review

Tags

Adriano Lucas, Azrael, Batman, Batwoman, Cassandra Cain, Clayface, comics, DC Comics, DC Rebirth, Detective Comics #934, Detective Comics #934 Review, Eber Ferreira, Eddy Barrows, Gotham, Gotham City, James Tynion IV, Orphan, Red Robin, Rise of the Batmen, Rise of the Batmen Part 1, Spoiler

Detective Comics #934

Review by Paul Bowler

The Batman family must confront a new menace in Detective Comics #934, when an unknown enemy that looks suspiciously like Batman begins stalking Gotham City and using ruthless tactics against perceived threats. Batman and Batwoman unite to train the next generation of young heroes in Gotham: Spoiler, Red Robin, Orphan (Cassandra Cain), and the reformed super-villain Clayface, to battle crime and protect their city. ..

As well as returning to its original numbering, Detective Comics now embraces an entirely new concept, and gets a new creative team with the advent of DC Rebirth, as writer James Tynion IV, artist Eddy Barrows, inker Eber Ferreira, and colorist Adriano Lucas usher in a new era for DC’s flagship comic series. Detective Comics #934 also marks the return of Batwoman to play a major role in the DC Universe, now working alongside Batman, together they will form a new team of superheroes with, Spoiler, Red Robin, Orphan, and Clayface, to confront the challenge of this mysterious new Darker Knight prowling Gotham like a vengeful predator, but can they work as a team, and is Clayface really ready to change his villainous ways?

You know, as excited as I am by Batman, Nightwing, and All Star Batman, of all the new Bat-Titles coming our way during DC’s Rebirth, its Detective Comics that I’ve really been looking forward to the most. I often feel that Detective Comics got a bit overlooked at times during The New 52, but I’m sure all that will change; especially now on the strength of this first issue by James Tynion IV and the exciting new premise it establishes.

The initial scenes of Rise of the Batmen Part 1 flashbacks to events as Gotham’s deadly new cape and cowl attacks Azrael, it’s a brutal fight, but with Batman’s arrival on the scene this strange doppelganger impersonating Batman soon beats a hasty retreat to the shadows. The new status quo and cast of characters is quickly set out as the issue unfolds, as Kate’s father’s sentiments are echoed later in Batman’s request for her to help him find out why Azrael was attacked and who is controlling the drones that have been spying on Gotham’s vigilantes. It’s really interesting to see Bruce and Kate working together so closely again, the unusual dynamic between them really plays to Tynion’s strengths as a writer, and I’m looking forward to seeing how Batman and Batwoman will work together. Given how tense and distant their relationship has sometimes been, this issue heralds a major turnaround on that front, it’s a terrific scene, and pivotal to forging their bond of trust and respect as equal partner in recruiting and running their boot camp for their new trainees.

James Tynion IV also does a great job at handling this ensemble cast of characters, a fact that really shines through as we see Batman and Batwoman assessing and visiting Spoiler, Red Robin, Cassandra Cain, and Clayface individually over the course of the issue, and brining them together as a team to survive this new threat. Even though each student has their own unique attributes, strengths, and skills, Batwoman makes it clear from the outset their training is going to be tough; and she certainly isn’t going to go easy on them!

Then of course we have, in my opinion, the masterstroke move by Tynion and co, of having Clayface becoming part of the team! The scene were Batman and Batwoman recruit Basil Karlo proves to be a really powerful and emotional scene for the character, I found it genuinely moving, and the dynamic between Batman and Batwoman here is pitched perfectly. Ok, hands up, I admit I’m more than a little biased here, because Clayface is my all-time-favourite villain from Batman’s rogues galley, and I’m thrilled to see the character become such an integral part of this series, but is he really ready for redemption? Only time will tell…

Detective Comics #934 features some gorgeous artwork by Eddy Barrows and inks by Eber Ferreira. The page layouts are bold and dramatic, Barrow’s art is finely detailed and conveys the often kinetic action with an almost fluidic sense of pace and movement, all the characters are impressively realized, and Ferreira’s inks really brining out the finer nuances of Barrow’s work to such a degree that each scene literally bursts from the page with the sheer immersing power of characterization and spectacle in this issue. Likewise, colorist Adriano Lucas builds the tension and drama with a subtle blend of rich hues and bold tones, while the clever use of light and shadow accentuates the mood of countless scenes to make this issue an outstanding synergy of storytelling and art. This issue has so many highlights: Batman standing framed in light in St Michael’s Cathedral before the fallen Azrael, Batwoman swinging across the Gotham skyline, the recruiting of the individual team members, and the stunning welcome to boot camp at the Bat-Signal that emulates this issues stunning cover by Barrows, Ferreira, Lucas is a sublime move that neatly bookends the issue in fine style.

James Tynion IV has done a terrific job with Detective Comics #934, the new premise and mission scenario is set out for Batman, Batwoman, and their new team in a way that gradually builds the mystery and suspense, before the issue closes with a startling glimpse at the true scale of the menace they will all soon have to face. James Tynion gives all of the characters a moment to shine, while Eddy Barrows, Eber Ferreira, and Adriano Lucas ensure the issue is busting from cover to cover with impressive visual, along with concise letting from Marilyn Patrizio, collectively gets this new creative teams run on Detective Comics off to a great start!

Publisher: DC Comics / James Tynion IV / Art: Eddy Barrows

Inks: Eber Ferreira / Colors: Adriano Lucas / Letters: Marilyn Patrizio

Cover by: Barrows, Ferreira & Lucas / Variant Cover: Rafael Albuquerque

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Batman Eternal #15 Review

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Arkham Asylum, Batgirl, Batman, Batman Eternal, Batman Eternal #15, Batwing, Batwoman, DC Comics, Derek Fridolfs, Dustin Nguyn, Harper Row, James Tynion IV, Jason Kalisz, Jim Corrigan, John Layman, Ray Fawkes, Red Hood, Red Robin, Scott Snyder, Tim Seeley

Batman Eternal #15

Review by Paul Bowler

Gotham’s gang war is over following the blood soaked showdown between Penguin and Carmine Falcone. While Jim Gordon had to make a decision that could alter his life forever, Lieutenant Bard and Batman reached a new understanding after tackling the corruption within the GCPD, leading to the arrest of Commissioner Forbes and the Mayor. Batman Eternal #15 follows Red Robin’s mission to Tokyo, while Batgirl and Red Hood run into Batwoman in Rio. Plus, as Batman and Bard deal with the remaining gangs in Gotham, we return to Arkham Asylum, where Batwing and Jim Corrigan must confront the hellish forces which have been unleashed there.

Batman Eternal #15 juggles multiple pot strands, building successfully on the aftermath of the gang war, while also giving the rest of Batman’s globe trotting allies’ time in the spotlight, as well as the sinister events in Arkham Asylum. With its fast paced story by writers Scott Snyder and James Tynion IV, script by Ray Fawkes, along with consulting writers John Layman, and Tim Seeley, Batman Eternal #15 makes good use of all the characters and finely hones each aspect of the multiple plot threads that have been gradually building over the course of this weekly series.

The Common Limit sees Red Robin pilot his aircraft to Tokyo, having uncovered the stowaway Harper Row en route, who is determined to find out who is behind the nanotech that is slowly killing her brother. There are some really fun moments between Red Robin and Harper during these early scenes, the banter between them is excellent as well, especially when Harper gets his name wrong and dons a makeshift mask, something that nicely links into the Bluebird crime-fighting persona we know she will eventually adopt (as we saw in Batman #28) to fight alongside Batman.

As Batwing and Jim Corrigan explore Arkham the full extent of what has been happening begins to become apparent. While they may seem an unlikely team, the combination of Batwing’s hi-tech suit and Corrigan’s in-depth knowledge of occult forces, actually works really well, and the characters seem to have stuck up a very natural bond. Their descent into the lower levels of the Asylum is quite unsettling, we catch sight of Riddler’s cell, a shadowy stairwell finds an inmate babbling with all kinds of madness, and the Scarecrow’s fate is almost as disturbing as the bizarre manifestations in his cell.

Two further interludes, one involving Batman and Lieutenant Bard as they round up the remaining gangs members, the other with Batgirl, who has reluctantly teamed up with the Red Hood, on her mission in Rio to find evidence to clear her father of causing the Gotham train crash, although brief, ensure that both subplots are kept bubbling away in the background. I really like the dynamic between Batman and Bard, it’s very different to the one the Dark Knight had with Gordon, and I look forward to seeing how it develops over time. Batgirl and the Red Hood also had some intense scenes, and it was good to see Batwoman show up as well.

Dustin Nguyn’s art for this issue of Batman Eternal is excellent, together with Derek Fridolfs inks, the various locations and extensive cast of characters are all handled really well. Nguyn’s art brings a real sense of kinetic action to every scene, especially the segments in Arkham, with its sinister supernatural elements and hordes of raving lunatics lurking down in the Asylums shadowy depths. The colors by Jason Kalisz also gives each section of the story its own distinct tone: from the crimson hues inside Red Robin’s aircraft, the greys and blacks of Gotham are in stark contrast to the purple neon glow over a back street in Rio, while the horrors of Arkham are cloaked in mixture of deep shadows and ghoulish magic as Batwing and Jim Corrigan explore its secrets.

Batman #15 rounds everything off with a thrilling double edged cliff-hanger, one that will see Batwing’s reliance on the technology of his armoured suit pushed to the limit, while in Arkham’s basement Corrigan must face a new terror waiting in the darkness. I really enjoyed this issue, the various plot elements all meshed together well, and I also liked how we finally got to return to the storyline in Arkham as well. All in all then, I’d have to say Batman Eternal #15 was a good solid issue, the story and art were really impressive, and I look forward seeing how the intriguing global adventures with Batman’s allies and the supernatural storyline in Arkham pans out, as well as the impact they’ll have on future events in Batman Eternal.

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