At las the long wait is over. Check out the awesome new trailer for Doctor Who: The Power of the Doctor. Jodie Whittaker’s swansong as the 13th Doctor looks set to be an epic adventure as she faces her final battle in The Power of the Doctor on 23rd October 2022!
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
The worlds of magic and superheroes collide in Vanish #1, the new creator owned Image Comics series from writer Donny Cates (GOD COUNTRY, Hulk, Thor) and artist Ryan Stegman (Venom, King in Black). Vanish delivers squarely on the initial premise Cates skilfully blends into the narrative of this opening issue; fusing a heady mix of dark fantasy, visceral gore and brutal superhero action to forge a blistering introduction to the fractured existence of Oliver Harrison. A former protege trained in the Out-World of Magic, at fourteen he vanquished the greatest threat to his realm, but the rules he broke to do so came with a high price. Now as an adult he drifts through a mundane existence in the real world, his past all but forgotten as his life drowns in a sea of mental instability, drink and drugs. But his efforts to hide from his nightmarish past take a sharp turn when he is saved from muggers by a hero named Pocket Rocket. Oliver’s dark past resurfaces with a vengeance during this chilling encounter and sets him on a quest to embrace his destiny as the chosen one once more.
Donny Cates takes a slow and deliberate approach to brining this new world of fantasy and heroes to life. What at first appears to be an everyman route to Oliver’s origin quickly takes a dark detour as Cates explores our anti-heroes chequered.past in what can best be described as an R rated Hogwarts. From there we witness the cataclysmic events that brought Oliver Harrison to where he is now as an adult. Its an unflinching trek through magical worlds, where a gifted youth is thrown away, while evil sorcerers and heroes battle for supremacy and power.
Stegman and Mayer’s artwork feels like a throwback to the early, days of Image Comics. There are some pretty distinct Venom flourishes thrown into the mix as well, especially during the grittier sequences . The flow of the story is perfectly matched in the visuals, concise page layouts give the action and characters scope to breath, and the overall level of detail crammed into every panel is little short of spellbinding. Sonia Oback’s colors further enhance the moody atmosphere and edgier tone of this new series.
The way everything is set up in this issue is almost as engrossing as the premise itself. It may be a bit OTT in places, but that’s all part of what makes this issue such a compelling and exciting read. With its no-holds-barred mature themes and striking artwork Vanish #1 is easily one of the best new creator owned comics I’ve read in a long time. If edgier superheroes and dark fantasy are your thing, then Cates and Stegman’s new Vanish comic series is sure to be right up your street.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Schemes and betrayal mount in Spawn #333 following Spawn’s audience with his former mentor, Cogliostro, now known as the all-powerful Sinn! Their clash revealed just how much Sinn’s power has grown. In fact, Spawn got his butt well and truly kicked. Now Al has become totally obsessed with hunting down and stopping Sinn, but Spawn’s allies have all-but abandoned him, and a new even deadlier threat is growing. Recent issues of Spawn have seen Al becoming more and more isolated from his friends after he resolved to go it alone as the power struggle for Throne of Hell escalated. Spawn #333 sees friends and foes alike plotting against Spawn. Writer Rory McConville’s deftly juggles numerous plot strands and characters in this issue, with additional script by Todd McFarlane, and its these powerful-scenes and sinister machinations that form the driving force for much of the narrative. At times there seems a bewildering array of dark skulduggery brewing, each with the sole aim of taking Spawn down and wresting control of the Dead Zones from him.
Even Haunt and Marc are seemingly prepared to betray Spawn, although Marc still feels uncertain about it and wants to try and reason with Spawn first directly. Meanwhile Sinn is conducting his own gruesome recruitment drive, but newcomer Cadiiclus, a former servant of the Clown, may yet proved Sinn with a way to seize the throne and reopen the Dead Zones without Spawn’s power.
This is one hell of a stylish looking issue as well. Carlo Barberi’s finely detailed artwork together with Jay David Ramos’ vivid colors make for a winning combination, and the dark brooding atmosphere they craft makes this a truly riveting issue to read. The characters are all superbly rendered too, no mean feat considering the wealth of different characters featured over the course of this issue, and there is a real sense of growing dread as so many different and opposing factions close in on Spawn.
If you’ve been following recent developments across the Spawn’s Universe of titles then this issue of Spawn delivers on every level, newcomers though might find it all a bit overwhelming. Perhaps the biggest highlight of this issue cones in the furious exchange between Spawn and Marc. Its a dramatic, no-holds-barred diatribe of home truths and shock revelations that might well change their friendship forever. It is this tumultuous turning point, along with its mix of intrigue, plots and all-out action that makes this another cracking good issue, and essential reading for Spawn fans.
Publisher Image Comics
Writer Roy McConville / Todd McFarlane (Additional Script)
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Spider-Man Man – Man Wolf at Midnight Epic Collection
Review by Paul Bowler
Man Wolf at Midnight is Marvel’s latest addition to their Spider-Man Epic Collection range. Weighting in at a whopping 416 pages of Bronze Age goodness, it heralds a stark era of change for our friendly neighbourhood Spider-Man in the aftermath of what was arguably one of the darkest periods of Peter Parker’s life – the death of Gwen Stacy. There’s also a wealth of iconic events and introductions too as this collection revisits the origins of The Punisher, Man-Wolf, and the Spider-Mobile! This extensive collection features stories from The Amazing Spider-Man #124-142, and Giant Sized Super Heroes, all written by Gerry Conway, and with artwork by Gil Kane, Ross Andru, Paul Reinman, John Romita, Sr., Tony Morello, Jim Mooney, Frank Giacoia, Dave Hunt, and Mike Esposito.
Gwen Stacey’s death hangs heavily over the opening issues, with Peter an emotional wrecks as he struggles to come to terms with his girlfriends demise. Peter’s peers and supporting cast also feature prominently throughout this Epic Collection as they rally round their friend during this difficult time. This inevitably leads to some emotionally fraught moments as Peter begins to crack under the strain of his grief and his wall-crawling adventures as Spider-Man.
Over the course of this volume Peter finally moves into his own apartment, his relationship with Mary Jane also begins to take shape, all while juggling his studies and work at the Bugle with the ever increasing demands of being Spider-Man.
Indeed, this Epic Collection is a treasure trove of first appearances and iconic moments for Spider-Man amongst all this personal turmoil, most notably the first appearance of The Punisher, as well as Col. John Jamerson as Man-Wolf, the deadly Tarantula, and the debut of the Spider-Mobile; the super-charged beach buggy Spidey builds with the help of Johnny Storm. On top of all that we have the shocking reveal of Harry Osborne as the new Green Goblin, Aunt May’s not-quite wedding to Doctor Octopus, and the Jackal hatching nefarious schemes in the background. A wealth of other villains from Spider-Man’s colourful rogues gallery feature as well including: The Vulture, Kangaroo, Mindworm, Mysterio, The Grizzly, Hammerhead, Molten Man and Morbuis.
While this Epic Collection might not exactly be up there with the classic runs of Spider-Man comics, there is still loads to enjoy here, and I’m sure plenty of nostalgia for many too as they revisit this formative era of Spider-Man.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
The hunter becomes the hunted in Marvel’s long delayed Predator #1, written by Ed Brisson (Iron Fist, Ghost Rider), and with art by Kev Walker (Dr Strange, Doctor Aphra). Considering the immense legacy of the 1987 classic Predator film directed by John McTienan and the numerous Dark Horse Comics mini-series’ fans have enjoyed over the last thirty years, Disney’s absorption of the licensing agreement has now seen this long-delayed new Predator comics series finally become a reality. Writer Ed Brisson’s Predator #1 certainly has a tough act to follow with this new six-part story: Day of the Hunter. Right from the outset we are reintroduced to these extraterrestrial hunters and the sheer power of their advanced weaponry. However, what initially appears to be a smackdown between two raging Predators on a strange alien world is resolved through a surprise twist of fate that has seen the most formidable hunters in the galaxy becoming the prey. Set in the far future, the narrative is interspaced with flashbacks detailing how a young girl, Theta, witnessed the slaughter of her family during a survey mission on a newly discovered world. She grew up and vowed to hunt down the Predators, using their own armour, weapons and tactics against them… determined to hunt down the Predator that killed her mother in cold blood.
Now Theta stalks the galaxy in her parents same research vessel, with only its AI for company, and a thirst for revenge against the Predator that changed her life forever. When the native lifeforms on a planet she’s liberated from a Predator turn against her fearing she is actually one of the hunters themselves, Theta is forced to beat a hasty retreat back to her ship and escape into space.
Fortunately Theta salvaged information from the Predator’s vessel that yields some fresh leads on her target, but her ship is in a dire state, systems are breaking down and food supplies are running short. She has no option but to head for Port Medway, but being an outlaw from the authorities in what is technically a stolen ship now presents Theta with a whole new stack of problems to contend with.
Kev Walker’s art may be a tad conventional, but Walker brings a dynamic sense of motion and energy to the action sequences. The page layouts are straightforward and unfussy, which actually works well to highlight the narrative breaks as we follow Theta hunting in the present and confronting her Predator nemesis in the flashbacks. Colorist Frank D’Armata melds vidid tones and hues to accentuate every scene, and VC’s Clayton Cowles ever dependable lettering makes the exposition heavy sections less of a plod and more engrossing to read. After the initial battle between the Predator and Theta, the alien hunters presence is used sparingly. Its a good move as it helps build the suspense through means of the flashbacks, with the Predator using its high-tech camouflage to enable it to pick off the survey team one-by-one, before we finally get to see one up close and personal in all its glory.
The issue builds to a nerve jangling climax as Theta’s mission forces her to face her greatest fear, in both the past and the present. Its a heartrending moment, and one that will no doubt set the tone of this series moving forward. After such a long delay I wasn’t honestly expecting much from this new Marvel Comics Predator series, but I was pleasantly surprised at how good it actually turned out to be. Predator #1 gets off to a cracking good start, Ed Brisson and Kev Walker have ultimately proved to be an inspired creative team for this book, and there’s plenty that fans and newcomers alike will find to enjoy here in their bold new take on the Predator franchise.
Publisher Marvel Comics
Writer Ed Brisson / Artist Kev Walker
Colorist Frank D’Armata / Letterer VC’s Clayton Cowles
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
The one missing piece of lore from Sean Murphy’s White Knight alternative Batman universe has always been a particularly intriguing quandary. A quirk of writing on Murphy’s part had Jason Todd portrayed as the first Robin by the acclaimed Batman White Knight series. Now the mystery of what happened to Jason Todd is finally revealed in Batman: White Knight Presents Red Hood #1, as Murphy’s Esleworlds style White Knight saga continues to expand in DC Black Labels new two-part miniseries. Co-written by Murphy along with Clayton McCormack, with art by Simone di Meo and colorist Dave Stewart, Batman: White Knight Presents Red Hood delves into Jason Todd’s fall from grace as the first Robin – where he gave up Batman’s secret identity to the Joker and unbeknown to the Bat-Family was actually still alive out there somewhere. That juicy narrative thread is the tantalising hook which provides the catalyst for this miniseries’ premise and the fascinating insight it offers into Jason Todd’s character.
Jason’s story is one that has reverberated throughout the White Knight universe and impacted on virtually every character. Having cheated death at the hands of the Joker by betraying Batman in the opening flashback, the issue flash forwards to even darker times in Neo Gotham. Jason Todd has spent years going form pillar to post, he’s been kicked out of the military and turned his back on the Superhero game for good. Now older, drunker and seemingly non-the-wiser our red-motorbike helmet wearing vigilante has taken to stealing from street gangs. That is until he crosses paths with a new Robin girl wonder wannabe called Gan.
The writing is really pacy, emotive and injected way more fun into this story than I was expecting – especially after the grim opening scenes. I really liked the dynamic between “Beer Guy” and this new Robin as the crime-fighting lessons begin. Jason is determined to do a better job training this Robin than Batman did with him, the dialogue and sentiment proves quite moving at times as well. Simone Di Meo’s art has a distinct Manga quality that is very different from Murphy’s work on this universe, but in the context of this story the different artistic style and warmer color pallet Dave Stewart employs works extremely well. Batman: White Knight Presents Red Hood #1 delivers a long-awaited insight into the legacy of the Red Hood and his place in the White Knight universe. His mentorship of the new Robin also makes for a terrific read and I’m excited to see how this story plays out.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
With the new creative team of writer Ram V (The Swamp Thing, Catwoman, The Meany Deaths of Laila Starr) and artist Rafael Albuquerque (American Vampire, Superman / Batman) at the helm Detective Comics #1062 sets out an eldritch Gothic threat that will strike at the heart of the Dark Knight’s world like never before. This issues ominously titled “Overture” kicks off Ram V’s “Gotham Nocturne,” an epic all-new four part storyline. From the outset its clear this tale is going to be one steeped in operatically charged horror and music. Something is also terribly wrong with Batman. Despite all of his best efforts, Bruce has been unable to pin down the source of the foreboding dread which besets him and the city he is sworn to protect. Indeed, the worlds greatest detective will soon confront his inner demons and his own mortality as a terrifying invasion of real demons start emerging from the shadows of Gotham City – a horror that is spawned with devastating consequence from the uncanny melody currently haunting the darkest corners of Gotham…
Ram V works his magic again with this impeccably paced scene-setting issue. Juggling rich characterisation and dark Gothic horror with consummate ease to craft a spellbinding mystery that inexorably builds around the Dark Knight. Whether he’s cracking a smuggling ring, battling a grotesque monster, or figuring out the workings of a strange box that looks like something from a Hellraiser movie, Batman is constantly on the back foot as the sinister events – seemingly orchestrated by a secret cabal – threaten to overwhelm him. Although the curtain is raised on this new threat, Ram V wisely keeps the air of suspense building, immersing us in rich characterisation and intricate plot twists as Batman realises he has only scratched the surface of this mystery. The full scale of what he faces in Gotham Nocturne gradually becomes apparent. But just who is human, who is demon, and has there been a demon within Batman all along?
The artwork by Rafael Albuquerque is every bit as impeccable and compelling as we’ve come to expect. Every page is awash with vivid imagery and brooding atmosphere – enhanced further by Dave Stewart’s exceptional use of colour and tone. Rafael Albuquerque masterfully captures the essence of the Batman’s world and the chilling danger he faces. Everything from the unflinching action, to the simmering lurking dread and the Gothic majesty of Gotham itself is all sublimely rendered via the prism of Albuquerque’s distinct take on Gotham. There’s lashings of visceral horror and gore too. One particularly gruesome sequence that really stands out is a startling transformation and fight with a hulking monstrosity. Bruce also experiences a horrific nightmare at one point that proves especially unsettling – highlighting just how vulnerable the Dark Knight really feels.
Simon Spurrier (Legion of X, Suicide Squad: Blaze) is on board as Detective Comics ongoing backup writer In these backups, Spurrier is set to explore various characters across Gotham, and how their stories interact with Batman’s wider world. The first new story feature Jim Gordon’s welcome return as a private investigator, with artwork by Dani (Arkham City: Order of the World, Coffin Bound), ‘The Coda’ is a stylish noir-tinged tale where Gordon’s case to find a woman’s missing son leads him into the ruins of Arkham. Detective Comics #1062 also marks the debut of a fantastic new logo and border designed by Darran Robinson. The issues stunning main cover is drawn by Evan Cagle, with variant covers by Lee Bermejo and J.H. Williams III, as well as InHyuk Lee, and a foil variant by J.H. Williams.
The new creative team hits the ground running with Detective Comics #1062 and brings a haunting new aesthetic to the fore as Batman is confounded by the unimaginable horror that’s sweeping across Gotham. Expectations for Ram V’s run on Detective Comics has been high, his skill in melding horror and drama is flawlessly applied here, and together with Rafael Albuquerque’s superb artwork I’m pleased to say this issue exceeds all expectations.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
A new era begins for the Dark Knight with Batman #125 and marks the debut of the hotly anticipated creative team of Zdarsky, Jimenez and Morey on DC Comics flagship Batman title. It becomes clearly apparent from the outset that Chip Zdarsky is very much indeed on board for the “long haul” with this run, especially if the catalogue of seismic events in this dark, brooding opening story arc are anything to go by. “Failsafe” sees Bruce Wayne’s life reaching a significant turning point with Bruce haunted by dreams of a tripled Clown Prince of Crime, the Dark Knight must also grapple with a gruesome spate of murders, and the far-reaching mystery behind them. The victims are the billionaires and high-flyers of Gotham, and as Batman starts to uncover the dark connection between them it gradually puts everyone closes to him in mortal danger.
Chip Zdarsky quickly establishes the new status quo for his era of Batman with Bruce dealing with the ominous fallout from his unsettling dreams, leading to a poignant interlude as Bruce briefly touches base with Selena Kyle, before the plot really kicks into high gear. Its really good to see Tim Drake’s Robin working closely alongside Batman once again for this series. Zdarsky brings an entirely fresh energy to this Dynamic Duo, and its great to see them back in action as a team again. We also learn that Bruce has clearly struggled with his unique work-life balance since loosing the bulk of his fortune. Indeed, it seems Bruce Wayne has almost become surplice to requirements now in the Dark Knight’s war on crime, something Tim is quick to point out to him.
Zdarsky skilfully weaves several intricate narrative threads across this issue, some of which involve the Penguin capitalising on the recent murders for his own advantage. But a flurry of curveball plot twists mid-way through the issue soon sets a tragedy of events in motion that reopens old wounds for Batman and leads to the emergence of the brand new horror that is Failsafe.
Artist Jorge Jimenez and colourist Tomeu Morey make a welcome return to this series after seven month away. From the urban gothic of the Bat-Cave to the glitz of the Iceberg Lounge Jimenez’s gorgeously rendered artwork is always a feast for the eyes, and together with Morey’s richly honed color pallet they harness a vivid noirish tone and style that melds perfectly with Zdarsky’s vision of the Dark Knight’s world. Gotham has never looked better and Batman is more imposing than ever. The level of detail Jimenez packs into every page is quite astonishing, there are some big action-set pieces to die for, and exquisite moments of characterisation that capitalise on all the emotional beats of Zdarsky’s script.
The backup story by Zdarsky, artist Belen Ortega and colorist Luis Guerrero focuses on the power struggle that has broken out in the criminal underworld of Gotham in light of recent events, with Selina Kyle caught in the middle! It sets up a self-contained addendum to the main story line and provides a good showcase for Selina, who might well even make a tidy profit from all the turmoil? While not exactly the highlight of the issue, Two Birds, One Thorne does hold one surprise reveal that I doubt anyone saw coming.
Zdarsky, Jimenez and Morey have certainly got their new six-part “Failsafe” arc off to a confident start here with this giant sized issue. While I enjoyed this issue, I wasn’t quite as blown away by it as I was expecting. That said Batman #125 still has plenty of stand-out moments and shock surprises for fans to enjoy, the exposition gets a bit heavy in places, but overall the break-neck action and fantastic artwork are by far the biggest selling points. An impressive, if somewhat formulaic, start to this new era of the Dark Knight.
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Doctor Who Origins #1 from Titan Comics kicks off an untold adventure for the Fugitive Doctor. This brand new four-part mini-series finds the Doctor working for the mysterious Division on a highly dangerous assignment, where she uncovers a dark, insidious secret. This never-before-seen adventure will reveal why this incarnation of the Time Lord became known as the Fugitive! Way back in 2020 we were first introduced to Jo Martin’s Fugitive Doctor in the TV episode Fugitive of the Juddon. We discovered that she was a former agent of the Division, now on the run from her own people, and destined to one day have all her memories erased. The Doctor Who Free Comic Book Day 2022 Edition paved the way for this story, now Titan Comics are exploring this intriguing missing era of the Time Lord’s life even further with Doctor Who: Origins, a tale that delves into the Fugitive Doctor’s work for the Division alongside her Weeping Angel travelling companion.
The excellent creative team that brought us the Doctor Who comics Missy and Time Lord Victorious, of writer Jody Houser, artist Roberta Ingranata and colorist Warnia K. Sahadewa have reunited to for this exciting new chapter from the Fugitive Doctor’s mysterious past. Having narrowly avoided a particularly sticky encounter with an angry Racnoss, the Fugitive Doctor and her Weeping Angel companion return to the TARDIS, where the Doctor promptly gets a summons to a not-so-clandestine meeting where she receive her first mission from the Division, and a new Time Lord companion fresh out of the academy – Taslo.
One thing I always like about Titans Doctor Who comics is the fact they are always self-contained stories, and perfect for fans both old and new to jump on to at any point. Doctor Who Origins is a great example of this trait and writer Jody Houser skilfully weaves the plot and mystery surrounding the Doctor and Taslo’s mission. The Fugitive Doctor’s quirky deadpan humour is evident throughout, nailing Jo Martin’s portrayal of this incarnation perfectly. This Doctor is clearly not overly thrilled at being lumbered with a new companion, especially considering how naive and gung-ho she can be at times, but the Doctor gradually warms to Taslo and seems to welcome her role as mentor to the young graduate.
Roberta Ingranata’s stylish artwork and free-flowing page layouts nicely convey the story and emotional beats, the early action sequence to recover alien spider eggs is well paced, and the scenes in the TARDIS with the Weeping Angel are another highlight – I really like the Classic Who vibe of the Fugitive Doctor’s TARDIS interior. The characters are all impressively rendered along with the environments, especially the planet where they make first contact with what is supposed to be a hostile species, and colorist Warnia K. Sahadewa’s vivid tonal pallet really shines here as we see the Time Lords step out onto a bizarre alien world.
Along with the impressive regular cover, Doctor Who Origins #1 is also available in a choice of variant covers — including a glow-in-the-dark Weeping Angel cover! This is a great scene-setting issue to explore the concept of the Doctor’s perviously unknown regenerations, and the creative teams interpretation of Jo Martin’s wonderful Fugitive Doctor is brilliantly realised. Doctor Who Origins #1 explores a forgotten era – one that presents a wealth of untapped possibilities – to provide an exciting adventure for the Doctor’s most mysterious and eclectic incarnation of all.
Publisher Titan Comics
Writer Jody Houser
Artist Roberta Ingranate / Colorist Warnia K. Sahadewa
Letterer Richard Starkings & Comicraft’s Jimmy Betancourt
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
Blimey, my little blog Sci-Fi Jubilee is now 10 years old! My how that time has flown eh? I’ve had a fantastic time writing this blog over the years, writing film, TV and comic book reviews as well as numerous articles. I’m so happy Sci-Fi Jubilee is celebrating its 10th Anniversary, the fact my blog has reached that milestone is all down to you. Sci-Fi Jubilee wouldn’t be anything without any of you. Its been quite a journey and knowing you’ve been here with me all this time means so much to me. So I wanted to take this opportunity to say a big, heartfelt thank you to each and every one of you for reading and supporting my blog.
You have given me so much amazing support via your comments on Sci-Fi Jubilee, you’ve nominated my blog for awards, shared my reviews on Twitter, WordPress, Sci-Fi Jubilee’s Facebook page and subscribed to my YouTube Channel as well – something that has also become a key feature on the blog over the years. I really enjoy making gameplay videos, especially Boss Fights, and I’ve even had a go at making short cinematic style gameplay videos too with added music tracks.
I’ve also had a go at sketching again as well and doing some artwork. I’ve always loved to draw but injured my hand many years ago getting a glass out of the dishwasher – the glass shattered as I removed it from the rack and caused a nasty laceration. I never really recovered full use of that hand, so I kind of gave up on art, but recently I thought I’d give it another try.
This is my first real attempt at drawing and art again in years and I’m loving it! I doubt I’ll ever be able to draw like I used to but I’m having great fun sketching again. Thank you so much for all the support and encouragement you’ve given me with this.
Of course, the last couple of years has been unimaginabley difficult for us all in so many ways because of the COVID 19 Pandemic and lockdowns we’ve endured. Sadly, my dear mother passed away during the first lockdown here in the UK. That was a terrible, heartbreaking time for me and my family, and I know many of you experienced the loss of a loved one during those awful times as well. Needless to say it did make me step back a bit and take some time out, reevaluate priorities, and spend time with my family. I kept on blogging though, but with less of a schedule, and more of a relaxed approach which I still intend to maintain going forward from here with the blog.
I really like the interactive aspect of blogging the most. The way we interact and share opinions here on Sci-Fi Jubilee has also spilled over to my Twitter account as well, where I often chat about the reviews I’ve done or the things I’m writing about. I also started doing a Friday Film choice during lockdown on Twitter, and that turned out to be so much fun its something I’ve continued doing as well.
When I started blogging, never in my wildest dreams could I have imagined that Sci-Fi Jubilee would become such a big part of my life as ultimately it has, and I can’t thank you enough for that. It is your support and feedback that makes Sci-Fi Jubilee and blogging so enjoyable and special to me. This blog has grown so much in the last ten years, its given me amazing opportunities, allowed me to write on other websites and projects, and that’s all thanks to you! So cheers for all your awesome support everyone, I couldn’t have done any of it without you, and here’s to many more fun years of reviews on Sci-Fi Jubilee!
Hi, I’m Paul Bowler, blogger and reviewer of films, TV shows, and comic books. I’m a Sci-Fi geek, a big fan of Doctor Who, Star Trek, movies, Sci-Fi, Horror, Comic Books, and all things PS4.You can follow me on Twitter @paul_bowler,or at my website, Sci-Fi Jubilee, and on YouTube and Facebook
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